Posts Tagged ‘Nathan Heller’

Processing Spillane and Heller

Tuesday, November 23rd, 2021

I should probably dispense with asking you to buy and then Amazon-review both Fancy Anders Goes to War and The Many Lives of Jimmy Leighton (co-written by the great Dave Thomas). I won’t even remind you what wonderful Christmas gifts they would make.

I just have too much class for that.

Instead, I’ll talk about process this week. Who doesn’t love process? A few weeks ago I touched on the challenges and difficulties of Spillane: King of Pulp Fiction, co-written with James L. Traylor. We are waiting with anticipation for the editorial notes to come back, which will require tweaking but I hope nothing major, as I am very proud of my draft, and Jim likes it, too.

What surprised me was reading all the material about Mickey I’d gathered going back to my junior high days – I literally used the scrapbook I kept, because it had various articles and reviews pasted in among my carbons of indignant letters to anti-Spillane reviewers and my cartoony portraits of Mickey. What I hadn’t anticipated was the picture all of that material would paint when, for the first time, I read it all at once…not just in dribs and drabs as articles and such first appeared.

I feel like I put together pieces of the Spillane puzzle that had eluded me, despite my close personal relationship with the man for the last 25 years of his life. Many assumptions I’d made – and had cockily presented as fact in various pieces and introductions about Mickey and his work over the recent years – proved short-sighted…not wrong exactly, but lacking nuance.

For example, I no longer think his conversion to the Jehovah’s Witnesses had anything much to do with the near decade-long respite he took from novel writing. I do think his style shifted, and the violence and sex were both more restrained; but not absent. Re-reading The Deep recently, I saw how he used the threat of impending violence to create a story about a tough hero who really only kills once, and then in self-defense. In The Girl Hunters, Hammer kills nary a soul, though he does trick the “evil one” (as Traylor puts it) into self-destruction.

This probably had as much to do with his attempt to develop as a writer and to respond through his work to the incredibly unfair and even vicious attacks upon him throughout the 1950s. Other than perhaps Elvis Presley, no figure in popular culture had ever seen so much success and, simultaneously, so much condemnation. But the bio will, for the first time, reveal the major reason he stopped writing novels at his popular peak.

Writing about Eliot Ness with Brad Schwartz was a similar experience for me. So often Ness had been presented as a glory hound when the research showed he was primarily responding to pressure from above to get positive press. Additionally, things routinely dismissed by the Ness naysayers – including events reported in his autobiographical The Untouchables (mostly ghosted by sportswriter Oscar Fraley) – turned out to have really happened. It shouldn’t have been surprising to learn that Eliot Ness was actually Eliot Ness, but it was.

The Big Bundle Cover, Without text
The Big Bundle (Cover Sneak Peak)

And now, for the first time in several years, I am digging into the research for the upcoming Nathan Heller novel, The Big Bundle (for Hard Case Crime). The case I’m dealing with – the Bobby Greenlease kidnapping of 1953 – is not as famous as most of those I’ve examined; it was at the time, but today it seems mostly forgotten. What gives it the needed household-name-crime aspect that a Heller novel requires is a sinister connection to Jimmy Hoffa and the Teamsters. It is, in fact, the first of two novels about Hoffa and Bobby Kennedy, although this first one focuses primarily on the Greenlease case.

The Heller process is an odd one. First I have to select the true crime that seems appropriate for Nate’s attention (and mine, and yours). Second, I have to familiarize myself enough with the crime to write a proposal to be submitted to an editor/publisher, who must first sign on before I start serious work. Once we’re at that stage, I have to dig into the research, where the proposal was just a superficial look at the case. The approach has always been to look at the subject as if I were preparing to write the definitive non-fiction treatment of the case and then write a private eye novel instead.

A real problem with the proposal stage is that I am only guessing what the book will be about. The in-depth research (you will not be surprised, many of you, that I am in touch with George Hagenauer right now) is what reveals the book to me. And it always surprises me.

