Posts Tagged ‘Nate Heller’

You Like Me, You Really Like Me!…Right?

Tuesday, June 8th, 2021
Do No Harm

In the writing game, you never know when – or even if – honors will come your way. I’ve been lucky, and I mark the first big non-Dick Tracy career breakthrough for me as winning the Best Novel “Shamus” from the Private Eye Writers of America for True Detective in 1984. That put me, and Nate Heller, on the map.

A second Heller win (Stolen Away), and numerous Heller nominations over the years, culminated with the PWA honoring the series itself with the Hammer Award for its contribution to the genre. Then, for the last several Heller novels, it’s been quiet…too quiet.

Now, I am thrilled to say, the most current Nathan Heller novel, Do No Harm, has been nominated for the Best Novel “Shamus” by the PWA.

I spent several decades of my writing life supplementing my Heller and other novels with tie-in writing, doing novelizations of movies and original novels of popular TV series, the latter often with Matthew V. Clemens (we’re doing our John Sand series together at Wolfpack currently). One of the frustrations about writing media tie-in novels had always been the lack of respect and attention they got, quite apart from their quality (or for that matter lack of it).

My fellow tie-in writer Lee Goldberg – an actual TV screenwriter in addition to author of novels tied-in with shows where he’d contributed scripts, Monk and Diagnosis: Murder among them – had been thinking about starting an organization like the MWA and PWA for tie-in writers. I was having the same thought at the same time, and both of us had a particular goal of having annual awards, including a grand master award.

We threw in together and founded the International Association of Media and Tie-in Writers in 2006, and created the Scribe Awards for various categories, with the Faust as a grand master award. Faust refers not only to the Faustian bargain tie-in writers agree to with the owners of the properties, but also to Frederick Faust, aka Max Brand, a prolific writer whose creations included Destry (of Destry Rides Again fame) and Dr. Kildare (for which he wrote his own novelizations).

Lee and I stepped down from leadership a few years ago, but the organization – now led by multiple Bram Stoker Award-winning suspense author Jonathan Maberry – is still going strong.

On the heels of the Shamus nomination, I received a second, rather overwhelming honor from the IAMTW, and have been chosen this year’s Faust winner – my third lifetime achievement award (preceded by the Eye from the PWA and the Grand Master Edgar from MWA), which is either an incredible honor bestowed upon me by my peers, or an indication that they think I’ve lived long enough.

Maybe both.

At any rate, I am shocked and pleased by this honor. The previous Faust winners include some of the best writers in the business (not just the tie-in business). I was further honored by a Best Novel “Scribe” nomination for the newest Mike Hammer, Masquerade for Murder.

All of these honors are wonderful, but the greatest honor of all is being married to Barbara Collins for 53 years. We’ve been together 55 – starting to go together at Muscatine Community College in 1966 – and getting married on June 1, 1968.

For our most ambitious post-lockdown day trip, Barb and I went to a favorite spot of ours, Galena, Illinois, to celebrate our anniversary. The accompanying picture is of us at Vinny Vanucchi’s, our favorite Galena restaurant. We shopped and just enjoyed a lovely day, but also stopped by the police department to see Chief Lori Huntington.

Lori is retiring after nine years in that position, and almost thirty years in Galena law enforcement. She was my consultant on both The Girl Most Likely and The Girl Can’t Help It. I could lie and say she was the inspiration for Chief Krista Larson in those novels, but I had conceived of that character before discovering that Galena indeed had a female chief of police.

But knowing Lori, and talking to her at length over the writing of the two novels, meant she had a huge impact on how the character was shaped, as well as keeping me honest about law enforcement in her little town – a tourist center that can see a million visitors, easily, in a year. She has generously agreed to let me stay in touch should I get around to writing a third Krista and Keith Larson novel, which I hope to do.

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Barb and I finally finished listening to – thanks to the Galena drive – the audio book of Do No Harm. What a terrific job Dan John Miller did! He especially nails famous defense lawyer F. Lee Bailey (who passed away recently).

You may recall my continued praise for one of my favorite movies, Anatomy of a Murder. There’s a terrific write-up about the film at AV Club here.

