Posts Tagged ‘Reeder and Rogers’

Bundle and Spillane Reviews – And Audio!

Tuesday, February 7th, 2023

For those of you who have never tried one of the three Reeder and Rogers political thrillers, written by Matt Clemens and me, the first of the trilogy – Supreme Justice – will be promoted via Mystery, Thriller & Suspense Kindle book deals in the US marketplace, starting 2/1/2023 and running through 2/28/2023. It will be available at $2.99 during the promotion period.

This is one of my bestselling books (the trilogy has sold in the hundreds of thousands) and a novel readers mention to me all the time. But readers of Nate Heller, Quarry and Mike Hammer sometimes skip these books. I think those readers would enjoy them.

Here’s another good review of Spillane – King of Pulp Fiction, although the reviewer questions whether I should be writing about Mickey since the Mick and I were friends. Apparently having an inside track is a bad thing….

The very smart and articulate Ed Catto has written a honey of a Big Bundle review at the Pop Culture Squad site. I will immodestly share it with you now:

The Big Bundle
By Max Allan Collins

It’s so good to start the year off with another Nate Heller thriller. Like so many in this series, this mystery is brilliant. It’s hard to believe, but about 35 years ago I stumbled across Max Allan Collins’ first story featuring Heller. I had enjoyed the Ms. Tree strip, written by Collins and illustrated by Terry Beatty and Collins’ Batman adventures (although not everyone did.)

Nate Heller is a fictional detective, a hero yet a flawed person full of many regrets, who typically gets involved with the biggest cases and personalities in the last 50 years. Collins has written stories where Heller gets involved with the gangsters who ‘created’ Las Vegas, the Lindbergh kidnapping, Marilyn Monroe’s death, Huey Long’s assassination and more. And just when you think Collins has exhausted all the good stuff, the next novel comes roaring back.

The latest historical adventure, The Big Bundle, has a lot of roar in it. This one focuses on the Greenlease kidnapping in the 50s. I didn’t know anything about this one, and I don’t know much about St. Louis’s history, despite visiting the city a couple of times. My trips there were nothing like Heller’s, though. He gets into it all in a way that turns what you thought was going to be a casual read into a “I can’t put this down” book.

These Heller books are meticulously researched with juicy details. I found myself pausing to run down little rabbit holes along the way. For example, Heller rides the historical landmark Angel’s Flight. It was described in such a way that I had to learn more about this narrow gauge funicular railway. When I’m reading, I usually like to leave my cellphone in the other room, but with this Heller mystery, I had to keep it handy for additional research. Collins tends to introduce me to so many fascinating places, events and people.

As a writer, Collins always finds innovative ways to describe people and settings. This is a crime thriller to be sure, but I often pause at the clever descriptions. For example.

The hero walks into a diner and Collins gives the reader something to think about and to remember: ”The bedraggled adults in booths and at tables were like predictions of how the town’s teens would turn out.”

Or earlier in the novel, as Heller meets a key character: “In his mid-thirties, my host was of average height and weight with a squared-off head and a rounded jaw, his forehead so high it was like his features had slipped down too far on his oval face.”

After reading a novel like this, my pal Mike Gold used to always make the joke “If you only read one Max Allan Collins novel this month, make it this one.” The gag still holds up and it’s truer than ever.

The only way I could get a better review is to write it myself…although actually I’m pretty hard on myself. If you want to read Ed’s review in context, go here.

While I’m wallowing in a self-congratulatory stew, here’s the fine Mystery Scene review (in its final newsstand issue – damnit!) of The Big Bundle:

The Big Bundle
Hard Case Crime, January 2023, $25.95
by Max Allan Collins

Opening in October 1953, Max Allan Collins’ 18th Nathan Heller adventure finds the middle-aged detective in Kansas City, consulting on a kidnapping, this time involving Bobby Greenlease, the 6-year-old son of multimillionaire auto dealer Robert Cosgrove Greenlease, Sr. Although Heller works with both the local police and the FBI, the case ends tragically, with the death of the child and half of the ransom money seemingly vanished.

Collins then fast forwards to August 1958, as Heller covertly investigates what happened to the missing ransom, at the behest of both Jimmy Hoffa and Robert F. Kennedy, who want to uncover the sordid truth about the tainted money.

