Message from M.A.C. « Friends/Family/Fans of Max Allan Collins

Spillane Nominated, Antiques Is Loved, Blue Christmas Begins, and Poirot Returns

Tuesday, September 19th, 2023

Okay, so the nominations for Quarry’s Blood (Edgar) and The Big Bundle (Shamus) did not result in wins. But how about this: Max Allan Collins and Jim Traylor’s Spillane: King of Pulp Fiction has been nominated for BIO’s Plutarch Award, given to the best biography of the year – as judged by biographers. I have no idea how this Bio nomination might play out.

Still, this feels really good, because this book is one I am particularly proud of, and I know Jim feels the same. Obviously we are hopeful for an Edgar nomination, but a win there seems unlikely as the prejudice against Mickey continues in many quarters, particularly coming from people who never read much if any of him.

On the other hand, we received several nice reviews for the current Hammer, Dig Two Graves, and Barb and I just finished listening (in the car) to the Skyboat Media audio book of it, read by the great Stefan Rudnicki, who does his usual stellar job.

The handful of copies of Dig Two Graves that I had to give away here were snapped up eagerly. I am sorry I didn’t have more to offer than that. It’s out today (Sept. 19) – so Happy Publication Day!

Speaking of good reviews, here’s a honey by Sue O’Brien about Antiques Foe by Barbara Allan (Barb and me) from Booklist:

Antiques Foe
By Barbara Allan
Nov. 2023. 208p. Severn, $31.99 (9781448309627);
e-book (9781448309634)

Vivian Borne, co-owner with her daughter Brandy of Trash ‘n’ Treasures, is thrilled to be invited to be a guest on Nicole Chatterton’s video podcast, Killers Caught, until Chatterton ambushes her on her murder-solving record, with Vivian threatening Chatterton and Brandy abruptly ending the interview. When Vivian goes to Chatterton’s hotel room to retrieve her signed release form to prevent the interview from airing, she finds Chatterton dead on the floor and is quickly arrested as the chief suspect in her murder. When Brandy is attacked and badly hurt, Vivian decides on drastic measures to protect her family. Brandy is gutted by the shocking turn of events, but the investigation continues, led by her fiancé, Police Chief Tony Cassato, leading to a plan to trap the killer. This tale is told in first person by both the flamboyant Vivian and the long-suffering Brandy, with the two talking directly to the reader in numerous humorous asides. Framed by small-town life in Iowa, with interesting details on antiques, this fun cozy includes recipes and tips on collecting sports memorabilia.

* * *

One of the things I’ll be doing here at Update Central in the coming couple of months is discuss the ongoing production of my micro-budgeted movie, Blue Christmas, which I scripted and will direct.

We had disappointing news this week when Gary Sandy decided not to do the production out of solidarity with the SAG-AFTRA strikers. He offered to do the film next year, when presumably the strike will be over, and suggested April. We are already going full-steam ahead and had to turn down this generous offer from Gary, who will very likely be in a future production of ours.

This, of course, will have to mean that directing another movie – designed to be user friendly to its aging director, and to be produced reasonably (all right, on the cheap) – is still something I enjoy doing and am able to perform to my satisfaction despite certain limitations due to health issues.

We held auditions this week and they went very well. I cast many of the local players from Encore for Murder, and two terrific pros from Cedar Rapids and the Quad Cities respectively, Rob Merrit and Tommy Ratkiewicz-stierwalt. My team includes Chad T. Bishop, producer (he edited Encore for Murder); Phil Dingeldein, Director of Photography (my longtime friend/collaborator on films); and Karen Cooney, production manager (my co-director of the stage version of Encore for Murder).

Rob Merrit playing Richard Stone

Tommy Ratkiewicz-stierwalt as Stone’s partner, Joey Ernest

We have an excellent set builder tentatively on board, and Chris Christensen (my Seduction of the Innocent bandmate, and the composer of the scores for Mike Hammer’s Mickey Spillane, Caveman and the award-winning Quarry short, “A Matter of Principal”) has agreed to do the score. Chris also contributed to Real Time: Siege at Lucas Street Market and Encore for Murder.

Also on the indie film front, I looked at the “check discs” of the Blu-ray of the documentary Mike Hammer’s Mickey Spillane with Encore for Murder as the bonus feature, a DVD of the same, and finally a stand-alone DVD of Encore designed to go out to Golden Age Radio collectors. VCI is putting all of these out, in partnership with MVD, who do some very interesting stuff, particularly in their “Rewind” line that puts ‘80s and ‘90s video store favorites on Blu-ray.

