Posts Tagged ‘Trash ‘n’ Treasures’

Barb’s Mom and Writing From Experience

Tuesday, May 11th, 2021

Barb’s mother passed away last week. I mention this not to initiate a flood of condolence wishes, which since Barb does not use Facebook might fall on deaf ears anyway. Dorothy Carolyn Jensen Mull was 97 and had endured a long bedridden convalescence, although saying Dot’s passing was a “blessing” in a way does not make it any easier for Barb and her six siblings.

I mention it here because Dorothy deserves thanks and recognition for inspiring, to a degree, the character Vivian Borne in the Antiques cozy mystery series that Barb and I write. This is not to say that Dot was a zany eccentric or a local theater diva – neither was the case. But she was highly spirited and for a number of years went antiquing with Barb from this flea market to that garage sale. This led to Barb and her mom running a booth at an antiques mall together for a good number of years, which was a major inspiration for the book series.

And I am happy to say that Dot enjoyed the Trash ‘n’ Treasures mysteries, which in her later years (with her eyesight failing) were read to her by Barb’s sister Anne.

I go into this in part because it speaks to Barb’s methods and mine where it comes to writing fiction. Though we work in a genre with its own conventions and (to use the tiresome current favorite term) tropes, we both instill elements from our own experience in our storytelling. The psychologist character in the Antiques books draws from Barb’s sister Cindi, yes, a psychologist. Barb has an older sister just as Brandy Borne does, although past a few superficial similarities the resemblance ends there. She also has a sister, Kathe, whose work in Broadway theater impacted our novel, Antiques Con. My brother-in-law Gary inspired a friend of Quarry’s who has somehow managed not to get killed, either in real life or fiction.

This kind of thing goes back to the earliest days of my career, when I was first able to inject elements of my real life into my crime-fiction fantasy. Mourn the Living had an Iowa City setting and reflected the hippie era there when I was in college. Bait Money finds Nolan and Jon robbing the bank where Barb was working at the time; she provided me with their security protocols!

Even in writing historical fiction I draw upon my own experiences. I wouldn’t have written The Titanic Murders if I hadn’t read in grade school a Tab book club edition of Jacque Futrelle’s The Thinking Machine. Getting betrayed by my best friend from high school (who embezzled from me) played a part in any number of my novels in the last twenty years, including Quarry’s Ex, which also drew upon my experiences making indie movies.

Anyway, it’s a lesson aspiring writers in any genre should take to heart. Don’t just write out of the books you’ve read and movies and TV you’ve seen. Draw on your experiences even in the context of mystery fiction or s-f or westerns or…really, any genre.

And one last thing – thank you, Dorothy. You inspired me, through your daughter and your own unique spirit.

* * *
Scarface and the Untouchable Cover

Scarface and the Untouchable – the Capone/Ness non-fiction work by Brad Schwartz and me – hit the entertainment news last week. CBS is exercising their option to pick up the property for a series and it’s going to Showtime. We’ll see if it happens.

Read about it here, where you’ll discover my middle name is “Allen” and that apparently no one but me (and you) remembers that this all began with The Untouchables TV series starring Robert Stack.

* * *

Barb and I went to a movie at the local theater for the first time since the pandemic hit – something like fourteen months. We are, as you may be aware, frequent moviegoers and it was definitely strange to be back doing something so familiar after over a year and a half away from it. The theater did a good job with every other row blocked off and masks in the outer areas. We went at an off-time (3:30 pm on a Sunday) and were among perhaps seven other moviegoers.

The film was terrific – Wrath of Man, starring Jason Stratham and directed by Guy Ritchie. I like Ritchie’s films very much – he is essentially the UK’s Tarantino. It’s a very hardboiled crime story and not for the faint of heart (or the five year-old whose parents took her to this screening), minus the humor and quick cutting of most Ritchie films. This has more of a Richard Stark feel than the Parker film Stratham starred in a few years ago.

* * *

Here’s a wonderful review of Shoot-out at Sugar Creek, the new Caleb York.

