Posts Tagged ‘The Last Quarry’

Hey Kids! It’s Book Giveaway Time

Tuesday, September 30th, 2025

We’ve not had a book giveaway here at the Update for some time, and I’m about to remedy that.

Last year Hard Case Crime reissued The Last Quarry in trade paperback form (with some bonus material in back, two of the three Quarry short stories from the ‘80s). Now HCC is taking the same trade paperback approach with The First Quarry (minus the bonus short stories).

What makes these reissues notable?

Well, the first three Quarry novels Hard Case Crime published (The Last Quarry, The First Quarry and Quarry in the Middle) appeared in the smaller original mass-market paperback size. This is for all of you who like to shelve your titles together – whether you are OCD or just particular – and would prefer your row of Quarry novels be all of the same format/size. Now you we no longer have to suffer with the indignity of the first three novels not lining up perfectly with the rest! Even the first four novels, as originally published by Berkley Books, were originally in mass market size. The fifth, Primary Target, re-titled Quarry’s Vote at HCC, was in hardcover and then a mass-market-sized paperback. All five are now HCC trade paperbacks.

I believe, though I am not absolutely certain, that Quarry in the Middle will also receive a trade paperback edition from Hard Case Crime, next year.

So, even if you have the original edition of The First Quarry, you are welcome to participate in this book giveaway. It works like this: e-mail me requesting the book at macphilms@hotmail.com. Even if you’ve won a title in a previous giveaway of mine, you must include your snail-mail address. Though no strings are attached, it would be nice if you’d review the book at the Amazon and/or Barnes & Noble sites, or your own blog, if you have one. The offer is open to US residents only, due to shipping costs.

[All copies have been claimed! Thank you for your support. –Nate]



I’ve talked about this before, but just in case you didn’t hear it from me, on an Update or otherwise, here’s why The Last Quarry was not the last Quarry, and why The First Quarry is not the first Quarry.

When Hard Case Crime got started, editor Charles Ardai approached me about reprinting Blood Money, the second book in my Nolan series (the first being Bait Money). I requested he collect both books in one volume, asking for no extra money, as I thought it awkward to start with the sequel to a long-out-of-print book, which Bait Money was at the time. He agreed and you can now get those books together as Two for the Money.

The Nolans did well enough for Charles to request I do another in the series. I said I’d prefer to do a Quarry novel. The series had something of a cult following (of course, as Donald E. Westlake said, a cult author is seven readers short of making a living) and I’d always felt the character should have put me on the map, which it hadn’t. The series was in fact dropped by Berkley Books after those first four entries.

But I’d recently made (with director Jeffrey Goodman) a short film about Quarry, based on my short story “A Matter of Principal.” The film did well at festivals and was warmly received when screened at a Bouchercon.

For this reason, and my own affection for the character, I wrote The Last Quarry for HCC, telling Charles I was thrilled to be able to wrap the series up (as the title suggests). I’d also been promised a Robert McGinnis cover, which I got. (And I should note that The Last Quarry was based on my screenplay of the eventual film called The Last Lullaby. The final film differs somewhat from my novelization.)

Then the damnedest thing happened: The Last Quarry was a success, garnering good sales and terrific reviews.

CUT TO: Charles and I are standing in a buffet line at a subsequent Bouchercon when he says, “It’s too bad you ended the series with The Last Quarry.” And I say, “Why don’t I write The First Quarry?”

Thus began a long series of Quarry novels (I’m working on Quarry’s Reunion, the thirteenth for Hard Case Crime), novels that have earned several Shamus nominations from the Private Eye Writers of America and two Edgar noms from the MWA. And there was a one-season of a QUARRY TV series from HBO/Cinemax, focusing on Quarry’s origin.

Not bad for a busted mid-‘70s paperback series.

Most of the new novels have me exploring the premise of Quarry using the late Broker’s list to track assassins to their next target, and offering a service to that target: stopping the hit by killing the assassins and discovering who bought the kill contract. This is what was set up in Quarry’s List, the second of the original four novels.

Some of these subsequent novels, like The First Quarry, tell of contracts Quarry carried out prior to – it gets confusing now – the events of the first Quarry novel (originally published as The Broker, currently carrying my preferred title, Quarry). Among these contract-killer novels are Quarry’s Choice and Quarry in the Black.

