Posts Tagged ‘Nolan’

Shoot the Moon & A Shot in the Arm

Tuesday, March 2nd, 2021
Shoot the Moon Cover
E-Book: Amazon Purchase Link
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Yes, it’s one of our ever-popular book giveaways. I have ten copies to give to the first ten readers who request it and agree to do an Amazon (and/or other) review. Those of you who have won books in the past and have not posted a review yet, for shame. Those of you who have won books and hated the book and haven’t posted a review, thank you.

[All copies for the giveaway have been claimed. Thank you for your support! –Nate]

Anyway, this is for Shoot the Moon, which is a repackaging (with revised intro) of Early Crimes. I’ve done this because Shoot the Moon is a novel and Early Crimes was rather inaccurately described as a collection. What we have is a novel, written about six books into my career, that was my attempt to do a Donald E. Westlake-style comedy of crime. By now you can see that Westlake was a major influence on my work, and was in fact a mentor to me when I was working on Bait Money, the first published Nolan novel, which of course was written as a pastiche/homage to Westlake’s Richard Stark-bylined Parker novels.

So perhaps it was natural that I try to follow in his other footsteps, and Shoot the Moon is that novel. It’s a short novel (but not a novella) and the two early short stories, “Public Servant” and “The Love Rack,” follow the novel as the equivalent of DVD/Blu-ray bonus features.

Back to the book giveaway. Write me at [link removed], and (this is important) include your snail mail address, even if you’ve won before. This is for USA only. That’s not patriotism, it’s cheapness (foreign postage is particularly high in the Covid era).

Speaking of which….

Barb and I have received our first vaccine doses (the Pfizer variety) and we are greatly relieved. How we got it is reflective of the difficulties even those of us who are seniors with underlying conditions are having getting vaccinated for Covid-19. Here’s our story.

For about a month I have been haunting the site of the Hy-Vee supermarket’s pharmacy (Hy-Vee being the major grocery chain in Iowa). It’s where Barb and I step outside of sheltering in place to take in “geezer” hour and do our weekly grocery shopping. The benefits are fewer people and ‘60s-era oldies playing instead of country western.

About four trips to Hy-Vee ago, I stopped at the pharmacy window to ask how I went about getting an appointment for vaccination. I was told by the pleasant young woman to sign up on-line and I would receive updates. (To date, I have received none. I also enrolled at Walgreens and also got zip updates.) On my next trip to the Hy-Vee pharmacy I inquired about when a vaccine shipment might be coming in and learned that one had in fact come in two days ago – 200 doses – and were gone in an hour.

That was when I asked (Barb said, “Don’t be angry!”) why I hadn’t received an update, and was told what I needed to do was keep refreshing the Hy-Vee pharmacy page on Facebook. I went home and began doing that, probably a dozen times a day – not a hardship, as I work at my computer. Two shipments would be coming in the following week, I was assured.

A week later I was told (credibly) the shipments hadn’t made it because of the cold in Texas that Ted Cruz was avoiding. I went home and began refreshing and refreshing.

The next week – this past week – I asked when the next shipment was coming in and was told by the pleasant young woman that it already had and was gone. (Two shipments had become one shipment.) I asked why the updates had never come and why all my refreshing hadn’t indicated any shipment ever had. The answer was not direct. I was advised to go to another web site and sign up there for…updates.

I trudged off and caught up with Barb, who was shopping to the tune of “Swinging School” by Bobby Rydell. I followed, considerably less happy than I usually am hearing Bobby Rydell, who is a favorite. Suddenly I said, “I’m going back there.”

“Why?”

“It’s unclear exactly what page I’m supposed to be refreshing.”

“Be nice.”

This conversation was conducted through masks, of course.

I said, “What do you mean?”

She said, “You’re a hothead.”

Never had I ever been so insulted! That she had a point was…beside the point…or something. I trudged back.

The pleasant young woman behind the counter said, “I was just going to page you.”

“Why?”

“Get your wife. We’ve had two cancellations and we start vaccinating in fifteen minutes.”

I ran – let’s call it power-walked – to Barb, pushing her cart with the patience of Sisyphus pushing his big rock, and at about the same speed.

“Come with me,” I said.

“Why?” She was understandably suspicious.

“They’ve had two cancellations.”

Suddenly my wife loved me again. Suddenly my stubborn hotheadedness had been transformed into blessed persistence.