Simply put, if you’ve enjoyed this series thus far, you’ll find plenty to like about Collins’ latest fictional foray, as, like previous installments, the story expertly interweaves fact and fiction in an entertaining and winning manner. If you’re new to the series, this is a great place to start, as it finds Collins at the top of his considerable game.

The author’s crisp writing and canny plotting, supplemented by his thorough and revealing research, are on ample display from start to finish. It’s an impressive piece of work, especially when you consider that this MWA Grandmaster, who has been at it for close to half a century now, doesn’t falter once.

Now let me give The Big Bundle my own good review – no, not my writing, but the reading Dan John Miller brings to narrating the book on the Recorded Books audio of the novel. On various car rides, Barb and I have been listening to it (we’re deep into the second of two sections) and are blown away by how much Dan “gets it.” He has read every Heller on audio to date, and he’s really become the voice of Nathan Heller. As I’ve said before, I don’t really feel like a Heller exists until I hear Dan John Miller read it.

Dan John Miller
Dan John Miller

Another great narrator who deserves kudos is Stefan Rudnicki of Skyboat, who has taken over the unenviable task of stepping into Stacy Keach’s shoes in reading the Mike Hammer novels. He is also Quarry these days, and Skyboat’s Gabrielle de Cuir has just completed reading Fancy Anders for the Boys. Stefan and Gabrielle’s production of Fancy Anders Goes Hollywood is wonderful – with sound effects and music – so I expect great things.

Stefan Rudnicki
Stefan Rudnicki
Gabrielle de Cuir
Gabrielle de Cuir

And speaking of Fancy Anders, you can now pre-order the second book (as a trade paperback, e-book and audio), right here. Fancy Anders For the Boys finds her working undercover on a murder case at the movie star-flung Hollywood Canteen.

* * *

Two documentaries, streaming right now, are worth your time, particularly if you’re interested in the history of pop and rock music.

Joan Jett
Joan Jett

The Joan Jett documentary, Bad Reputation (2018), looks at the phenomenal rocker whose story is a fascinating bumpy ride, starting with the Runaways and continuing up to her Rock ‘n’ Roll Hall of Fame induction. The tough road any rock artist trods is even tougher for women, and the sacrifices a road warrior takes on personally are a constant undercurrent. Excellent doc. It’s on Hulu and Prime Video, among others (and in some theaters).

Dionne Warwick
Dionne Warwick

HBO Max is perhaps best known right now for what it’s dropping (and not as in new programming “dropping,” but in the where-the-hell’s-the-content sense). But right now they have an excellent Dionne Warwick documentary – Don’t Make Me Over – which is a loving but unflinching look at this amazing artist. What became readily apparent to me was how Warwick coming together with the team of Burt Bacharach and Hal David was one of the most fortunate collaborations in the history of popular music – that neither the singer nor the songwriters would not likely have had the enormous pop cultural impact without each other. Like Joan Jett, Warwick is a strong, opinionated woman who used her position in the music industry to do good things for humanity…and never in a self-serving manner. I found this documentary extremely moving and highly recommend it.

M.A.C.

A Shameless Excursion Into Self-Promotion

Tuesday, May 17th, 2022

A reminder: today is the publication date of Stand Up and Die! (the new collection of Mickey Spillane’s novellas and short stories from Rough Edges Press, edited by me and with a Mike Hammer short story co-written by Mickey and me).

The new crime/horror novel, The Menace, by Mickey Spillane and me is $3.99 on Kindle at Amazon.

Stand Up and Die! cover
Trade Paperback:
E-Book:
The Menace cover
Trade Paperback:
E-Book:

The Menace just came out and is, as may already know, developed by me from an unproduced Mickey Spillane screenplay. If you’re not a horror fan, don’t be put off: it’s fundamentally a crime novel. It’s rather short – though not, as some have described a novella (it’s 40,000-words), but two additional Spillane pieces are included as a bonus at the back – the previously unpublished original version of his comic tale, “The Duke Alexander,” and a rare true-crime article.

For you physical media types (like me), the handsome trade paperback edition is just $9.99 at Amazon right now.

This update exists as a place for me to share views on pop culture, talk about what’s going on with me (and my wife Barb) personally and professionally. Part of that is letting you know about sales going on at Amazon (and elsewhere). There are several worth making you aware of going on right now.

