Posts Tagged ‘Nolan’

Biggest Book Giveaway Yet, Boys and Girls!

Tuesday, March 23rd, 2021

This book giveaway may be my biggest yet.

Two for the Money 2021 Paperback Edition cover
Paperback:

I am offering ten copies each of Kiss Her Goodbye, Shoot-out at Sugar Creek, Two for the Money – these are all books that will be published in April.
Kiss Her Goodbye is a trade paperback from Titan of the third Spillane/Collins Mike Hammer novel, with my original, previously censored ending.

Shoot-out at Sugar Creek is the final Caleb York western being published by Kensington, although I hope to revive the series next year (probably with Wolfpack). This edition is a trade paperback the size of the hardcover and is an advance reading copy.

Two for the Money is a reprint of Hard Case Crime’s omnibus of the first two Nolan novels, Bait Money and Blood Money, with a new cover (the previous one being the rare HCC cover that disappointed).

[All copies have been claimed. Thank you for your support!–Nate]

You agree to write a review for Amazon and/or Barnes & Noble (and other review sites, blogs, etc.). This is the honor system, but Big Brother is watching. Or anyway I am.

Kiss Her Goodbye will be of interest to Mike Hammer fans because this is indeed the correct ending for the novel. My previous editor objected to what he considered too big a similarity to the ending of a classic Spillane title; he is a Spillane fan and expert, and I mean no disrespect to him – he was instrumental in getting Mike Hammer back out there – but I should not have given in to him and rewritten it.

So if you already have the hardcover, you still need to get the trade paperback. Yes, it’s double dipping, but there’s a new cherry on the sundae.

* * *

Barb and I are doing a Master Class via Zoom that is available to anyone interested.

DSM Book Festival: Sat. April 3
Workshop: Max Allan Collins at 9 a.m. (duration 1 hour)
Log-in: 8:40 a.m.

Workshop description:
Learn from the masters, Max Allan Collins and his wife Barbara Collins, as they each present their Top 5 Fiction Writing Tips and then field questions from the class. Together, Max and Barb have published the “Trash & Treasures” mystery series. Max is the New York Times bestselling and award-winning author of “Road to Perdition”, “True Detective,” the Quarry series, “Girl Can’t Help It” and many more.

Here’s the link: https://www.dsmpartnership.com/dsmbookfestival/attend/writers-workshops

They are taking registrations for until March 30.

* * *
Anatomy of a Murder DVD Cover

Several classic films got watched around the Collins household this weekend.

First, one of my top ten turned up in high-def on TCM – Anatomy of a Murder. I watch this once a year, and am astonished by how caught up in it I get every time. It’s a perfect movie. Otto Preminger may have been a cruel taskmaster, but he made some great films (Anatomy the greatest, but Laura and Advice and Consent ain’t chopped liver, nor are a bunch of other films noir, and he pushed the censor’s envelope with Moon Is Blue and Man With a Golden Arm) (on the other hand…Skidoo).

James Stewart is at the top of his powers in Anatomy, and I am reminded that he was the greatest film actor of the 20th Century. That sounds like I’m stating a fact. I am. No one starred in, and propelled, more great films than Stewart. If you can top this list with your choice, feel free to try – Mr. Smith Goes to Washington, The Shop Around the Corner, The Philadelphia Story, It’s a Wonderful Life, Winchester ‘73, Harvey, Rear Window, Vertigo, Anatomy of a Murder, The Man Who Shot Liberty Valance).

And that’s just the great films. It doesn’t count the really good ones, like the other Anthony Mann films he made, or Bell, Book and Candle, or Rope, or Destry Rides Again, or The Man Who Knew Too Much, or Flight of the Phoenix, or The Shootist.

He made Vertigo, Bell, Book and Candle and Anatomy of a Murder right in a row – astounding. On my birthday Barb and I watched Vertigo in 4K in case I’d forgotten that it was my favorite movie. I would hate to have to choose between Vertigo and Anatomy of a Murder for Stewart’s best performance, and they are quite different, at that.