I don’t blame anybody for this, and I do thank Hy-Vee for stepping up in the war against Covid and for the pleasant young woman having the presence of mind – and, frankly, compassion – to take advantage of those two cancellations…and the opportunity to get rid of me.

The vaccines will start flowing better, I am sure. Some of my readers support Trump, and that’s fine. I like anchovies. But nobody can say Joe Biden isn’t taking this pandemic seriously, and things are going to get better and soon. But right now it felt like the luckiest of lucky breaks to blunder in making a weekly nuisance of myself with stupid questions and a generally incompetent approach to getting vaccinated and be able to fill two cancellations and feel like our lives had been saved.

The bottom line, of course, is: it’s better to be lucky than smart.

M.A.C. waiting to get a COVID vaccine.

M.A.C. receiving the COVID vaccine.

* * *

Our sheltering in place has gone on for just about a year, Barb and I. We take it very seriously. Her health is fine, but she’s only a few months younger than me, so she needs protection and I’m not talking condoms. And I have enough underlying conditions to just check “all of the above” on a physician’s questionnaire.

So tomorrow (if you are reading this on the Tuesday it was posted) I will turn 73. It seems unreal to me, but I will tell you this – as long as I have my marbles, and can find venues that will have me, I will keep working. I will keep writing. Skim Deep is the new Nolan novel and the first one appeared in 1973, and was written around 1970. So do the math. It’s almost beyond belief that I recently wrote an entry in a series I created fifty-one years ago.

And I just completed Quarry’s Blood, in a series that began with a book I started in 1971. Fifty years ago.

Mickey Spillane used to talk to me about this – how writing was the only business you could stay at as long as you had decent health, no matter what age you might be. And that you can keep improving all along the way.

I’m not sure if that’s correct. I know there are many things I do better now, but I also know that the rigors of a work like Stolen Away might be beyond me. Nonetheless, I intend to do another Heller later this year, if the contract comes through.

Oh, as for my birthday. I am not fishing for birthday wishes, here or on Facebook or even in my snail-mail mailbox. If you want to send a gift, though, checks are best. Sorry – no PayPal account.

And if you really are, seriously, looking for a way to say Happy Birthday to me, buy one of the recent books: Come Spy With Me, Skim Deep, Masquerade for Murder, Antiques Fire Sale, Reincarnal, Shoot the Moon, Ms. Tree Vol. 2: Skeleton in the Closet, Murderlized, or maybe one of the great audiobooks that Skyboat Media is putting out (they’re doing all of the Nolans!). And the Wolfpack trade paperbacks are very handsome books indeed.

Here’s an idea: post a positive review for Max for his birthday.

* * *

I have seen some interesting things of late. I am particularly taken by a new sub-genre that Groundhog Day has spawned – specifically, movies that openly, unabashedly borrow its premise. Happy Death Day is a crafty horror-movie take on the Time Loop premise, and its sequel, Happy Death Day 2U, is more of the same but also good. Edge of Tomorrow is a strong s-f variation.

Two excellent rom-com takes are streaming right now – Palm Springs starring Cristin Milioti and Andy Samberg, and The Map of Tiny Perfect Things starring Kathryn Newton and Kyle Allen. What’s fascinating about these two is that, despite both depicting a couple caught in a Time Loop with a romance developing, each is different and makes its own point. And, while both films name-check Groundhog Day on screen, they demonstrate that the Time Loop concept has plenty more places to go.

As I say, a new sub-genre.

Now to a controversial topic. Barb and I gave up on Hamilton after about 45 minutes. I’ve made it clear that I am a musical comedy fan – that I love Rodgers and Hammerstein and Stephen Sondheim and Frank Loesser. The upcoming Blu-ray release of Damn Yankees has me giddy. And Hamilton certainly is a spectacle with a stage brimming with energy and talent.

What’s wrong with it – for me – is the rap/hip hop aspect. And that’s my problem. But I can’t get past it. I hate rap almost as much as I hate country western – maybe more. To my ancient ears, it’s just a bunch of rhyming and fast-talk gymnastics, and has little to do with music, although the percussive aspect is catchy in the way melodies used to be.

All-black musicals are nothing new – this one does have a few white faces dropped in – as The Wiz and Ain’t Misbehavin’ and many others demonstrate. All-black revivals of the likes of Guys and Dolls and Hello Dolly! have done very well, both critically and at the box office. But Porgy and Bess and Carmen Jones were originals, and the faithful films of both are both problematic today, I’m afraid, despite the wealth of talent on display.