And another.

Jeez, maybe you guys ought to read this one.

M.A.C.

Previews of Coming Attractions

Tuesday, March 30th, 2021
Kiss Her Goodbye Paperback

Last week’s book giveaway went well and all thirty signed copies (ten each of Two for the Money, Kiss Her Goodbye (with the uncensored ending), and Shoot-out at Sugar Creek) have been distributed.

I am grateful for those of you who participate in these book giveaways and follow up with reviews. It’s one of the few things an author can do to promote titles in the Covid era, though even before that bookstore signings had already declined in effectiveness.

A giveaway for the recently published third John Sand novel, Live Fast, Spy Hard, will be offered here as soon as I get copies of the trade paperback. At this writing, I’m not sure the “real book” edition is available yet, though I’m checking. The e-book is available now, of course, and we’re already generating some nice Amazon reviews.

The new publisher of the Antiques Trash ‘n’ Treasures series has asked for another book, and Barb and I had already been working on the proposal for what will be Antiques Liquidation. We will be plotting it in more detail this week, doing a chapter by chapter breakdown. As some of you know, Barb writes a complete first draft and then I do the final one, with her input of course.

Meanwhile, my co-author Matt Clemens has been working on his draft of To Live and Spy in Berlin, the third John Sand novel, which we plotted and broke down into chapters a few months ago. I will be starting my draft very soon.

What I have been working on are two projects for Neo-Text, a new publisher (chiefly of e-books) with a great web site you should be checking out regularly.

The first project, which I completed several months ago, is Meet Fancy Anders, the overall title of a series of three novellas about a female private eye during World War Two in Los Angeles; the novellas are interrelated and will become a novel of that title. Fancy goes undercover as a defense plant worker, a Hollywood Canteen hostess, and a movie extra. I’m extremely excited about this series, which was fun to do, and the e-books will be illustrated by a top female artist, those illustrations porting over to various book versions – likely a trade paperback but also a larger-size, possibly hardcover book with full display of the mostly color art. The idea is for each chapter to begin with a full-page illustration.

Dave Thomas

The second project, which I’ve hinted at here, is co-written by Dave Thomas of SCTV fame (who was also a writer/producer on the TV series Bones and Blacklist). It’s called The Many Lives of Jimmy Leighton and is a genre-straddling (s-f and crime) saga that will appear in three parts and, like Fancy, be collected as a book, again possibly in several formats. We are lining up a top comic book artist to do the covers and illustrations. I finished my draft of the third and final part today, and will be doing revisions this week, then shipping it out to Dave for our final mutual edit/tweak. He’s a great storyteller and this is very much a fifty/fifty collaboration. And I think this novel will be one of my best.

This is sizing up as a very busy year for me. The Heller novel I’ll be doing (well, it straddles the latter part of this year and next) will sideline Quarry for a while, and Caleb York will have to cool his spurs likely till 2022 or even ‘23. I have a Mike Hammer novel to complete, the Spillane bio with James Traylor, and another Spillane project that will be announced later.

I think I’ve spilled enough beans already.

* * *

I have encountered two films that are not likely to be on your radar – indie productions that are not big-budget affairs but that you may find worth your while.

My son Nate and I liked the sound of The Kid Detective, a 2020 film starring Adam Brody, and decided to give it a try. It’s one of my favorite films in some time (and I think Nate has the same opinion). The premise is whimsical – in a small town, a 32-year-old private detective is existing on the fumes remaining from his high octane reputation as a kid detective when he was, yes, a kid. It’s as if Encyclopedia Brown grew up and tried to continue his detective adventures into adulthood, with the expected absurd results. The idyllic town hasn’t weathered the years any better than the now-grown kid detective, and his fellow citizens rather resent and even deride him. But he hangs in there. The humor here is gentle with a surprising edge, and laugh-out-loud funny frequently, though two real crimes – one old, one new – hang over the comical proceedings like dark, gathering clouds.