On sale is Supreme Justice, the first of the political-thriller trilogy Matt Clemens and I wrote about Joe Reeder and Patti Rogers. Sales have stayed strong since its publication in 2014 – I believe it’s sold something like 150,000 copies, and the two sequels (Fate of the Union and Executive Order have done very well, too. Something like 350,000 copies of the Reeder and Rogers trilogy have been sold. Supreme Justice on Kindle is just $1.99 (till the end of the month).

Supreme Justice – the trade paper edition is $14.95 – has generated renewed interest because the plot concerns an attempt to rearrange the Supreme Court’s political slant by killing conservative members. It’s set in the near future, after the court overturns Roe V. Wade – again, it was published in 2014.

Supreme Justice cover
Paperback:
E-Book:
Audio MP3 CD:
Audio CD:
Executive Order cover
Paperback:
E-Book:
Audio MP3 CD:
Fate of the Union cover
Paperback:
E-Book:
Audio MP3 CD:

My eco-thriller, Midnight Haul, is also on sale on Kindle for $1.99.

Midnight Haul cover
Paperback:
E-Book:
Audio CD:
Audible:

This leads me into what will undoubtedly be a self-serving discussion – a shameless one at that – hoping to convince you to try novels of mine that you may have avoided. Things that may have been out of your comfort zone. Like Supreme Justice, for example.

Kill Me if You Can cover
Hardcover:
E-Book: Google Play Kobo

I have talked here more than once about the reasons why I sometimes work outside of the Quarry, Nolan, Nate Heller and Mike Hammer noir-ish area. The truth is I have readers who follow one or two of those series, but avoid the others. The Quarry and Nolan novels are books in the 50,000 to 60,000-word range and are fast and (I hope) fun reads. The Mike Hammer novels, also in that word-length range, are overlooked by some of my readers because those readers are not Spillane fans or simply don’t care for books that continue a series created by someone else. Similarly, some Spillane fans don’t try these continuation novels, even though the books all have Spillane content (some a good deal of Spillane content), because Mickey himself did not write every word. The fact that Mickey engaged me to complete his unfinished material does not convince these stubborn souls. Kill Me If You Can, celebrating the 75th anniversary of Mike Hammer’s first appearance in 1947’s I, the Jury, is a novel developed from an unproduced Spillane teleplay, and it looks at the period between Kiss Me, Deadly (1952) and The Girl Hunters (1962), when Velda goes missing. It’s Mike at his most psychotic. Pre-order it through the links on the left.

That the Caleb York novels are westerns discourages some readers, who prefer crime/mystery, and that the first novel of the six is a novelization of an unproduced Mickey Spillane screenplay does not sway them. I think they’re missing out.

And of course the cozy Antiques mysteries written by Barb and me are not the hardboiled fare many of my readers enjoy, though the humor and murder content are high. I get that this approach isn’t for everybody, but will point out that the Trash ‘n’ Treasures mysteries are the series of mine with the most entries. The new one will be out in October and can be pre-ordered through the links below.

Antiques Liquidation cover
Hardcover:

Some fans of my hardboiled books avoid the Nate Heller novels, which run in the 75,000-word to 150,000-word range, their lengths off-putting to at least a few readers. The true crime basis of the novels also discourages some Quarry/Nolan fans. The Big Bundle, coming out Dec. 6 (and available for pre-order now), will be the first Hard Case Crime publication of a Heller, and I think Quarry and Nolan fans who haven’t tried the series before will find themselves at home.

The Big Bundle cover
Hardcover:
E-Book: Kobo Google Play

Now I don’t expect any of you – except the hardier souls among you – to buy, read and like everything I put out. Over the last ten years or so, I have increased my already prolific output considerably. I understand that you have only so many hours available to devote to your reading pleasure, and that (however misguidedly) you have other authors you like to read who aren’t me.

So why do I write so much? My standard answer for that is, “If I don’t, they don’t send money to my house.” And that flip response is true enough. But I have also been aware of the ticking clock of mortality and realize that once I am dead, my output will slow considerably. You readers who outlive me will probably have plenty of my stuff to catch up on. That’s fine. It’s as close to living forever as I’ll come.

And I feel I stay fresh by not writing just one thing. I shudder to think if Quarry had taken off in the mid-‘70s and that what I would be doing right now is writing book #45 in the series.

