Posts Tagged ‘Krista and Keith Larson’

R.I.Pee Wee, Mike Hammer at the Movies, E-Bay Deals

Tuesday, August 8th, 2023
Skyline and Mike Hammer banner

The big news this week should be that the long impending Mike Hammer movie deal with Skydance has solidified, and been announced in all the trades. The upside is that Skydance has purchased the film rights for the entire franchise, which includes the books I’ve co-authored. The downside is…things like this, announced or not, often do not come to pass.

Yes, I am an executive producer. That often simply means that when you come to make your set visits, a director’s chair with your name on the back is waiting. On the Cinemax Quarry set (where I was suffering, unknowingly, congestive heart failure) they didn’t let me near the director and other mucky-mucks till they needed me for photos. And I was, again, an executive producer.

I often have mentioned that I did not tell my parents about the Road to Perdition movie sale till Barb and I were on set watching Tom Hanks and Paul Newman shooting scenes under the direction of Sam Mendes.

The news this week that impacted me more, personally, was the loss of Paul Reubens, who had been privately battling cancer for half a dozen years.

Paul Reubens dressed in black with a Pee-Wee Herman Doll in his breast pocket. Art Streiber / August @aspictures

I have frequently commented here about the annual Christmas cards that Barb and I have received from Paul Reubens over many decades. To me it has not officially been Christmas until the Pee Wee card arrives from Paul.

Here’s what I wrote in December 2013:

For me, Christmas begins when I receive my yearly Christmas card from Paul Reubens. Sometimes Paul writes a personal note. The cards are always charming and even hilarious, and we have easily two dozen of them. This year Barb made a wreath out of some our favorites.

I went crazy over Pee-Wee with his HBO Special, The Pee-Wee Herman Show in 1981. I was doing the Dick Tracy strip at the time, and I put Pee-Wee in the strip – he was on television saying, “My name’s Pee-Wee – what’s yours?” And a TV-obsessed villain of mine replied, “Splitscreen!”

Paul Reubens phoned me shortly after that, delighted by the Tracy appearance, and we chatted. Shortly after that, taking time out from a San Diego con, Terry Beatty and I visited Paul in LA – he was in a small one-story brick house filled with funky toys and oddball memorabilia. We watched a version of The Pee-Wee Herman Show that the cast had looped with blue improv material. The Pee-Wee Herman suit was on a coat tree. I asked Paul how many of those suits he had, and he said, “Just the one.” Then, noting my surprised reaction, he added, “Sometimes Pee-Wee doesn’t smell so good up close.”

Paul knew that I was a movie buff, and he was working on getting a Pee-Wee film going. Late at night, we would talk on the phone and (at his request) I would send him Betamax copies of offbeat films like Eddie Cantor’s Roman Scandals and Russ Meyer’s Faster Pussycat, Kill! Kill! He called once every month or two for a couple of years, sometimes when he was off shooting a movie. (One was a Meatballs sequel, and I asked him what it was about. He said, “A virgin sees her first dick.” I thought he was kidding till I saw the movie.) Barb and I (and sometimes Terry) would go to live shows of Paul’s, and we’d see him after – we did this in New York and Chicago.

When the Pee-Wee movies and TV show kicked in, Paul changed his phone number and I haven’t heard from him since…except at Christmas. Always a wonderful card, and sometimes a warm personal note. I still love Pee-Wee Herman, and it’s been a nice perk of my minor celebrity that I got to know Paul Reubens a little. It’s very thoughtful and generous of him to send me these fantastic cards every year.

Shortly after the above piece appeared, Paul got back in touch with me – someone had forwarded the posting about him – and we began occasionally exchanging e-mails. Knowing Paul, and having a small impact on his work (Faster Pussycat, Kill! Kill! had an obvious influence on a sequence in Pee Wee’s Big Holiday), is one of the most amazing things that has happened to me in an amazing life, despite never having moved from the small Iowa town where I was born.

This is my reflection on the passing of John Paragon, Paul’s partner in comedy – the great, much lamented Jambi.

Paul wrote me thanking me when he saw this tribute to his friend and collaborator.

I don’t know what else to say about Paul and Pee Wee. We weren’t close friends exactly, but we were real friends and the sadness I feel is hard to communicate. But he contributed a character, a concept, and point of view that I truly think will last until (as Paul Williams wrote) “the sun is just a bright spot in the nighttime.”

* * *

A flurry of M.A.C. e-books sales at Amazon have hit and I will share them with you now.

First, True Crime will be $1.99 on August 8 only, the day this update/blog appears.