I love courtroom dramas and Anatomy is the best I’ve ever seen. It’s based on a novel by a lawyer (Robert Traver) and was itself based on a real murder case that lawyer won as a defense attorney. Boldly shot entirely on location, the film has a stunning, innovative jazz score by Duke Ellington and amazing opening credits by Saul Bass. For its day it was daring in its subject matter and frank expression thereof.

But perhaps what dazzles me most, every time I see it, is the intersection of two eras – Stewart as a Golden Age movie star going head to head with the Method crowd of Ben Gazzara, George C. Scott and Lee Remick. Gazzara and Remick are terrific in it, and Scott too…but Stewart owns the picture anyway. He is aided and abetted by two classic Hollywood supporting players – Eve Arden and Arthur O’Connell.

Two supporting performances stand out for me – Orson Bean, a personal favorite of mine (for The Star Wagon if nothing else), and Joseph Welch, Joe McCarthy’s real-life nemesis who, though an amateur actor, more than holds his own in this heady company.

Interestingly, another supporting player – Russ Brown – turned up in the second half of our amazing double feature this weekend – Damn Yankees (1958), on Blu-ray at last. Brown played the trainer of the Washington Senators in the great Broadway hit brought very faithfully to the screen by George Abbott and Stanley Donen. In the original show, Brown won a Tony as did Gwen Verdon and Ray Walston, and choreographer Bob Fosse.

Damn Yankees is one of the handful of Broadway musicals done justice by Hollywood – others include Li’l Abner, Pajama Game and How to Succeed in Business Without Really Trying. Pajama Game was based on the novel 7 ½ Cents by Iowa novelist Richard Bissell (another personal favorite). Both Pajama Game and Damn Yankees (also from a novel, Douglas Wallop’s The Year the Yankees Lost the Pennant) had scores by Richard Adler and Jerry Ross, but tragically Ross died at age 29, leaving only these two great shows and a few pop songs as a nonetheless amazing legacy for the team.

The films of Damn Yankees and Pajama Game brought almost the entire Broadway casts along for the ride. Pajama Game replaced Janis Paige with Doris Day and Damn Yankees replaced Robert Shafer with Tab Hunter. Hunter gets a bad rap, sometimes, for his performance, but he’s quite good.

While I’m ruminating about (not quite reviewing) films I’ve seen recently, I should mention Zack Snyder’s Justice League, which lasts four hours plus and is streaming on HBO Max. This is an odd duck of a movie for many reasons. Director/writer Snyder left the original filming due to a family tragedy and Joss Whedon took over. Fans largely recoiled at Whedon’s version, which took a somewhat light approach to what had been conceived as a dark film. He re-shot most of it. I’ve often liked Whedon’s work, but his Justice League only looks good if you compare it to Wonder Woman 1984.

Snyder restored the material Whedon either cut or ignored of a film Snyder had shot 80% of, albeit minus most special effects. Fan pressure, amazingly, got Snyder the opportunity (i.e., the funding) to complete the film his way, and it’s better. Obviously over-long, but on its own quirky terms, it’s a super-hero epic worth seeing.

But quirky is right – for one thing, he presents the film in 4:3 ratio, which is to say, old-fashioned square TV format, apparently because that’s the I-Max format, even though not much of the film had been shot that way. Oh-kay….

And he got most of the cast back to film an apocalyptic dream sequence that ruins an otherwise acceptable epilogue. The dream sequence features ridiculously misjudged dialogue between Ben Affleck’s Batman and Jared Leto’s Joker (otherwise not in the film). How ridiculous? Batman talks about “fucking killing” Harley Quinn, and the Joker rhapsodizes about giving Batman a “reach-around.” Plus, it lasts a long time, right after we’ve sat through about four hours of capes and quips. Not okay.

Curiously, the film goes out of its way to set up the next film in the saga that Snyder would have made had Warner’s and DC not cancelled it. So rather than take the opportunity to bring his saga to a satisfying conclusion, Snyder tosses loose ends right and left, as if daring somebody to give him more money to keep going.