What I’d like to do with the rest of this ridiculously self-serving column is ask you to read – to buy, actually, and then read – a few of my recent books that you may have skipped. I’ve already mentioned The Menace, which some might pass on because (a) it appears to be horror, and/or (b) it doesn’t feature Mike Hammer. I can only say that Mickey came up with a good story and I developed it into a good novel that I’m very proud of.

Here are a couple of others you may have overlooked.

Fancy Anders Goes to War is a novella available on Kindle but also has a handsome little trade paperback with a wonderful Fay Dalton cover (and interior illos). It’s a private eye story with a new heroine who has much in common with Ms. Tree but is also her own girl (it’s a ‘40s story so I can call her that, and anyway she’s young). The research is Heller level. It’s the first of three such novellas from Neo-Text. I just loved writing it (and its two follow-ups, the second of which will be out before long). On Kindle it’s 2.99 and the paperback is only $6.99.

The audio of Fancy Anders Goes to War from SkyBoat is outstanding, virtually a movie for the ears.

Fancy Anders Goes to War cover
E-Book: Amazon Purchase Link
Trade Paperback: Amazon Purchase Link
Digital Audiobook: Amazon Purchase Link

Girl Most Likely and Girl Can’t Help It are two books that have suffered a handful of bad reviews and a wealth of good ones that haven’t overcome that handful. This was my attempt to do something along the lines of an American version of Nordic noir. The detectives are a young woman police chief and her retired homicide cop father in Galena, Illinois (I had the cooperation of the town’s police chief, female). I like these books a lot but they didn’t do as well as previous Thomas & Mercer titles. Girl Can’t Help It touches heavily on my rock ‘n’ experience. If you like my work at all, give these a try. They are $4.99 each on Kindle and $10.93 and $12.83 respectively as trade paperbacks.

Girl Most Likely cover
Paperback:
E-Book: Amazon
Digital Audiobook: Amazon
MP3 CD: Amazon
Audio CD: Amazon
Girl Can't Help It cover
Paperback:
E-Book: Amazon
Digital Audiobook: Amazon
MP3 CD: Amazon
Audio CD: Amazon

Finally, one of my favorites among all of my novels: The Many Lives of Jimmy Leighton, written with SCTV’s Dave Thomas. Two things seem to get in the way of my regular readership trying this one: the science-fiction aspect, and the assumption that it’s a comedy. Where to begin? This novel is as much a crime story as s-f, with an older male Black cop and a young female Gen Z partner struggling to find out who shot smalltime thief Jimmy Leighton, who is in the hospital in a coma. Meanwhile, Jimmy, who accidentally triggered a quantum experiment in the basement lab he broke into, is careening from one lifetime to another. The chapters alternate between the cops working on the crime and Jimmy’s journeying.

As for the book being mistaken for a yuk fest, my co-writer Dave Thomas was a writer and producer on the TV series Bones and Blacklist. So there.

Some have characterized Jimmy’s adventures in terms of the old Quantum Leap TV series. While there is some similarity, there’s a major difference. Dave and I, who wrote this book together during the Covid lockdown (lots of phone calls and Zoom get-togethers), wanted to avoid the notion that our traveler would find himself a jet pilot, or on a Broadway stage, or in the middle of doing brain surgery. Jimmy is encountering different lives of his – the different paths he might have taken – possible lives, not unlikely ones.

For me – and for Dave, too – this is a novel that has more to do with Groundhog Day or A Christmas Carol than Quantum Leap. And the science-fiction aspect – Dave takes his quantum science very seriously – is like the history in Nate Heller. It’s important, and it strives to be right; but it’s not the story. If you trust me at all, know that in my opinion The Many Lives of Jimmy Leighton is one of the best books in my catalogue.

Many Lives of Jimmy Leighton cover
E-Book: Amazon Purchase Link
Trade Paperback: Amazon Purchase Link

Finally, for those of you who – like me – stubbornly insist on prowling actual bookstores, you must accept the fact that most of these books almost certainly will not be found in the world of brick-and-mortar. Supreme Justice and its two sequels, and the two Girl novels with Krista Larson and her dad, are mostly available at Amazon (physical copies at Barnes & Noble and others, but Kindle is Amazon). So is The Menace. Neo-Text books – Fancy Anders Goes to War and The Many Lives of Jimmy Leighton – are Amazon.

* * *

Speaking of Supreme Justice, it has made another list of the best legal thrillers.