Despite the smalltown setting, and the quirky caprice of the premise, this is a genuine private eye movie with film noir themes and under- and overtones despite a surface that might be an after-school special. Prepare to be sucker-punched, because when the two mysteries converge and pay handsomely off, things get as dark as any noir. And the final moments are serious and moving and also surprising.

The other film worth checking out, if what I am about to describe intrigues you, is VHYES, a 2019 feature described thusly on IMDB: “This bizarre retro comedy, shot entirely on VHS and Beta, follows 12-year-old Ralph as he accidentally records home videos and his favorite late night shows over his parents’ wedding tape.” If you read the Amazon reviews, you will find some viewers outraged and highly annoyed by the film, and others loving it (I am in the latter camp). Like Kid Detective, it has a whimsical premise that becomes more serious as the film progresses. The home-movie events that get intermittently recorded over are, as unlikely as it first seems, a narrative that has some emotional impact (again, like Kid Detective).

What the IMDB write-up neglects to mention is that the VHS cartridge is being taped over in 1987 and the entire film is set in that period. In some respects VHYES is in the tradition of the ‘70s TV parody films like The Groove Tube, Tunnelvision and Kentucky Fried Movie, pre-SCTV efforts often featuring Second City performers. VHYES features Kerri Kenney and Thomas Lennon of RENO 911, which may be enough to sell some of you – it did me.

You get snippets of public access, PBS and kid’s shows, commercials, spoofs of Home Shopping Network and Antiques Roadshow, and a real story, if you’re paying attention.

* * *

A reminder that Barb and I are doing a Master Class via Zoom that is available to anyone interested. Here’s the info again:

DSM Book Festival: Sat. April 3
Workshop: Max Allan Collins at 9 a.m. (duration 1 hour)
Log-in: 8:40 a.m.

Workshop description:
Learn from the masters, Max Allan Collins and his wife Barbara Collins, as they each present their Top 5 Fiction Writing Tips and then field questions from the class. Together, Max and Barb have published the Trash & Treasures mystery series. Max is the New York Times bestselling and award-winning author of Road to Perdition, True Detective, the Quarry series, Girl Can’t Help It and many more.

The registration deadline is today! (March 30)

https://www.dsmpartnership.com/dsmbookfestival/attend/writers-workshops

M.A.C.

The Busy Lane I Picked

Tuesday, February 9th, 2021

I’m at one of those odd junctures where, because I write so much, I am bombarded by the demands of individual books ganging up on me, as needy as bunch of starving brats.

Look, I know it’s my fault, a combination of karma and my selfish desire to do a lot of different things and, along the way, maybe earning a decent living. My inclination, as an artist (I think that’s a fair way to put it, as long as I don’t add an “e” on the end) is to do one project at a time. Concentrate on one thing.

I mostly write novels, and I write them much as I read books – one at a time. I am not one of those strange, unfathomable people who read a number of books at once – they are like drunks changing channels on a runaway remote, as far as I’m concerned. This is one of the reasons why I don’t read much fiction – because the book I’m immersed in is the book I’m writing.

And you may have noticed that I’m always writing a book.

Almost always. I do take a week or two off between books, but I do other writing then – like short stories and articles – and catch up with the things I’ve neglected, like real life.

But fiction writing is a business, or rather a hobby or an art that has to be a business if you want to avoid a real job, a goal I have pursued since I quit my job sacking groceries in 1967. And as a business, the demands of publishing don’t care that I’m writing a book, particularly a book a given publisher isn’t, you know, publishing.

What am I talking about?

I am talking about having just finished Quarry’s Blood, and my incredibly fast editor, Charles Ardai of Hard Case Crime, read it in a couple of days and returned it with queries and minor rewrite requests, all reasonable and helpful. In the scheme of things, getting a freshly finished novel back with such immediacy is both unusual and wonderful. Everything is still fresh in my mind, and I can do the novel justice.

