Posts Tagged ‘Ms. Tree’

Back in Business

Tuesday, January 9th, 2024

Somehow it’s the first week of 2024 and it seems to be business as usual around M.A.C. Productions. Which means we are busy but there’s nothing “usual” about it. But it’s all good news, and good problems, so despite the Buck Rogers sound of the date on my calendar, I am rarin’ to go.

First news to share is that we have lined up four Iowa premieres for Blue Christmas in February and March.

We will have the World Premiere in Des Moines at the Fleur Theatre on Saturday, February 24. The Fleur is a terrific venue. They have a quote from me on the wall! We had a big Road to Perdition event there on the film’s release, and a few years ago I introduced (and spoke after) a screening of Kiss Me Deadly.

Our Cedar Rapids Premiere will be Wednesday March 13 at the Collins Road Theater. Another great venue, Collins Road Theater (love that name) is very supportive of independent film, hosting the Cedar Rapids Film Festival.

(We are entered in the fest and, if selected, there will likely be another Collins Road screening of Blue Christmas on the weekend of the fest, April 5 – 7.)

We will have our hometown Premiere at the beautiful Palms 10 Theater here in Muscatine on Saturday, March 16. It’s a treat and a privilege to have our film made available to our friends and family so close to home. We’ll go the Red Carpet route and everything.

On Saturday March 22, the Quad Cities Premiere will be held at the Last Picture House in Davenport. This is the brand spanking new theater that is the brainchild of the Quiet Place//65 filmmakers (local boys!), Scott Beck and Bryan Woods. Their support of their home-state filmmakers is much appreciated.

We – Chad Bishop, Phil Dingeldein and I (the executive producers of Blue Christmas) – are very grateful to the various managers of these theaters for welcoming us onto their screens. It came together remarkably quickly and is extremely gratifying.

Chad and I will be participating in a Q and A session after each screening with various cast members present. Phil Dingeldein will be there as much as his busy schedule allows, as will star Rob Merritt and his co-star, Alisabeth Von Presley. Alisabeth and Rob have been confirmed for the Cedar Rapids premiere.

As you may know, we shot the principal photography in Muscatine Community College’s Black Box Theater, and we are working out details for a screening there as well for students and teachers.

If you were a contributor to the fund-raising effort, and were promised admission to a premiere, please write me at macphilms@hotmail.com and let me know which of these premieres (choose one, please) you would be able to attend. More details will follow.


I’m centerstage with my back to the camera, directing Alisabeth Von Presley and Rob Merritt in Blue Christmas; left of me is Liz Toal, first camera assistant, and I’m blocking my buddy Phil Dingeldein, at right.

A lot of people who keep up with these updates helped make this film possible, and we are very grateful. I frankly thought I’d hung up my indie film shootin’ iron with Eliot Ness: An Untouchable Life (2006). But Encore for Murder came together so well as a play, we shot it at the last minute and soon the ol’ juices were flowing. Which in a man my age isn’t pretty….

I will tell you, with no modesty at all, that Blue Christmas came out most satisfactorily (as Nero Wolfe might say). That our cash budget was $14,000 indicates just how remarkable a feat this was. (The budget would sky-rocket if everyone, myself included, who took no remuneration were actually…you know…paid.)

Heath Holland at Cereal at Midnight on YouTube showed off on both the Blu-ray of Mike Hammer’s Mickey Spillane (which includes Encore for Murder as a bonus feature) and the DVD of Encore on his wrap-up of new releases. Thank you, Heath! (I am recording an interview with Heath tomorrow.) You can also rent both the documentary and the recorded Golden Age Radio-style play on Amazon Prime and VUDU.

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And so the writing year begins.

I have just completed what I’m calling Conversations With Nathan Heller, a 13,000-word look at the entire Nate Heller novel series to date. The format is that I am visiting Heller at his Boca Raton digs to interview him before beginning each book in the series. This has been done for Otto Penzler at Mysterious Press, and was just shipped yesterday. What Otto’s reaction will be is hard to say, but obviously I hope he likes it. The title may change – that will be up to Otto, at least to some degree – but I think any Heller reader will get a charge out of it.