* * *

Barb and I took in A Haunting in Venice, very loosely adapted from Agatha Christie’s Poirot novel, Hallowe’en Party. We had both pretty much enjoyed director/star Kenneth Branagh’s first Poirot outing, Murder on the Orient Express, but it was no threat to the Sidney Lumet original. The second Branagh adaptation of Christie, Death on the Nile, was more Meh on the Vile. But this one is a stunner.

Branagh’s Poirot is better etched here, and his direction is moody and immersive, creating a horror film vibe without shortchanging the very tricky murder mystery. Tina Fey as Ariadne Oliver takes some getting used to, but ultimately comes across well. The standout performer is a child actor, Jude Hill, around twelve when this was shot.

It was wise of Branagh to get away from remaking the excellent previous Poirot films (so far, at least, the great Evil Under the Sun has been spared 21st Century re-imagining) and if more of these follow, he might look at the serious, post-war Poirot novels like Taken At the Flood and Five Little Pigs.

* * *

Crime Reads zeroes in on seven novels set in Sin City (Las Vegas) and one of them is Skim Deep. Oddly, my CSI novel called Sin City (co-written by Matthew Clemens) isn’t among them!

Jeff Pierce’s indispensable Rap Sheet shares some things from a recent update of ours right here. Nice write-up, and the lead item!

Screen Rant discusses my version of Robin in (where else?) Batman. My work on that feature seems to be getting a little more respect these days.

Finally, Den of Geek names Road to You-know-where one of the best crime-and-mob movies. Gratifying that this film is holding on so very well as decades pass.

M.A.C.

Tags: Antiques Foe, Awards, Barbara Allan, Batman, Blue Christmas, Dig Two Graves, Encore for Murder, Mickey Spillane, Mike Hammer, Mike Hammer's Mickey Spillane, Movie Reviews, Nate Heller, Nolan, Quarry, Quarry's Blood, Reviews, Road to Perdition, Skim Deep, Spillane: King of Pulp Fiction, The Big Bundle, Trash 'n' Treasures
Posted in Message from M.A.C. | 11 Comments »

Another Book Giveaway, An E-Book Sale & Major Announcements

Tuesday, September 12th, 2023

A limited book giveaway kicks off this Update.

I have only five copies I can share with you of the new Mike Hammer novel, Dig Two Graves. So move fast.

[All copies have been claimed. Thank you for your support! –Nate]

IMPORTANT: If you recently won a copy of Too Many Bullets, please don’t enter. If you’re not sure whether you were a winner in that giveaway, e-mail me at the above address and I’ll let you know. But before you do, keep in mind that I contacted everyone who entered who did not win and informed them of it. And please don’t tell Nero Wolfe I used “contact” as a verb.

You agree to write a review (or reviews) at Amazon, Barnes & Noble, and/or Goodreads, or your own blog.

* * *

Speaking of Dig Two Graves, the great Andrew Sumner of Titan interviewed me about it recently, and you can watch it right here.

Dig Two Graves will be available from Amazon and others a week from today (Sept. 19).

Hardcover:

E-Book:

Digital Audiobook:

Audio MP3 CD:

Audio CD:

* * *

Two of my novels are on sale right now (and until 9/30/’23) at Amazon, e-book editions of Executive Order ($2.95 Amazon ) and Girl Most Likely ($2.49 Amazon ). Exec is co-written by Matthew Clemens and is a Reeder and Rogers political thriller. Girl is one of my personal favorites.

* * *

Robert Meyer Burnett, You Tube’s finest commentator on pop culture and physical media, made an interesting announcement on air last night (Sunday Sept. 10). All of a sudden he was talking about me! Hearing my name invoked was startling and, I’ll admit, a little thrilling, because I respect this man’s opinions and admire his uncanny ability to hold my attention for literal hours with his good-humored brilliance. But I wasn’t entirely surprised, because he and I (and our mutual friend Mike Bawden, who is the producer of the Burnett podcasts, and happens to be located near me in the Quad Cities) are embarking on a project together.