However. I am also dealing with the galley proofs of Antiques Carry On. Due simultaneously are the galley proofs of Live Fast, Spy Hard (John Sand #2), and the galley proofs for the short story collection, Suspense – His and Hers by Barb and me. In addition to the aforementioned Antiques Carry On galleys, our new publisher for that series quite reasonably wants a questionnaire about the book and its authors filled out, and an essay about the book written for their customers.

Galley proofs require a close read, looking for mistakes on the publisher’s end (typos) and mistakes on the author’s (continuity errors and general clean-up of writing problems, like repeating a word too many times on a page). It’s a time-consuming prospect – an Antiques book or the John Sand would take a day or two each.

Even worse is when a copy-edited manuscript comes in (the step before galley proofs), at least when a copy editor has overstepped his or her job description. This happens a lot, in my experience. Why a serial killer in one of my books hasn’t singled out copy editors for attention yet is a greater mystery than I have ever concocted.

Am I complaining? Well, of course I am, but not really. I am complaining more about my inability to do more than one thing at once. But I am improving. Right now, it’s my privilege and pleasure to be working with someone I admire and, even better, really like – Dave Thomas, SCTV star, among much else. Dave is working on the first draft of a book we’ve been working on for over a year, a project I am very proud of and am anxious to discuss here in more depth, when the time is right.

Dave, probably because of his incredible improv background, likes to run things by me and we talk and kick things around, and it’s really just great fun. I seem to have no problem stepping out of, say, Quarry’s Blood to talk about and explore the options and possibilities for our novel together in a plotting session.

But one of the things that’s become clear to me, when I’ve had such disparate projects as the Dave Thomas one, Quarry, Antiques and John Sand spinning in my brain like a noir dream sequence, is that I’ve come to understand better why I can’t expect every reader of mine to like or even understand every facet of my imagination and interests.

Some of you may recall a reader, irritated by one of my relatively rare excursions into politics, insisting that I should “pick a lane.” I responded that I am left of center in my politics, but close enough to the middle that both lanes of traffic have an equal swipe at me. I also mentioned that I feel nuance is a positive, not a negative.

I have, obviously, picked a lane in my writing – mystery/crime, but even that is really two genres, and of course horror is part of it, as the current Reincarnal & Other Dark Tales demonstrates. But it’s clear to me, at this ripe old age, that I would have been more popular and successful as a fiction writer if I had been more narrow in focus.

The thing is, I am driven not so much by genre considerations as I am by ideas. Ideas have driven every novel writing choice I’ve made. Quarry was a hitman who had to solve the murder he committed. Road to Perdition was a take on John Woo and other Asian influences my then very young son and I were taking in. Mommy was a reversal of The Bad Seed’s premise. Eliot Ness, both novel and non-fiction, was looking for the man behind the myth, and his real cases. Black Hats was old Wyatt Earp meets young Al Capone. USS Powderkeg was a way to talk about my father’s experiences with an all-black crew in the Pacific during the Second World War. Krista and Keith Larson was an American take on Nordic noir and a step away from hardboiled genre types. Ms. Tree was Velda marrying Mike Hammer and Mike getting killed on their honeymoon. Antiques was a young woman using antiquing (and amateur sleuthing) as a positive way to relate to her eccentric mother. Supreme Justice was somebody killing Supreme Court justices to change the balance of the court. John Sand is the spy that James Bond was based on. And on and on.

Ideas.

And the need to execute these ideas in a way that is appropriate to the material is the goal – effective storytelling, interesting to me. Fiction writers should write the novels they want to read themselves. Their first audience is themselves – and my readers are invited in, welcomed in, but don’t always share my interests and enthusiasms.

So I get it if Girl Can’t Help It doesn’t please somebody who is really into Quarry and Nolan. I wholly understand if someone into the Antiques series is horrified beyond words at my writing Mike Hammer novels.

But it is, frankly, hurtful when a reader feels betrayed by a choice I’ve made, and attacks a work that isn’t on their wave length as if I have failed them or am “phoning it in” or doing inferior work simply because it’s not to their taste.

