Posts Tagged ‘The Last Lullaby’

Quarry on the Brain

Tuesday, July 25th, 2023

On the occasion of my starting a new Quarry novel, Quarry’s Return, let’s look at Quarry on audio and screen.

Let’s start with this excellent overview, which properly gives Hard Case Crime some praise for bringing the series back to life, and lavishes praise on the film The Last Lullaby (more about that below).

I have been very lucky with the readers of my audio books. Dan John Miller is, hands down, the voice of Nate Heller. For a long run, I had Stacy Keach himself reading the Spillane/Collins novels. When Stacy stepped down, Stefan Rudnicki stepped up and has done a fabulous job – no small job filling those Keach shoes (and trenchcoat). Several readers have done right by Quarry, but Stefan is the definitive Quarry.

Check out this sample and see. And hear.

If you’ve never seen The Last Lullaby, the Quarry movie starring Tom Sizemore, co-written by me (and derived from my novel The Last Quarry), it’s available on Amazon Prime.

It’s also available on YouTube. Looks good there.

Here is the trailer.

While I like the Quarry Cinemax series, I think The Last Lullaby – even though Quarry is called “Price” there in – is the more accurate rendition of the character.

I required the production not to call the lead character Quarry because I didn’t want to give up sequel rights. This is the same reason Parker is called “Walker” in the film Point Blank, based on Richard Stark’s The Hunter.

Unfortunately, the short (and award-winning) film, “A Matter of Principal,” which I wrote for the same director (Jeffrey Goodman) who put together The Last Lullaby, does not seem to be available anywhere but on the somewhat out-of-print Black Box that collects a number of my films.

It’s available at Amazon for (gasp!) $68, but secondary sellers there have it for much less.

Troma Direct has it for a much more reasonable $29.71.

I won’t provide a link, but e-bay has it for $40 and up.

Wherever you get it, The Black Box includes: Real Time: Siege at Lucas Street Market; Mommy; Mommy’s Day; and Shades of Noir, which has several of my shorts, including “A Matter of Principal.” Be forewarned that better versions of the two Mommy movies are coming.

There are a few copies of just the Shades of Noir DVD (never sold separately from the Black Box boxed set) at e-bay in the $25 range. The Troma option seems the best.

Now if only they’d send me some royalties!

* * *
Mission Impossible: Dead Reckoning Part One, still from train action scene.

A quick appraisal of Mission Impossible: Dead Reckoning Part One.

Well, it’s a terrific action movie. Beautifully shot, with Tom Cruise going for broke in what is likely to be the conclusion of the series with Part Two. It’s a thrill ride and often surprisingly witty. Not without heart, it shows a human side of the Cruise character and his supporting cast.

On the downside, the A.I. aspect is not explored as anything but another Blue Meanie. A Big Blue Meanie, the Ultimate Blue Meanie; but little is done with it. The biggest deal is probably screwing up the Internet and forcing our agents to (arrghhh!!!) go analog to use the Net.

The horror.

I am also not crazy about the Part One/Part Two thing, because a two-and-a-half hour movie ought to give you some resolution.

Terrific and fun, Mission Impossible: Dead Reckoning etc. is not, to me, as satisfying as Indiana Jones and the Dial of Destiny (reviled by some, particularly those who decided to hate it before seeing it). Here’s the difference: MI is an action movie and a satisfying one, a wild ride. Indiana Jones is an adventure movie. It’s about, among other things, archeology. Which is to say it’s about something, and not just a vague, scary Big Blue Meanie.

That does not mean you should skip MI, because it’s a terrific example of an action movie. Its action scenes outdo the Indiana Jones movie by half; the final scene on a train in MI is one of the best action scenes (and funniest) I’ve ever seen, if not the best). But Indy is adventure and speaks to the inner child in a very different way.

Not a popular view perhaps, but there you have it.

* * *

Here is a positive review of Spillane – King of Pulp Fiction that is nicely illustrated and worth a look.

And here’s yet another “Movies You Didn’t Know Came from Comic Book” articles. Guess what’s included. (And no, I didn’t “base” Road to Perdition on Lone Wolf and Cub – the latter was an influence among a number of other influences. A key influence, like John Woo HK cinema and the real life of John and Connor Looney and Richard Stark’s Parker and various movies about Bonnie and Clyde and more.

M.A.C.

Happy Anniversary – Everybody!