Another sub-set in the series are the “old man” Quarry novels, where the character is roughly my age Quarry’s Blood, Quarry’s Return).

I run into potential readers wanting to know what order to read the books in. I always say, I didn’t write them in order, so why read them that way? I would prefer to point such readers to two particular favorites of mine, Quarry’s Choice and The Wrong Quarry.

Is there a difference between the first four (Quarry, Quarry’s List, Quarry’s Deal and Quarry’s Cut) and subsequent entries, including the one I’m working on now?

Yes. There is more humor – dark humor, but more – in the later books.

One reason I didn’t try to take the series elsewhere, when Berkley dropped it, was my feeling that each novel had to top the last in extreme violence. Why did I feel that way? It’s not because I’m a sadistic nincompoop. It’s because, structurally, the early books are about showing Quarry in the first chapter or so doing something terrible, then in subsequent chapters (the bulk of the book) getting the reader to kind of forget that and come to like Quarry and view him as a reasonable guy (and a point-of-view character you could take the ride with). Then, at the end, faced with a situation that an actual normal human would otherwise deal with, Quarry again does something terrible.

All of this grew out of my desire to, in my way, top the great Richard Stark (Don Westlake) Parker novels. I had already written the first five Nolan novels, which were frankly imitative of the Parker series. I instead wanted to show readers (like me) of “crook books” with protagonists who worked the left-hand side of the street just what kind of “heroes” we (me) were identifying with.

The Parker novels were heist yarns told in third-person, giving readers some distance between them and the criminal events. I decided to do, instead of a professional thief, a hired killer, and tell the stories in the first person – put the reader inside Quarry’s head, and ultimately confront readers with just who it’d been they were rooting for.

To some degree, this approach is inherent in the later Quarry novels, yes, but the dark humor (I think) leavens the often nasty events of the narratives. That frees me from sense that I need to top the last book with some truly awful thing that Quarry does at the finish (although even then, in the Mike Hammer tradition, he is removing a bad guy or two or three).

The original novel – The Broker AKA Quarry – has this ambivalence built in. In that novel – never intended to launch a series – hired killer Quarry, to save his own ass, must solve the murder he committed.

Now Quarry’s 50th anniversary is just ahead (2026). I’ll try not to disappoint with Quarry’s Return.

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Here is a list from Collider of the 20 best comic book movies. Guess what’s number two?

M.A.C.

A Hell of a Review, Film Festival News & A Quarry Review

Tuesday, July 15th, 2025

Once upon a time, Kirkus Reviews gave my work some of the worst notices I ever received anywhere; they were downright mean. It’s even rumored that the despicable murder victim, Kirk S. Rath, in my Mallory novel Nice Weekend for a Murder, was named in their “honor.” No doubt I’ll get another bad review from them, before I leave the planet. But you know what?

They love Barbara Allan. Shhhhh! Don’t ever tell them I am half of that team, though undoubtedly my wife Barb deserves the lioness’ share of the credit.

Antiques Round-Up by Barbara Allan

Here’s the lovely Kirkus review of the forthcoming Antiques Round-Up.

ANTIQUES ROUND-UP Author: Barbara Allan
Severn House Pages: 208 Price (Hardcover): $29.99 Publication Date: October 7, 2025

Mother and daughter antique dealers take a trip to Texas, where all hell breaks loose.

Vivian Borne is a bipolar woman of many talents. Her daughter, Brandy Borne, is a divorced mother who takes antidepressants and dotes on her diabetic shih tzu, Sushi. Their shop sales need a boost, and since they’ve recently done well with Western antiques, Vivian’s motivated by an ad for a citywide yard sale to head to Tranquility, Texas, where she thinks they can score some bargains. Brandy’s fiancé, Tony Cassato — the police chief in their hometown of Serenity, Iowa — has a history with the daring duo that gives him little hope they’ll stay out of trouble. From the start, the trip doesn’t go well. They get a flat tire, they get lost, they get stuck in a ditch, they get stuck sleeping in a very odd motel. Awakened by the police, they’re arrested for damaging a replica of Cherokee life in the 1800s.

Tony gets them out of jail, but their arrival in Texas is marked by even worse trouble. Vivian, looking to get ahead of the competition, rents a horse and visits several sellers she’d talked with about purchasing certain items before the sale starts. Her first two meetings go well, but her third meeting with a Mr. Tool is cut short when she turns up his body, shot in the head. Since she’s already paid for a necklace, she searches for it and finds it just as the police arrive. With a long string of solving mysteries to their credit, the pair must solve this one to stay out of jail.