No idea when this will be published, but I will keep you informed here. I’m told there will be a square-bound hardcover edition.

Additionally I have corrected and tweaked Quarry’s Return, the copy edited version on its way back to editor Charles Ardai. The novel is scheduled for December, I believe. Going to be a busy December, with Blue Christmas possibly playing in some regional theaters (we’re working on that).

In the meantime, Barb has been working on her draft of Antiques Slay Belles – another Christmas book! I will start my draft yet this week.

After that I will be starting the massive podcast script combining the novels True Detective and True Crime (the first two Hellers) into one massive dramatic piece.

Stay tuned.

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I received today copies of the fifth Ms. Tree collection, Ms. Tree – Heroine Withdrawal. It’s (as Chester Gould used to say) a honey. Just physically lovely. I am so grateful to Nick Landau and Vivian Cheung at Titan for keeping after to me to do these Ms. Tree collections with them (a shout-out to the great Andrew Sumner).

I also received two books from Gary Kato, who helped Terry Beatty out on Ms. Tree from time to time – Peter Pan in Return to Never Never Land and Satin’s Ways – both written by my pal Ron Fortier. Both are published by Redbud Studio.

M.A.C.

Dirty Deeds (Sometimes) Done Dirt Cheap

Tuesday, January 2nd, 2024
Ms. Tree: Heroine Withdrawal cover
Paperback: Bookshop Purchase Link
E-Book: Google Play

The latest “archive”-style edition of Ms. Tree is available now: Ms. Tree – Heroine Withdrawal. Titan has done a beautiful job with this one (volume #5) and it contains some of Terry Beatty’s best work (and, maybe, mine). These books are a little pricey, but they are beauties and jam-packed. Even if you have a complete run of the original comics, these are worthwhile.

There’s a particularly nice price for the volumes here.

We did, as I mentioned recently, make a number of Best Of lists. But Craig Zablo (bless him) is the first to put two of my novels on his list of year’s best. Check it out here.

My books for Thomas & Mercer are turning up in book promotions (there are e-books one and all, on Amazon).

The War of the Worlds Murder will be promoted via Limited Time Deal in the US marketplace, starting 1/8/2024 and running through 1/14/2024. 1.99 USD during the promotion period. ()

The Lusitania Murders will be promoted via Mystery, Thriller & Suspense Kindle book deals in the US marketplace, starting 1/1/2024 and running through 1/31/2024. 1.99 USD during the promotion period. ()

Fate of the Union will be promoted via Mystery, Thriller & Suspense Kindle book deals in the US marketplace, starting 1/1/2024 and running through 1/31/2024. 2.99 USD during the promotion period. ()

The best deal of all is from Wolfpack, however: Max Allan Collins Collection, Volume Two: John Sand (John Sand Books #1-#3) for $0.99! ()

Wolfpack has five collections of my novels, and a lot of other titles of mine, including an anthology title, Murderlized, that includes the first story about Secret Agent John Sand. Check them out here.

That page includes some titles by good pals of mine, Steve Mertz and Paul Bishop.

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For those of you following the trajectory of my movie Blue Christmas, here’s a brief report. Editor/producer Chad Bishop and I completed our edit and this Saturday past ran it by our partner in crime, Director of photography Phil Dingeldein. We screened the feature and Phil had a grand total of three notes, and I had one.

Today – the first day of January 2024 – Chad and I made what I think are the final tweaks, reflecting the notes Phil and I had (Chad a few himself, also).

So we have crossed that finish line, with other challenges ahead. Two Iowa theaters are interested in having premiere screenings, and more are likely to come. We should have word soon about distribution (physical media and streaming). We have entered the Iowa Motion Picture Awards and two festivals.

I hope some of you have sampled Mike Hammer’s Mickey Spillane (75th Anniversary Expanded Edition) on Amazon Prime or VUDU, and the Hammer Golden Age Radio play, Encore for Murder, on those same venues. Both are reasonably priced. And you can get the Blu-ray from Amazon here (right now, at only $20).