From now till August 31, Girl Can’t Help It will be on sale for $2.49. If you haven’t read this one yet, please pick it up – this is one of only two titles (the other being Girl Most Likely) that have not “earned out” at Amazon and have apparently impacted their decision not to publish anything else new by me.

From now till August 31, Million Dollar Wound (Nate Heller), What Doesn’t Kill Her (Matt Clemens and me doing our American riff on Girl With the Dragon Tattoo), and Midnight Haul (my Mallory-ish eco-thriller) will all be available at $1.99 at Amazon on e-book.

Also wading in to the e-book wars is Wolfpack, who are doing e-book boxed sets that are an opportunity to pick up a lot of my backlist (some of which is out of print) at a low price.

The Max Allan Collins Collection Volume Three collects all three Jack and Maggie Starr mysteries as well as the Westlake-ish Shoot the Moon for under four bucks (okay, a penny under…).

The Max Allan Collins Collection Volume Four collects Mommy, Mommy’s Day, No One Will Hear You (co-authored by Matt Clemens), and Reincarnal and Other Dark Tales. Get it here.

Reincarnal, by the way, is one of several indie movie projects we were developing (“we” being my pal Phil Dingeldein and I). Chad Bishop are starting pre-productions on Blue Christmas.

Again, these are e-book “box sets” that are at a $3.99 price point. Such a deal! (The Max Allan Collins Collection Volume One is the four Eliot Ness books, and The Max Allan Collins Collection Volume Two is the John Sand collection (the trilogy plus a short story, by Matt Clemens and me).

Now, some of you are not into e-books. You like physical media. Me, too.

Buy the hardcover Eliot Ness and the Mad Butcher by M.A.C. and Brad Schwartz here (from Daedalus Books) at a mere $6.95 (originally $29.99).

Daedalus also has the previous Nathan Heller hardcover novel, which thus far does not have a paperback reprint, Do No Harm, with Nate tackling the Sam Sheppard murder case.

* * *

Early tomorrow morning [Monday, 8/7–Nate], I am going into the hospital for a procedure that, with any luck, will get me back home the same day. So by the time this appears, I should be able to post something about how it went.

This is what’s called an ablation, which is done to deal with a-fib, which has been slowing me down since before my heart surgery in 2016.

[Update: The procedure went smoothly, and Max is back home recovering.–Nate]

* * *

Here’s an interesting Tom Hanks article, suggesting he’s the reason the violence in the film version of Road to Perdition was dialed back some.

* * *

The exciting Skydance announcement about Mike Hammer is all over the Net. Here’s an example from Deadline.

A few more (of many):
https://www.flickeringmyth.com/2023/08/skydance-bringing-mickey-spillanes-mike-hammer-back-to-the-big-screen/
https://www.thewrap.com/skydance-mike-hammer-franchise-ip-rights/
https://www.darkhorizons.com/skydance-planning-a-mike-hammer-film/
https://www.joblo.com/mike-hammer-movie-mickey-spillane/

M.A.C.

The Awesome ‘80s Prom & Memorial Day Thoughts

Tuesday, May 30th, 2023

This past Saturday evening (May 27) Barb and I attended the Awesome ‘80s Prom put on by my buddy Chad Bishop, who is the producer of the Blue Christmas project. Chad is a fun, funny, gifted guy and the evening he put together was a blast. There were Arcade games (a whole room of ‘em), New Wave music, food and (spiked) punch, and potential prom kings and queens trolling for votes. It’s one of those almost-a-plays that have structured elements but also have a large cast circulating as characters (prom attendees) and make it an interactive event.

We were accompanied by Barb’s sister Judy and our brother-in-law Gary, who admittedly looked a little more like he was attending the Manson Family Reunion than the Awesome ‘80s Prom.

Max and Barb at the Awesome '80s Prom
’80s Prom Goers!
Manson Family Reunion?
Manson Family Reunion?
* * *

J. Kingston Pierce, who for my money is the best friend the mystery/crime genre has here in the 21st Century, has posted info about the Blue Christmas crowd-funding effort – now in its final few days – that is better and more complete than I ever could:

Efforts by Iowa novelist Max Allan Collins to raise the money necessary to turn his A Christmas Carol-like detective short story, “Blue Christmas” (published in a 2001 collection), into a movie seem to be going well. With less than two days still to raise $5,000 through the crowdfunding site Indiegogo, he’s already brought in … $5,750!

Contributions are still being accepted here. As an incentive, if you pony up $25 to $500, Collins says you can write him at macphilms@hotmail.com to request copies of his older books to add to your collection. Click here to learn more about that offer.