Kristen Lopez has a wonderful podcast called Ticklish Business on which I guested. We discussed the 1964 version of The Killers. I think you’ll enjoy this. Kristen and her equally young female cohorts Drea Clark and Samantha Ellis talk pop culture in a way that gives me hope for the future (there’s an emphasis on classic film).

Here’s a wonderfully insightful review of the paperback of Mike Hammer in Kiss Her Goodbye (with my original uncensored ending)

A “great Tom Hanks gangster movie just hit Netflix” – wonder what it is?

Here’s a terrific review of Two for the Money, the HCC two-fer of Bait Money and Blood Money.

M.A.C.

Live Fast, Try Hard to Find It…Shoot-Out Where?

Tuesday, March 16th, 2021

You apparently can pre-order the print version of Live Fast, Spy Hard at Amazon now, although for some reason the book doesn’t turn up when you search anywhere except at the listing for Come Spy With Me, which provides a link to the next book (this one) in the John Sand series. Since the book in both Kindle and trade Paperback is being published this week, that’s a little disconcerting. But there’s no reason not to go ahead and pre-order here.

Matt Clemens and I are already working on the third novel, To Live and Spy in Berlin.

Matt and I are both longtime Bond/Ian Fleming/’60s-era spy fiction fans. I have told here, a number of times, how I gravitated to Ian Fleming when I ran out of Mickey Spillane books to read, and that I was a Bond fan well before the first movie came out. And that I talked my parents into driving me, on a school night, to Davenport – thirty miles away – to see Dr. No. I was in junior high.

If you drop by here regularly, or even now and then, you may be aware that I wrote novels every summer during my high school years and spent the following school year trying (unsuccessfully) to market them. There were four such novels, the first three starring private eye Matt Savage, but the fourth of the novels – the last of the high school novels – was a Bond imitation about spy Eric Flayr (I don’t remember the novel’s title). I was very much caught up in the spy mania, as were many of my male schoolmates. We carried briefcases to school (after From Russia With Love) and were caught up in an imaginary plot to overthrow the school.

It seemed innocent then.

So writing about John Sand, the spy James Bond was based on (the implied conceit of the series), has brought me full circle. I think Matt feels the same way. It’s gratifying that readers, so far, have responded well to the series and understand where we are coming from. We studiously avoid camp, but it’s fair to say we’re slightly tongue-in-cheek.

And we are grateful to Wolfpack, editor Paul Bishop, and publisher Mike Bray for allowing us to indulge ourselves in a fashion that appears to be entertaining readers.

The fact that you have to go hunting on Amazon to find the Live Fast, Spy Hard listing is an ongoing frustration to me. Any number of forthcoming titles of mine are not showing up when my name is searched, and yet my listings are littered with the works of other authors who Amazon is pushing to readers who enjoy my stuff. Here is a startling concept that seems to elude Amazon and its trusty algorithms – readers who like my stuff may wish to encounter the titles of things of mine they haven’t read. (NOTE: After further checking, searching “Max Allan Collins” on Amazon, the books don’t come up; but apparently without quotes those books do.)

Some interesting things have turned up on the web that I’d like to share with you.

Ron Fortier at Pulp Fiction Reviews is looking at each novel in the Caleb York western series, but he’s doing so out of order, as he’s able to get his hands on the various titles. Here he takes a splendid look at The Bloody Spur, book three in the Spillane/Collins series.


Hardcover:
E-Book: Google Play Kobo

There’s a new one coming soon, Shoot-out at Sugar Creek. Here’s a first look at the cover.

The Mystery File site has put a review from pulp fiction expert Art Scott of my long-ago Mallory title, Kill Your Darlings, from 1001 Midnights.

They have also posted a review by the late, very great John Lutz about the first Nathan Heller novel, True Detective. This is well worth looking at, particularly in light of the warmly received news that I will be doing two Heller novels for Hard Case Crime.

For reasons mysterious to me, my novelizations of the three Brendan Fraser Mummy movies appear to remain very popular (though out of print for decades now) and have generated a number of quotations at various web sites – like this one.