But from the distributor, VCI, directly you can get the expanded Spillane documentary for $14.98.

The Blu-ray includes Encore for Murder as a bonus feature. But Encore is also available, stand-alone, as a DVD, here, directly from VCI for only $9.99.

I don’t know how long VCI’s reduced prices are going to last, so if you have an interest in Spillane (and me), now’s the time.

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Here’s an interview with yrs truly.

Finally, here’s a pretty decent review of Ms. Tree – Heroine Withdrawal.

M.A.C.

One-Stop Book Tour at Centuries & Sleuths – Plus Heller’s 40th

Tuesday, November 14th, 2023

Despite some further health-related adventures (more about that below), Barb and I are embarking on our final book tour – which is one stop at our favorite Chicago-area bookstore, Centuries and Sleuths, in Forest Park, Illinois.

The appearance is next Sunday, November 19, 2023, from 2 PM to 4 PM. It’s the only scheduled signing to support our new novels Too Many Bullets and Antiques Foe.

More info here.

Again, I am hoping you will (if you haven’t already) review Too Many Bullets, the new Nate Heller novel, at Amazon and/or Goodreads, Barnes & Noble, etc. We had something of a disaster (reported here in recent weeks) that led to all of the trades (Publisher’s Weekly, Kirkus, Library Journal, Booklist) failing to review the book. This costs us bookstore sales and library sales and could be the death knell for Nate Heller.

Hard Case Crime is doing its best to get the word out, tying the hardcover Too Many Bullets to the soon-to-be-published trade paperback of The Big Bundle. They have done a great job on a press release that I will share with you here.

* * *
BEST-SELLING TRUE-CRIME DETECTIVE NATHAN HELLER CELEBRATES 40 YEARS
GRAND MASTER MAX ALLAN COLLINS’ SIGNATURE PRIVATE EYE RETURNS IN TWO NEW BOOKS:
THE BIG BUNDLE and TOO MANY BULLETS

Best-selling and award-winning novelist Max Allan Collins, author of Road to Perdition (which inspired the Oscar-winning movie starring Tom Hanks, Paul Newman, Jude Law and Daniel Craig), is celebrating the 40th anniversary of his groundbreaking, million-copy-selling historical detective series about private eye Nathan Heller with the release of two new books: THE BIG BUNDLE (coming in paperback on December 12) and TOO MANY BULLETS (new in hardcover, available in stores now).

The Nathan Heller novels have sold more than 1 million copies since debuting 40 years ago with True Detective in 1983, and the series has won the Shamus Award twice, as well as the Private Eye Writers of America’s “Hammer” Award for lifetime contribution to the genre. In 2017, Collins was named a Grand Master by the Mystery Writers of America, the organization’s highest honor, one he shares with John Le Carre, Alfred Hitchcock, and Agatha Christie.

Each of the Heller novels investigates a headline-making true crime, with all the authenticity and detail of a definitive non-fiction account – but seen through the eyes of fictional private eye Nathan Heller. In THE BIG BUNDLE, Heller is brought in to help solve the notorious Greenlease kidnapping, involving the highest ransom ever paid in U.S. history. In TOO MANY BULLETS, Heller seeks the truth behind the assassination of presidential candidate Robert F. Kennedy.

Featuring appearances by real-world figures ranging from Kennedy and the reclusive Howard Hughes to sports celebrities and filmmakers of the 1960s, these novels immerse the reader in the last century with a powerful sense that you are there, witnessing the events that seized the world’s attention.

“The Heller novels tell the story of the 20th century through the eyes of a cynical, tough-minded detective who takes you on a tour of America’s darker side,” said Hard Case Crime editor Charles Ardai. “The series is a tremendous accomplishment, and we are thrilled to publish these new cases to celebrate its 40th anniversary.”

Both books’ covers feature new painted art by celebrated artist Paul Mann, whose work was recently seen on Quentin Tarantino’s Once Upon a Time in Hollywood.