Meanwhile, the author is hoping to score matching funds for this endeavor from the Produce Iowa-State Office of Film and Media’s Greenlight Grants program, which is designed to “support entrepreneurial projects that can accelerate business and careers in film.” Collins acknowledges, however, that there’s no guarantee he will succeed in this second venture, given the caliber of rival proposals. If Produce Iowa turns him down, he says he’ll mount a live production of Blue Christmas, which will be recorded.

More news on this matter to come.

Here is a link for the Rap Sheet post that includes this write-up.

* * *

Girl Most Likely will be promoted via Mystery, Thriller & Suspense Kindle book deals at Amazon, starting 6/1/2023 and running through 6/30/2023. The novel will be offered at 2.49 USD during the promotion period. If you haven’t tried one of the two Krista Larson novels, now is the time!

Fate of the Union (the second Reeder and Rogers thriller) is being offered during this same period at $3, and Flying Blind – one of my favorite Nate Heller novels – will be available at $1.99. The first of the three Reeder and Rogers novels, Supreme Justice, will be available at $2.99 for one day – June 3rd.

* * *

The great Paperback Warrior has posted a terrific review of Double Down, focusing on one of the two Nolan novels therein: Fly Paper.

Nolan #03 – Fly Paper

Max Allan Collins’ Nolan series is his pastiche of Richard Stark’s Parker series. The third novel in the chronology was Fly Paper written in 1973 but not published until 1981. The book has recently been repackaged by Hard Case Crime in a twofer marketed as Double Down.

For the uninitiated, Nolan is a hard-nosed thief who makes a living pulling heists that inevitably run into problems. Much of this book’s focus is on Jon, Nolan’s comic book collecting sidekick. The action kicks off with a colleague named Breen, who has a good thing going with a parking meter rip-off scam. Breen was working the coin theft organized by the redneck Comfort family before those hillbillies shot and double-crossed Breen landing him squarely in Nolan and Jon’s orbit.

This leads to a plan to rip off the Comfort family in a heist-the-heisters kinda deal. The action moves from Iowa to Detroit in the shadow of a large comic book convention. The heist itself is really a side-dish in the paperback with the main course being the commercial airline getaway that is interrupted by a skyjacking.

Between 1961 and 1972, there were 159 skyjackings in American airspace with the majority between 1968 and 1972. It was a vexing criminal social contagion without a clear solution – similar to the problem America currently faces with mass shootings. Collins draws upon this phenomenon as the backdrop of Fly Paper when a married guy plans a D.B. Cooper style airplane heist with a parachute getaway.

When Nolan and Jon are coincidentally on the plane as the dude takes control of the jet, the plotting and action soar. These are the best scenes in a book I’ve read in ages. The creativity at work with the dilemma facing Nolan and Jon sets Fly Paper apart from other heist novels of the paperback original era.

Fly Paper is also unquestionably the best of the first three Nolan novels. The inclusion of Jon as a sidekick gives the book its own identity rather than just being a cover song from a Richard Stark Tribute Band. The skyjacking storyline was brilliant, and everything about his slim paperback leaves the reader wanting more. Highest recommendation.

I would take slight issue with this review only in that it describes the Nolan series as a “pastiche” of Westlake’s Parker series. I usually describe it as an homage, but Westlake himself said that the series was distinct from its inspiration by the inclusion of the surrogate father-and-son relationship of Nolan and Jon, which humanizes Nolan in a way Parker never approached (nor wanted to).

The review got me to thinking, though. The first Nolan and Jon novel, Bait Money, was designed as a one-shot and really was me trying out everything I had learned from the Parker novels – not just the heist artist aspect, but the strict Point of View approach. As some of you already know, my original version of Bait Money had Nolan dying at the end. My then-agent Knox Burger, who had always disliked that ending, encouraged me to do a different ending in which Jon came back and rescued Nolan. After the original version got six or seven rejections, the new version sold first time out.

The second Nolan novel, Blood Money, was a direct sequel to Bait Money, really the second half of the first story. The two novels have been reprinted in the single volume, Two for the Money, by Hard Case Crime.

So in a very real way, Fly Paper was my first shot at doing a Nolan novel in a series format. I would always leave dangling aspects to be picked up in later novels; but this was nonetheless a self-contained series entry. More would follow.

Don Westlake and I made several appearances together, notably at Mohunk Lodge mystery weekends (see Nice Weekend for a Murder), where in my speech to the assembled fans/mystery gamers I shared the fact that Don referred to me as the Jayne Mansfield to his Marilyn Monroe, and I corrected him, saying I was the Mamie Van Doren. I remember seeing him laughing his generous laugh in the audience upon hearing that.