We are setting out to do a podcast series based on the Nathan Heller novels. Each multi-episode podcast would take on a single book. I will write these adaptations myself. Rob Burnett is, among other things, a Hollywood director (Free Enterprise, Femme Fatales, The Hills Run Red). There will be a crowd-funding effort to get the first podcast off the ground, and I’ve written a 10-page self-contained script (based on the opening of Stolen Away), to be presented as an example of what we’re up to at the crowd-funding site.

These are early days, but I think we’ll be moving fast. We are talking to several terrific name actors about playing Heller on the crowd-funding pilot, and when we’re a go for the podcast (likely six episodes – we’re considering several titles, including Carnal Hours), other name actors will be cast as well.

Since we haven’t had a Heller movie in all these years, despite continued Hollywood interest, I think a superior podcast could really jump start things on that end.

But the podcast on its own will be great fun, and producer Bawden is a genius at promotion and utilizing You Tube. Not surprisingly, my longtime movie collaborator Phil Dingeldein is involved in the project, and we’ll be making behind-the-scenes and behind-the-story “true crime” videos. That, at least, is the plan.

* * *

Meanwhile, work on Blue Christmas continues apace.

We are trying to secure Gary Sandy, but he has several prior commitments we have to find a window between. If we don’t land him, he has nonetheless been a friend to me and my work, and incidentally a fan specifically of Blue Christmas. His taking on Mike Hammer for our Golden Age-radio style local production made recording it (and turning it into a modest but fun little movie) possible.

We are having auditions this week for the rest of the Blue Christmas cast, and I intend to use as many of the players from Mickey Spillane’s Encore for Murder as possible. I was very pleased with their work.

Both the Blu-ray of the expanded Mike Hammer’s Mickey Spillane documentary and a DVD of Encore for Murder will be out in December (exact date TBA). Here is the trailer for Encore.

We are on a very fast track for Blue Christmas – the shoot is toward the end of October.

* * *

Yesterday afternoon/evening (Sunday Sept. 10), my band Crusin’ made its last appearance of the summer. Rain kept threatening but never happened, and a large appreciative crowd seemed to have a great time.

Barbara and Samuel dance to Crusin’

I had to postpone this from a scheduled August appearance, due to my health stuff; but I was pretty much fine for this performance, although I admit to tiring easily. It’s becoming obvious that I’m near the end of my rock ‘n’ rolling days, and I think next summer (if the rest of the band is up for it) we’ll do a Farewell Tour of three gigs here in Muscatine.

We’ve been preparing new originals for one last CD, which would include the Crusin’ originals from Real Time: Siege at Lucas Street Market.

This version of the band has been very gratifying. This is the line-up, basically, that appeared at the 2018 Iowa Rock ‘n’ Roll Hall of Fame induction concert. Our late bass player, Brian Van Winkle, appeared with us there. He passed away not long after, most unexpectedly, and his sunny presence and self-deprecating humor is sorely missed – in many respects he was the heart of the band. His replacement – our guitarist Bill Anson’s son Scott – is one of the best bass players I’ve been privileged to appear with. He has his own sly sense of humor, too. By the way, Bill Anson came aboard just to fill in for a while – that was seven years ago.

I hate to hang it up, but I figure I’ve accomplished everything I ever will in this artistic/performing arena, and will concentrate whatever time is left to writing novels and working on movies. Blue Christmas is, in part, an experiment to see how I do directing a movie at this rarefied age.

I have designed it to be low-budget – a necessity, particularly since we didn’t get the expected Greenlight grant – and wrote it to be shot on a single set in a studio-style setting. I will have some wonderful actors lined up (with or without Gary, though I sure hope he’s able to do it) and great collaborators in Phil Dingeldein, Liz Toal and Chad Bishop.

Since Encore came out well and the filming of it was something of a last minute, impulsive decision, I had originally conceived Blue Christmas to be presented as a play that we’d shoot. There are advantages to that approach, but also disadvantages – shooting it film-style, without an audience, will broaden our market, and be more artistically satisfying to boot.

Wish us break a leg and stay tuned for reports from the front lines.

* * *

Here, from the Pulp, Crime & Mystery Books site, is a nice review of Dig Two Graves.

Finally, here’s a short but great write-up on Too Many Bullets from Craig Zablo.