Here’s a small example. In True Detective, in what is essentially the origin of Nate Heller, Heller sells out to the Chicago Outfit to get promoted from uniform to plainclothes – to become a detective. He fingers the fall guy (who is playing along) to get somebody blamed and put away for the publicity-attracting murder of reporter Jake Lingle. The willing patsy, very minor in all of this but a seminal part of Heller’s story, is a real-life low-level mob guy named Leo Vincent Brothers.

So I’m researching The Big Bundle yesterday. For reasons I won’t go into right now, a taxi cab company run by a St. Louis racketeer named Joe Costello is instrumental in the story. I went in familiar with Costello in, again, only a superficial way – his name came up in the preliminary research and got him on my radar. So now, reading a book called A Grave For Bobby by James Deakin, I learn that Joe Costello’s partner in the taxi cab company…wait for it…was Leo Vincent Brothers.

This kind of thing always sits me on my ass. This tiny fact isn’t key to the story – it’s just an odd resonance, and a reminder that Heller’s life is just one long story, not really a succession of novels. Another name turned up yesterday, a Chicago thug with ties to the JFK assassination.

It would help if I had a steel-trap mind. But I don’t. I didn’t in my thirties and I really, really don’t in my seventies. So such discoveries send me scrambling back into the research.

In the meantime, I am looking for a way to insert Nate Heller into this narrative in a meaningful, credible way.

Wish me luck.

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Two brief Blu-ray recommendations.

Jack Irish Season 3, Blu-ray

Jack Irish Season 3 is out from Acorn. It’s the final season of this series (there are actually five seasons, but the first two were movie-length episodes) and it’s a four-hour movie, essentially – one story, wrapping up the series in a smart, thoughtful way. I will go so far as to say it’s one of the best wrap-ups of a series, certainly one of the most satisfying, I’ve ever seen.

Guy Pearce plays a solid modern version of a private eye in this Australian neo-noir with all the surviving regulars back. Three years have passed since the preceding series and the passage of time and the need to learn, grow and move on is the central theme.

Great series.

Speaking of great, Eddie Muller has delivered one of the best Blu-rays of the year in the Flicker Alley presentation of The Beast Must Die (La Bestia Debe Morir), a 1952 Argentinian noir based on the Nicholas Blake novel, The Beast Must Die. Blake was really Cecil Day-Lewis, a UK poet laureate who is also the father of actor Daniel Day-Lewis.

While it’s a bit pricey, the blu-ray is essential for noir enthusiasts, and if you spring for it, be sure to watch Muller’s introduction, which provides context and more, including how-to-watch Spanish-language melodrama of this period, i.e., the acting tends not to be subtle.

You can get it directly from Flicker Alley here.

The Beast Must Die Blu-Ray
The Beast Must Die Theatrical Poster
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Check out this lovely review of Fancy Anders Goes to War.

Here’s a Ms. Tree: The Cold Dish preview with info.

Also here.

I did a Mike Hammer interview for what, uh, appears to be an interesting magazine….

M.A.C.

A Fancy Look and the History of Heller

Tuesday, September 14th, 2021

Here is a hot-off-the-presses look at the cover of the print edition of Fancy Anders Goes to War.

Fancy Anders Goes to War Print Cover

As I’ve mentioned here, three Fancy Anders short novels have been done for NeoText. The emphasis is on e-book, but I realize many of you (who are nice enough to follow these updates) much prefer actual books…the much-derided “physical media” of us Luddites.

Well, the physical version of Fancy Anders Goes to War should be very nice indeed. The interior illos by Fay Dalton will be in black-and-white (color in the e-book) and with luck one day we’ll have a collection of all three novellas that will be a larger format with color interior pics.

For now, this is the only print edition. And be advised it’s strictly available online – the e-book is Kindle only – and will not be seen in brick-and-mortar bookstores.

I am really proud of this project and hope you will support Fancy, Fay and me. Here’s where you can pre-order the Kindle edition.

Pre-ordering the print edition has not gone live yet, but I will let you know as soon as it does.