About Max Allan Collins
Celebrating his 50th year as a mystery novelist, Max Allan Collins has reached the pinnacle of his field, receiving the highest lifetime-achievement honors from both the Mystery Writers of America and the Private Eye Writers of America. His books have been New York Times and USA Today bestsellers and adapted both to television (a Cinemax series based on his Quarry novels) and feature films (including the Academy Award-winning movie based on Collins’ graphic novel Road to Perdition). Collins is also a star in the field of comic books, having penned the adventures of Batman and Dick Tracy and created the longest-running private eye comic in history (Ms. Tree), and he was hand-picked by his friend and fellow MWA Grand Master Mickey Spillane to continue the legendary Mike Hammer novels after Spillane’s death. A native of Iowa (and a graduate of the prestigious Iowa Writers’ Workshop), Collins is also a screenwriter, a film director, and for more than five decades a professional touring rock-and-roll musician.

About Hard Case Crime
Called “the best new American publisher to appear in the last decade” by Neal Pollack in The Stranger, Hard Case Crime has been nominated for and/or won numerous honors since its inception including the Edgar, the Shamus, the Anthony, the Barry, the Ellery Queen, and the Spinetingler Award. The series’ books have been adapted for television and film, with a series based on Max Allan Collins’ Quarry novels airing on Cinemax and Haven, based on Stephen King’s novel The Colorado Kid, running for six seasons on SyFy. Hard Case Crime titles also include Stephen King’s #1 New York Times bestsellers Joyland and Later; James M. Cain’s lost final novel, The Cocktail Waitress; lost early novels by Michael Crichton (writing under the name “John Lange”) and Gore Vidal (writing as “Cameron Kay”); Are Snakes Necessary? by filmmaker Brian de Palma and former New York Times editor Susan Lehman; and Brainquake, the final work of writer/filmmaker Samuel Fuller. Hard Case Crime is published through a collaboration between Winterfall LLC and Titan Publishing Group. www.hardcasecrime.com

About Titan Publishing Group
Titan Publishing Group is an independently owned publishing company, established in 1981, comprising three divisions: Titan Books, Titan Magazines/Comics and Titan Merchandise. Titan Books is an established publisher of exceptional genre fiction in the Science Fiction, Fantasy, Horror and Mystery fields. Recent authors of Titan Books include Kareem Abdul Jabbar, V.E. Schwab, Mickey Spillane, Max Allan Collins, Alice Blanchard, Tim Lebbon, Sarah Pinborough, Andrew Cartmel, Chris Ould and many more. Titan Books also has an extensive line of media- and pop culture-related non-fiction, graphic novels, and art and music books. The company is based at offices in London, but operates worldwide, with sales and distribution in the U.S. and Canada being handled by Random House. www.titanbooks.com

THE BIG BUNDLE | Max Allan Collins | December 12, 2023 | Trade Paperback | 304 pp
ISBN: 978-1-78909-948-5; e-ISBN 978-1-78909-853-2
US $15.95; CAN $19.99; UK £8.99

TOO MANY BULLETS | Max Allan Collins | October 10, 2023 | Hardcover | 304 pp
ISBN: 978-1-78909-946-1; e-ISBN 978-1-78909-947-8
US $22.99; CAN $29.99; UK £16.99

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For all the attention I’ve paid to Mickey Spillane’s anniversaries, I neglected to notice that Nate Heller’s 40th anniversary is…right now! True Detective was published in 1983, after all. I owe thanks to J. Kingston Pierce of the outstanding blog The Rap Sheet who pointed out Heller’s birthday to his clueless creator.

In fairness, I have been busy. In addition to directing my first indie movie since 2006 – the forthcoming Blue Christmas, currently being edited by Chad Bishop and me – I somehow managed to get myself back into a-fib despite having an ablation procedure. The doctor in charge of that got me back almost immediately in for a cardioversion (that’s when they jump-start you like an old Buick) and I am currently taking it easy, post-procedure, to be ready for next week’s Sunday signing in Forest Park.