Finally, this is an hysterical (in several senses of the word) You Tube rant by a big guy who likes my novel Quarry till he finds out Quarry (whose name he hilariously mispronounces) weighs 155 pounds. Everything else about the book he seems to like, even love, but he refuses to read the rest of the series (despite salivating over the McGinnis covers) because Quarry isn’t a big guy. Dude – ever hear of Audie Murphy?

M.A.C.

Short Cuts

Tuesday, February 23rd, 2021

I came to short stories late in my career. I had written a good number as a teenager and, in the Writers Workshop format at the University of Iowa, writing short stories was expected. But I didn’t submit anything professionally until the mid-1980s, and then almost always when I was invited. I believe the first professionally published short story was “The Strawberry Teardrop” (a Heller story) for a PWA anthology. I did allow several early things to be published in Hardboiled, back when my pal Wayne Dundee was the editor, but I don’t recall the exact time frame.

The limited number of markets discouraged me, and they still do. I tried Ellery Queen Mystery Magazine with “A Wreath for Marley,” but the editor turned it down as too long (and it’s a novella, so that’s valid) although claimed to like it. I sold a Heller story to them later – don’t recall which one – and since then, on the rare occasions I submit to EQMM, they haven’t turned anything down. This to me is a real honor. I’ve never submitted anything to Alfred Hitchcock, their sister magazine, simply because I have a good relationship with the editor at EQMM.

The response there to my submissions of Spillane/Collins short stories has been favorable – I did both “A Killer is on the Loose!” (from an unproduced Spillane radio play) and “The Big Run” (from an unproduced TV script by Mickey, done for Suspense). And now, for the first time, a Mike Hammer story appears in EQMM (the March/April 2021 issue) and the Spillane & Collins team has made the cover. [Amazon Link]

This, frankly, delights me.

Ellery Queen's Mystery Magazine March/April 2021

We are the issue’s Black Mask Department story, and are the lead story, which is a thrill. And here is what editor Janet Hutchings says by way of introducing “Killer’s Alley,” adapted by me from a short Hammer film script:

“Although Mickey Spillane’s Mike Hammer stepped onto the crime-fiction scene in 1947, just six years after EQMM was founded, he’s never appeared in our pages. As we celebrated the magazine’s 80th year, it’s high time he joined EQMM’s panoply of iconic characters.”

One of the joys of being the keeper of the Spillane literary keys is to see how warmly he is now regarded. This is, frankly, a big deal, getting the EQMM seal of approval. Folks my age (and a few of us are still kicking) know how less than warm the reception was to Mickey and his success in the early ‘50s from a lot of critics and writers who should have known better, but were seized by a fit of jealousy.

Short stories have been on my mind of late, because I’ve been dealing with going over the galley proofs of two new collections of my short fiction, Reincarnal & Other Dark Tales and the forthcoming Suspense – His and Hers: Tales of Love and Murder. The latter, due out in September, is a follow-up to Murder – His and Hers, and again collects stories written individually by Barb and me, and together.

Assembling these has not been without speed bumps. Wolfpack has been incredibly supportive, bringing out much of my remaining back list – the four Eliot Ness novels, the two Mommy novels, and Shoot the Moon, though I haven’t seen a physical copy of that yet. They will be bringing out Regeneration and Bombshell by Barb and me, stand-alone novels.

Already they have Murderlized (by Matt Clemens and me, a new collection I’ve very proud of) and the existing collections, Blue Christmas and Murder – His and Hers. Barb’s Too Many Tomcats is out, too, with an intro and a co-written story by me.

Again, there have been problems. I think Wolfpack’s covers are great, but I’ve had copy-editing problems; but editor Paul Bishop has been patient with my fussiness with both Reincarnal and Suspense – His and Hers. Not every problem can be blamed on copy editors, though. These stories span something like 37 years, and each tale is a file, sometimes going back to (ready for this?) WordStar days. So what we delivered sometimes had glitches I hadn’t caught. A typical problem was that, for a long time, editors wanted italics indicated by underlining; maybe a decade ago, they switched to wanting italics indicated by, yes, italics.