[NEWS FLASH: Pre-order of FANCY ANDERS GOES TO WAR now available: Amazon Purchase Link]

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The main event this week is again an installment of my ongoing “A Life in Crime” series at NeoText’s site, this time dealing with the history and development of the Nathan Heller saga.

One of the great things about NeoText is their willingness – even enthusiasm – to support my work even when it’s for other publishers. I will be starting on – later this year – The Big Bundle, the first of at least two Nathan Heller novels for Hard Case Crime.

Right now I am working on the Spillane biography with Jim Traylor for Otto Penzler at Mysterious Press. It’s a big job but one Jim and I enjoy. I had to gather from several places in my house huge stacks of Spillane material to go through and, in many cases, take notes from. My collecting of articles and reviews and what-have-you pertaining to Mickey’s work goes back to my junior high days in the late ‘50s and early ‘60s, and earlier material that I picked up through collecting sources. It’s been like poking my ink-stained fingers through a brain filled with decades of memories.

My hope is that Jim and I will be able to present the story of Mickey’s life in the context of the important, much under-estimated contribution he made to the American mystery and world popular culture.

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Here’s a podcast about Road to Perdition, film and (to a lesser degree) graphic novel.

M.A.C.

Bargains and Raves!

Tuesday, December 8th, 2020

Amazon has a bunch of my stuff on sale all through the month of December, starting with the entire Reeder and Rogers series ([Linking to Amazon: –Nate] Supreme Justice, Fate of the Union, Executive Order) in an offer that will be sent to select customers.

Everybody else gets an even better deal – all of the following are at .99-cents during December:
The Titanic Murders
The Hindenburg Murders
The Lusitania Murders
The Pearl Harbor Murders
The London Blitz Murders
The War of the Worlds Murder
What Doesn’t Kill Her
Midnight Haul
Girl Most Likely

This is the first time The Girl Most Likely has been offered at the .99-cent price. And Girl Can’t Help It is available for $1.99.

Just till the end of the month.

At the Rap Sheet, that stellar critic and pop culture expert J. Kingston Pierce has selected Do No Harm as one of his favorite crime-fiction books of the year. Normally I would just provide a link, but I want to brag a little:

Do No Harm, by Max Allan Collins (Forge):

In previous books, Chicago private eye Nate Heller reinvestigated some of the 20th century’s most notorious crimes, from the “presumed” murder of bank robber John Dillinger to the slaying of L.A.’s enigmatic “Black Dahlia.” So it’s no surprise that he should finally tackle the real-life case of Cleveland osteopath Sam Sheppard, charged with bludgeoning his wife to death in July 1954. As on television’s The Fugitive—supposedly inspired by this case—the accused here claimed innocence, insisting an intruder had offed his spouse. And in Do No Harm, Perry Mason creator Erle Stanley Gardner believes Sheppard … which is why he hires Heller to review the evidence, three years later. In so doing, Heller walks readers back through the bizarre, haunting circumstances of that homicide and its aftermath, raising doubts not only about Sheppard’s guilt but about the actions of authorities (and newspapers) that helped to promptly convict him. In addition to Gardner, “Untouchable” Eliot Ness and celebrity attorney F. Lee Bailey guest star in this inventive 17th Heller novel, one of the series’ finest entries—and that’s saying a hell of a lot.

Do No Harm cover

Kevin Burton Smith of the great Thrilling Detective web site selected Do No Harm as one of his favorite crime fiction novels of the year, and listed it (also at the Rap Sheet) but did not write about it. But I’m pleased just the same.

I should remind regular readers here that Do No Harm apparently will not get either a trade paperback or mass market reprint. So you’ll need to pick up the hardcover, which will likely go out of print (other than e-book) before too long.

Continuing to brag, I will share Ron Fortier’s wonderful review of Come Spy With Me at Pulp Fiction Reviews:

Come Spy With Me (Wolfpack)
Max Allan Collins with Matthew V. Clemens

Max Collins is one of those writers who is constantly surprising us. After decades of offering up great mystery and crime tales, he then had us cheering wildly for his western actioners courtesy of the late Mickey Spillane’s cowboy hero, Caleb York. Now comes super-spy James Bond’s clone, John Sand.

