Posts Tagged ‘Nathan Heller’

Our One-Stop Farewell Tour Is Over!

Tuesday, November 21st, 2023

We had a nice turn-out at Centuries and Sleuths in Forest Park, Illinois, yesterday (Sunday). Barb and I signed copies of Antiques Foe and I signed Too Many Bullets.

Barbara Allan at Centuries And Sleuths
Photo by Howard Cohen
Barbara Allan at Centuries And Sleuths
Photo by Howard Cohen
Barbara Allan at Centuries And Sleuths
Photo by Howard Cohen
Barbara Allan at Centuries And Sleuths
Barbara Allan at Centuries And Sleuths
Barbara Allan with Tracy and Augie Alseky of Centuries & Sleuths

The occasion was bittersweet, as owners Augie and Tracy Alesky are retiring at the end of the year. This unique bookstore may stay open – two buyers are interested. Fingers crossed. In the meantime, Augie will be sorely missed – a great, friendly bookseller with a unique store.

Barb and I appeared on Steve and Johnnie’s Saturday night show on WGN radio. I’m glad they are back on the air! They are skilled and natural interviewers who make such appearances a real pleasure. I’m told they’ve written a book about Les Paul, the genius guitarist. Can’t wait to read it.

This, I believe, is our first (or maybe second) Chicago trip since the Pandemic, and it was a kick being around so many familiar landmarks…though on the retail front much had changed. Certain key stores were out of business, although our favorite restaurants were all up and running.

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I am late with this – by about two weeks – but here’s a pic of me with the great Robert Meyer Burnett, who is collaborating with me on the Nathan Heller podcast. Rob is a YouTube celebrity with a fascinating background in film and TV – he directed the great Free Enterprise, a wonderful Star Trek-related comedy. His several weekly shows have been kind to me, with many plugs for Nate Heller and me in general and Too Many Bullets specifically. This pic was taken at a place called the Speakeasy in Davenport, Iowa.

I am proud to say that Rob was astounded by the depth and extent of my physical media collection. Somehow Barb is less thrilled about it.

Barbara Allan at Centuries And Sleuths
M.A.C. with Rob Burnett

Here’s a great notice for Seduction of the Innocent, third in the Jack and Maggie Starr trilogy.

And take a gander at this good review of Dig Two Graves.

Here’s a nice review of Too Many Bullets.

M.A.C.

One-Stop Book Tour at Centuries & Sleuths – Plus Heller’s 40th

Tuesday, November 14th, 2023

Despite some further health-related adventures (more about that below), Barb and I are embarking on our final book tour – which is one stop at our favorite Chicago-area bookstore, Centuries and Sleuths, in Forest Park, Illinois.

The appearance is next Sunday, November 19, 2023, from 2 PM to 4 PM. It’s the only scheduled signing to support our new novels Too Many Bullets and Antiques Foe.

More info here.

Again, I am hoping you will (if you haven’t already) review Too Many Bullets, the new Nate Heller novel, at Amazon and/or Goodreads, Barnes & Noble, etc. We had something of a disaster (reported here in recent weeks) that led to all of the trades (Publisher’s Weekly, Kirkus, Library Journal, Booklist) failing to review the book. This costs us bookstore sales and library sales and could be the death knell for Nate Heller.

Hard Case Crime is doing its best to get the word out, tying the hardcover Too Many Bullets to the soon-to-be-published trade paperback of The Big Bundle. They have done a great job on a press release that I will share with you here.

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BEST-SELLING TRUE-CRIME DETECTIVE NATHAN HELLER CELEBRATES 40 YEARS
GRAND MASTER MAX ALLAN COLLINS’ SIGNATURE PRIVATE EYE RETURNS IN TWO NEW BOOKS:
THE BIG BUNDLE and TOO MANY BULLETS

Best-selling and award-winning novelist Max Allan Collins, author of Road to Perdition (which inspired the Oscar-winning movie starring Tom Hanks, Paul Newman, Jude Law and Daniel Craig), is celebrating the 40th anniversary of his groundbreaking, million-copy-selling historical detective series about private eye Nathan Heller with the release of two new books: THE BIG BUNDLE (coming in paperback on December 12) and TOO MANY BULLETS (new in hardcover, available in stores now).