Nonetheless, I enjoyed it. I took the ride. I just wish I had turned it off when the dream sequence (initially not obviously a dream sequence, more a flash-forward) (including the Flash) gave a bad taste to a good time.

* * *

Here’s an interview I did with Brian Vakulskas on KSCJ radio in Sioux City, largely about the current Nolan novel, Skim Deep. The interviewer knew his stuff.

And here’s an advance look at the third Ms. Tree collection from Titan.

M.A.C.

John Sand at Wolfpack, Heller at Hard Case Crime

Tuesday, March 9th, 2021
Live Fast, Spy Hard cover

The second John Sand novel by Matt Clemens and me – Live Fast, Spy Hard – is out this month. The Kindle version is available for pre-order right now (for $3.99).

The Kindle pub date is March 17. The trade paperback edition should follow quickly, but I don’t have a date for that yet.

The cover is, in the opinion of the authors, a dandy. Wolfpack is coming up with some great covers for both new books of mine and for backlist titles. I remain astonished by how fast they move – this is a book Matt and I delivered this year. Traditional publishing takes a minimum of nine months from delivery to publication.

You can read this one without having read the first book in the series, Come Spy With Me, which of course is already available here.

Matt and I have already plotted the third book, To Live and Spy in Berlin, and Matt is working on the rough draft right now. I will be starting my draft next month. Whether we’ve written a trilogy or the first three books in a longer series depends on the response of readers, i.e., sales. But we are having an enormously good time writing these slightly tongue-in-cheek yarns about the “real-life” spy that just might be who Ian Fleming based his James Bond character on.

Wolfpack’s edition of Reincarnal has been corrected as to its messed-up table of contents, and the collection has been getting some lovely notices. Shoot the Moon has been well-received, too. Again, Wolfpack has done beautiful covers for the books, the former a new title, the latter a restructuring of the collection Early Crimes with the title novel of the new version brought forward to emphasize that it’s a novel with a couple of bonus short stories, and not a short story collection.

The Shoot the Moon book giveaway found the ten copies going lightning fast. Again, if you’ve received books in any of these giveaways, please remember the point of the exercise is to get some reviews on Amazon and elsewhere.

* * *

More good news, at least for me and for Nate Heller fans. For some time, I’ve been kicking around the idea of doing Heller novels at Hard Case Crime. With Quarry, Nolan and a few other titles of mine at HCC, I’m their most published author, and I’ve built a nice readership there, some of which (I suspect) has not tried Heller, intimidated by the historical nature (and sometimes length) of the books. These readers don’t realize that Heller is very much in the mold of Quarry, Nolan, Mike Hammer and other characters of mine. I consider Heller my signature character, and he has been my most enduring creation with those novels bringing me the most critical acclaim.

Additionally, Road to Perdition – the graphic novel that remains my major claim to fame – is a spin-off of sorts of the Heller saga. It came about when an editor at DC asked for a graphic novel in the Heller vein, but with new characters.

I’ve long felt that the retro publishing style of HCC would be a perfect way to widen the Heller readership, and editor Charles Ardai agreees. The titles of the new Hellers – The Big Bundle and Too Many Bullets – will give them a decided HCC feel. Recently, when the Heller run at Forge ended after five books (Do No Harm the most recent), the opportunity to move to Hard Case became a reality. Parent company Titan has offered a two-book Heller contract at HCC, and I am very grateful to publisher Nick Landau and his crew (including my Mike Hammer editor, Andrew Sumner) for their belief in me and my work.

A two-book contract will allow me to complete the five-book Kennedy saga (and the two-book Robert Kennedy cycle), which may bring the series to an end. Heller began in 1983, and – having celebrated (or is that survived) my 73rd birthday last week – I am not sure the rigorous research required for a Heller is something I’ll be up to after this two-book contract is delivered (one book early next year, the other early the following year).

If I do feel up to going on with Heller after the Kennedy saga is complete (the other books are Bye Bye Baby, Target Lancer and Ask Not), that will depend upon the response, chiefly sales. Subjects I’m contemplating are the killing of Martin Luther King, the murder of George Reeves, and Watergate.