The setting is the early 60s and a British novelist has become famous by fictionalizing the exploits of M1-6’s operative, John Sand. Obviously with such notoriety, Sand’s effectiveness as an agent is compromised and as the story opens, he has retired and married the beautiful Stacey Boldt, the beautiful heiress to a Texas oil tycoon. If that sounds familiar, think George Lazenby and Diana Riggs, we certainly did. It is wish fulfillment ala what might have happened had she survived. This book takes us there and it’s a wonderful ride.

Sand is sincere in his desire to leave his dangerous career behind and pursue his new role as an executive in his wife’s business empire. This all goes awry when, while on a trip to Caribbean, he becomes entangled in a political assassination. Within days he’s summoned by President John F. Kennedy to a clandestine meeting in the desert of Utah where a Frank Sinatra western is being filmed. Kennedy suspects rogue agents of the C.I.A. are planning on assassinating Fidel Castro. After the disastrous failure of the Bay of Pigs, the last thing he wants is another embarrassing incident pointing back to the U.S. Reluctantly Sand agrees to go to Cuba and see if there is any validity to the President’s claims.

As always, Collins’ use of the time and culture are spot on and add so much to the rich texture of his narrative. Ultimately Sand uncovers an even greater threat and upon reporting to Kennedy, is once again manipulated into being the President’s personal secret agent. If that wasn’t enough of a headache, Stacey demands to tag along. If her husband is going to continue leading a double-life, then he is going to do it with her or else he can pack his bags and kiss their marriage sayonara.

If like us, you grew up reading Ian Fleming’s James Bond adventures, Come Spy With Me will feel like old home week. Not a bad way to kick off a new series, Mr. Collins & Clemens. Not bad at all.

Come Spy With Me cover
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Indiewire has a selection of books that its reviewers think should be TV series – and Nate Heller is on the list! Check this out….

This is Skyboat media hawking its own audio releases of Murder, My Love and Masquerade for Murder. But it’s a very nice job and you may get a kick out of it.

Once again, Supreme Justice has made a list of the best legal thrillers of all time.

Here’s The Consummata by Mickey Spillane and me at a bargain price (check out this entire website, for cool stuff.)

Ms. Tree: Skeleton in the Closet gets a recommendation from Tony Isabella, whose blog is always fun and informative.

M.A.C.

Bang, Zoom – You’re the Greatest! Also 99-Cent Nate Heller

Tuesday, September 22nd, 2020

Till the end of the month, the latest Nate Heller novel, Do No Harm, is available for $2.99 as an eBook.

And starting September 22, all of the following Nate Heller novels are available for a mere 99-cents each on Kindle. This sale last only till September 28, so act fast!

These are the titles (in no particular order):

Damned in Paradise
Carnal Hours
Stolen Away
Chicago Confidential
Majic Man
True Detective
The Million-Dollar Wound
True Crime
Neon Mirage
Flying Blind
Blood and Thunder
Triple Play
Chicago Lightning

and this non-Heller title:

The Lusitania Murders

The promotion is here:
https://www.amazon.com/b?node=13819722011

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Suddenly I’m ZOOMing.

Not long ago I did a panel promoting a book not by me, but by Susanna Lee, Detectives in the Shadows, on the impact of hardboiled private eyes on our popular culture. It’s an interesting book, with some observations I agree with (and some I don’t), focusing on a limited number of literary (and television) P.I.s. My participation came out of Ms. Lee doing a solid chapter on Mike Hammer and Mickey Spillane.

The panel was moderated by my pal Kevin Burton Smith, whose Thrilling Detective web site is a place any fan of private eye fiction can (and should) spend a lot of quality time. Other panelists, besides Ms. Lee, were Ace Atkins (Spenser being a topic of a Detectives in Shadows chapter), Alex Segura, comics writer and P.I. novelist (the well-regarded Pete Fernandez series).

It’s a pretty good discussion, although I talk too much (big surprise). Alex got a bit short-changed, but Ace had smart things to say, particularly when he was agreeing with me. Anyway, don’t take my word for it. Here it is.