Tuesday, August 3rd, 2021
Suspense His and Hers cover
E-Book: Amazon Purchase Link
Trade Paperback: Indiebound Purchase Link Amazon Purchase Link Books-A-Million Purchase Link Barnes & Noble Purchase Link

We hope to have advance copies of Suspense – His & Hers before too long. The pub date is September 8. Wolfpack has done another outstanding job on the cover of this collection, a companion piece to Murder – His & Hers, also published by Wolfpack (originally published by Five Star).

These two His & Hers collections are unusual in that they gather individual stories by Barb and me, as well as collaborative ones. I feel my best individual short story I’ve ever written is in Suspense (“Amazing Grace”) and a collaborative one that is primarily by Barb (“What’s the Matter With Harley Quinn?”) is a particularly strong example of her work. These are both recent stories and reflect how personal experience impacts our writing. Also included are two Quarry short stories and the Edgar-nominated Ms. Tree prose tale, “Louise,” by me. Several “best of the year” stories by Barb are included.

“Amazing Grace” was suggested by my great grandparents’ Golden party. It was particularly significant in real life, and I had told Barb about it several times (my great grandfather, with all the family gathered at a big anniversary party, announced she was divorcing my great grandfather, a sweet tippler who deserved the boot). When I got the assignment to write a story involving an anniversary for an MWA collection, Barb reminded me of this true event and I was off and running.

“What’s the Matter With Harley Quinn?” derives from Barb’s experiences at the most recent San Diego Comic Con we were able to attend when she spent two days trying to get collectible pins for our (very much grown) son Nathan, who did not attend the con that year. Not a comics fan herself, Barb was thrown into a rather wild and wooly lion’s den and, typically, she came out bloody but unbowed, and with a story in mind. If Alfred Hitchcock Presents will still on, her stories would be a staple there. Our friend the late Ed Gorman frequently compared her work to Roald Dahl’s.

Our Antiques Carry On is out right now, and I hope you’ll look for it. Frankly, we haven’t seen it (a hardcover) in a Barnes & Noble or BAM! yet, the only bookstores we’ve been to in post-Covid. The book is very handsome and (I say with zero modesty) funny as hell, as well as a good mystery, so your support is encouraged. We have a new publisher, the British house Severn, and they packaged the book very well indeed. But the future of Brandy and Vivian Bourne is in your hands.

Speaking of bookstores, a friend of the family sent in this lovely display from Powell’s Books in Portland:

Powell's Books M.A.C. display.

I have completed the 75th anniversary Mike Hammer novel, Kill Me If You Can, which will have five bonus Spillane/Collins short stories that include two Hammer tales. It’s going to be a special book, just one of a number of things I’m working on to make Mike Hammer’s anniversary (yes, this is an anniversary-themed update) special. The anniversary in question is the first appearance of the detective in I, the Jury (1947).

I should say first published appearance, because as those of you who have really been paying attention know…the first appearance of the character, as Mike Lancer, was in a Green Hornet comic book (#10, December 1942) and the character was first developed by Mickey as Mike Danger as a comic project that did not come to fruition, and in an unfinished novel that became the Spillane/Collins collaboration, Killing Town.

Kill Me If You Can is based on mid-‘50s material Mickey wrote with radio and later TV in mind, and gave me the opportunity to deal with the younger, psychotic Hammer in a more direct way than ever before. Basically it bridges Kiss Me, Deadly and The Girl Hunters (the film of which is on several streaming services right now, by the way).

Tom Sizemore and Sasha Alexander in The Last Lullaby

The Last Lullaby, based on the Quarry novel The Last Quarry with a screenplay co-written by me, is streaming in HD on Amazon Prime right now, included with your Prime membership (if you have one, of course). [And $2.99 to rent / $6.99 to buy if you don’t have Prime.–Nate] It’s a good film and is probably more in line with the novels than the Cinemax series was, though Quarry is called “Price” because I didn’t want to grant sequel rights.

M.A.C. holding a copy of To Live and Spy in Berlin at his desk

Finished copies of the trade paperback edition of To Live and Spy in Berlin by Matt Clemens and me were sent out to the winners of the most current book giveaway. It’s a thing of beauty, and that wonderful essay Jeff Pierce wrote about the series in January Magazine has sparked real interest.

And now the estimable Ron Fortier has written the following rave review, which I will (still immodest) share with you:

TO LIVE AND SPY IN BERLIN
By Max Allan Collins with Matthew V. Clemens
Wolfpack Publishing 221 pgs

With this third installment of the John Sand series, Collins and Clemens put forth a proposition many past mystery writers have tackled; can marriage still be romantic and sexy? Following the events that were detailed in “Come Spy With Me” and “Live Fast, Spy Hard,” former British Agent John Sand and his Texas Oil Heiress wife, Stacey, have together joined the new international spy organization called GUILE created by U.S. President John Kennedy and run by former British Spy Chief Sir Lord Malcolm Marbury; known affectionately as Double M.