Do No Harm continues to get strong notices, including Jon Breen’s current write-up (complete with the cover on display) in Mystery Scene. If you haven’t read this one, a reminder: no mass market or trade paperback is scheduled, so you’ll have to spring for hardcover (or Kindle).

* * *

The decision by the Dr. Seuss estate to pull half a dozen titles because of racist imagery is a smart move on their part, but a sad day for authors and, for that matter, readers.

Still, racism in a children’s book, however unintentional, makes those books, published long ago, problematic today. I get that. But I feel the best way to deal with this – in this current judgmental climate, at least – is to publish a disclaimer that, in a kids’ book, encourages parental guidance and discussion. That a gentle soul like Ted Geisel – who preached racial tolerance by way of parable through wonderful cartoons and fun absurd rhymes – faces this kind of thing is distressing if understandable.

TCM is going to great lengths to have discussions of classic films that have committed the sin of not being “woke” forty, fifty, sixty years ago. This is nothing new at TCM, who did the same for Charlie Chan movies quite a while back. Whether they are being socially responsible or playing a CYA game is in the mind of the beholder.

Disney and Warner’s, on their classic cartoon collections, have long had disclaimers, and my pal Leonard Maltin has delivered some of those (so has Whoopee Goldberg). Again, with kids I get this. But grown-ups actually shouldn’t need the disclaimers (although CYA does seem to require it), because anyone not standing on their IQ ought to have an awareness of when a film was made and at least a vague idea of the cultural context.

A stunted sense of humor and particularly lack of a sense of irony seems at play here. My generation, through underground comix and comedy of the SNL and SCTV variety, mocked racial and sexual stereotypes; humor, satire, is an excellent way to make such points, though trying to do so now would be perilous.

As usual, nuance has gone out the window. This may come as a shock to some, but the Mickey Rooney Asian bit in Breakfast at Tiffany’s was always offensive, and was found so at the time and ever since. But it reflected director Blake Edwards’s slapstick instincts and, again, is a spoofing of racism; it doesn’t work in Breakfast because it’s so over the top and unfunny, and is jarringly out of step with the otherwise sophisticated tone of the movie.

But I am sure we will see a move to ban the same director’s Pink Panther movies with the Inspector Clouseau/Cato relationship. Is there some way to explain that “my little yellow friend” was funny because it was so wrong, and we knew at the time that it was?

The danger of such self-righteous attitudes is that the work of ethnic artists – great actors like Burt Kwouk (Cato), Tim Moore (the Kingfish), and Mantan Moreland (Charlie Chan’s chauffeur) – may be lost to time, censored out of existence. I shudder to think that the Great American Novel (The Adventures of Huckleberry Finn) will be banned from even more bookshelves. Is John Ford’s film The Searchers any less a condemnation of racist hatred because a white actor in “redface” plays Scar, the antagonist chief? The answer might be yes, but I would suggest a more logical, fair answer would be, “It was made in 1956.”

This notion that intention is irrelevant is especially troubling. Of course intention isn’t an excuse or a free pass; but neither is it beside the point. Good intentions may pave the road to hell (aka perdition), but they are a sign of a teachable situation where, say, a KKK rally isn’t.

* * *

Here’s a terrific review of Skim Deep.

Here’s a reprint of a Kill Your Darlings review by the knowledgeable Art Scott. It’s a Mallory novel.

And here’s an extensive look at my work (an expansion of a previous piece) at Atomic Junkshop.

M.A.C.

Shoot the Moon & A Shot in the Arm

Tuesday, March 2nd, 2021
Shoot the Moon Cover
E-Book: Amazon Purchase Link
Trade Paperback: Indiebound Purchase Link Bookshop Purchase Link Amazon Purchase Link Books-A-Million Purchase Link Barnes & Noble Purchase Link

Yes, it’s one of our ever-popular book giveaways. I have ten copies to give to the first ten readers who request it and agree to do an Amazon (and/or other) review. Those of you who have won books in the past and have not posted a review yet, for shame. Those of you who have won books and hated the book and haven’t posted a review, thank you.