And here’s a great review of Tough Tender, the Hard Case Crime two-fer of Hard Cash and Scratch Fever with Nolan and Jon.

M.A.C.

Fate of the Union and More Queen’s Gambit

Tuesday, January 12th, 2021

As many of you know, my friend and longtime collaborator, Matthew V. Clemens, and I wrote a trilogy of political thrillers a few years ago, with the three branches of our government represented by individual novels. They are Supreme Justice (the Supreme Court), Fate of the Union (Congress), and Executive Order (the Presidency).

Supreme Justice cover
Executive Order cover

Fate of the Union cover

As it happens – not really as part of any plan – all three deal with threats from within, essentially domestic terrorism. Somewhat chillingly, the second novel – Fate of the Union, published in 2015, posited a run for the Presidency by a billionaire populist as well as an attack on the United States Capitol building.

After the events of last Wednesday, January 6, occurred, I asked Matt, “Shall we sue Trump for plagiarizing us on Fate of the Union?” His response: “Can we? Can we please?”

Last week I neglected to announce that all three Reeder & Rogers titles are on sale on Kindle until the end of this month (January). Supreme Justice and Fate of the Union are $1.99 and Executive Order is 99 cents.

* * *

I’ve had many nice comments about my update last week, in which I talked about (among other things) my time at the Writers Workshop in Iowa City with Walter Tevis as my instructor. That included my thoughts on the wonderful Netflix mini-series based on his 1983 novel, The Queen’s Gambit.

Barb and I enjoyed that mini-series very much – we watched it twice – and I found myself compelled to take the novel off the shelf (it, and Walter Tevis’s other books, are in my office in one of two bookcases of honor) to read it for the first time. Years ago I had, wrongly, set it aside because of its chess theme, thinking that I needed to be intimate with the game to enjoy the novel.

I was stunned to discover how incredibly faithful the mini-series was to its source, perhaps the most faithful film adaptation of a novel I’ve encountered in years. Oh, they are out there – for example, you can follow The Maltese Falcon in the book while you watch the John Huston film, skipping only the scenes (and they are few) that didn’t make it into the movie.

The Queen’s Gambit, the mini-series, not only replicates almost all of the dialogue from the novel, it endeavors to turn interior monologue into speech and pays close attention to descriptions of clothing and particularly setting.

When Beth enters fellow chess player Benny’s basement apartment in New York, Tevis tells us, “There were plastic bags of garbage in the entryway,” and details the pump Beth must pedal with her foot to inflate a rubber mattress. Earlier, when Beth spends the night with a college boy and wakens to find herself alone in a post-party house, the note to her on the refrigerator is held by “a magnet in the shape of Mickey Mouse’s head.” And that’s what is depicted in the mini-series.

Countless details, including mannerisms of Beth’s chess opponents, are recounted, like a young man who brushes back his hair. Someone – or many someones – loved this book! It’s astounding.

Now, differences do crop up, though mostly it’s expansion of scenes. The major ones have to do with Beth’s mentally disturbed mother, a boy she loves who the mini makes gay, and a somewhat opened-up last few chapters, with an almost Capra-esque long-distance-call reunion of many of Beth’s chess-world friends when she can use some help with the big match. The scene is in the book, but only involves Benny and a couple of chess experts, not a reunion of characters – which is a good change, because it shows that this lonely girl has friends and needs friends. The gay (bisexual?) sort of love interest shows up in Moscow in the final section, also to be supportive, and it’s a good change. A less good one is having Beth’s black friend, Jolene, seek Beth out as an adult when the book shows our troubled protagonist reaching out to that old friend. Tevis shows Beth struggling to help herself and not just being rescued out of the blue.

These differences are well within the rights of the adaptors, and I generally feel that a film only has a responsibility to be faithful to the spirit of its source. I was fine with most of the liberties taken with Road to Perdition (and any writer who cashes the check should shut the hell up, anyway).

But seeing filmmakers who view the text as, if not sacred, something to be plumbed for inspiration and guidance, well…that is as refreshing as it is unusual.

Now, I’m going to shift gears but stay on the subject of Walter Tevis and The Queen’s Gambit.

If you’ve followed these updates or read interviews with me, you may be aware that I read little fiction. The reasons are numerous, but among them is avoiding being influenced by style. I’m enough of a natural mimic that I can get myself in trouble.