A rollicking story of crime fighting includes plenty of antique-buying tips and some Texas-style recipes.

I am pleased to say we have received many good reviews over the years for our Antiques/Trash ’n’ Treasures series, and not just from Kirkus. It’s gratifying, but we are pretty sure this is the first time a reviewer has started out by observing that “all hell breaks loose.”

Right now Barb is working on her draft of the next book in the series (which she always begins by telling me this will be the last one – we’re up to 20, I think). She is diligent and painstaking about the process in a way I admire very much.

There is nothing in my writing life more pleasurable than working on my draft from Barb’s first draft. Actually, what Barb hands off to me is not really a first draft, because it’s polished as “all hell,” to invoke Kirkus. How our collaboration works is this: we agree on a basic plot, very basic, the idea always coming from Barb, who says she needs a personal connection to the material. She writes a draft shorter than what we’ve been contracted to deliver. Let’s say (although this varies) she gives me 250 pages that I need to expand to 300 pages.

What do I do? I add even more humor (there’s always plenty), write action scenes she has skipped (leaving me a note to “take it away”), expand dialogue scenes when her short story roots start to show, and suss out any plot holes, of which there are few if any. Barb is very good about letting me do as I wish, as long as I don’t trip over the plot. That’s a possibility because I do not read her draft before I begin mine, which is a revision and expansion of hers, working directly in her draft. So the in’s and out’s of the mystery are often news to me when I reach them. If she can surprise me, she’ll surprise you.

I ask her how she can work so hard on something – a minimum of six months – and then hand it over to me, saying only, “Do whatever you want. I’m sick of it.”

She’s as good as her word.

I would say she is Brandy, more than she’s Vivian; and I am more Vivian than she is Brandy.

If you’re a fan of mine, and have avoided these novels because they are sold as cozy mysteries (which they are, but subversively so, a fact an Ellery Queen Mystery Magazine reviewer once pointed out), you should try one. You can always slip the inevitable cute dog cover off and only return it when you’ve completed reading it and shelving it spine out.

Confession: we love the cute dog covers.

There is further good Brandy and her mother news, by the way. Our Antiques indie film, Death by Fruitcake, has been chosen to be an official selection of another film festival – the Iowa Independent Film Festival. Keep in mind we only entered seven festivals and have been official selections of three. (Two festivals haven’t announced yet.)

What’s significant is the rule-of-thumb is…you are lucky to become an official selection of one festival out of ten that you enter. So we’re already ahead of the curve. We have limited ourselves to only Iowa fests, with the exception of the New Jersey Mystery, Crime & Horror Film Festival, which seemed right up our alley. Tough competition there (but, really, everywhere).

We are also looking seriously at three avenues of distribution, and should have an announcement soon.

Here is the official press release about the upcoming Star City Festival and my being honored there. It does not include that our film Death by Fruitcake will be screened on Saturday, August 2, at 6 pm with Q and A after.

Max Allan Collins Guest of Honor at The Star City Film Festival Waukon, Iowa July 31-August 3rd
News provided by

EIN Presswire
Jul 10, 2025, 10:05 AM ET

WAUKON, IA, UNITED STATES, July 10, 2025. The Star City Film Festival Returns to Waukon, Iowa for Its 8th Season
Celebrating Film, Creativity, and Community – July 31 to August 3, 2024. Special Guest of Honor Max Allan Collins.

The Star City Film Festival is thrilled to announce its return for the 8th season, taking place from July 31 to August 3, 2024, in the charming town of Waukon, Iowa. Founded and directed by the talented Dr. Katie O’Regan, this year’s festival promises to be an unforgettable celebration of filmmaking, featuring 40 diverse films, live performances of three new film scripts as radio plays, a glamorous red carpet premiere, and engaging talk-backs with attending filmmakers.

This year’s festival will honor Iowa’s very own Max Allan Collins, a celebrated figure in the world of film noir and a best-selling author, producer, and director. Max is renowned for his work on the Academy Award-winning film adaptation of his graphic novel, “Road to Perdition.” He has been recognized by the Mystery Writers of America as a Grand Master and has received an impressive twenty-three “Shamus” nominations from the Private Eye Writers of America, with notable wins for his Nathan Heller thrillers.