This is liable to be our final signing in the Chicago area, so we hope readers/fans in that part of the world will come around to see us.

Here is a nifty pic from the set of Blue Christmas that has both me and my son Nate in it (he’s the one working the boom pole).

Blue Christmas behind the scenes
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The great private eye site Thrilling Detective singles out Stolen Away as one of the Big Reads in the field.

Here’s a terrific Too Many Bullets review from Craig Zablo.

If you scroll down, you’ll see Ms. Tree get some love at the 13th Dimension site.

Also, Kino Lorber has a DVD and Blu-ray sale on noir titles that features the Assante I, the Jury and My Gun Is Quick for chump change. Check it out!

And watch Robert Meyer Burnett’s various YouTube shows for info about the Nate Heller dramatic podcasts that you can help get produced.

M.A.C.

Encore for Filmmaking

Tuesday, April 25th, 2023

This new e-book collection of the three John Sand spy thrillers by Matthew Clemens and me is available from Wolfpack and, for the first time, includes Murderlized, a collection of our stories, one of which is the first John Sand story.

Max Allan Collins Collection Volume Two: John Sand cover image
E-Book:

An informal meeting of Quad Cities area filmmakers was put on at dphilms on Saturday, April 24. Since I‘ve largely been away from indie filmmaking in the area – though of course I’ve done some screenwriting in the interim – it was a nice opportunity to see some new and old (and in between) faces.

Quad Cities area filmmakers meet at dphilms
Quad Cities Filmmakers Meet at Dphilms, Rock Island. Chad Bishop and Max Collins at far left, Phil Dingeldein centerstage (next to colorful painting).

I had frankly thought filmmaking was behind me. The last thing I shot was an award-winning short in 2007 called “An Inconsequential Matter” starring my friend and longtime collaborator, Michael Cornelison (it’s a bonus feature on the Eliot Ness Blu-ray (), with excellent cinematography by Phil Dingeldein). Mike had starred in both the stage and movie version of Eliot Ness: An Untouchable Life in 2005, as well as narrated Mike Hammer’s Mickey Spillane and my comics-history documentary, Caveman: V.T. Hamlin and Alley Oop (). Mike worked with my right up to the end of his too short life, appearing as Pat Chambers on both Mike Hammer audio presentations, “The Little Death” (winner of an Audie for Best Original Work) in 2010 and “Encore for Murder” (nominated in that same Audie category) in 2011.

Mike Cornelison

Losing Mike – who was as valuable a collaborator to me as is my friend Phil – took the wind out of my filmmaking sails. I have, of course, had some things happen since then in the movie realm – we sold Heller to FX and I wrote the pilot (never produced), Quarry became an HBO/Cinemax series in 2016 (and I wrote an episode) and I’ve written a screenplay, Cap City, for director David Wexler. Recently, Eliot Ness and the Mad Butcher by Brad Schwartz and me has been optioned by CBS Films, Nolan has been optioned by Lionsgate, and Mike Hammer (not just Mickey’s novels but the joint Spillane/Collins ones) just closed a deal at Skydance. Some serious interest is also afoot for the Antiques series, Ms. Tree and Fancy Anders.

With Hollywood, you never know, but there has been a lot going on. The truth is, on these projects my direct involvement is likely to be limited to being the source writer and a consultant, and maybe getting to write an episode of anything that goes to series (Hammer appears to be on track for a feature film, which is great, but there’s no way I would get to write it).

After my heart and cancer surgery, I figured my moviemaking days were over, and they may largely be. We shall see as we shall see. But the “instant” movie that Encore For Murder with Gary Sandy became – a rather last minute decision to shoot the live semi-pro production with multiple cameras – is what really got me going. Sitting with the gifted Chad Bishop in his editing suite, seeing our little movie come to life, reminded me how much I love doing that kind of thing.

This is a good time to remind you that – if you are close enough to Muscatine, Iowa, to make the trip (the Merrill Hotel is great, by the way) – Mickey Spillane’s Encore for Murder, the movie, will be shown at 7 p.m. on Friday, May 5, at Muscatine Community College. The details are here.