Tags: Blue Christmas, Crusin', Deals, Dig Two Graves, Executive Order, Girl Most Likely, Giveaways, Interviews, Krista and Keith Larson, Mickey Spillane, Mike Hammer, Nate Heller, Nathan Heller, Podcasts, Reeder and Rogers, Reviews
Posted in Message from M.A.C. | 2 Comments »

A Book Giveaway & A Preview of the Spillane Blu-Ray & DVD

Tuesday, September 5th, 2023

Too Many Bullets, my new Nate Heller novel from Hard Case Crime, will be out on Oct. 10. I am offering ten copies of the trade paperback ARC (the actual book is hardcover) to the first ten of you who request it in exchange for a review at Amazon and/or Barnes & Noble or Goodreads (or your own reviewing site, if you have one).

[All copies have been claimed. Thank you for your support! –Nate]

This is for American readers only. That’s only because mailing outside the USA has become so expensive. Keep in mind you can’t review at Amazon until the book is actually available, which (again) will be Oct. 10.

I also want to share with you the front jacket of Mickey Spillane’s Mike Hammer (the expanded documentary), a Blu-ray release from VCI that includes the 90-minute Mickey Spillane’s Encore for Murder with Gary Sandy in a Golden Age Radio-style live performance. When I say Golden Age Radio, I don’t mean this is audio only, but a movie experience much like being in the audience at a radio show of the ‘40s. Gary, who appeared in Encore at Owensboro, Kentucy, and Clearwater, Florida, is the only actor to date to portray Mike Hammer on stage.

Encore for Murder will be available separately on DVD and I’ll share that front jacket art with you, too.

These are teasers. We don’t have release dates yet, but it will be yet this year.

* * *

I want to share with you a particularly nice review of Dig Two Graves from the Crime Fiction Lover website.

Dig Two Graves by Mickey Spillane and Max Allan Collins
By Paul Burke 29 August, 2023

Once, when someone complained that Mickey Spillane had eight books in a top 10 chart, he replied along the lines that the reader should be thankful he didn’t write two more. It’s hard to overestimate Spillane’s popularity in the 1950s and 60s. He has sold over 225 million copies and when he died in 2006 left a wealth of unfinished stories, many of them featuring his hardboiled PI, Mike Hammer. That’s where Max Allan Collins comes in. A crime fiction author with a solid record of his own, including Quarry and The Road to Redemption, he was invited to carry on Spillane’s legacy and Dig Two Graves is the 14th Hammer novel he’s developed and finished.

The story is set in 1964 and Allan Collins has slotted it into place in the series at the appropriate point. Velma is Mike’s girlfriend, and the US has government borrowed her for a little job behind the Iron Curtain because she’s a former cop and secret service agent, but nobody told Mike. He hits the bottle hard thinking Velma has been kidnapped or, maybe worse, killed. Then Velma just turns up, Mike pulls himself around and they’re a team again.

There are other bridges to be mended though and Velma is about to meet up with her mother to smooth over her disappearing act. At the rendezvous the woman is mowed down in front of Velma and Mike. The Chevy responsible crashes a little bit further up the road and Mike is on the driver immediately but can’t squeeze anything out of the man before he dies.

Clearly it’s no accident. In the hospital Velma’s mother suddenly confesses that Velma’s father is not the man she grew up with, who died in the line of duty. Instead, it was a gangster named Rhinegold Massey – AKA Rhino. Is this somehow connected? Mike pumps his police friend Captain Chambers for info. It turns out Rhino died in an armoured car robbery and his then girlfriend, Judy, vanished years ago. But that’s all a cover and actually Rhino was placed in witness protection, the first such programme set up.

Rhino is linked to a retirement village in Phoenix called Dreamland Park so Mike decides to head out there, and there’s no way Velma will be left behind. When they arrive, it turns out a lot of people with connections to Rhino have been dying in mysterious circumstances lately. Mike books himself into the village and it’s not long before he’s being shot at and, naturally, he shoots back.

Blood and bullets are easier to come by than answers for much of the novel. A game of cat and mouse ensues, played out against the backdrop of lies, secrets, conspiracy and revenge. And, did I mention a double cross love betrayal? Allan Collins and Spillane riff nicely on a theme that goes back to Confucius: “Before you embark on a journey of revenge, dig two graves.”

Spillane wrote page turners and some of the best action scenes in crime fiction and that’s his great strength. Max Allan Collins knows that Mike Hammer readers want more and there’s no shortage of it here. He’s a subtler writer than Spillane so he nuances the plot, refines it for modern sensibilities without gutting the style. The characters have a little more depth but not too much.