[All copies for the giveaway have been claimed. Thank you for your support! –Nate]

Anyway, this is for Shoot the Moon, which is a repackaging (with revised intro) of Early Crimes. I’ve done this because Shoot the Moon is a novel and Early Crimes was rather inaccurately described as a collection. What we have is a novel, written about six books into my career, that was my attempt to do a Donald E. Westlake-style comedy of crime. By now you can see that Westlake was a major influence on my work, and was in fact a mentor to me when I was working on Bait Money, the first published Nolan novel, which of course was written as a pastiche/homage to Westlake’s Richard Stark-bylined Parker novels.

So perhaps it was natural that I try to follow in his other footsteps, and Shoot the Moon is that novel. It’s a short novel (but not a novella) and the two early short stories, “Public Servant” and “The Love Rack,” follow the novel as the equivalent of DVD/Blu-ray bonus features.

Back to the book giveaway. Write me at [link removed], and (this is important) include your snail mail address, even if you’ve won before. This is for USA only. That’s not patriotism, it’s cheapness (foreign postage is particularly high in the Covid era).

Speaking of which….

Barb and I have received our first vaccine doses (the Pfizer variety) and we are greatly relieved. How we got it is reflective of the difficulties even those of us who are seniors with underlying conditions are having getting vaccinated for Covid-19. Here’s our story.

For about a month I have been haunting the site of the Hy-Vee supermarket’s pharmacy (Hy-Vee being the major grocery chain in Iowa). It’s where Barb and I step outside of sheltering in place to take in “geezer” hour and do our weekly grocery shopping. The benefits are fewer people and ‘60s-era oldies playing instead of country western.

About four trips to Hy-Vee ago, I stopped at the pharmacy window to ask how I went about getting an appointment for vaccination. I was told by the pleasant young woman to sign up on-line and I would receive updates. (To date, I have received none. I also enrolled at Walgreens and also got zip updates.) On my next trip to the Hy-Vee pharmacy I inquired about when a vaccine shipment might be coming in and learned that one had in fact come in two days ago – 200 doses – and were gone in an hour.

That was when I asked (Barb said, “Don’t be angry!”) why I hadn’t received an update, and was told what I needed to do was keep refreshing the Hy-Vee pharmacy page on Facebook. I went home and began doing that, probably a dozen times a day – not a hardship, as I work at my computer. Two shipments would be coming in the following week, I was assured.

A week later I was told (credibly) the shipments hadn’t made it because of the cold in Texas that Ted Cruz was avoiding. I went home and began refreshing and refreshing.

The next week – this past week – I asked when the next shipment was coming in and was told by the pleasant young woman that it already had and was gone. (Two shipments had become one shipment.) I asked why the updates had never come and why all my refreshing hadn’t indicated any shipment ever had. The answer was not direct. I was advised to go to another web site and sign up there for…updates.

I trudged off and caught up with Barb, who was shopping to the tune of “Swinging School” by Bobby Rydell. I followed, considerably less happy than I usually am hearing Bobby Rydell, who is a favorite. Suddenly I said, “I’m going back there.”

“Why?”

“It’s unclear exactly what page I’m supposed to be refreshing.”

“Be nice.”

This conversation was conducted through masks, of course.

I said, “What do you mean?”

She said, “You’re a hothead.”

Never had I ever been so insulted! That she had a point was…beside the point…or something. I trudged back.

The pleasant young woman behind the counter said, “I was just going to page you.”

“Why?”

“Get your wife. We’ve had two cancellations and we start vaccinating in fifteen minutes.”

I ran – let’s call it power-walked – to Barb, pushing her cart with the patience of Sisyphus pushing his big rock, and at about the same speed.

“Come with me,” I said.

“Why?” She was understandably suspicious.

“They’ve had two cancellations.”

Suddenly my wife loved me again. Suddenly my stubborn hotheadedness had been transformed into blessed persistence.