We will also be answering questions about our upcoming production of Blue Christmas, my return to serious indie movie production. Chad Bishop, my producer on the project, will be present as well as much of the Encore cast (not Gary Sandy, though).

If you’ve dropped by here in recent weeks, you’ll know that we have launched an Indiegogo crowd-funding effort to raise a mere $5000 (of course in Iowa five grand is not “mere”) intended either to provide some matching funds required by the Greenlight Iowa grant we’re going after, or (should we not get that grant) to help fund a version of Blue Christmas along the lines of a recorded live production a la Encore (however not Golden Age Radio style – plenty of bells and whistles).

As an incentive strictly to those of you nice enough to show up here at my weekly Update, I will offer a perk to anyone who comes in at any level by way of some item from your M.A.C. want list. Now somebody at the $25 or $35 level needs to be sane about what books and such they put on their want list. Larger contributions mean you can shoot higher and, in any event, I will do my best to make it worth your while. (This has a nice Nate Heller sleazy sound to it, doesn’t it?)

Your name will go in the credits at the $100 level, and at $500 you get screen credit as an Associate Producer, enabling you to impress your more gullible friends. There are other perks mentioned at Indiegogo, and at that level you can probably talk me out of something rare from my private stash.

An Executive Producer credit is available at (choke) $2000.

As I write this we are at $1440 – 28% of our goal, with a little over a month left on the campaign.

* * *
Quasi (2023) movie poster

For those of you with a twisted sense of humor, I have a couple of film recommendations for you.

Just debuting this past week on Hulu – wholly unexpected to me – is the latest from the Broken Lizard comedy team, Quasi, the only Quasimodo movie that lacks a bell tower. I love Broken Lizard. They are masters of smart dumb comedy. The movie everyone knows – and most comedy fans adore – is Super Troopers. They write the scripts together and – with the exception of the crowdfunder Super Troopers 2, produced a decade and a half later – always go after a different subject or genre. Hence, Super Troopers 1 & 2 (cops), Club Dread (horror films), Beerfest (well, beer), Slamin’ Salmon (the restaurant game), and now Quasi (historical epic). Various team members have taken the “hero” role in these films, and various of them have directed, most often prolific TV director, Jay Chandraskekhar, although Kevin Heffernan directed both Slamin’ Salmon and Quasi.

The humor in Quasi comes from a cheerfully anachronistic approach to dialogue and a sweetness surprising for a film depicting somebody’s ballsack being nailed to a wooden block. It recalls Monty Python’s Holy Grail (the Broken Lizard guys each play multiple roles) and Start the Revolution Without Me, but despite the nonstop silliness, Quasi is more concerned with story than either of its two probable inspirations.

I watched it twice.

As I’ve mentioned before, a while back Barb and I saw Broken Lizard perform live at the Englert Theater in Iowa City and got to spend some time with them after. They were nice, normal human beings, funny and approachable, exhausted from the show they’d just presented but signing all of our DVDs and Blu-rays with patience and even joy. (Probably helped that I had their somewhat obscure first outing, Puddle Cruiser.)

Streaming on Peacock, the already notorious Cocaine Bear proves to be the funniest gory movie since Evil Dead 2. Its humor is a blend of Coen character eccentricities, Three Stooges slapstick, and jawdropping carnage. It’s largely about parenthood – specifically, motherhood. I realize some horror fans want it to be even gorier and dislike the amount of humor – for me, the fact that I’m laughing to the point of pain while watching humans getting torn apart strikes just the right balance.

* * *

Back Issue, an outstanding magazine on comics history, covered my brief run (one continuity) on the Batman comic strip. It’s really in depth with lots of Marshall Rogers art, and I would encourage you to seek it out.

Finally, here’s a decent Kirkus review of the imminently forthcoming Mad Money, collecting Spree and Mourn the Living, the last of Hard Case Crime’s reprint series of the Nolan novels.

M.A.C.