Don is a friend who is gone, however vividly he lives in my memory. Mickey Spillane is gone, too, of course, though he is with me every day. So many writers I’ve known and read and liked, who I’ve gotten to know personally, are gone now – one of the aspects of being 75 that never occurred to me till I got here.

On Memorial Day I reflect on my Dad, who served in the Navy as described in USS Powderkeg, and my Uncle Mahlon and Barb’s dad Bill Mull, who both endured horrific combat and came home with memories that must have been a burden.

It’s risky for me to do this, but as I write this Update on Memorial Day, friends who have passed seem to be looking over my shoulder. I will cite some, but not all of them. A good number were in either of my two bands, the Daybreakers and Crusin’ (or both), starting back around ‘65.

Paul Thomas was my chief musical collaborator for decades in both the Daybreakers and Crusin’. He came in as a tech wizard who ran sound, developed into a fine bass player and later was our lead guitarist. He was funny as hell and it’s a rare day when I don’t think of him.

Others of my bandmates have passed and yet remain vivid in my mind. Bruce Peters, the troubled genius who was the best showman, the finest guitar player, the most incredible songwriter, and the single funniest human being I ever knew. I quote him regularly.

Terry Beckey was a great singer and bass player and also very, very funny – murdered, goddamnit, on the road. Like Paul Thomas, he came into the Daybreakers as the sound man and worked his way up to front man.

Chuck Bunn was our first real bass player, a guy who didn’t hold grudges, he cherished them. But no one was ever a better band member, putting together lighting systems and other gizmos for us in his spare time – he lived for the band. He died shortly after this appearance at Bouchercon.

Brian Van Winkle came in as the brother of our then guitar player Jim after Chuck passed. He developed into a fine bassist and performer, and was incredibly fun to be around. Like so many of my bandmates, he had a wonderful if unprintable sense of humor. He also was the gentlest and sweetest member either band ever had. He appeared with us at the Indication Concert at the Iowa Rock ‘n’ Roll Hall of Fame in 2018.

Most of my best friends – maybe all of them – have been creative collaborators. People like Phil Dingeldein, who is alive and well. But some of our film collaborators are already gone, like Steve Henke, the skinny, cranky pro who kept us honest. Steve was my chief collaborator on Caveman: V.T. Hamlin and Alley Oop.

Probably the loss among my Film Family felt most deeply is Mike Cornelison, the actor who guided me through all of my indie projects. Mike appeared in Mommy, Mommy’s Day, Real Time: Siege at Lucas Street Market, and of course Eliot Ness: An Untouchable Life. He also took the leads in four short films of mine and was the narrator of both Caveman and Mike Hammer’s Mickey Spillane. He played Pat Chambers in both of Stacy Keach’s audio productions of my scripts, The Little Death and Encore for Murder.

Mike had spent almost a decade in Los Angeles appearing on top TV shows and movies as well as starring in a trio of pilot films. He was knowledgeable in ways that turned me from a rank amateur into, well, an amateur who knows a little about what he’s doing.

On the Mommy movies, when Mike wasn’t working as an actor, he was my right-hand man, whispering in my ear when I got something wrong or needed to be doing something. He was also a pop culture expert and our conversations in that area were more fun than should be legal.

These are the friendly ghosts who walk with me through the remainder of my Act Three.

* * *

The Dave Thomas/Max Allan Collins episode of Gilbert Gottfried’s Amazing Colossal Podcast got rerun recently, and has generated some nice buzz for our novel The Many Lives of Jimmy Leighton (have you read it yet?). And let’s raise a glass to Gilbert, as well, gone way too soon.

M.A.C.

Girl for Sale, A Legend in His Own Mind & Two Sad Passings

Tuesday, March 7th, 2023

Girl Can’t Help It will be promoted via Mystery, Thriller & Suspense Kindle book deals in the US marketplace, now through 3/31/2023. It’s $2.49 during the promotion period. Executive Order will be available during the same promotional period for $2.99.

If you haven’t read Girl Can’t Help It yet, please consider taking advantage of this offer. It’s the only novel of mine at Amazon’s Thomas & Mercer that hasn’t “earned out,” which stalled any further entries in the series (and they haven’t wanted anything from me since, despite my selling something like a million books!).

Executive Order is the third novel in the Reeder and Rogers Trilogy by Matt Clemens and me, and like the other books in the series it was spookily prescient. You don’t have to have read the first two to jump onboard.