A major reason is that a book I am writing is, in a very real way, a book I am reading. And I’ve never been one to read two books at a time, going back and forth between them. Not my way. So, immersed in the narrative I’ve been trying to get down on paper, I avoid other people’s prose narratives.

Now, that does not include reading non-fiction, even biographies. Nor does it include listening to a book in the car on a trip, back when we took trips in cars. Remember that? And I watch a lot of movies and TV in the evenings, winding down.

But there’s another difficulty I have reading fiction. I don’t really believe in rules of fiction writing – to me, storytelling is mostly strategy. For example, is this a story better told in third-person or first-person? Where in the story should I begin? Should I end a dialogue scene when I get to a snappy, memorable line, or let it play out? And a million other things, or anyway thousands.

I have been writing professionally since 1971, but I was trying to write professionally starting in 1961 and worked at a newspaper in the summers of ‘66 and ‘67. So I’ve been at this a while, and though I studied at the Writers Workshop, and benefitted from it, I learned early on that you can’t be taught to write by anybody but yourself. You can get tips from a pro like me, but to learn to write you must do things: you read and you write. You read because you love it and, later, you read analytically; and you write by trial-by-error.

So in these many years, I have come up with those thousands of strategies that have become, in a way, my rules. Not your rules, not anybody else’s rules; but mine. Some of my approach has bled over into collaborators like Barbara Collins and Matthew Clemens, but they have developed their own rules/strategies, too…as well they should.

Okay, I said above that part of learning to be a writer is reading books. And for the years leading up to becoming a professional novelist, I did. So why don’t I read much fiction any more? (I do read some – mostly the people I read before becoming a pro, however, like Hammett, Chandler, Stout, Spillane, Christie, etc.).

Which brings me to The Queen’s Gambit again. Tevis is a wonderful writer, and I learned things from him then (and now), although probably more from The Hustler than his classroom teaching. I was struck by how beautifully Queen’s Gambit is written and came upon passages that I stopped and re-read aloud.

Not often.

A book that has you doing that all the time is a book by an effing show-off. Some highly respected writers in my genre, much more respected than me, are dedicated to making themselves and their readers feel important. Well, I already feel important enough, so to hell with that, and anyway I’m here to try to tell you a good story. Don Westlake told me, “Good writing is invisible.”

Tevis writes simply but is not afraid to use a word you may not know. He is clear and he is precise. I have been criticized by blog-type reviewers and even mainstream reviewers, as well as an editor (former editor), for writing about clothing and setting. Tevis does both and gives you not only a sense of place, but by doing so a sense of who those characters are. He wrote these detailed descriptions so thoroughly and well that they made it into the mini-series that everybody loves.

So I felt validated by that.

But I also stumbled on a writing strategy of his that began to bother me. He uses the “There is” and “It was” construction often. I find that passive, even lazy. It’s something that, in recent years, I’ve tried to avoid (though I didn’t in this sentence).

When Tevis would break one of my “rules,” it stopped me and I would find myself rewriting him, like Beth Harmon looking at the chess board on her ceiling and moving pieces around, replaying a famous game and looking for errors. It broke the spell.

Don’t get me wrong. I loved the novel. Tevis is a great writer and having books like The Hustler and The Queen’s Gambit on my list of credits would be a dream come true. But he had his strategies and I have mine, and as much as I enjoyed reading The Queen’s Gambit, it demonstrates why I rarely read fiction.

But please, please, everybody out there (both of you) – keeping reading stories. It’s what separates us from the apes.

That and opposable thumbs.

* * *

This is a fabulous review of Skim Deep, and I swear I didn’t write it myself.

I get mentioned on the great podcast Paperback Warrior again, but run into The Fanboy Gambit – the reader who won’t read the new book till he’s read all the others in the series!

M.A.C.

Both Girls Are on Sale, Plus the Perdition Saga

Tuesday, June 9th, 2020

Some great deals on Kindle this week.


First, Brash Books is offering the complete Perdition saga (novels, not graphic novels), which includes the long suppressed full-length novelization of Road to Perdition, plus my two sequels, Road to Purgatory and Road to Paradise. The fine folks at Brash are offering this through Amazon for a mere $9.99.



Girl Can’t Help It is on sale for $1.99 as a Mystery, Thriller & Suspense Kindle book deal from now through June 30. And Girl Most Likely is just $0.99 in that same sale.