I don’t blame anybody for this, and I do thank Hy-Vee for stepping up in the war against Covid and for the pleasant young woman having the presence of mind – and, frankly, compassion – to take advantage of those two cancellations…and the opportunity to get rid of me.

The vaccines will start flowing better, I am sure. Some of my readers support Trump, and that’s fine. I like anchovies. But nobody can say Joe Biden isn’t taking this pandemic seriously, and things are going to get better and soon. But right now it felt like the luckiest of lucky breaks to blunder in making a weekly nuisance of myself with stupid questions and a generally incompetent approach to getting vaccinated and be able to fill two cancellations and feel like our lives had been saved.

The bottom line, of course, is: it’s better to be lucky than smart.

M.A.C. waiting to get a COVID vaccine.

M.A.C. receiving the COVID vaccine.

* * *

Our sheltering in place has gone on for just about a year, Barb and I. We take it very seriously. Her health is fine, but she’s only a few months younger than me, so she needs protection and I’m not talking condoms. And I have enough underlying conditions to just check “all of the above” on a physician’s questionnaire.

So tomorrow (if you are reading this on the Tuesday it was posted) I will turn 73. It seems unreal to me, but I will tell you this – as long as I have my marbles, and can find venues that will have me, I will keep working. I will keep writing. Skim Deep is the new Nolan novel and the first one appeared in 1973, and was written around 1970. So do the math. It’s almost beyond belief that I recently wrote an entry in a series I created fifty-one years ago.

And I just completed Quarry’s Blood, in a series that began with a book I started in 1971. Fifty years ago.

Mickey Spillane used to talk to me about this – how writing was the only business you could stay at as long as you had decent health, no matter what age you might be. And that you can keep improving all along the way.

I’m not sure if that’s correct. I know there are many things I do better now, but I also know that the rigors of a work like Stolen Away might be beyond me. Nonetheless, I intend to do another Heller later this year, if the contract comes through.

Oh, as for my birthday. I am not fishing for birthday wishes, here or on Facebook or even in my snail-mail mailbox. If you want to send a gift, though, checks are best. Sorry – no PayPal account.

And if you really are, seriously, looking for a way to say Happy Birthday to me, buy one of the recent books: Come Spy With Me, Skim Deep, Masquerade for Murder, Antiques Fire Sale, Reincarnal, Shoot the Moon, Ms. Tree Vol. 2: Skeleton in the Closet, Murderlized, or maybe one of the great audiobooks that Skyboat Media is putting out (they’re doing all of the Nolans!). And the Wolfpack trade paperbacks are very handsome books indeed.

Here’s an idea: post a positive review for Max for his birthday.

* * *

I have seen some interesting things of late. I am particularly taken by a new sub-genre that Groundhog Day has spawned – specifically, movies that openly, unabashedly borrow its premise. Happy Death Day is a crafty horror-movie take on the Time Loop premise, and its sequel, Happy Death Day 2U, is more of the same but also good. Edge of Tomorrow is a strong s-f variation.

Two excellent rom-com takes are streaming right now – Palm Springs starring Cristin Milioti and Andy Samberg, and The Map of Tiny Perfect Things starring Kathryn Newton and Kyle Allen. What’s fascinating about these two is that, despite both depicting a couple caught in a Time Loop with a romance developing, each is different and makes its own point. And, while both films name-check Groundhog Day on screen, they demonstrate that the Time Loop concept has plenty more places to go.

As I say, a new sub-genre.

Now to a controversial topic. Barb and I gave up on Hamilton after about 45 minutes. I’ve made it clear that I am a musical comedy fan – that I love Rodgers and Hammerstein and Stephen Sondheim and Frank Loesser. The upcoming Blu-ray release of Damn Yankees has me giddy. And Hamilton certainly is a spectacle with a stage brimming with energy and talent.

What’s wrong with it – for me – is the rap/hip hop aspect. And that’s my problem. But I can’t get past it. I hate rap almost as much as I hate country western – maybe more. To my ancient ears, it’s just a bunch of rhyming and fast-talk gymnastics, and has little to do with music, although the percussive aspect is catchy in the way melodies used to be.

