Posts Tagged ‘Stand Up and Die!’

A Shameless Excursion Into Self-Promotion

Tuesday, May 17th, 2022

A reminder: today is the publication date of Stand Up and Die! (the new collection of Mickey Spillane’s novellas and short stories from Rough Edges Press, edited by me and with a Mike Hammer short story co-written by Mickey and me).

The new crime/horror novel, The Menace, by Mickey Spillane and me is $3.99 on Kindle at Amazon.

Stand Up and Die! cover
Trade Paperback:
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The Menace cover
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The Menace just came out and is, as may already know, developed by me from an unproduced Mickey Spillane screenplay. If you’re not a horror fan, don’t be put off: it’s fundamentally a crime novel. It’s rather short – though not, as some have described a novella (it’s 40,000-words), but two additional Spillane pieces are included as a bonus at the back – the previously unpublished original version of his comic tale, “The Duke Alexander,” and a rare true-crime article.

For you physical media types (like me), the handsome trade paperback edition is just $9.99 at Amazon right now.

This update exists as a place for me to share views on pop culture, talk about what’s going on with me (and my wife Barb) personally and professionally. Part of that is letting you know about sales going on at Amazon (and elsewhere). There are several worth making you aware of going on right now.

On sale is Supreme Justice, the first of the political-thriller trilogy Matt Clemens and I wrote about Joe Reeder and Patti Rogers. Sales have stayed strong since its publication in 2014 – I believe it’s sold something like 150,000 copies, and the two sequels (Fate of the Union and Executive Order have done very well, too. Something like 350,000 copies of the Reeder and Rogers trilogy have been sold. Supreme Justice on Kindle is just $1.99 (till the end of the month).

Supreme Justice – the trade paper edition is $14.95 – has generated renewed interest because the plot concerns an attempt to rearrange the Supreme Court’s political slant by killing conservative members. It’s set in the near future, after the court overturns Roe V. Wade – again, it was published in 2014.

Supreme Justice cover
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Executive Order cover
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Fate of the Union cover
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My eco-thriller, Midnight Haul, is also on sale on Kindle for $1.99.

Midnight Haul cover
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This leads me into what will undoubtedly be a self-serving discussion – a shameless one at that – hoping to convince you to try novels of mine that you may have avoided. Things that may have been out of your comfort zone. Like Supreme Justice, for example.

Kill Me if You Can cover
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E-Book: Google Play Kobo

I have talked here more than once about the reasons why I sometimes work outside of the Quarry, Nolan, Nate Heller and Mike Hammer noir-ish area. The truth is I have readers who follow one or two of those series, but avoid the others. The Quarry and Nolan novels are books in the 50,000 to 60,000-word range and are fast and (I hope) fun reads. The Mike Hammer novels, also in that word-length range, are overlooked by some of my readers because those readers are not Spillane fans or simply don’t care for books that continue a series created by someone else. Similarly, some Spillane fans don’t try these continuation novels, even though the books all have Spillane content (some a good deal of Spillane content), because Mickey himself did not write every word. The fact that Mickey engaged me to complete his unfinished material does not convince these stubborn souls. Kill Me If You Can, celebrating the 75th anniversary of Mike Hammer’s first appearance in 1947’s I, the Jury, is a novel developed from an unproduced Spillane teleplay, and it looks at the period between Kiss Me, Deadly (1952) and The Girl Hunters (1962), when Velda goes missing. It’s Mike at his most psychotic. Pre-order it through the links on the left.

That the Caleb York novels are westerns discourages some readers, who prefer crime/mystery, and that the first novel of the six is a novelization of an unproduced Mickey Spillane screenplay does not sway them. I think they’re missing out.

And of course the cozy Antiques mysteries written by Barb and me are not the hardboiled fare many of my readers enjoy, though the humor and murder content are high. I get that this approach isn’t for everybody, but will point out that the Trash ‘n’ Treasures mysteries are the series of mine with the most entries. The new one will be out in October and can be pre-ordered through the links below.

Antiques Liquidation cover
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Some fans of my hardboiled books avoid the Nate Heller novels, which run in the 75,000-word to 150,000-word range, their lengths off-putting to at least a few readers. The true crime basis of the novels also discourages some Quarry/Nolan fans. The Big Bundle, coming out Dec. 6 (and available for pre-order now), will be the first Hard Case Crime publication of a Heller, and I think Quarry and Nolan fans who haven’t tried the series before will find themselves at home.