The action is propulsive and the bodies drop regularly. It’s a deft art to recreating a novel that has to slot into a particular time in the Hammer cycle but the fact that Hammer has an arc means it’s crucial. In this case it’s Velma’s Russian sojourn and Mike’s descent into alcoholism in her absence. They add some humour to the plot, with references to his fitness and jibes along the lines of, “You used to be Mike Hammer.”

There’s a hint of sex smouldering behind the scenes and some cracking one liners in the snappy dialogue that give off a hardboiled vibe. Early in the book, the pace is a little more sedate than expected but it’s smoking by the denouement. Max Allan Collins really gets what makes Mike Hammer fun and never loses sight of that in the narrative. It’s a juggling act refreshing the form but maintaining the original ethos and mood, but mostly it is mission accomplished here. Hardboiled is alive and kicking; for a pulp fix this nails it pretty good.

For more revitalised Mike Hammer, see Murder Never Knocks.

As I say, a lovely review, but…the common mistake in reviews these days is calling Velda “Velma.” Apparently Mickey Spillane is getting confused with Scooby Doo.

* * *

Serious pre-production continues on Blue Christmas. We are hoping to secure Gary Sandy for the role of Jake Marley (the source novella is entitled A Wreath for Marley and is featured in the Wolfpack anthology, Blue Christmas).

We do need to raise some more money (having already raised $7000 from an indiegogo crowdfunding campaign). I am willing to dig into my stash of my stuff if you are missing anything in your M.A.C. collection. Tell me what you need and I will give you a price (it will not be outlandish) (maybe landish, though). Go this route and you’ll be listed in the credits.

* * *

Barb and I, as some of you may recall, are what might be called first generation Star Trek fans. We began watching when it was still on NBC, caught up with the first season via the James Blish short story collections (based on episodes), went to great lengths to see William Shatner in The Seven Year Itch at Pheasant Run outside of Chicago, saw Leonard Nimoy in The Fourposter at another dinner theater and also at a McGovern political event (recounted in Quarry in the Black), and cultivated a friendship with Walter Koenig.

Also, we stood in line for over an hour in the cold and snow to see, on opening night, Star Trek: The Motion Picture. We still consider it the best of the Star Trek films, not a widely held opinion, but Robert Meyer Burnett – who knows Star Trek as well as anyone alive – agreed with me when I shared this opinion with him. He feels it’s far and away the best original cast Star Trek film. So there.

Anyway, we did not watch Star Trek: The Next Generation when it aired. (I watched the opening episode and bailed.) But we did go to the four TNG motion pictures in the theater (usually on opening day) and liked all four, particularly the second one, First Contact. We also watched the handful of TNG laser discs that were issued, back in my laser collecting days. Liked those, too.

We have finally gotten around to watching the entire series – we started with Season Seven and worked our way back, for reasons too idiotic to share – and have more than warmed to TNG. We like it, perhaps even love it, and consider it a worthy continuation of the original series. We had been spurred to watch TNG by the excellent third season of Picard, which was essentially a long-form final movie for the original cast. (Picard season one was good, but the second season was dire, and like a lot of watchers, we only tuned in to season three because it restored the original TNG cast.)

Then Barb and I revisited the four TNG features, which we’d seen several times on Blu-ray and then 4K discs. And we discovered these films were much richer for us, a much more satisfying experience, having seen the entire run of TNG series.

And Star Trek: First Contact ties for second place (with Wrath of Khan) after Star Trek: The Motion Picture in our estimation.

Your warp speed may vary.

M.A.C.

Tags: Dig Two Graves, Encore for Murder, Giveaways, Mickey Spillane, Mickey Spillane's Mike Hammer, Mike Hammer, Nate Heller, Reviews, Too Many Bullets
Posted in Message from M.A.C. | 3 Comments »

Dig Mike Hammer! Plus, Kirkus Loves Me (For Now)

Tuesday, August 29th, 2023

Over a long and blood-spattered career, I have had most of my worst notices published by the Kirkus reviewing service, widely known among authors as the most merciless of its kind. It is one of the major publishing “trades,” along with Publisher’s Weekly, Library Journal and Booklist.

Lately, on occasion, I’ve been receiving some good notices from Kirkus. It reminds me of what Noah Cross tells Jake Gittes in Chinatown: “Of course I’m respectable. I’m old! Politicians, ugly buildings and whores all get respectable if they last long enough.” Thank you, Robert Towne.