And here in the last phase of my career – which I hope will be another twenty years, don’t get me wrong – I am interested in getting as many of the stories I want to tell fucking told. I am (as perhaps being the co-author of a series of cozy mysteries about antiquing might indicate) a collector. I am of perhaps the first generation of mystery writers who were fans first, and became writers.

So what I am doing, in 2021 and beyond, is collecting my own books. In a way, I am my own biggest fan, but also my harshest critic. A creative person needs to be an unlikely combination of self-confidence and self-doubt, and I certainly qualify.

* * *
Turning the Tied cover

Matt Clemens and I have contributed a Sherlock Holmes short story to an exciting new collection by top tie-in writers. Read about it here.

J. Kingston Pierce’s Rap Sheet is always worth reading. Some interesting news about me is buried in his latest installment.

Finally, Mike Hammer: The Night I Died graphic novel from Titan is one of seven recommended graphic novels here.

M.A.C.

Murder – His and Hers, Venturing Out & Tracy One Last Time

Tuesday, August 25th, 2020
Murder - His & Hers
E-Book: Amazon Purchase Link

On September 2, Wolfpack’s new Kindle edition of Murder – His and Hers will be available at Amazon.

This collection was previously only an expensive hardcover by Five Star. This new edition will be followed soon by Too Many Tomcats, and before too very long a companion volume, Suspense – His and Hers.

These books collect short stories that Barb and I have written together as well as some written by us individually. Too Many Tomcats, which I edited, is mostly Barb’s solo stories, but all of these will be marketed as by “Max Allan Collins and Barbara Collins.” Wolfpack wants to focus the books as part of their M.A.C. publishing program, so don’t think it’s my ego run (further) amok.

I am hoping that Wolfpack will eventually be publishing our the two collaborative novels, Regeneration and Bombshell, that preceded the long-running Antiques series of mysteries. Those, our first two novels together, were originally published under both our names and later, by Thomas & Mercer, as by “Barbara Allan.” We’re reverting to a joint byline for marketing purposes. All of these will soon be available in print editions (stay tuned).

We also have a collaborative short story coming out in Ellery Queen Mystery Magazine, though we haven’t been told in what issue yet – “What’s Wrong with Harley Quinn?” – set at the 2019 San Diego Comic Con, which seems like a very long time ago and a different world now. (I also sold a collaborative Spillane/Collins story to EQMM – “Killer’s Alley,” which will be the first Mike Hammer story ever published in those pages; naturally, it will be in their Black Mask section. Barb and I are both thrilled to be contributers to EQMM.)

My bride and I have been writing together for a long time. The process is similar to the one Matt Clemens and I use, although I don’t sleep with Matt, a situation he and I are both fine with. One difference is that I tend to come up with the initial idea when writing with Matt. Usually Barb comes up with the initial idea. Then she and I plot the story together, she writes the rough draft, and I do the second draft. It’s the same for both short stories and novels.

Tomorrow (Monday, as I write this) I will begin work on the new Trash ‘n’ Treasures mystery novel – Antiques Carry On. Barb has completed her draft and I will start in, revising and expanding (she has given me 250 double-spaced pages and I will write 300 to 350 double-spaced pages). The only unusual factor this time is that I’ve already done my draft (from hers) of the first three chapters. That was necessary because we moved to a new publisher and needed to provide a substantial finished sample of the book to that publisher in the effort to land a contract.

We fully intend to keep going with the series, but we are at a funny (odd) juncture, which I trust is one many mystery writers with long-running series are experiencing. In plotting the next book, do we set it pre-pandemic or post-pandemic, or even during pandemic? The problem with post-pandemic, of course, is that none of us know what that will look like.

For seniors like us – and I have underlying health issues that magnify the situation – even a post-pandemic world will be tricky. Maybe it’s already occurred to you that you may have eaten at your last buffet. Or that how (or even if) you go out to the movies will be radically different.