E-Book: Amazon

* * *

I have been chosen as a Muscatine Community College “Legend,” which involves an event that includes a dinner and various things and stuff, coming up on March 30 (a Thursday evening).

Legends of MCC Promo

Legends of MCC Promo

This information rather pointedly doesn’t mention the price – a hefty $75 – but that’s because it’s a fundraiser for the college. It’s another of these really nice honors – like the MWA Grandmaster – that has a bittersweet tinge, because it implies to the recipient that maybe you’ve been at this long enough and should look for a porch with a rocking chair.

More info on the event is here.

And on the following evening, March 31, we will be presenting the “movie” version of Mickey Spillane’s Encore for Murder at Muscatine Community College’s black box theater (this will definitely not cost seventy-five bucks). “Movie” is in quotes because it was edited together from multiple camera footage of last September’s live presentation of the Golden Age Radio-style play starring Gary Sandy. More on this on next week’s update!

Muscatine Community College played a big role in my life. My father taught music there (and at the high school) and one of my key mentors, Keith Larson, taught at MCC for many years. Keith was a farmer and a poet and a dryly funny man with a gift for language – I’ve written about him here and elsewhere before.

In attending Muscatine Community College, I made the decision to turn down a couple of football scholarships (I’ve have been killed) and a Creative Writing scholarship at Iowa Wesleyan (where I’d won several high-school writing awards), and also not to follow many of my fellow high school classmates to the University of Iowa. I had my band the Daybreakers going and wanted to stick with that, so I chose MCC instead. Also, I wasn’t really ready to leave home yet. As an only child, I had a good gig going with my parents. I just wasn’t ready for a future away from what I knew, having no idea that I would in two years be getting married to the lovely Barbara Mull.

Muscatine Community College turned out to be both an excellent school – another mentor came into my life, Jack Lockridge, a tough ex-Marine with a warm heart – and the place where Barb and I sickened our fellow classmates with our obvious hallway affection for each other. Barb and I had been friends for years, but it blossomed into something that has lasted since the Fall of 1966. Seems to have taken.

I taught Freshman English and Literature at MCC for the first five years after graduating from the University of Iowa (and the Writers Workshop). Actually, there was overlap – my last semester at the Workshop coincided with my first semester of teaching at MCC.

So this honor is particularly sweet, and apt.

Speaking of Barb, she and I celebrated my 75th birthday (March 3rd) with an overnight stay in Galena, Illinois, a favorite getaway spot of ours, and the site of my novels Girl Most Likely and Girl Can’t Help It.

Max and Barbara at Otto's Place

We ate at several of our favorite restaurants, including Vinnie Vanucchi’s on my birthday and, the next morning, the best breakfast restaurant in the Midwest, Otto’s Place. That’s the pic I’ve included here.

The trip was about 75% great, and Barb was 100% wonderful throughout. But 25% of it reminded me why nowadays we seldom go anywhere that requires an overnight stay. For one thing, I have endeavored to make our house a great place not to have to leave – for example, the entertainment options – including my ridiculously huge library of laserdiscs, DVDs and Blu-rays, not to mention the CDs and books – are considerable. My late pal, actor Michael Cornelison, used to say he wanted to take all of his vacations at our house (he did once, too!).

Among the frustrations of our overnight stay at the Irish Cottage Inn (where we have visited many times – not really a cottage but a three-story resort-type hotel) was the TV choices – movies available were all twenty-bucks-a-pop On Demand stuff, much of which we had free at home (or “free,” i.e., were already paying for it). Previously the hotel had included HBO and other such movie channels.

We splurged on a room with a Jacuzzi and a separate bedroom (I believe you rich folks call that a “suite”) and discovered, much too late, that the Irish Cottage no longer supplied amenities like shampoo, conditioner, and a soap dispenser in the shower, instead providing one small bar of soap. Two tubs, two sinks, and one sliver of soap.

I discussed this, in a non-hysterical way, on check-out with a bearded youth who politely reminded me that “one bar of bathroom soap” was provided and I could have come down to the desk for more soap if need be. I wish I had, naked and wringing wet.

The getaway managed to be pleasant and well worth taking, but it was something of a reminder that the post-Covid world is one where restaurants and hotels have seized upon the excuse to dispense with many of the extras their patrons had come to expect.

My apologies for this update dissolving like a sliver of soap into a YELP! Review. Some of this is old age, and the indignities thereof. That I am expected to have a host of Apps (a term I despise almost as much as “dropped”) and endure being paged at restaurants via text (I do not text, not being a 16-year-old high school girl). Was it just last week that my wife warned me not to become Harlan Ellison? In other words, a curmudgeon?