As we rejoin the Sands, the major issue between them is whether or not Stacey becoming an operative was a good idea or not. A series of lethal encounters with a team of professional assassins has John rethinking his decision. At the same time certain intelligence comes to the surface that former Nazis who escaped capture at the end of World War II may be active in Berlin, after having disappeared for several decades in certain South American countries. Bomb making uranium has been stolen and the likelihood of these renegade Nazis creating their own atomic bomb is a threat that cannot be ignored.

As in the first two entries, Collins and Clemens cleverly work in actual historical settings throughout the thriller, weaving their fiction skillfully around real people and the volatile political atmosphere of the early 1960s. Yet despite this outer layer of narrative, it is the relationship between John and Stacey that is truly captivating. It was impossible not to recall other literary and cinematic spouses from the past. From Nick and Nora Charles, to televisions Hart to Hart and McMillan & Wife, married duos sharing outlandish adventures worked remarkably well in the past and they are very much the pedigree of this thrill-a-minute new series.

As always, Collins and Clemens offer up a whole lot more than any back cover blurb can properly define. This series is brilliant in all its many aspects. If you’re a spy junkie like us, its time you met the Sands.

Ron does entertaining and informative reviews regularly at his Pulp Fiction Reviews blog.

And if you’re not a regular reader of J. Kingston Pierce’s Rap Sheet, you should be. There’s a mention of my stuff in this incredibly packed installment of his informative Bullet Points.

M.A.C.

Wolfs and Cats, Living Together, Sunday Fun, and a 5-Day Script

Tuesday, October 6th, 2020
Too Many Tomcats, Wolfpack Cover
Ebook: Amazon Purchase Link

All of the copies in last week’s book giveaway of Murderlized and Murder – His and Hers have been shipped. I unexpectedly received more copies of Murderlized that allowed me to send ten copies out, not just five.

Now we have another Wolfpack release, thus far only available on Kindle, but a physical book will be along soon. It’s Barb’s Too Many Tomcats, an anthology of her stories for the various Cat Crimes collections; I wrote the intro and co-wrote a couple of stories.

Do not be dissuaded by the title and subject – these are dark tales, very much in the Roald Dahl/Alfred Hitchcock Presents vein. While Barb does not (exactly) dislike cats, she is fact allergic to them. The cats in these stories, among other things, tend to be evil, murder victims, and/or dead. It’s a wonderful collection, reflecting many of the tales having been chosen for the Year’s 25 Finest Crime and Mystery Stories anthologies edited by Ed Gorman and Martin H. Greenberg, two great men both sadly gone.

* * *

I am pleased to announce that the project that SCTV’s Dave Thomas and I are in the process of writing has found a home.

Much more about that later.

* * *

For those of you not sick to death of me (which does not include my wife) (or myself for that matter), I did a ZOOM interview with S-F/Fantasy & Mystery author Russ Colchamiro. Russ is a fine, fun interviewer and we talked about things that haven’t made it into my zillion other interviews.

Russ is one of the Crazy 8 Press group of genre writers, which includes (among other excellent scribes) my old pals Peter David, Glenn Hauman, Robert Greenberger and Paul Kupperberg.

Check out the talk between Russ and me right here:

* * *

Although this update/blog appears on Tuesday morning, I often write them the Sunday night before. That’s the case this week.

You may recall I’ve written about a handful of very carefully orchestrated outings that Barb and I have undertaken (an unfortunate word in a pandemic), getting carry out meals to eat in the car or at a park, and slipping into a bookstore or some other retails outlet at an off-time when few if any other customers can be spied. And, of course, only stores where you have to wear a mask to enter, even if you aren’t robbing the joint.

Doesn’t sound like a lot of fun, but the three times we’ve gone out on such outings have been lovely – it felt like the old days, way-way-way back in February of this year, when only our president and Bob Woodward knew the truth about Covad-19.

We had our day planned – another Quad Cities trip. We would again go Portillo’s, a wonderful drive-in restaurant, and then Barb would slip into the Van Maur department store at North Park Mall in Davenport while I would do the same at the Barnes & Noble, for perhaps half an hour. We timed it to arrive at Portillo’s around 10:45 a.m. and the mall at 11:30 (when it opened). We planned it with a precision that Nolan and Jon (if you’re reading this you really should know who that is) would envy.