Max’s extensive body of work includes not only his acclaimed novels but also contributions to comics, film criticism, and several successful screenplays, including the Lifetime film “Mommy” and the HBO World Premiere “The Expert.” His creativity also extends to the world of documentaries, with “Mike Hammer’s Mickey Spillane” featured in the Criterion Collection.

Joining Max at this year’s festival is his wife, Barbara Collins, an esteemed short story writer and production manager for various independent film projects. Together, they have co-authored bestselling novels that showcase their unique storytelling abilities.

The Star City Film Festival aims to create a platform for filmmakers and audiences alike to connect, inspire, and celebrate the art of cinema. Attendees can look forward to a lineup of films that highlight emerging talent, as well as discussions that delve into the creative process behind the stories told on screen.

Join us in Waukon for a celebration of film, creativity, and community for all the activities including a live street dance and outdoor music with “Corn Days” happening at the same time!

For more information about the festival, ticketing, and programming details, please visit www.sacrednoisesociety.org

Dr. Katie O’Regan interviewed me, and I think it’s one of the better ones I’ve given in a while.

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Here is an expanded version of my San Diego Comic-Con appearances, now including signings.

San Diego Comic-con 2025 Schedule

Thursday, July 24:
11am panel “Leave Them in Suspense” 23ABC (Mysterious Galaxy)
12:30pm signing AA09

Friday, July 25:
4pm “Spotlight on MAC” 28DE (Robert Meyer Burnett)
5:30pm signing AA23

Saturday, July 26:
10am signing booth 2001 (new Johnny Dynamite book)

Sunday, July 27:
11:00 panel (Titan with Andrew Sumner) 32AB

* * *

Apparently because Hard Case Crime has released a new trade paperback of The Last Quarry (previously only available in traditional mass-market paperback), a few reviews for that 2006 novel, which ignited a new run of Quarry novels, have begun to pop up. I’ll be starting the next soon (actually, noodled some on it this morning).

Here’s one of these reviews.

* * *

Here’s where you can stream the late great Michael Cornelison in Eliot Ness: An Untouchable Life.

As I’ve been interviewed about returning to indie filmmaking late in life after a twenty year hiatus, it’s occurred to me that this loss of Mike was the reason. Mike was involved in every one of my productions – he acted in Mommy, Mommy’s Day, Real Time: Siege at Lucas Street Market, and Eliot Ness: An Untouchable Life, plus narrated both Mike Hammer’s Mickey Spillane and Caveman: V.T. Hamlin and Alley Oop.

And my impulsive move back to filmmaking was deciding to film our radio-style play, Mickey Spillane’s Encore for Murder. It was originally produced as an audio-only production starring Stacy Keach as Mike Hammer…and Michael Cornelison as Pat Chambers.

* * *

Please check back in with me next week before Barb and I leave for the San Diego con on Wednesday. The update after that will likely be photos from the con, particularly of my panels with my pals Rob Burnett and Andrew Sumner.

M.A.C.

Quarry Up for an Award, Mike Hammer’s Big Announcement

Tuesday, June 17th, 2025

Things have been popping around here. First came news that Quarry’s Return has been nominated for the Best Paperback Novel “Shamus.” The Shamus is an award that means a lot to me, because my late friend Bob Randisi and I, and a few others, were grousing to each other about the Mystery Writers of America ignoring private eye novels in their Edgar awards. Bob was not one to let the grass grow under his feet and very soon he’d created the Private Eye Writers of America and the Shamus awards.

Arguably, the Shamus awards became the second most-prominent and prestigious honor of its kind in mystery fiction. Others have come and gone, and some may lay claim to being more important now; but I know and remember what it meant to me.

In 1983 my novel True Detective was published and got quite a bit of attention in its approach to merging the PI story with historical crime, and for being the longest private eye novel ever written (later my novel Stolen Away would eclipse it). I was, predictably, ignored by the Edgars but got a Shamus nomination. I was a long shot to say the least, because I was up against a Murderer’s Row of mystery writers: James Crumley, Stanley Ellin, Loren Estleman and Robert B. Parker. But my book won, and I was boosted considerably in the business…and both Nate Heller and I are still around. Stolen Away won the Best Novel in 1992. The series went on to be the most-nominated in the history of the organization.