The Nathan Heller novels have sold more than 1 million copies since debuting 40 years ago with True Detective in 1983, and the series has won the Shamus Award twice, as well as the Private Eye Writers of America’s “Hammer” Award for lifetime contribution to the genre. In 2017, Collins was named a Grand Master by the Mystery Writers of America, the organization’s highest honor, one he shares with John Le Carre, Alfred Hitchcock, and Agatha Christie.

Each of the Heller novels investigates a headline-making true crime, with all the authenticity and detail of a definitive non-fiction account – but seen through the eyes of fictional private eye Nathan Heller. In THE BIG BUNDLE, Heller is brought in to help solve the notorious Greenlease kidnapping, involving the highest ransom ever paid in U.S. history. In TOO MANY BULLETS, Heller seeks the truth behind the assassination of presidential candidate Robert F. Kennedy.

Featuring appearances by real-world figures ranging from Kennedy and the reclusive Howard Hughes to sports celebrities and filmmakers of the 1960s, these novels immerse the reader in the last century with a powerful sense that you are there, witnessing the events that seized the world’s attention.

“The Heller novels tell the story of the 20th century through the eyes of a cynical, tough-minded detective who takes you on a tour of America’s darker side,” said Hard Case Crime editor Charles Ardai. “The series is a tremendous accomplishment, and we are thrilled to publish these new cases to celebrate its 40th anniversary.”

Both books’ covers feature new painted art by celebrated artist Paul Mann, whose work was recently seen on Quentin Tarantino’s Once Upon a Time in Hollywood.

About Max Allan Collins
Celebrating his 50th year as a mystery novelist, Max Allan Collins has reached the pinnacle of his field, receiving the highest lifetime-achievement honors from both the Mystery Writers of America and the Private Eye Writers of America. His books have been New York Times and USA Today bestsellers and adapted both to television (a Cinemax series based on his Quarry novels) and feature films (including the Academy Award-winning movie based on Collins’ graphic novel Road to Perdition). Collins is also a star in the field of comic books, having penned the adventures of Batman and Dick Tracy and created the longest-running private eye comic in history (Ms. Tree), and he was hand-picked by his friend and fellow MWA Grand Master Mickey Spillane to continue the legendary Mike Hammer novels after Spillane’s death. A native of Iowa (and a graduate of the prestigious Iowa Writers’ Workshop), Collins is also a screenwriter, a film director, and for more than five decades a professional touring rock-and-roll musician.

About Hard Case Crime
Called “the best new American publisher to appear in the last decade” by Neal Pollack in The Stranger, Hard Case Crime has been nominated for and/or won numerous honors since its inception including the Edgar, the Shamus, the Anthony, the Barry, the Ellery Queen, and the Spinetingler Award. The series’ books have been adapted for television and film, with a series based on Max Allan Collins’ Quarry novels airing on Cinemax and Haven, based on Stephen King’s novel The Colorado Kid, running for six seasons on SyFy. Hard Case Crime titles also include Stephen King’s #1 New York Times bestsellers Joyland and Later; James M. Cain’s lost final novel, The Cocktail Waitress; lost early novels by Michael Crichton (writing under the name “John Lange”) and Gore Vidal (writing as “Cameron Kay”); Are Snakes Necessary? by filmmaker Brian de Palma and former New York Times editor Susan Lehman; and Brainquake, the final work of writer/filmmaker Samuel Fuller. Hard Case Crime is published through a collaboration between Winterfall LLC and Titan Publishing Group. www.hardcasecrime.com

About Titan Publishing Group
Titan Publishing Group is an independently owned publishing company, established in 1981, comprising three divisions: Titan Books, Titan Magazines/Comics and Titan Merchandise. Titan Books is an established publisher of exceptional genre fiction in the Science Fiction, Fantasy, Horror and Mystery fields. Recent authors of Titan Books include Kareem Abdul Jabbar, V.E. Schwab, Mickey Spillane, Max Allan Collins, Alice Blanchard, Tim Lebbon, Sarah Pinborough, Andrew Cartmel, Chris Ould and many more. Titan Books also has an extensive line of media- and pop culture-related non-fiction, graphic novels, and art and music books. The company is based at offices in London, but operates worldwide, with sales and distribution in the U.S. and Canada being handled by Random House. www.titanbooks.com

THE BIG BUNDLE | Max Allan Collins | December 12, 2023 | Trade Paperback | 304 pp
ISBN: 978-1-78909-948-5; e-ISBN 978-1-78909-853-2
US $15.95; CAN $19.99; UK £8.99

TOO MANY BULLETS | Max Allan Collins | October 10, 2023 | Hardcover | 304 pp
ISBN: 978-1-78909-946-1; e-ISBN 978-1-78909-947-8
US $22.99; CAN $29.99; UK £16.99

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For all the attention I’ve paid to Mickey Spillane’s anniversaries, I neglected to notice that Nate Heller’s 40th anniversary is…right now! True Detective was published in 1983, after all. I owe thanks to J. Kingston Pierce of the outstanding blog The Rap Sheet who pointed out Heller’s birthday to his clueless creator.