All-black musicals are nothing new – this one does have a few white faces dropped in – as The Wiz and Ain’t Misbehavin’ and many others demonstrate. All-black revivals of the likes of Guys and Dolls and Hello Dolly! have done very well, both critically and at the box office. But Porgy and Bess and Carmen Jones were originals, and the faithful films of both are both problematic today, I’m afraid, despite the wealth of talent on display.

Hamilton feels like a fad to me, not a Broadway classic unfolding before our eyes. But I am probably wrong.

As I said earlier, I will be 73 this week. This musical isn’t for me. As someone who has loved popular culture my entire life – loved my generation’s pop culture, but also my parents’ and my grandparents’ and much of my son’s – I am disappointed that Hamilton doesn’t touch me the way Sweeney Todd or Carousel or How To Succeed in Business do.

My fault. My loss.

* * *

Here’s a peek at the Spillane/Collins “Mike Hammer” short story, “Killer’s Alley,” in this month’s Ellery Queen Mystery Magazine. Just a taste….

From the great Ron Fortier comes this splendid review of Reincarnal.

Finally, here’s an article on the best Batman stories drawn by Norm Breyfogle, one of which is mine.

M.A.C.

Short Cuts

Tuesday, February 23rd, 2021

I came to short stories late in my career. I had written a good number as a teenager and, in the Writers Workshop format at the University of Iowa, writing short stories was expected. But I didn’t submit anything professionally until the mid-1980s, and then almost always when I was invited. I believe the first professionally published short story was “The Strawberry Teardrop” (a Heller story) for a PWA anthology. I did allow several early things to be published in Hardboiled, back when my pal Wayne Dundee was the editor, but I don’t recall the exact time frame.

The limited number of markets discouraged me, and they still do. I tried Ellery Queen Mystery Magazine with “A Wreath for Marley,” but the editor turned it down as too long (and it’s a novella, so that’s valid) although claimed to like it. I sold a Heller story to them later – don’t recall which one – and since then, on the rare occasions I submit to EQMM, they haven’t turned anything down. This to me is a real honor. I’ve never submitted anything to Alfred Hitchcock, their sister magazine, simply because I have a good relationship with the editor at EQMM.

The response there to my submissions of Spillane/Collins short stories has been favorable – I did both “A Killer is on the Loose!” (from an unproduced Spillane radio play) and “The Big Run” (from an unproduced TV script by Mickey, done for Suspense). And now, for the first time, a Mike Hammer story appears in EQMM (the March/April 2021 issue) and the Spillane & Collins team has made the cover. [Amazon Link]

This, frankly, delights me.

Ellery Queen's Mystery Magazine March/April 2021

We are the issue’s Black Mask Department story, and are the lead story, which is a thrill. And here is what editor Janet Hutchings says by way of introducing “Killer’s Alley,” adapted by me from a short Hammer film script:

“Although Mickey Spillane’s Mike Hammer stepped onto the crime-fiction scene in 1947, just six years after EQMM was founded, he’s never appeared in our pages. As we celebrated the magazine’s 80th year, it’s high time he joined EQMM’s panoply of iconic characters.”

One of the joys of being the keeper of the Spillane literary keys is to see how warmly he is now regarded. This is, frankly, a big deal, getting the EQMM seal of approval. Folks my age (and a few of us are still kicking) know how less than warm the reception was to Mickey and his success in the early ‘50s from a lot of critics and writers who should have known better, but were seized by a fit of jealousy.

Short stories have been on my mind of late, because I’ve been dealing with going over the galley proofs of two new collections of my short fiction, Reincarnal & Other Dark Tales and the forthcoming Suspense – His and Hers: Tales of Love and Murder. The latter, due out in September, is a follow-up to Murder – His and Hers, and again collects stories written individually by Barb and me, and together.