Anyone who says awards don’t matter (like me, when I lose) are full of it. If Bob Randisi hadn’t started up the PWA, I wonder if Heller and I would still be around.

Nate Heller and True Detective are the basis, of course, of True Noir: The Assassination of Anton Cermak, director Robert Meyer Burnett’s ten-episode audio drama from my adaptation. (truenoir.co)

Quarry has been nominated for the Shamus several times (my hitman even got an Edgar nomination last year for Quarry’s Blood) but I don’t recall him ever winning. Kind of makes sense in the PWA, because to make a private eye out of Quarry, you have to squint and look sideways. But the books are very much built on the private eye novel paradigm.

In other private eye news…

Matthew McConaughey is serious talks with Skydance about reuniting with True Detective writer Nic Pizzolatto in the Mike Hammer movie that has been threatening to happen for a decade or so.

Matthew McConaughey and Nic Pizzolatto

The film is based not just on Mickey’s work but draws upon the entire series (including the collaborative novels and short stories that share a Spillane/Collins byline). I have read the script and it’s solid; as an executive producer, I was able to provide notes, to get the characters and concepts in line with Mickey’s and my work.

This news exploded all over the Internet. I lost count at 21 articles. Here’s a typical one from Deadline.

It was everywhere, from Variety to the Hollywood Reporter. I am optimistic but I never believe this kind of thing till I’m on set and the cameras are rolling. But it has a real feel to it.

You will note a certain irony here: the title of my novel True Detective is of course the title of the (later) HBO series that brought together actor McConaughey and writer Pizzolatto – a highly rated and regarded series that I have never seen, since the use of the title irked me. On the other hand, I plucked the title from the vintage true-crime magazines that were on the newsstands when Heller was starting out in the other True Detective.

* * *

Here’s a cool review of The Last Quarry.

My band the Daybreakers has a Wikipedia page! And I didn’t submit it much less write it (a few inaccuracies, but hey).

M.A.C.

A McGinnis Cover! A Dream Come True…Plus True Noir!

Tuesday, April 22nd, 2025

Robert E. McGinnis died recently at 99, and that was still way too damn soon.

Bob McGinnis I spoke to only once, though he paid me a great, generous kindness, which I have talked about here previously but will touch on again, below.

McGinnis was the prime illustrator of mystery/crime paperback covers of the 20th into the 21st Century, and also a major contributor to movie-poster art. There are other contenders to that throne – James Avati, Robert Maguire, Barye Phillips and half a dozen others – but McGinnis was the king. As J. Kingston Pierce said at Crime Reads a few years ago, “McGinnis has turned out well over 1,000 covers, including many for books by John D. MacDonald, Carter Brown, Edward S. Aarons, Erle Stanley Gardner, Brett Halliday, Ed McBain, and Max Allan Collins….(H)e’s also illustrated dozens of movie posters…from the James Bond films to Dean Martin’s Matt Helm flicks.”

I do not take lightly being on a list of noir mystery writers that includes the luminaries on the J. Kingston Pierce list. Nor do I exaggerate when I say I had hoped, as an adolescent wanting to be a mystery writer, that one day I might be lucky enough to have a book of mine with a McGinnis cover.

McGinnis only did a few covers for Mickey Spillane novels. Mickey had just about every top illustrator in the game adorn his books from time to time – Avati, Phillips, Lu Kimmel, James Meese among them. During the heyday of the paperback original, McGinnis was noted for his stunning covers for the Brett Halliday “Mike Shayne” reprints at Dell. Several foreign markets used Shayne covers for various Spillane titles.

Meanwhile, at the movies, McGinnis was doing one stunning poster after another for the James Bond series, particularly the early Sean Connery entries, which were the best of the Bond bunch (McGinnis did other Bond movies, too, including most of Roger Moore’s). But Bond wasn’t McGinnis’ only movie poster work – among other famous films, he did the poster art for Barbarella, Breakfast at Tiffany’s and The Private Life of Sherlock Holmes (in addition to many others).

Poster Art for You Only Live Twice

I will repeat myself – I spoke of this not long ago here – but after Charles Ardai published the first two Nolan novels (Bait Money and Blood Money under one cover as Two for the Money), I said I preferred writing new novels for Hard Case Crime. Charles said the advances would have to be the same as the reprint rate, and I said, fine – just put a McGinnis cover on my novel. That was half-joking, because Two for the Money had a weak cover among the usually stellar covers of HCC novels. But Charles called my bluff and got McGinnis to do the cover for The Last Quarry, which initiated the return of that character to a whole new series of novels, a short film, a feature film and a TV series (one season, but that counts).