In fairness, I have been busy. In addition to directing my first indie movie since 2006 – the forthcoming Blue Christmas, currently being edited by Chad Bishop and me – I somehow managed to get myself back into a-fib despite having an ablation procedure. The doctor in charge of that got me back almost immediately in for a cardioversion (that’s when they jump-start you like an old Buick) and I am currently taking it easy, post-procedure, to be ready for next week’s Sunday signing in Forest Park.

This is liable to be our final signing in the Chicago area, so we hope readers/fans in that part of the world will come around to see us.

Here is a nifty pic from the set of Blue Christmas that has both me and my son Nate in it (he’s the one working the boom pole).

Blue Christmas behind the scenes
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The great private eye site Thrilling Detective singles out Stolen Away as one of the Big Reads in the field.

Here’s a terrific Too Many Bullets review from Craig Zablo.

If you scroll down, you’ll see Ms. Tree get some love at the 13th Dimension site.

Also, Kino Lorber has a DVD and Blu-ray sale on noir titles that features the Assante I, the Jury and My Gun Is Quick for chump change. Check it out!

And watch Robert Meyer Burnett’s various YouTube shows for info about the Nate Heller dramatic podcasts that you can help get produced.

M.A.C.

Another Book Giveaway, An E-Book Sale & Major Announcements

Tuesday, September 12th, 2023

A limited book giveaway kicks off this Update.

I have only five copies I can share with you of the new Mike Hammer novel, Dig Two Graves. So move fast.

[All copies have been claimed. Thank you for your support! –Nate]

IMPORTANT: If you recently won a copy of Too Many Bullets, please don’t enter. If you’re not sure whether you were a winner in that giveaway, e-mail me at the above address and I’ll let you know. But before you do, keep in mind that I contacted everyone who entered who did not win and informed them of it. And please don’t tell Nero Wolfe I used “contact” as a verb.

You agree to write a review (or reviews) at Amazon, Barnes & Noble, and/or Goodreads, or your own blog.

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Speaking of Dig Two Graves, the great Andrew Sumner of Titan interviewed me about it recently, and you can watch it right here.

Dig Two Graves will be available from Amazon and others a week from today (Sept. 19).


Hardcover:
E-Book: Amazon Google Play Nook Kobo iTunes
Digital Audiobook: Google Play Nook Kobo iTunes Chirp
Audio MP3 CD:
Audio CD:
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Two of my novels are on sale right now (and until 9/30/’23) at Amazon, e-book editions of Executive Order ($2.95 Amazon) and Girl Most Likely ($2.49 Amazon). Exec is co-written by Matthew Clemens and is a Reeder and Rogers political thriller. Girl is one of my personal favorites.

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Robert Meyer Burnett, You Tube’s finest commentator on pop culture and physical media, made an interesting announcement on air last night (Sunday Sept. 10). All of a sudden he was talking about me! Hearing my name invoked was startling and, I’ll admit, a little thrilling, because I respect this man’s opinions and admire his uncanny ability to hold my attention for literal hours with his good-humored brilliance. But I wasn’t entirely surprised, because he and I (and our mutual friend Mike Bawden, who is the producer of the Burnett podcasts, and happens to be located near me in the Quad Cities) are embarking on a project together.

We are setting out to do a podcast series based on the Nathan Heller novels. Each multi-episode podcast would take on a single book. I will write these adaptations myself. Rob Burnett is, among other things, a Hollywood director (Free Enterprise, Femme Fatales, The Hills Run Red). There will be a crowd-funding effort to get the first podcast off the ground, and I’ve written a 10-page self-contained script (based on the opening of Stolen Away), to be presented as an example of what we’re up to at the crowd-funding site.