What I am wrestling with, more than anything, is how to pace myself at this age. I wanted to complete the new Mike Hammer, Dig Two Graves, before we went on this getaway. Going on a trip with a chapter or two waiting to be written would make me nuts (nuttier). Also, the book needs to get into the hands of my editor at Titan, the great Andrew Sumner, who has been incredibly patient with me. When I see the cover on line and realize people are already ordering a book I have not yet finished writing, I get nervous.

I set myself a goal commensurate with the young me’s abilities, and wrote the novel in a blistering three weeks. That, I figured, would allow me to enjoy myself unburdened on our getaway. But I did not factor in small things like mental and physical exhaustion. In Galena, where a lot of walking is required, I ran out of steam fairly quickly, which was followed by the fun and games at the hotel, described above. (I spared you the hotel-room saga of my laptop insisting I run updates and then requiring me to enter a password I did not have.)

I share this with you, in part, because some of you have in the past gone to book signings in Chicago and other distant locales, and seen Barb and me at Bouchercons and San Diego Comic Cons, fairly regularly. These trips are either over or are going to be incredibly infrequent. We are pulling in and slowing down. (Me slowing down is still faster than most.)

Please know that I hate this. Getting away is good for the soul. I enjoy spending time with readers and my fellow creative types, authors, cartoonists, and filmmakers. I am exploring ways to do more right here in this smaller world, including some fairly ambitious things, like a return to filmmaking – we are seriously considering finally shooting Blue Christmas. But doing it right here in smalltown Muscatine, where I can go home at the end of the day to my bed and my happy little domicile and my preternaturally beautiful wife.

And when I say I wrote Dig Two Graves in three weeks, I must admit I’m not really finished – ahead is re-reading the book by way of a hard-copy manuscript, seeking typos, inconsistencies and sections that need tweaking. So how long did it take me start to finish? Call it a month.

I have no opinion about how long writing a novel should take. Dig Two Graves is relatively short – 50,000 words or so. Barb takes much longer on her drafts – six months at least. There is no rule. For me, I like to stay burrowed in, living in the novel, to give it consistency of tone and vision (so does Barb, it’s just a longer process for her). I like each book to have its own feel. To be a different place I visit.

So that much visiting, that much travel, I intend to keep taking.

* * *
Tom Sizemore as Quarry in the Last Lullaby

The first-rate, troubled actor Tom Sizemore has passed away. He played Quarry (re-named “Price”) in The Last Lullaby, and made a terrific older version of the character. Amid the sadness, I was delighted to hear that Sizemore had considered The Last Lullaby one of his favorite projects, and Price/Quarry one of his favorite roles.

This Quarry/Price name change business had to do with my displeasure with the director, Jeffrey Goodman, having brought in a second writer on the script. I wanted to make sure no sequel could follow. My script, right when I was momentarily hot as the creator of Road to Perdition, was what was used to raise the money. My novel, The Last Quarry, was a novelization of that script and will show you what I had in mind.

The changes weren’t radical and The Last Lullaby is a movie I am happy with (if disappointed it wasn’t my version, of course). I could have pulled the plug on the production when my script was rewritten without my knowledge, but we negotiated and I got a better pay day out of it, plus was able to give copious notes on the rewrite (which the director mostly followed). So I feel grateful that the movie exists and that Sizemore made such a great Quarry. He really is closer to my concept than the Cinemax version, where the actor (otherwise fine) ignored the wry humor that is such a part of my Quarry.

I never met Sizemore, and was not on set for the shooting of a script co-written by me and someone else I never met. But I am saddened by his passing, and only hope his fine work on screen in The Last Lullaby and in a lot of other films overshadows in years to come his tabloid misadventures.

Here is info on where to stream The Last Lullaby.

It’s available here on DVD for a mere $7.99.

* * *

I want also to note, sorrowfully, the passing of my friend Bill Mumy’s musical partner, Robert Haimer, the other half of the brilliant Barnes & Barnes.

Here’s what Bill had to say on Facebook:

I’m so sad to share the news that Robert Haimer, my friend since childhood and musical partner in Barnes & Barnes passed away this morning after a long illness. Robert was a one of a kind artist and person. Our relationship was based on harmony as was our music. Sometimes there was dissonance and silence and sometimes we made a mighty raucous roar together. I will miss making that unique “Barnes” music very much. Robert made many people happy with his talent and his humor. “Fish Heads,” our biggest hit, came from the mind of Robert Haimer. As with a lot of our catalogue, I just helped him fill in the blanks. I’m feeling stunned and somewhat shattered right now. My love to his wife Faithe, his sons Wynn and Ian, his brother Brian and all who knew and loved him. Robert’s music lives on. Enjoy it. yeah

M.A.C.