The Big Bundle cover
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E-Book: Kobo Google Play

Now I don’t expect any of you – except the hardier souls among you – to buy, read and like everything I put out. Over the last ten years or so, I have increased my already prolific output considerably. I understand that you have only so many hours available to devote to your reading pleasure, and that (however misguidedly) you have other authors you like to read who aren’t me.

So why do I write so much? My standard answer for that is, “If I don’t, they don’t send money to my house.” And that flip response is true enough. But I have also been aware of the ticking clock of mortality and realize that once I am dead, my output will slow considerably. You readers who outlive me will probably have plenty of my stuff to catch up on. That’s fine. It’s as close to living forever as I’ll come.

And I feel I stay fresh by not writing just one thing. I shudder to think if Quarry had taken off in the mid-‘70s and that what I would be doing right now is writing book #45 in the series.

What I’d like to do with the rest of this ridiculously self-serving column is ask you to read – to buy, actually, and then read – a few of my recent books that you may have skipped. I’ve already mentioned The Menace, which some might pass on because (a) it appears to be horror, and/or (b) it doesn’t feature Mike Hammer. I can only say that Mickey came up with a good story and I developed it into a good novel that I’m very proud of.

Here are a couple of others you may have overlooked.

Fancy Anders Goes to War is a novella available on Kindle but also has a handsome little trade paperback with a wonderful Fay Dalton cover (and interior illos). It’s a private eye story with a new heroine who has much in common with Ms. Tree but is also her own girl (it’s a ‘40s story so I can call her that, and anyway she’s young). The research is Heller level. It’s the first of three such novellas from Neo-Text. I just loved writing it (and its two follow-ups, the second of which will be out before long). On Kindle it’s 2.99 and the paperback is only $6.99.

The audio of Fancy Anders Goes to War from SkyBoat is outstanding, virtually a movie for the ears.

Fancy Anders Goes to War cover
E-Book: Amazon Purchase Link
Trade Paperback: Amazon Purchase Link
Digital Audiobook: Amazon Purchase Link

Girl Most Likely and Girl Can’t Help It are two books that have suffered a handful of bad reviews and a wealth of good ones that haven’t overcome that handful. This was my attempt to do something along the lines of an American version of Nordic noir. The detectives are a young woman police chief and her retired homicide cop father in Galena, Illinois (I had the cooperation of the town’s police chief, female). I like these books a lot but they didn’t do as well as previous Thomas & Mercer titles. Girl Can’t Help It touches heavily on my rock ‘n’ experience. If you like my work at all, give these a try. They are $4.99 each on Kindle and $10.93 and $12.83 respectively as trade paperbacks.

Girl Most Likely cover
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E-Book: Amazon
Digital Audiobook: Amazon
MP3 CD: Amazon
Audio CD: Amazon
Girl Can't Help It cover
Paperback:
E-Book: Amazon
Digital Audiobook: Amazon
MP3 CD: Amazon
Audio CD: Amazon

Finally, one of my favorites among all of my novels: The Many Lives of Jimmy Leighton, written with SCTV’s Dave Thomas. Two things seem to get in the way of my regular readership trying this one: the science-fiction aspect, and the assumption that it’s a comedy. Where to begin? This novel is as much a crime story as s-f, with an older male Black cop and a young female Gen Z partner struggling to find out who shot smalltime thief Jimmy Leighton, who is in the hospital in a coma. Meanwhile, Jimmy, who accidentally triggered a quantum experiment in the basement lab he broke into, is careening from one lifetime to another. The chapters alternate between the cops working on the crime and Jimmy’s journeying.

As for the book being mistaken for a yuk fest, my co-writer Dave Thomas was a writer and producer on the TV series Bones and Blacklist. So there.

Some have characterized Jimmy’s adventures in terms of the old Quantum Leap TV series. While there is some similarity, there’s a major difference. Dave and I, who wrote this book together during the Covid lockdown (lots of phone calls and Zoom get-togethers), wanted to avoid the notion that our traveler would find himself a jet pilot, or on a Broadway stage, or in the middle of doing brain surgery. Jimmy is encountering different lives of his – the different paths he might have taken – possible lives, not unlikely ones.