These are early days, but I think we’ll be moving fast. We are talking to several terrific name actors about playing Heller on the crowd-funding pilot, and when we’re a go for the podcast (likely six episodes – we’re considering several titles, including Carnal Hours), other name actors will be cast as well.

Since we haven’t had a Heller movie in all these years, despite continued Hollywood interest, I think a superior podcast could really jump start things on that end.

But the podcast on its own will be great fun, and producer Bawden is a genius at promotion and utilizing You Tube. Not surprisingly, my longtime movie collaborator Phil Dingeldein is involved in the project, and we’ll be making behind-the-scenes and behind-the-story “true crime” videos. That, at least, is the plan.

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Meanwhile, work on Blue Christmas continues apace.

We are trying to secure Gary Sandy, but he has several prior commitments we have to find a window between. If we don’t land him, he has nonetheless been a friend to me and my work, and incidentally a fan specifically of Blue Christmas. His taking on Mike Hammer for our Golden Age-radio style local production made recording it (and turning it into a modest but fun little movie) possible.

We are having auditions this week for the rest of the Blue Christmas cast, and I intend to use as many of the players from Mickey Spillane’s Encore for Murder as possible. I was very pleased with their work.

Both the Blu-ray of the expanded Mike Hammer’s Mickey Spillane documentary and a DVD of Encore for Murder will be out in December (exact date TBA). Here is the trailer for Encore.

We are on a very fast track for Blue Christmas – the shoot is toward the end of October.

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Yesterday afternoon/evening (Sunday Sept. 10), my band Crusin’ made its last appearance of the summer. Rain kept threatening but never happened, and a large appreciative crowd seemed to have a great time.

Crusin' September 10, 2023
Crusin' September 10, 2023

Barbara and Samuel dance to Crusin’

I had to postpone this from a scheduled August appearance, due to my health stuff; but I was pretty much fine for this performance, although I admit to tiring easily. It’s becoming obvious that I’m near the end of my rock ‘n’ rolling days, and I think next summer (if the rest of the band is up for it) we’ll do a Farewell Tour of three gigs here in Muscatine.

We’ve been preparing new originals for one last CD, which would include the Crusin’ originals from Real Time: Siege at Lucas Street Market.

This version of the band has been very gratifying. This is the line-up, basically, that appeared at the 2018 Iowa Rock ‘n’ Roll Hall of Fame induction concert. Our late bass player, Brian Van Winkle, appeared with us there. He passed away not long after, most unexpectedly, and his sunny presence and self-deprecating humor is sorely missed – in many respects he was the heart of the band. His replacement – our guitarist Bill Anson’s son Scott – is one of the best bass players I’ve been privileged to appear with. He has his own sly sense of humor, too. By the way, Bill Anson came aboard just to fill in for a while – that was seven years ago.

I hate to hang it up, but I figure I’ve accomplished everything I ever will in this artistic/performing arena, and will concentrate whatever time is left to writing novels and working on movies. Blue Christmas is, in part, an experiment to see how I do directing a movie at this rarefied age.

I have designed it to be low-budget – a necessity, particularly since we didn’t get the expected Greenlight grant – and wrote it to be shot on a single set in a studio-style setting. I will have some wonderful actors lined up (with or without Gary, though I sure hope he’s able to do it) and great collaborators in Phil Dingeldein, Liz Toal and Chad Bishop.

Since Encore came out well and the filming of it was something of a last minute, impulsive decision, I had originally conceived Blue Christmas to be presented as a play that we’d shoot. There are advantages to that approach, but also disadvantages – shooting it film-style, without an audience, will broaden our market, and be more artistically satisfying to boot.

Wish us break a leg and stay tuned for reports from the front lines.

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Here, from the Pulp, Crime & Mystery Books site, is a nice review of Dig Two Graves.

Finally, here’s a short but great write-up on Too Many Bullets from Craig Zablo.

Mike Hammer, John Shaft & James M. Cain

Tuesday, July 12th, 2022
Kill Me If You Can Audiobook cover
Hardcover:
E-Book: Google Play Kobo
Audiobook: Google Play Audiobook Store

Coming in August, by Mickey Spillane and Max Allan Collins, is Kill Me If You Can, the 75th anniversary Mike Hammer novel (Hammer debuted in I, the Jury in 1947). It includes five Spillane/Collins short stories, two of which are Mike Hammer, both significant additions to the canon.