And Wolfpack had to get a bunch of my books out all at once. Reincarnal has a problem that a number of you have pointed out – the table of contents page is messed up. One story is not included and the numbering is wrong. I missed this. I frankly never thought to check the table of contents.

The nice thing about the e-book age is that we can correct things like that. So anyone ordering Reincarnal now, whether e-book or physical book, will have a corrected table of contents. The rest of you – well, what do you know? You own a collector’s item!

Seriously, though, folks – if you catch a typo in anything of mine, whichever of my publishers has put it out, let me know at macphilms@hotmail.com. We will at the very least be able to correct the e-book version.

Barb, by the way, has been a natural from the start where short stories are concerned. She grew up on Alfred Hitchcock Presents and The Twilight Zone and developed a real feel for a compact form with a twist ending. From the start she got great reviews and reactions for her stories, including getting slots in “best of the year” anthologies. For her, novel-writing was a stretch, but she has adapted beautifully. Nonetheless, her touch with the short form remains a strength – we have a story together (conceived by her) in – yes! – an upcoming issue of Ellery Queen Mystery Magazine.

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Deadly Anniversaries Ebook Cover

I am pleased to share with you something from another of my favorite newsstand publications, Mystery Scene. The great Jon Breen included Do No Harm in an article about recent legal thrillers; a lovely color reproduction of the cover of this latest Heller novel accompanied it.

“Max Allan Collins’s excellent series about Zelig-like private eye Nate Heller fictionalizes major crimes of the past century. Occasionally, Heller drops in on classic trials, perhaps most notably in Damned in Paradise(1996), featuring a complexly characterized Clarence Darrow appearing for the defense in a 1932 Honolulu rape case. The latest in the series, Do No Harm (Forge), considers the murder of Marilyn Sheppard for which her husband Dr. Sam Sheppard, a Cleveland osteopath, was tried and convicted in 1954 and retried in 1966, this time with famed advocate F. Lee Bailey heading the defense. Both trails are visited in a total of about a dozen pages, the first summarized to Heller by newspaper columnist Flo Kilgore (a transparent pseudonym for Dorothy Kilgallen), the second viewed by Heller and including some well-selected quotes from Bailey’s cross-examinations. All the real people in the cast – Bailey, Kilgore/Kilgallen, Erle Stanley Gardner, Eliot Ness, and especially Sam Sheppard himself – come to life as convincing fictional characters. As usual, Collins’ concluding author’s note provides a bibliographic essay on his sources to make the fact/fiction demarcation clear.”

Getting back to short fiction, a story that I consider one of my best – “Amazing Grace” – appears in the MWA anthology, Deadly Anniversaries. It’s on sale now in e-book form for under two bucks, right here.

Here is an absolutely stellar Come Spy With Me review at Bookgasm.

Here’s a mixed but smart review, mostly favorable, of Skim Deep. But for the last effin time, it’s Nolan, not Frank Nolan. He has never been Frank Nolan. Stop it already.

Finally, here’s a nice if belated (but appreciated) UK review of Girl Most Likely.

M.A.C.

Bargains and Raves!

Tuesday, December 8th, 2020

Amazon has a bunch of my stuff on sale all through the month of December, starting with the entire Reeder and Rogers series ([Linking to Amazon: –Nate] Supreme Justice, Fate of the Union, Executive Order) in an offer that will be sent to select customers.

Everybody else gets an even better deal – all of the following are at .99-cents during December:
The Titanic Murders
The Hindenburg Murders
The Lusitania Murders
The Pearl Harbor Murders
The London Blitz Murders
The War of the Worlds Murder
What Doesn’t Kill Her
Midnight Haul
Girl Most Likely

This is the first time The Girl Most Likely has been offered at the .99-cent price. And Girl Can’t Help It is available for $1.99.

Just till the end of the month.