This afternoon (Sunday September 20, 2020), A. Brad Schwartz and I were interviewed about our non-fiction book, Eliot Ness and the Mad Butcher. We were interviewed by Scott Sroka, a recognized Ness expert, and the grandson of one of the real Untouchables (Joe Leeson), and himself a former federal prosecutor. We were hosted by Quail Ridge Books (thank you, Rebecca!).

It’s a decent discussion, I think, and since Brad and I will not be doing any bookstore signings or appearances, this is a somewhat rare opportunity to hear us talk about the second Ness book.

Brad and I will be doing one more of these appearances, this time at the Mob Museum in Las Vegas (where we appeared in person for Scarface and the Untouchable): THE SECOND ACT OF ELIOT NESS: BATTLING THE MOB IN CLEVELAND, October 8, 2020, 7 to 8 p.m.

Information on how to attend at the museum or online is here.

And that’s just the start of my ZOOMing adventures. This coming Wednesday I will be interviewed by Eddie Muller for his TCM series, Noir Alley (always a must watch, even when I’m not on it) (or, depending on your point of view, even when I am on it). I will be interviewed for two separate episodes on a pair of my favorite films, Kiss Me Deadly and Born to Kill. They should both air yet this year, and when I have air times (and permission to share them) I will post them on this update/blog.

I was scheduled to be on Noir Alley in March but the Pandemic decided I shouldn’t travel; and I was thrilled to be asked anyway, thanks to viewers getting used to seeing Zoom and Skype transmissions on bigtime TV.

Getting ready for Noir Alley has meant upgrading my computer set-up, and Turner Classic Movies has sent some higher-end stuff including a microphone that looks like it belongs on Johnny Carson’s desk and an HD camera that is far too realistically able to show the world what a 72-year-old version of a boy wonder looks like.

My son Nate has been vital in getting these technological upgrades installed and tweaked for a parent who doesn’t text and fears Apps the way Kevin McCarthy does his fellow citizens in Invasion of the Body Snatchers.

And tomorrow – the day before this first appears – I have to do a dry run with TCM to make sure we’ve correctly installed this stuff, though I’m pretty sure their techs have little if anything on Nathan Allan Collins.

* * *

I am happy to report that the first batches of the Wolfpack trade paperbacks have arrived, and they are beauties. These folks do a great job. I don’t have enough on hand to start mounting book giveaways, though that will happen very soon.

* * *

This is the second time I’ve titled one of these updates with a variation on Ralph Kramden’s toothless threat to send his wife Alice to the moon, and I suppose that’s risky in this climate. Will the day come – perhaps it already has – that a generation arrives who find The Honeymooners an offensive assault on their tender sensibilities?

Already, for decades, the all-African-American cast of gifted performers who made the Amos ‘n’ Andy TV show one of the funniest sitcoms in history have been consigned to the scrap heap of history. The creator of Harry Potter has a man in a dress killing women, I hear, and a whole lot of people who haven’t read the book want it boycotted.

As I have said many times: the place where the far right and the far left meet is a book burning…they’re just bringing different books.

I am always astounded at the things people complain about in my books. Quarry is viewed as having sexist views which they find just terrible (but nobody complains that he’s murdering people). Nate Heller also sizes up the attractive young women he counters, cataloguing their hair color and figures and facial features; but no one ever mentions that he often just flat-out kills people at the end of the books. I get attacked for writing sex scenes, mostly by priggish males, but don’t recall any complaints about gore.

Nothing new about that. That pre-dates political correctness, and just indicates how uncomfortable Americans have always been about sex and how comfortable they are with violence.

And now the Academy Awards are defining what elements a Best Picture nominee has to have, from the content of the screenplay to the ethnicity and sexual identification of the cast and crew. These are creative people who’ve banded together to promulgate this offensive nonsense, trivializing real problems and concerns into feeling smugly good about themselves.

It used to be Nero fiddled while Rome burned. Now the fiddlers burn other fiddlers while Nero and his boys sack Rome.

M.A.C.