Then we got up this morning and read the Quad City Times Sunday edition. It told of the 500 cases of Covid logged in the QC’s this week, mostly Iowa side of the river. It also mentioned that Iowa is number four among Covid hot spots in the nation.

And we stayed home.

And you know what? It wasn’t bad. We spent some time together in the morning (none of your business), I got us breakfast at Hardee’s (Mickey Spillane ate their biscuits every day), prepared the living room for carpet cleaning early this coming week (I will be upstairs and the cleaners will be downstairs) (in masks), and I finished up cleaning my office to prepare for beginning a new project tomorrow. Barb and I spent the evening watching three episodes of the British crime show New Tricks, which we have been bingeing. We ate hot dogs that were damn near Portillo’s-worthy.

Of course we also had to watch the president of the United States take a motorcade to nowhere to wave at his fans. Your tax dollars at work.

No, I’m not going to get political, because I have too many friends and business associates who are not just Republicans but support the president. Their privilege, and I don’t want to alienate any of my readers, either.

But just between us, the inside of my head is exploding, twenty-four hours a day.

* * *

I had a wild week, reminiscent of my pre-heart surgery younger days. With another deadline looming, I nonetheless agreed to write a first-draft screenplay for a movie based on “A Bullet for Satisfaction,” a non-Mike Hammer crime novella written by Mickey Spillane and yours truly. (It appeared as a sort of short subject before the main attraction in The Last Stand, the 100th anniversary Spillane novel.)

Basically I had to turn out twenty pages of finished script a day (“first draft” merely means the first version of a script, not something loose or sloppy or haphazard). The novella is a gloriously crazed collection of noir tropes, which attracted an established, Hard Case Crime-loving indie filmmaker to the material. My job was to assemble a bunch of short, fun, off-the-wall scenes into a more coherent whole, combining them, and making them play believably, mining a plot out of the mineral content, without losing what attracted the filmmaker in the first place.

I had a wonderful time. I just loved doing it.

Will it go anywhere? You never know. We have not signed a deal yet, but I had a window in which to work, so I grabbed it – if the project falls through, I’ll wind up with a screenplay, so no harm, no foul. If it goes forward, I am not carrying the ball – I am not the director, who will be doing a second draft from my first. Doesn’t bother me – he’s the director, and it’s his movie. Having talked to him at length, I liked what I heard, and we seem to be on the same page.

But this is the movies, and you never know. My version of The Last Lullaby – my script was faithfully novelized by me into The Last Quarry – was used by a young director to raise the money. I was the Road to Perdition guy, remember? Then a producer came aboard with his own writer and my screenplay was rewritten by someone I’ve never met. After that, I was able to do a polish, but I still wish my initial version had been shot.

On the other hand, despite certain problems with it, The Last Lullaby is still a damn good crime movie and probably a more accurate rendition of Quarry than the Cinemax series (though technically the main character is not Quarry – he’s “Price,” a name I think was appropriate).

Anyway, it’s the movies. I love the damn things, and I love my excursions into screenwriting.

But there’s a reason why you write novels.

They are yours.

* * *

A reminder that this coming Thursday, Oct. 8, 2020, A. Brad Schwartz and I will be appearing via ZOOM at the Mob Museum in Las Vegas to talk about Eliot Ness and the Mad Butcher. You don’t have to go to Vegas to participate, either.

And here’s a great review of the paperback edition of The Big Bang, only the second of the Spillane/Collins collaborative Mike Hammer novels.

M.A.C.

Quarry TV Sept. 9; Mike Hammer Book Sept. 6

Tuesday, September 6th, 2016

How bizarre it seems – in a sense, it hasn’t registered – that the novel I began at the University of Iowa’s Writers Workshop in late 1971 has spawned a 2016 TV series.

My instructor, William Price Fox, didn’t like it. Most of the class didn’t, either. But several smart people thought the first two chapters of QUARRY were the best thing they’d ever read in a Workshop class. Fox, a writer I admired, was spotty as a teacher. He shared some good stories about his Hollywood perils, but he also spent several classes reading his own stuff to us. The class was only two hours once a week, and I had to drive from Muscatine (forty miles) to attend. I thought then that Fox reading his own work was lazy and self-indulgent, and I still do. But he did teach me the “Indian behind a tree” concept (ask me sometime).

A week or so after my Workshop class with its mixed reviews of QUARRY’s first two chapters, I sold my first novel, BAIT MONEY, and, a couple of weeks later, I sold the second one, NO CURE FOR DEATH. Both were written at the Workshop when Richard Yates was my teacher and mentor – a great writer and a great guy. The NYC editor wanted sequels to both, so I put QUARRY aside (probably a third of it written) and proceeded with THE BABY BLUE RIP-OFF and BLOOD MONEY. I had graduated in early ‘72 by then.