Two Girls For Two Dollars!

Tuesday, July 5th, 2022

The Kindle editions of the two books in my Krista and Keith Larson series, Girl Most Likely and Girl Can’t Help It, are on sale this month – right now through July 31. You can buy them as a pair for $1.98, or 99-cents each.

While these two novels have done fairly well, their sales don’t compare to the bestseller status of the three previous books I did for Amazon’s Thomas & Mercer line, the Reeder and Rogers Trilogy (Supreme Justice, Fate of the Union and Executive Order), which sold in the hundreds of thousands.

I had hoped to do a third Krista and Keith novel, but so far the numbers haven’t justified that. Maybe this Kindle sale will change that. At any rate, if you like my work, I hope you’ll give them a try.

Full disclosure. Not all of my regular readers have loved them, including some mainstream critics who would have preferred new Nate Heller books; and of course my hitman Quarry has his own dark appeal. But one of the ways I’ve stayed fresh and enthusiastic over the years has been to try different things. That – in addition to creating income – was why I wrote so many tie-in novels in the ‘90s and early oughts: the chance to do different things.

In the two Girl books I was taking a conscious swing at writing an American take on Nordic noir. Matt Clemens and I (the Reeder and Rogers team) had already done What Doesn’t Kill Her for Thomas & Mercer (also a strong seller), which was intended as an American “answer” to The Girl With the Dragon Tattoo. With the Krista/Keith books I was working another shade of noir, again an American variation on the Wallander novels, and such Nordic TV mini-series as The Bridge, The Killing, and (again) Wallander.

As I prepared to write Girl Most Likely, I used my brilliant in-house sounding board, Barbara Collins, to try to come up with a setting that had some Nordic flavor while being resolutely American. We discussed Pella, Iowa, home of the Tulip Festival (and boyhood home of Wyatt Earp), in part because I liked the small town with tourist appeal aspect of the place. Meanwhile, Barb and I had taken to going to Galena, Illinois, for short post-project getaways, and it seemed an interesting, even ideal setting for what I had in mind.

Galena – as many in the Midwest know – is scenic little hamlet on a bluff with a downtown right out of Norman Rockwell, a tourist destination all year-round (winter sports a draw, though not for me). It’s a town of 3000 that is home to a million or more visitors a year, with sixty-some restaurants and various comfy hotels and bed-and-breakfasts and a quaint Americana vibe.

I got interested in how a police department in a city that size dealt with those million-a-year visitors. I’d been noodling with the idea of a very young female chief of police in a small town whose recently retired father was a former homicide detective. This concept slipped in perfectly with the Galena setting, and when I began my research I was pleased, even a little astounded, to learn that Galena’s police chief was in fact a young woman.

Chief Lori Huntington proved to be not only cooperative but generous with her time and information, and the books would have been lesser things without her.

M.A.C. with Lori Huntington

I was pleased with the first novel, which dealt with a series of killings that accompanied a ten-year high school reunion (Krista’s class). Part of my self-mandate was to get away from the larger-than-life lead characters I usually write about in my mystery/suspense fiction – Quarry, Nolan, Nate Heller, Mike Hammer, even the CSI crew – and use more “regular” people for my protagonists. Folks next door who, in this case, happened to be a tourist-town police chief and her retired homicide cop father (from nearby Dubuque, just across the river), who had recently lost his wife to cancer and was flirting with suicide (a very Nordic notion).

As is the case with many thrillers, these regular people would be thrust into a situation ruled by larger-than-life crime and jeopardy. It’s a mix that has worked for everybody from Alfred Hitchcock to Mary Higgins Clark.

To me, my third-person, one point-of-view at a time approach – which included as much or more violence than I ever serve up – was business as usual. Only the subject matter, and the more normal protagonists, differed. But some self-professed “big fans” of my work – not many, but a few vocal ones – bitched about what they perceived as a radical change of pace.

A particular complaint of reviews (and, frankly, of my editor) was my somewhat detailed descriptions of clothing. I have always (and I’ve discussed this here) used clothing, grooming and the living quarters of my players to help characterize them. And anyone who’s attended a class reunion knows that how people dress at that event is very revealing of who they are (or who they’ve become, and who they want us to think they’ve become).

Did I overstep in this regard? Maybe. But my editor was so disturbed by this recurring criticism that she asked me to cut every clothing description in the second book – including that Chief Krista Larson wore a uniform. I resisted this request, as I don’t care to have my characters running naked through a book (in certain scenes, yes; but not an entire book).