Anyway, Kirkus has published a review of the new Mike Hammer novel by Mickey Spillane and me, Dig Two Graves, and it’s a good one.

DIG TWO GRAVES
BY MICKEY SPILLANE & MAX ALLAN COLLINS
RELEASE DATE: AUG. 22, 2023

Mike Hammer goes west.

Celebrating both his secretary/partner/lover Velda Sterling’s return from a long absence in the early 1960s and his own comeback from a protracted period of drying out, Hammer is out Christmas shopping with Velda and her mother, Mildred Sterling, when Mildred is hit by a car and sent to the hospital. Unlike the driver who struck her, she’s not dead, and summoning the couple to the side of her hospital bed, she unreels a revised version of Velda’s origin story: Velda’s father wasn’t unassuming Roger Sterling but Rhinegold Massey, Mildred’s mobbed-up first husband. After evading a prison term for his part in an armored car robbery by turning on his co-conspirators and getting whisked off to Dreamland Park, an Arizona retirement community whose entire population is in the witness protection program, Rhino, now rechristened Rainer Miller, suffered a fatal heart attack after a mugging two months ago. Putting aside his initial assumption that he was the target of the driver who nearly killed Mildred, Hammer decides to head out to Dreamland Park to ask questions, and Velda decides, over his objections, to accompany him.

Longtime fans of the franchise begun by Spillane and continued by Collins, working once more from his late friend’s drafts and notes, will anticipate that asking questions will be the least interesting thing Hammer and Velda do among the surprisingly spry and unsurprisingly felonious residents of Dreamland Park. The amusing conceit of a town for snitches allows full rein for Hammer’s signature blend of violence, chastely described lust, and revenge served cold, with several surprising twists thrown in as a bonus.

Like the denizens of its imagined retirement community, you just can’t keep this franchise down.

I should note that the release date of Dig Two Graves has been revised to September 19, 2023.

The splendid audiobook of Dig Two Graves, however, read by the wonderful Stefan Rudnicki, is available now.

Here’s a sample of Stefan reading the novel in a voice entirely suited to Mike Hammer.

Purchase Links:
Hardcover:
E-Book:
Digital Audiobook:
Audio MP3 CD:
Audio CD:

* * *

My 1994 movie Mommy is playing on Roku (and a couple of other streaming services). I think Mommy’s Day is available, too.

* * *

I provided a link a few weeks ago to Mike Finn’s excellent review of the first Fancy Anders novella, Fancy Anders Goes to War as recorded by Skyboat, an outstanding production. But I thought I’d share the review with you here:

Today, I wanted some light entertainment to get me through a disappointingly rainy August afternoon so I spent three and a half hours listening to an ‘enhanced audio’ performance of Max Allan Collins’ ‘Fancy Anders Goes To War: Who Killed Rosie The Riveter?’. It was exactly what I’d been looking for.

It’s a delightful confection that sets an improbable story of murder and sabotage involving a cast of characters finely balanced to respect early Twenty-First Century sensibilities, against what seemed to be a reasonably accurate portrayal of women working in a warplane factory in California in late 1942.

Almost all of the interesting characters, good or bad, are women. Almost all the women are exceptionally good-looking, with comparisons being drawn to well-known film stars of the period. They also come from ethnically and socio-economically diverse backgrounds and are comfortable climbing on gantries and riveting and bucking metal together to make warplanes.

The main character, Fancy Anders, (who is, of course, very good-looking) is a twenty-something rich, white, college-educated socialite who wants to work as an investigator in her father’s well-connected Confidential Investigations company. He recruits her as a secretary but leaves her in charge when he’s recalled to military service setting up an intelligence unit in DC.

When the CEO of Amalgamated Aircraft, a man she’s known all her life and who she calls uncle, needs someone to investigate the allegedly accidental death in his factory of the worker selected to be the real-life model for the Rosie The Riveter propaganda campaign, Fancy jumps at the chance to go undercover at his factory.

What follows is a fast, fun, uncomplicated but engaging romp as Fancy, who is not very good at being undercover, tries to find out what happened to Rosie and in the process gets herself into a great deal of trouble.

This was popcorn but the good kind of popcorn with just the right amount of melted butter and salt.

The ‘enhanced audio’ turned out to mean that appropriate background noises were added to the narration. To my surprise, the sound effects lifted the story by adding a retro Saturday Morning Matinee At The Cinema ambience that I enjoyed.