Then I got back to QUARRY, probably in ‘74, and it sold in ‘75 and was finally published in ‘76 (initially published as THE BROKER).

How vividly I remember sitting in my office in our apartment in downtown Muscatine (over a beauty shop – the smells wafting up were not heavenly) and pounding away at those early books. I thought QUARRY was the best thing I’d come up with, as the Nolan books were glorified Richard Stark pastiches and Mallory was just me filtering my private eye jones through an amateur detective. QUARRY was something original. I was going places! This would, in a good way, leave a mark.

And at first it seemed it would. The editor wanted three more novels about the character, and of course I eagerly complied. By the fourth book, two things were obvious – QUARRY was not setting the world on fire, and I was having trouble keeping the black-comedy element from spinning out of control. THE SLASHER seemed to me over-the-top, or anyway a subsequent novel would have been.

That doesn’t mean I wasn’t disappointed that no more books were requested by the editor. But the QUARRY series seemed, at four entries, to be complete. I was going places, all right – back to the typewriter to try again.

But a funny thing happened on the way to obscurity – a small cult of interest arose in QUARRY. Smart people like Jon Breen, Ed Gorman and Bill Crider said nice things about the books. The series started getting fan letters. So when I had some success with the Nate Heller novels, I decided to do just one more QUARRY – and I did, PRIMARY TARGET (since re-pubbed as QUARRY’S VOTE). The book was well-received, but that was the end of it.

The end of it, anyway, till the new millennium dawned and a young filmmaker named Jeffrey Goodman came knocking, and a new publisher/editor named Charles Ardai got in touch. From Goodman’s enthusiasm for the QUARRY short story, “A Matter of Principal,” came an award-winning short film written by me, and then a feature-length version co-written by me, THE LAST LULLABY. More or less simultaneously, Ardai asked me to do a QUARRY novel for his new retro-noir line, and I jumped at the chance to give the series a real ending – THE LAST QUARRY, a novelization of my version of the screenplay of the Goodman feature.

The surprisingly strong response to THE LAST QUARRY resulted in a conversation between Ardai and me that went something like this:

“I wouldn’t mind you doing another QUARRY for us,” he said.

“I wouldn’t mind myself.”

“But you ended the series. What book can you write after you’ve done THE LAST QUARRY?”

“Why not…THE FIRST QUARRY?”

Now we’re at eleven novels – QUARRY IN THE BLACK next month – and, after a somewhat rough birth going back to 2012, the QUARRY TV series will debut on Cinemax this Friday, at 9 pm Central time.

I’ve seen all eight episodes and they are excellent. It’s essentially an extended origin story of how returning Marine Mac Conway (the character’s real name, according to the show anyway) becomes hitman Quarry. Michael Fuller and Graham Gordy, the creators of the series, initially did not reveal the character’s “real name,” but it became clumsy for the lead character not to have, well, a name. They dubbed him “Mac” after me – M.A.C. Nice gesture.

And they were smart enough to set the show in the early ‘70s. It’s a nice fit with my current approach, which is to do my new QUARRY novels in ‘70s/‘80s period. You know you are old when a series you began as contemporary is now historical.

So I hope you like the TV series. If you don’t, and are a fan of the books, pretend to, will you? If the show becomes a hit, I may get to write more QUARRY novels.

Stranger things have happened.

* * *
A Long Time Dead

Softcover:

E-Book: Amazon Nook Kobo iTunes

Limited Signed Hardcover: Mysterious Bookshop

Also this week, the Mike Hammer short story collection, A LONG TIME DEAD, will become available in print and e-book editions from Mysterious Press. This is an exciting project for me, as it represents the first collection of Hammer stories, and possibly the last, since I have exhausted the shorter fragments in the Spillane files.

My sincere thanks to Otto Penzler for publishing it. Otto, who edited and published the first three posthumous Hammer novels, has been a great friend to Mickey, Mike Hammer and me.

* * *

The advance reviews for the QUARRY TV show are strong, like this one.

And this one.

Here QUARRY is seen as one of the nine best shows of the fall season.

And here it’s seen as one of the ten best shows.

You’ll enjoy this interview with Michael Fuller, half of the creative team behind the writing of the QUARRY series.

Here’s a nice write-up on the forthcoming QUARRY comics mini-series.

Check out this terrific review of the Hammer novel, MURDER NEVER KNOCKS.

And, finally, here’s a positive review from Kirkus, of all people, for A LONG TIME DEAD.

M.A.C.