Kill Me If You Can will also appear on audio, read by the great Stefan Rudnicki, who for the past several Hammer novels has performed the impossible task of stepping in after Stacy Keach. The five short stories are included.

I have now done the commentary for the ClassicFlix Blu-ray 4K/3-D release of the 1953 I, the Jury. I think it went well, although I can’t compete with the likes of Tim Lucas and Tom Weaver (much less Eddie Muller) in their Blu-ray commentaries. Lucas and Weaver and Muller are always extremely well-prepared and organized, while I just watch what’s on the screen and blather on about all the useless information I’ve gathered and opinions I’ve formed over the years. I worked with my pal and partner Phil Dingeldein on this one – he shares credit but no blame. The Blu-ray comes out in early December.

Phil and I are preparing to shoot new material for an expanded Mike Hammer’s Mickey Spillane (1999) documentary as well as introductory material for the Brian Keith/Blake Edwards written-directed 1954 Mike Hammer pilot, which will be a bonus feature on the I, the Jury disc.

We are in the early stages of mounting an amateur stage production of Encore for Murder and are hoping to entice Gary Sandy to come to Muscatine, Iowa, to again play Mike Hammer. A few years ago, Gary starred as Mike in pro productions of Encore in Owensboro, Kentucky, and Clearwater, Florida. The play is performed in the style of a ‘40s radio show. Much more to follow, but the date to save is September 17.

A reminder – the Kindle editions of the two books in my Krista and Keith Larson series, Girl Most Likely and Girl Can’t Help It, are on sale this month – right now through July 31. You can buy them as a pair for $1.98, or 99-cents each.

They are not on sale, but both Girl novels are also available on audio, read by my other favorite Collins narrator, Dan John Miller. [The Girl audiobooks are only $1.99 each if you own the eBooks. –Nate]

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If you swing by here now and then – or, God help you, on a regular basis – you will have noticed I seldom review books but frequently talk about movies and TV – of late, streaming mini-series more than anything. This week is no exception.

But first let me explain that I am indeed still reading books. Right now I am swimming in them, preparing to write Too Many Bullets, the RFK Heller novel that will cover both Jimmy Hoffa and Sirhan Sirhan. I am dizzy from it and driving Barb nuts with my ever-shifting notions about how I will approach this thing.

The degree of difficulty may make this the final Nate Heller novel, or at least one of such size and sweep. I can imagine doing shorter ones, more the length of a Quarry or Caleb York, which if Heller’s home remains Hard Case Crime makes sense. But the upcoming The Big Bundle was meant to be a “short” Heller and it ran over 400 pages in manuscript. As we say in the funnies, Sigh.

During intense research phases, little recreational reading happens. My brain wants something less proactive than reading, hence film and TV. I do read before bed and chip away at books. And my ambition is to read the entire Tarzan series by Burroughs and dig seriously into the complete Race Williams stories by Carroll John Daly and also the Zorro stories by Johnston McCulley. I read most of Burroughs’ Tarzan novels as a kid, but only recently have the complete Race Williams and Zorro stories been collected in book form.

Also on my reading list are books on Anthony Mann’s crime films, the handful of Willam March-penned novels I haven’t got to, a few remaining items by F. Hugh Herbert (creator of Corliss Archer), and autobiographies of Mel Brooks, Chuck Berry and Brian Cox. I’m also salivating to read Hell’s Half Acre about Kate Bender, one of my favorite true crimes of the Lizzie Borden era.

Am I alone in noticing that time is the enemy?

On the streaming front, Barb and I greatly enjoyed The Dropout, the jaw-dropping story of Elizabeth Holmes and her blood-exam scam. Stranger Things wrapped up in excruciatingly self-indulgent over-stuffed style – the Duffer brothers have got to stop writing teen romance! – but the horror aspects remained strong. And Star Trek: Stranger Worlds ended its season boldly going, and we continue to consider it the best post-Shatner/Nimoy/Kelley iteration.

Of course I am a hopeless addict of physical media, and snapped up two great Criterion 4K Blu-rays on their current Barnes & Noble 50% off sale – Shaft (1971) and Double Indemnity (1944).