Today, suffering from almost six months of cabin fever, we ventured tentatively out. Prior to Covid-19 we almost always took a day off every week that included going to either the nearby Quad Cities or Iowa City/Cedar Rapids for shopping, dining and sometimes a movie. We also have a nice movie theater here in Muscatine, and often took in films there – you may remember how often I did little movie reviews here back in the Good Old Days.

Since then, trips out for groceries and meds have been about it. I’ve cancelled doctor’s appointments and – although going to the local hospital for blood work – have had my consultations over the phone. We have been essentially sheltering in place since fairly early March.

But today we drove to the Quad Cities. We went through the drive-through at Portillo’s and got delicious food, which we ate in the car. We went briefly into the Davenport Books-a-Million, where masks are required and where the filled parking lot places were fairly sparse, and shopped a little and used the restroom (carefully) and drove home. An outing. An honest-to-God outing. On the way home we took the river road, which is scenic as hell and includes the quarry that Quarry was named after. We were listening to the audiobook of Quarry’s Ex read by the fabulous Stefan Rudnicki, so it was fitting.

In terms of what we used to do, it was kind of pitiful. After six months of sheltering, it was fabulous.

I don’t feel like we took any risks worse than our weekly grocery run. I know a lot of seniors get their groceries delivered, or pull up outside the supermarket for curbside service. But I rather pathetically look forward to a weekly grocery run – it’s early morning (we get up at six a.m. to make it there by seven) and it’s worth it, because the music is oldies, not country western, which you may have noticed I despise. The joy of hearing Bobby Rydell singing “Wild One” or Bobby Darin doing “Things” while I look for mini-cans of Coke Zero is difficult for me to articulate.

Meds we get going through a drive-up.

Also, I have a new appreciation for McDonald’s and Burger King.

So. What world will Barb and I write about when we do the next book about Brandy and Vivian Borne, if we’re lucky enough to get to keep going (as writers and as living breathing human beings)? How much zany laughter does a pandemic produce, anyway? I am planning to write a new Krista and Keith Larson novel – should I set it during the pandemic? Would that be interesting? Or will this be a period that no one will want to re-live? Yes, we look at movies made during the Depression, but mostly they are full of guys in tuxes and gals in ballgowns, or maybe Toby Wing wearing nothing but a great big dime.

And why is anybody still on the planet who would make a Toby Wing reference?

And yet the beat goes on.

* * *

This past week found me finishing up the second novella in the new series I’m doing for Neotext – more about that soon – and cleaning my office and dealing with copy-edited manuscripts and clearing my desk of smaller projects before I dive into Antiques Carry On.

One of those projects is writing the introduction to the 29th volume of The Complete Chester Gould’s Dick Tracy for IDW. I have written introductions to the previous 28 volumes, too.

And now, with Intro 29, I will have written about the entire run of Chester Gould’s Tracy. This volume ends immediately before my fifteen-year tenure begins. Writing about the last, less than stellar year and a half or so of Chet’s work – though that work definitely has its rewards – was a bittersweet experience. My intro gets personal, as during this period my pal Matt Masterson and I were, every six months or so, getting together with Chet at his Tribune Tower office and dining at the prestigious Tavern Club for lunch. On the first such visit, I met my future collaborator, Rick Fletcher. At the time I had no idea that I would be the second writer on this great, important comic strip.

So writing this final intro was indeed a bittersweet thing. Like this damn pandemic, it was gave me a real sense of my mortality – although once you’ve had open heart surgery, your mortality’s on your mind quite a bit, actually. Like – am I dying, or is that just gas? When I first met Chester Gould, he was 72. My age now.

I hope you Tracy fans are taking the time to read my little introductory essays, which I think are pretty good. And fans of mine who haven’t been collecting these Tracy volumes ought to start – but not with the last one. Try something from the ‘40s or early ‘50s and see just how good Chester Gould was at his peak.

* * *

Here’s a nice review of Ms. Tree: One Mean Mother. Scroll down for it.

And here’s a Quarry’s Choice review. Again, scroll down for it. This may be my favorite Quarry novel – definitely my favorite “list” book.

M.A.C.