At the Rap Sheet, that stellar critic and pop culture expert J. Kingston Pierce has selected Do No Harm as one of his favorite crime-fiction books of the year. Normally I would just provide a link, but I want to brag a little:

Do No Harm, by Max Allan Collins (Forge):

In previous books, Chicago private eye Nate Heller reinvestigated some of the 20th century’s most notorious crimes, from the “presumed” murder of bank robber John Dillinger to the slaying of L.A.’s enigmatic “Black Dahlia.” So it’s no surprise that he should finally tackle the real-life case of Cleveland osteopath Sam Sheppard, charged with bludgeoning his wife to death in July 1954. As on television’s The Fugitive—supposedly inspired by this case—the accused here claimed innocence, insisting an intruder had offed his spouse. And in Do No Harm, Perry Mason creator Erle Stanley Gardner believes Sheppard … which is why he hires Heller to review the evidence, three years later. In so doing, Heller walks readers back through the bizarre, haunting circumstances of that homicide and its aftermath, raising doubts not only about Sheppard’s guilt but about the actions of authorities (and newspapers) that helped to promptly convict him. In addition to Gardner, “Untouchable” Eliot Ness and celebrity attorney F. Lee Bailey guest star in this inventive 17th Heller novel, one of the series’ finest entries—and that’s saying a hell of a lot.

Do No Harm cover

Kevin Burton Smith of the great Thrilling Detective web site selected Do No Harm as one of his favorite crime fiction novels of the year, and listed it (also at the Rap Sheet) but did not write about it. But I’m pleased just the same.

I should remind regular readers here that Do No Harm apparently will not get either a trade paperback or mass market reprint. So you’ll need to pick up the hardcover, which will likely go out of print (other than e-book) before too long.

Continuing to brag, I will share Ron Fortier’s wonderful review of Come Spy With Me at Pulp Fiction Reviews:

Come Spy With Me (Wolfpack)
Max Allan Collins with Matthew V. Clemens

Max Collins is one of those writers who is constantly surprising us. After decades of offering up great mystery and crime tales, he then had us cheering wildly for his western actioners courtesy of the late Mickey Spillane’s cowboy hero, Caleb York. Now comes super-spy James Bond’s clone, John Sand.

The setting is the early 60s and a British novelist has become famous by fictionalizing the exploits of M1-6’s operative, John Sand. Obviously with such notoriety, Sand’s effectiveness as an agent is compromised and as the story opens, he has retired and married the beautiful Stacey Boldt, the beautiful heiress to a Texas oil tycoon. If that sounds familiar, think George Lazenby and Diana Riggs, we certainly did. It is wish fulfillment ala what might have happened had she survived. This book takes us there and it’s a wonderful ride.

Sand is sincere in his desire to leave his dangerous career behind and pursue his new role as an executive in his wife’s business empire. This all goes awry when, while on a trip to Caribbean, he becomes entangled in a political assassination. Within days he’s summoned by President John F. Kennedy to a clandestine meeting in the desert of Utah where a Frank Sinatra western is being filmed. Kennedy suspects rogue agents of the C.I.A. are planning on assassinating Fidel Castro. After the disastrous failure of the Bay of Pigs, the last thing he wants is another embarrassing incident pointing back to the U.S. Reluctantly Sand agrees to go to Cuba and see if there is any validity to the President’s claims.

As always, Collins’ use of the time and culture are spot on and add so much to the rich texture of his narrative. Ultimately Sand uncovers an even greater threat and upon reporting to Kennedy, is once again manipulated into being the President’s personal secret agent. If that wasn’t enough of a headache, Stacey demands to tag along. If her husband is going to continue leading a double-life, then he is going to do it with her or else he can pack his bags and kiss their marriage sayonara.

If like us, you grew up reading Ian Fleming’s James Bond adventures, Come Spy With Me will feel like old home week. Not a bad way to kick off a new series, Mr. Collins & Clemens. Not bad at all.

Come Spy With Me cover
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Indiewire has a selection of books that its reviewers think should be TV series – and Nate Heller is on the list! Check this out….

This is Skyboat media hawking its own audio releases of Murder, My Love and Masquerade for Murder. But it’s a very nice job and you may get a kick out of it.

Once again, Supreme Justice has made a list of the best legal thrillers of all time.

Here’s The Consummata by Mickey Spillane and me at a bargain price (check out this entire website, for cool stuff.)

Ms. Tree: Skeleton in the Closet gets a recommendation from Tony Isabella, whose blog is always fun and informative.

M.A.C.