Assembling these has not been without speed bumps. Wolfpack has been incredibly supportive, bringing out much of my remaining back list – the four Eliot Ness novels, the two Mommy novels, and Shoot the Moon, though I haven’t seen a physical copy of that yet. They will be bringing out Regeneration and Bombshell by Barb and me, stand-alone novels.

Already they have Murderlized (by Matt Clemens and me, a new collection I’ve very proud of) and the existing collections, Blue Christmas and Murder – His and Hers. Barb’s Too Many Tomcats is out, too, with an intro and a co-written story by me.

Again, there have been problems. I think Wolfpack’s covers are great, but I’ve had copy-editing problems; but editor Paul Bishop has been patient with my fussiness with both Reincarnal and Suspense – His and Hers. Not every problem can be blamed on copy editors, though. These stories span something like 37 years, and each tale is a file, sometimes going back to (ready for this?) WordStar days. So what we delivered sometimes had glitches I hadn’t caught. A typical problem was that, for a long time, editors wanted italics indicated by underlining; maybe a decade ago, they switched to wanting italics indicated by, yes, italics.

And Wolfpack had to get a bunch of my books out all at once. Reincarnal has a problem that a number of you have pointed out – the table of contents page is messed up. One story is not included and the numbering is wrong. I missed this. I frankly never thought to check the table of contents.

The nice thing about the e-book age is that we can correct things like that. So anyone ordering Reincarnal now, whether e-book or physical book, will have a corrected table of contents. The rest of you – well, what do you know? You own a collector’s item!

Seriously, though, folks – if you catch a typo in anything of mine, whichever of my publishers has put it out, let me know at macphilms@hotmail.com. We will at the very least be able to correct the e-book version.

Barb, by the way, has been a natural from the start where short stories are concerned. She grew up on Alfred Hitchcock Presents and The Twilight Zone and developed a real feel for a compact form with a twist ending. From the start she got great reviews and reactions for her stories, including getting slots in “best of the year” anthologies. For her, novel-writing was a stretch, but she has adapted beautifully. Nonetheless, her touch with the short form remains a strength – we have a story together (conceived by her) in – yes! – an upcoming issue of Ellery Queen Mystery Magazine.

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Deadly Anniversaries Ebook Cover

I am pleased to share with you something from another of my favorite newsstand publications, Mystery Scene. The great Jon Breen included Do No Harm in an article about recent legal thrillers; a lovely color reproduction of the cover of this latest Heller novel accompanied it.

“Max Allan Collins’s excellent series about Zelig-like private eye Nate Heller fictionalizes major crimes of the past century. Occasionally, Heller drops in on classic trials, perhaps most notably in Damned in Paradise(1996), featuring a complexly characterized Clarence Darrow appearing for the defense in a 1932 Honolulu rape case. The latest in the series, Do No Harm (Forge), considers the murder of Marilyn Sheppard for which her husband Dr. Sam Sheppard, a Cleveland osteopath, was tried and convicted in 1954 and retried in 1966, this time with famed advocate F. Lee Bailey heading the defense. Both trails are visited in a total of about a dozen pages, the first summarized to Heller by newspaper columnist Flo Kilgore (a transparent pseudonym for Dorothy Kilgallen), the second viewed by Heller and including some well-selected quotes from Bailey’s cross-examinations. All the real people in the cast – Bailey, Kilgore/Kilgallen, Erle Stanley Gardner, Eliot Ness, and especially Sam Sheppard himself – come to life as convincing fictional characters. As usual, Collins’ concluding author’s note provides a bibliographic essay on his sources to make the fact/fiction demarcation clear.”

Getting back to short fiction, a story that I consider one of my best – “Amazing Grace” – appears in the MWA anthology, Deadly Anniversaries. It’s on sale now in e-book form for under two bucks, right here.

Here is an absolutely stellar Come Spy With Me review at Bookgasm.

Here’s a mixed but smart review, mostly favorable, of Skim Deep. But for the last effin time, it’s Nolan, not Frank Nolan. He has never been Frank Nolan. Stop it already.

Finally, here’s a nice if belated (but appreciated) UK review of Girl Most Likely.

M.A.C.