All three Reeder and Rogers novels are, too – $1.99 each as Mystery, Thriller & Suspense Kindle book deals through the end of the month – Supreme Justice, Fate of the Union and Executive Order. [Note from Nate: if you purchase or own any of the Girl or Reeder and Rogers books on Kindle, the audiobooks might also be available at a significant discount — I’m seeing them for $1.99.]

Speaking of political intrigue….

This is going to be a little tricky to write, so forgive me.

I belong to a number of writers’ and screenwriters’ organizations. They vary from quite active, guilds for example, to others that serve mainly to be a means of presenting awards in a chosen genre, with all the stops between. All of these approaches seem valid to me.

One of these organizations – please don’t try to guess which, because I do not wish to embarrass or criticize anyone, really – briefly became embroiled in the current, understandably heated conversation about the Black Lives Matter movement and the police in America.

I think “Black lives matter” gets fuzzy, because there’s an organized group but also the phrase itself. I can see how someone might have an issue with the group, but not how anyone could really thoughtfully object to the phrase. The “all lives matter” response is glib – of course all lives matter. But pointing out that black lives matter reflects the undeniable reality that a minority has literally been on the firing line for as long as any of us can remember, and a lot longer than that.

Here’s where it gets tricky. A member of the writers group in question is a retired police officer. He objected to some of what was said (or at least implied) about the police, and pointed out that police are also on the firing line and have been stabbed and spit upon in the aftermath of the horrific crime that took the life of George Floyd. He specifically objected to a pro-Black Lives Matter statement from our organization because, as a member, he wasn’t in full agreement with it. (I should say that this exchange took place before the disturbing footage emerged of a seventy-five-year-old man being shoved to the pavement and left to bleed there.)

Many members of our organization responded negatively, a very few getting personal. I tried to pour some water on the fire, but may have inadvertently poured gasoline instead, when I suggested we add a line pointing out that most police officers, a good number of whom are African-Americans, are dedicated public servants.

No one liked that suggestion, and I quickly withdrew it.

Within perhaps an hour and a half of the discussion between members (on line) beginning, the former police officer resigned from our organization.

I have frankly been trying to process this. Part of me thinks, as a writers organization, we should not have waded into politics. And yet is racism really politics? Isn’t it the sin that has stained America from day one, and goes way beyond politics? Doesn’t it go past left and right and into simple humanity?

Of the various writing and filmmaking organizations I belong to, I share membership with writers whose work I admire, but others whose work I dislike. As artists, we don’t always agree – in fact, we often don’t. For me, it’s about storytelling and creativity. I can respect a fellow writer whose writing I don’t admire because that writer is living the writer’s life that I am, with the rewards but also the problems that come with it – chasing the next gig, for example. On a basic level, we’re all just trying to make a living. Professional writers, no matter what they think of each other’s work, have that in common.

I feel our organization should have respected this member and his right to disagree. And if he objected to the statement the organization made, he should have had a better option other than to resign. Anyway, I’m not sure an organization should make a statement that all of its members haven’t signed off on. That statement should probably have included only the names of those members who did. I would have gladly signed. Proudly signed.

This (now ex-)member was a work horse, a dedicated member of the organization, and an award winner. It makes me sad and a little sick that we have lost him. Part of me knows that creative people have to take a stand against something as major as racism, and yet I admit to keeping (mostly) quiet about political figures who seem to me to be blatantly racist because I don’t want to offend any of my readers. That’s probably cowardly, but I have a living to make, and maybe there’s a subversive aspect to my fiction that might make somebody’s thinking change or at least shift a little over time. I don’t know. Really don’t. Maybe I’m just a coward.

On the other hand, Quarry setting fire to a Ku Klux Klan rally in Quarry in the Black may have indicated where I’m coming from.

Limiting freedom of speech within our writing and screenwriting organizations to those who agree with us is antithetical to everything those of us who create for a living are about. And this ex-member’s objections did not reflect racism, but in fact spoke of years of effort to battle against it within the system.

An organization’s mission statement can spell out certain things that won’t be tolerated – racist bile would seem high on that list – but to be intolerant of a reasoned position from another point of view is dangerous. Someone in power whose name I won’t mention is pretty cavalier about the Constitution. Maybe the writing and screenwriting communities should take better care of the First Amendment.

M.A.C.