For me – and for Dave, too – this is a novel that has more to do with Groundhog Day or A Christmas Carol than Quantum Leap. And the science-fiction aspect – Dave takes his quantum science very seriously – is like the history in Nate Heller. It’s important, and it strives to be right; but it’s not the story. If you trust me at all, know that in my opinion The Many Lives of Jimmy Leighton is one of the best books in my catalogue.

Many Lives of Jimmy Leighton cover
E-Book: Amazon Purchase Link
Trade Paperback: Amazon Purchase Link

Finally, for those of you who – like me – stubbornly insist on prowling actual bookstores, you must accept the fact that most of these books almost certainly will not be found in the world of brick-and-mortar. Supreme Justice and its two sequels, and the two Girl novels with Krista Larson and her dad, are mostly available at Amazon (physical copies at Barnes & Noble and others, but Kindle is Amazon). So is The Menace. Neo-Text books – Fancy Anders Goes to War and The Many Lives of Jimmy Leighton – are Amazon.

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Speaking of Supreme Justice, it has made another list of the best legal thrillers.

And here’s a great review of Tough Tender, the Hard Case Crime two-fer of Hard Cash and Scratch Fever with Nolan and Jon.

M.A.C.

Sit Down and Read!

Tuesday, May 10th, 2022

STOP THE PRESSES: Supreme Justice and Midnight Haul are on sale for $1.99 each as Mystery, Thriller and Suspense Kindle book deals till the end of May. Amazon links: Supreme Justice | Midnight Haul

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Stand Up And Die! cover
Trade Paperback:
E-Book:

Stand Up and Die!, the new Mickey Spillane collection from Wolfpack’s Rough Edges imprint, goes on sale next week (May 17) as both a Kindle e-book and a physical book. I edited it (and introduced it) and contributed a new version of my very first collaboration on a Mike Hammer story with Mickey, “Tonight I Die” (originally titled “The Night I Died” and published in the Spillane/Collins-edited anthology, The Private Eyes, 1998).

These novellas and short stories are culled from two long-out-of-print anthologies I edited, Tomorrow I Die (1986, Mysterious Press) and Together We Kill (2001, Five Star). This represents all of the crime stories from both volumes collected here in one place.

Here are the contents:

“Stand Up and Die!” (1958)
“Everybody’s Watching Me” (1953)
“Together We Kill” (1953)
“The Girl Behind the Hedge” (1953)
“The Pickpocket” (1954)
“I’ll Die Tomorrow” (1960)
“Tomorrow I Die” (1956)
“Hot Cat” (1964)
“The Gold Fever Tapes” (1973)
“Tonight I Die” (2022)

The final story is a Mike Hammer tale, and the reason why I’ve done a new version – not radically different, but enough so to rename it – is a story unto itself.

The basic story of “Tonight I Die” appeared in three versions in Mickey’s files – a radio play, a thirty-minute TV show, and a sixty-minute or more TV movie. There are significant differences between versions, and I did not become aware of all three until much later.

In 1998, when we edited the anthology Private Eyes for NAL, I felt it was key that we include a Hammer short story. But there weren’t any and getting Mickey to write a new one would have tough to impossible. He had already begun to share his unpublished materials with me, just for my interest (and perhaps he was already thinking of what I might do with his unfinished work some day), and I had run across the radio play version. It seems to have been written for the radio series That Hammer Guy, possibly as a pilot. It was not to my knowledge produced, though the series ran three years.

The script was heavy with narration and I asked Mickey if I could turn it into a short story, sticking to his script. He gave his blessing. The script was heavy with narration and the transfer was not difficult, though I felt some of it could have used some work, chiefly for clarity. But I did as little as I could in that regard, basically turning the script’s present tense script into past.

Now that I’ve done so many posthumous collaborations with Mickey – with his blessing – I felt this story should be properly prepared for publication…again, without taking too many liberties.