As I’ve also mentioned here previously, when I called Bob McGinnis (Charles put me in touch) to tell him how thrilled I was with the cover for The Last Quarry – that after a career filled with mostly serviceable covers at best, having a McGinnis cover was a dream come true. He repaid that compliment by gifting me the original art, which hangs on my office wall, just up to my right as I write this.

When the aforementioned Quarry TV show sparked renewed interest in the character, Charles wanted to get the five early novels out as a group; but Hard Case Crime is noted for its strong pulp-flavored covers, which you might reduce to “guns and girls,” a certain cheeky politically incorrectness attached to their retro cover art. Only Charles didn’t have time to assign five artists to get five cover paintings, done all at once, and cover paintings were key. And he preferred to have the same artist do all five for some continuity.

I suggested to Charles that he call Bob McGinnis and see if any paintings might be available – perhaps things he had done for other publishers years ago, the rights to which might have come back to him. Charles did this, and discovered that McGinnis had five appropriate unused paintings in his inventory, all with the flavor of the old Mike Shayne covers. These apparently were the only such unsold paintings that still existed.

Quarry Hard Case Crim cover

Charles snapped them up, and those Quarry novels all sport McGinnis covers as well as an inset image of Quarry plucked from Bob’s cover to The Last Quarry. In addition, three more of my novels (one of them a Spillane collaboration, The Consummata) have been blessed with McGinnis covers. I may have a record for mystery writers of my generation – ten Robert McGinnis covers on Max Allan Collins novels.

Astonishing.

One of the peculiarities of my association with Hard Case Crime is that Charles (and the folks at Titan, the parent company) will say “yes” to just a general idea of the book I have in mind to write. This means cover art gets assigned before the book is written. This happened twice with McGinnis covers – Quarry’s Choice and Quarry’s Climax – which had artwork come in before I’d written a page, and allowed me to write the women and the scenes McGinnis had imagined into the novels themselves.

That was an old pulp tradition that both Charles and I relished – a writer being handed a piece of art and asked to write a story around it. In his later years, McGinnis had a tendency to offer up slender, leggy beauties and that led to me including some women in my novels that varied from my standard blonde, Coke-bottle-waist bombshells (blame my beautiful blonde wife for that). The result was I had to work a little harder and be more creative, both good things.

I was blessed with one last McGinnis cover, when he painted a rather magnificent one for the Mike Hammer graphic novel The Night I Died, based on material written by Spillane and expanded and re-imagined by me. Mike Hammer: The Night I Died not only has two, count ‘em, two long-limbed McGinnis beauties, but a very credible rendition of Hammer himself, who has rarely appeared on book covers. (This graphic novel was also serialized in four issues, also with lovely covers but none by McGinnis).

What can I say about this incredible artist and genuinely nice man, who has entertained me for years and who provided some truly memorable covers to eleven works of mine?

How about – thank you.

* * *

Barb and I listened to the complete True Noir: The Assassination of Anton Cermak this past weekend. It’s four and a half hours long, so we divided it into two evenings.

Okay, I’m biased. But I think it’s terrific, thanks to director Robert Meyer Burnett, composer Alexander Bornstein, a stellar cast led by a fine Nate Heller in Michael Rosenbaum, casting director/producer Christine Sheaks, producer Mike Bawden, co-producer Phil Dingeldein, and a raft of talented professionals skilled in audio production.

If you are even a casual fan of my work – and in particular if, like me, Nate Heller seems to you to be my signature character (no offense, Quarry) – you will want to hear this production. The toughest critic I know – Barbara Collins – said, “I thought it would be good. But it blew me away. Wow!”

I mentioned Alexander Bornstein above, and he has provided True Noir with a full, memorable score. So memorable is it that not only will there be a soundtrack album, but it will be a 2-CD set. Our Blu-ray of the production, which will include the ten episodes of The History Behind the Mystery and a lot more, will likely include the soundtrack CD’s.

This is not a talking book or a radio show – it’s a movie for the ears and the mind.

Go to truenoir.co and hear for yourself.

M.A.C.