Gabrielle de Cuir’s narration was perfect.

This link will take you to the Audible page where you’ll find both Fancy Anders novellas, plus samples of the excellent Skyboat productions. The third novella (Fancy Anders Goes Hollywood) should be out this year from Neo-Text – our superb artist Fay Dalton is finishing up the illos now.

It’s my hope we will place a collection of the three novellas with a publisher – the novellas were designed to add up to one novel, a la Hammett’s Dain Curse – with Fay’s illos in full color. Counting the covers, that would add up to a stunning 33 full-page illustrations.

* * *

The new Wolfpack e-book, Dark Suspense (Volume Four in the Max Allan Collins Collection) is available now, gathering the novels Mommy, Mommy’s Day, No One Will Hear You (written with frequent collaborator Matthew V. Clemens) and the anthology Reincarnal, the title novella being the source of the movie that we are trying to launch here.

My indie film Blue Christmas is in serious pre-production now, although the disappointing lack of any support from Greenlight Iowa has us scrambling for funds. We have already raised $7000 (our goal) at Indiegogo, but will have to come up with possibly as much as $13,000 more…chicken feed in movie terms and a small fortune in real world terms.

I am considering offering some rare books of mine here, signed, to raise some of those funds. Does that hold any appeal to any of you? We will also be looking at some other grants and possible funding sources here in Iowa.

This film is going to happen. We’re going full steam ahead. Exactly who we’ll be able to cast and how many locations we’ll be able to use, however, are in question. We have confirmed Muscatine Community College’s black box theater as our “studio” for the production. Stay tuned.

In the meantime, VCI will be bringing out the expanded Mike Hammer’s Mickey Spillane documentary on Blu-Ray yet this year (and I hope to have the cover art for you soon) with Encore for Murder with Gary Sandy as Mike Hammer as a bonus feature (with a DVD only release of just that recorded Golden Age-radio style play).

* * *

I guess things are getting back to near normal, as Barb and I have started going out to the movies again, although not on our old once-per-week schedule. More like once-a-month.

But one thing remains a constant: we are back to walking out on movies. The idea is a combination of (a) life’s too short, and (b) we have better stuff to see waiting for us at home.

This image is not an endorsement.

What did we walk out of? The Meg 2. We had liked the first film quite a bit, but this one is fairly dire. Much of it occurs in murky underwater shots and the dialogue is cringe-worthy. The worst shark movie since Jaws 4.

I watched the new Shout Factory edition of Dragnet, the spoofy Dan Aykroyd/Tom Hanks movie from 1987. I remember not loving it on its release, but was grateful for Dragnet getting some attention. My reappraisal? It’s a bad movie. Aykroyd has some good moments and seems to respect (even as he kids) the original Joe Friday. This strikes me as Hank’s least effective performance, broad and trying too hard; but he’s not given anything at all smart to work with. Dabney Coleman plays a Hugh Hefner type with a lisp – horrible. Even Christopher Plummer is bad. How do you get a bad performance out of that man? Harry Morgan as the late (Uncle Joe) Friday’s partner Bill Gannon, now a captain, picks up a paycheck with surprising dignity.

Dragnet deserves a real movie, set in period, based on some major real crime. What a shame it died this way (yes, there was a brief, not terribly good revival on TV that lasted an eyeblink).

Jack Webb was the Orson Welles of TV. He deserves better.

In the meantime, Barb and I have been watching (mostly for the first time) Star Trek: The Next Generation, and it’s a very good series…a few duds, but the original had some of those, too. We’ve also worked our way through the Erle Stanley Gardner adaptations on Perry Mason. We’re still watching shows from the earlier seasons and what a wonderful series that was.

That’s how Barb gets me to walk out of things like Meg 2 – she whispers, “We have better at home.”

And she’s right.

M.A.C.

Tags: Dark Suspense, Fancy Anders, Fancy Anders For the Boys, Fancy Anders Goes to War, Max Allan Collins Collection, Mike Hammer's Mickey Spillane, Movie Reviews
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Archive for the ‘Message from M.A.C.’ Category

Spillane Nominated, Antiques Is Loved, Blue Christmas Begins, and Poirot Returns

Another Book Giveaway, An E-Book Sale & Major Announcements

A Book Giveaway & A Preview of the Spillane Blu-Ray & DVD

Dig Mike Hammer! Plus, Kirkus Loves Me (For Now)