The things I did not include from the Tomorrow I Die and Together We Kill anthologies in this new one are interesting but not vital – like the science-fiction tale “The Veiled Woman,” ghosted by Howard Browne when Mickey missed deadline; a few memoirs for True magazine; a comic book “filler” story (now available in Vintage Spillane); and the script of a Mike Hammer screen test film starring Spillane’s policeman pal Jack Stang (a short story version appearing in the forthcoming Kill Me If You Can, this year’s Hammer 75th anniversary novel, which includes five bonus short stories). Also intentionally M.I.A. is Mickey’s good but non-crime tale, “Affair with the Dragon Lady.”

Stand Up and Die! is the definitive collection of Spillane crime/mystery short fiction, and its existence is due to not just my efforts but also Wolfpack’s Mike Bray, Paul Bishop and James Reasoner.

Mickey allowed a number of his crime novellas to be collected by NAL as paperbacks, mostly two-to-a-volume. This was part of his effort to raise last-minute funds for the troubled production of The Girl Hunters film. Possibly because that need for money was over, he did not bother to collect his other novellas and short stories similarly. Over the years I collected these in their original men’s adventure magazine appearances, sometimes off the newsstands, other times in used book stores. Convincing Mickey to let me collect some of them for the Mysterious Press anthology led to our first professional project together.

Not our last.

I can’t recommend a collection of tough fiction more highly than this one.

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Here’s a good review of Quarry’s Blood by a reader who can’t seem to make up his mind whether he wants me to write more Quarry books or not.

This review of the film The Outfit, streaming now, says it’s a combination of Collins (me), Mamet (a writer whose work I don’t care for), and Sorkin (a writer whose work I do care for). So I went into watching it with one eye squinted. It’s an okay crime chamber piece, with a strong central performance by Mark Rylance. You may like it. I made it all the way through, Barb didn’t. Interestingly, Barb loves the film of Tinker, Tailor, Soldier, Spy (as do I), and the reviewer here in passing calls Tinker, Tailor “dreadfully boring.” Still, having my work referenced in a review like this was fun.

Some short, smart reviews here of three Quarry books and one Nolan. I’m blushing.

Road to Perdition is listed as one of the seven best movies debuting on Netflix in May 2022.

Here’s an interesting in-depth look at Wild Dog.

Finally, this brief, admiring look at the graphic novel and film of Road to Perdition.

M.A.C.

Paging Dr. Tongue, Plus Neal Adams and Martin & Lewis

Tuesday, May 3rd, 2022

In case you haven’t been listening, 2022 is the 75th anniversary of Mike Hammer’s debut in the 1947 novel I, the Jury. A lot of exciting things are already underway. So far we’ve got The Shrinking Island and The Menace out there from Wolfpack’s imprint, Rough Edges Press. And coming up in about two weeks from Rough Edges is a great anthology of Spillane novellas, Stand Up and Die!

But perhaps most exciting of all (next to the January 2023 prose biography, Spillane – King of Pulp Fiction by Jim Traylor and me from Mysterious Press) is the long, long-awaited release of the 1953 film version of I, the Jury…and in 3-D!

I The Jury 3D announcement

ClassicFlix – who specialize in (not surprisingly) Blu-rays and DVDs of classic films from Hollywood’s 1930s/’40s/’50s Golden Age – is bringing it out (likely in the fall).
I will be doing the commentary.

The 1953 I, the Jury is a very underrated film (including by Mickey). Biff Elliot makes a fine Mike Hammer and the script and direction by Harry Essex are faithful to the source. Peggie Castle and Margaret Sheridan make the definitive Spillane women, and the great noir specialist, cinematographer John Alton, works in 3-D with his usual artistry. I put only Kiss Me Deadly ahead of it and would call the first I, the Jury a tie with The Girl Hunters for second place.

The publishing schedule for the Hammer anniversary includes The Menace, with me writing a horror/crime novel from an unproduced Spillane screenplay; a collection of the three YA novels, The Shrinking Island, with the previously unpublished title tale a Spillane fan Holy Grail; and the soon-to-be-published Stand Up and Die! (with a Spillane/Collins Hammer story) the best collection of Mickey’s novellas ever assembled.

In August Titan will bring out the novel Kill Me If You Can, again with me working from an unproduced Spillane screenplay and dealing with the period between Kiss Me, Deadly and The Girl Hunters – the direct aftermath of Velda’s disappearance. The book includes five Spillane/Collins short stories, including two Hammers.