Amazon is usually terrific at marketing, but I feel they slipped up with Girl Most Likely, which they debuted in the UK. That’s where the reviews got off to a bad start – the very American high school reunion theme was wrong for that audience, and some readers resented an old guy like me writing about a young female protagonist. And it may hurt the feelings of this Anglophile, but not everybody on the other side of the pond has a love for Americans.

The second novel, Girl Can’t Help It, represents only one of two times I’ve really addressed my rock ‘n’ roll years in a book (the other time was Scratch Fever, which is half of the current Hard Case Crime Nolan omnibus, Tough Tender). Again, while Krista and her father Keith are just folks, the killer is a dangerous, deadly force leaving a horrific trail behind her.

Yes, her. That’s another aspect of the novels that sometimes throws readers. In their point-of-view chapters, I don’t identify the killer (the first book’s homicidal point of view chapters are “he” and “him,” the second book’s are “she” and “her”), which limits the number of suspects. The mystery element is minor in both novels and it’s not terribly hard to figure out who is responsible in either one.

This seems to bother some readers, who brag about figuring out whodunit and then complain that they did.

If you have even casually followed my updates, you know that I from time to time offer book giveaways to prime the pump on Amazon (and other online) reviews of new titles. The review aspect of Amazon (primarily, but Barnes & Noble and various review blogs, too) is something relatively new. It used to be the newspaper and magazine reviewers were all an author had to worry about. The professional reviewers weren’t always nice, but they tended to be fair and accurate (they still do) (there are exceptions) (pretends to cough as he says “Kirkus”). I have mixed emotions about Amazon reviews. It’s an undeniably democratic method, but it also opens the door to readers with various agendas – everything from personal animosity to being the author’s mom.

But that’s the world fiction writers live in now. Girl Most Likely has a four-star ratings (averaged over 852 reviews) and Girl Can’t Help It a four-and-a-half star rating (averaged over 196 reviews). And yet here I am warning you (rather pathetically) that there are some Amazon reviewers who don’t like the books. It doesn’t help that the “top reviews” of both books begin with some of the worst ones. Why Amazon wants to discourage readers is beyond me.

Anyway, I like these novels, but I almost always like my own work, with reservations. When I listen to an audio book of my own stuff I am alternately smiling and wincing. I surprise myself when something strikes me as really good, and disappoint myself when something strikes me as not so good. I think that’s natural.

All I can tell you is these two novels came out exactly the way I wanted them to. And if you haven’t given them a try, I hope you’ll invest $1.98 (or at least 99-cents) and see what you think.

If enough of you do that, maybe I’ll get to do a third Krista-and-Keith. I promise not to over-describe the clothing.

* * *
Crusin' at Proof Social

On Saturday July 2, my band Crusin’ appeared in Muscatine at Proof Social on the patio in the late afternoon and early evening. It was a nice crowd, very responsive, applauding after each number.

Three-hour gigs wear me out. I admit freely to that, and the other two gigs this summer are two-hour ones, for which I’m grateful. I am very comfortable in front of an audience, generally, cases of nerves rare – the Iowa Rock ‘n’ Roll Hall of Fame induction concert in 2018 gave me a brief butterfly flurry, but frankly that’s the exception not the rule.

(Girl Can’t Help It opens with an induction concert at the Iowa Rock ‘n’ Roll Hall of Fame. Also a murder.)

But in the second of three sets Saturday evening, my amplifier started acting up – distorting badly. I am told nobody but me noticed it, but brother I did. And it threw me. Suddenly I wished I were anywhere else in the world doing just about anything else. That’s one of the oddities of performing – when it goes well, or even just okay, it’s a pleasure; when it goes wrong, it’s the worst.

On the following day, Sunday, I – as usual – felt like a bus had hit me. That’s not old age (entirely), as that’s always been the case the day after a gig. Nonetheless, I set up my keyboards and amp and tried to figure out what had gone wrong, second set. It appears to have been a problem with my volume pedal. I ordered a new one for about two-hundred bucks.

I made $100 for the gig.

Why do I do this?

Because I love it.

* * *

Author Brandon Barrows (cool name) writes about his list of the best mob novels…and my prose novel Road to Perdition is one of them!

Some people think the Batman strip by Marshal Rogers should be reprinted. Gee, I wonder who wrote it?

This piece looks at Paul Newman’s last screen appearance…in Road to Perdition.

And, finally, yet another write-up about the gangster film you didn’t know came from a graphic novel (but you did, didn’t you?).

M.A.C.