Shaft is one of my favorite private eye films and it shows what might have been done with a Mike Hammer film had it been shot on gritty NYC locations (the 1982 I, the Jury remake comes close). Richard Roundtree is the most charismatic screen private eye since Bogart, and the Issac Hayes score ties with Mancini’s Peter Gunn for best P.I. theme. It’s really a pretty standard private eye yarn and very much on the Mike Hammer template – Shaft has a Homicide detective pal who scolds and yet uses him, and there’s a regular girl friend who the detective cheats on without a twinge, the violence is shocking and the P.I. is almost supernaturally tough, though he gets beat up before the end. Standard. But the Black twist on everything, those stark NYC locations, the pulsing soul score, the magnetic Roundtree…changes everything.

The movie looks great, sounds better, and the bonus features go on forever, though none of the experts mention Mike Hammer (the original hardcover novel had presented Shaft as the Black Mike Hammer) with no sense of the debt to Spillane on display here. There’s lots of feminist blather from a Black perspective, apologizing and rationalizing for what if this were a Hammer film would be labeled misogyny. But there’s a lot of good bonus material just the same, with Roundtree and Gordon Parks interviewed and much more. That includes the snappy quick sequel, Shaft’s Big Score (1972), on Blu-ray; it lacks the grit of the first film but has an incredible if absurd climax. Sadly M.I.A. is the underrated Shaft in Africa (1973). And if I’d have been in charge I’d have cherry-picked an example of the short-lived Shaft TV series, the episodes of which were movie length.

Double Indemnity blu ray cover

James M. Cain was one of the four writers who (sixty years ago) inspired me to go down the hardboiled path (the others being Hammett, Chandler and Spillane). Double Indemnity is generally considered the best of the screen versions, and was Cain’s own favorite. I could build a case for The Postman Always Rings Twice (1946) because it really does have a love story at its twisted heart. Double Indemnity, wonderful though it is, is cold at the center. Ironically (intentionally), the real love story is between Fred MacMurray’s Walter Neff and Edgar G. Robinson’s Barton Keyes, the insurance investigator who leads Neff and Barbara Stanwyck’s Phyllis Dietrich to their well-deserved fates.

It’s a great film, with Raymond Chandler’s crackling dialogue staying just to one side of self-parody; then there’s the prison-stripe window-blinds cinematography of John Sietz and march-to-doom direction of Billy Wilder. As Hammett’s The Maltese Falcon did with the private eye novel, Double Indemnity seems to invent, define and perfect the post-war film noir. Eddie Muller and Imogen Sara Smith do right by the film in their terrific bonus-feature discussion (accomplished by editing together craftily two sides of a chat shot in separate locations).

I disagree with them on only one thing: they describe both Neff and Phyllis as sociopaths. I think Double Indemnity is a dance between a guy who’s been getting away with things and a woman who’s been getting away with murder. There’s a throwaway line very early on where MacMurray mentions having sold vacuum cleaners door-to-door; this is code for the traveling salesman who is on the make for available housewives. He sizes Stanwyck up as one of those, with no idea how in over his head he is. He’s a regular guy with a sleazy streak who gets pulled into a murder plot because (a) he’s hot for the dame, and (b) he’s always dreamed of putting one over on the insurance company he works for. Stanwyck, on the other hand, has immediately sized him up as a horndog who is a perfect candidate for the inside-man accomplice she needs.

Muller and Smith discuss the difference between Cain’s novel dialogue and Chandler’s film dialogue, and are again on the money; but they don’t share the key anecdote in full.

Here’s what Cain himself said in that regard: “When they were making Double Indemnity in Hollywood, Billy Wilder complained that Raymond Chandler was throwing away my nice, terse dialogue; he got some student actors in from the Paramount school, coached them up, to let Chandler hear what it would be like if he would only put exactly what was in the book in his screenplay. To Wilder’s utter astonishment, it sounded like holy hell. Chandler explained to Wilder what the trouble was that Cain’s dialogue is written to the eye. That ragged right-hand margin that is so exciting and wonderful to look at can’t be recited by actors. Chandler said, ‘Now that we’ve got that out of the way, let’s dialogue it with the same spirit Cain has in the book but not the identical words.’ Wilder still didn’t believe him. They got me over there, purportedly to discuss something else, but the real reason was that Wilder hoped I would contradict Chandler, and somehow explain what had evaporated. But, of course, I bore Chandler out….”

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Lots of lists of the best Film Noirs have popped up lately, but this one is solid, and does a fine job discussing Kiss Me Deadly. And, of course, Double Indemnity is on it.

M.A.C.