And the capper of this wave of Spillane publishing will be the 100,000-word bio from Jim Traylor and me.

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Two legends: Neal Adams (left), Batman (right)
Two legends: Neal Adams (left), Batman (right)

I suppose being my age – 74, damnit – means a progressive thinning of the ranks of my heroes and friends (two groups not mutually exclusive). Now we have lost Neal Adams, at 80, who for my money is the best Batman artist of the “serious” period, which – let’s face it – he and Denny O’Neil (also gone) invented.

He did much more, of course. His work on the comic strip Ben Casey, in his very early twenties, is stellar – I have an original daily example on my wall. I loved his Deadman, the Green Arrow/Green Lantern work was groundbreaking, and, really, everything his pen touched turned to great.

But he also was a champion for the rights of his fellow cartoonists, and he was a big part of getting some recompense for Joe Shuster and Jerry Siegel, the teenagers from Cleveland on whose bones the DC empire was built.

I knew him a little, and I was complimented that he knew who I was…something which still seems to me a little unbelievable. I have a small but cherished memory of standing in line with him getting ready to ship things home from the San Diego Comic Con. I introduced him to my wife as a beginner I knew, and his grin couldn’t have been wider. He had a smile as dazzling as his artwork, and that’s plenty dazzling. We chatted and laughed for about five minutes, a small encounter that I will never forget. I always stopped by his booth at the con in subsequent years just to say hi.

Not a big relationship, by any means. But a big loss.

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Another sign of advancing old age is my reading habits. I’ve never been one to start a book and then put it down without finishing it. But now I won’t waste my time if a book doesn’t engage me in a chapter or so. Like most of you, I have an ever-growing stack (stacks) of books I can’t wait to read. So some of this stuff just has to get out of the way if it can’t grab me.

Related to this is my experience with Judd Apatow’s new book, Sicker in the Head, a follow-up (of course) to his Sick in the Head. Both books are Apatow interviewing individuals in the world of comedy. I read every page of the first book. This time I read about a third of it.

Not the first third – I selected interviewees I was interested in – like the late John Candy, John Cleese, David Letterman, Peter Davidson, John Mulaney, Kevin Hart, Sasha Baron Cohen, Samantha Bee, and Will Ferrell. But I have no interest in people I have barely (or not at all) heard of – for example, Amber Ruffin, Ed Templeton, Hannah Gadsby, Lulu Wang, and on and on. Please don’t write telling me who they are, and/or defending their presence in a book with the comic legend likes of Candy and Cleese. I just don’t have time to let these people in unless they get up on their hind legs in the pop culture and make enough noise for someone my age to notice.

Now a book I read every word of is the massive, inch-and-a-half thick, 8.5″ by 11″, 772-page (!) Marketing Martin and Lewis by Richard S. Greene…with a foreword by Eddie Deezen! (Why didn’t Apatow interview him?!?). This is a Martin and Lewis fan’s dream, and worth the fifty-buck price tag (although I got it through Barnes & Noble for $40 using a coupon).

The book is predominantly pictures – movie posters and ads, TV ads, magazine covers, publicity photos, comic book art (Neal Adams!), and on and on; but the text is substantial and thorough, with every Martin & Lewis film discussed and the individual, post-team careers of both are examined. Greene is the ideal fan – his knowledge and the collectibles he shares are mind-bogglingly vast, but his opinions are frank, fair and well-articulated.

It also has the greatest cover of any book ever published. I shared this opinion with my wife, who looked at me as if about to say, “Are you for real?”

Marketing Martin and Lewis
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Here’s a New Yorker article about a Muscatine, Iowa (my hometown) resident who inspired my Mallory novel, No Cure for Death.

An interesting Road to Perdition article is here, looking at the film’s shooting locations (cameras, not guns).

Netflix has added Road to Perdition to its roster.

This review of the Nolan two-fer, Double Down, begins with a left-handed compliment but evolves into a pretty decent write-up. I wrote these books around 1974 and it’s peculiar to see them judged in terms that don’t acknowledge it’s not unusual for writers to grow over time.

Finally, this article wonders whether Road to Perdition is based on a true story (the answer is “sort of”).

M.A.C.