Hamilton feels like a fad to me, not a Broadway classic unfolding before our eyes. But I am probably wrong.

As I said earlier, I will be 73 this week. This musical isn’t for me. As someone who has loved popular culture my entire life – loved my generation’s pop culture, but also my parents’ and my grandparents’ and much of my son’s – I am disappointed that Hamilton doesn’t touch me the way Sweeney Todd or Carousel or How To Succeed in Business do.

My fault. My loss.

* * *

Here’s a peek at the Spillane/Collins “Mike Hammer” short story, “Killer’s Alley,” in this month’s Ellery Queen Mystery Magazine. Just a taste….

From the great Ron Fortier comes this splendid review of Reincarnal.

Finally, here’s an article on the best Batman stories drawn by Norm Breyfogle, one of which is mine.

M.A.C.

Short Cuts

Tuesday, February 23rd, 2021

I came to short stories late in my career. I had written a good number as a teenager and, in the Writers Workshop format at the University of Iowa, writing short stories was expected. But I didn’t submit anything professionally until the mid-1980s, and then almost always when I was invited. I believe the first professionally published short story was “The Strawberry Teardrop” (a Heller story) for a PWA anthology. I did allow several early things to be published in Hardboiled, back when my pal Wayne Dundee was the editor, but I don’t recall the exact time frame.

The limited number of markets discouraged me, and they still do. I tried Ellery Queen Mystery Magazine with “A Wreath for Marley,” but the editor turned it down as too long (and it’s a novella, so that’s valid) although claimed to like it. I sold a Heller story to them later – don’t recall which one – and since then, on the rare occasions I submit to EQMM, they haven’t turned anything down. This to me is a real honor. I’ve never submitted anything to Alfred Hitchcock, their sister magazine, simply because I have a good relationship with the editor at EQMM.

The response there to my submissions of Spillane/Collins short stories has been favorable – I did both “A Killer is on the Loose!” (from an unproduced Spillane radio play) and “The Big Run” (from an unproduced TV script by Mickey, done for Suspense). And now, for the first time, a Mike Hammer story appears in EQMM (the March/April 2021 issue) and the Spillane & Collins team has made the cover. [Amazon Link]

This, frankly, delights me.

Ellery Queen's Mystery Magazine March/April 2021

We are the issue’s Black Mask Department story, and are the lead story, which is a thrill. And here is what editor Janet Hutchings says by way of introducing “Killer’s Alley,” adapted by me from a short Hammer film script:

“Although Mickey Spillane’s Mike Hammer stepped onto the crime-fiction scene in 1947, just six years after EQMM was founded, he’s never appeared in our pages. As we celebrated the magazine’s 80th year, it’s high time he joined EQMM’s panoply of iconic characters.”

One of the joys of being the keeper of the Spillane literary keys is to see how warmly he is now regarded. This is, frankly, a big deal, getting the EQMM seal of approval. Folks my age (and a few of us are still kicking) know how less than warm the reception was to Mickey and his success in the early ‘50s from a lot of critics and writers who should have known better, but were seized by a fit of jealousy.

Short stories have been on my mind of late, because I’ve been dealing with going over the galley proofs of two new collections of my short fiction, Reincarnal & Other Dark Tales and the forthcoming Suspense – His and Hers: Tales of Love and Murder. The latter, due out in September, is a follow-up to Murder – His and Hers, and again collects stories written individually by Barb and me, and together.

Assembling these has not been without speed bumps. Wolfpack has been incredibly supportive, bringing out much of my remaining back list – the four Eliot Ness novels, the two Mommy novels, and Shoot the Moon, though I haven’t seen a physical copy of that yet. They will be bringing out Regeneration and Bombshell by Barb and me, stand-alone novels.

Already they have Murderlized (by Matt Clemens and me, a new collection I’ve very proud of) and the existing collections, Blue Christmas and Murder – His and Hers. Barb’s Too Many Tomcats is out, too, with an intro and a co-written story by me.

Again, there have been problems. I think Wolfpack’s covers are great, but I’ve had copy-editing problems; but editor Paul Bishop has been patient with my fussiness with both Reincarnal and Suspense – His and Hers. Not every problem can be blamed on copy editors, though. These stories span something like 37 years, and each tale is a file, sometimes going back to (ready for this?) WordStar days. So what we delivered sometimes had glitches I hadn’t caught. A typical problem was that, for a long time, editors wanted italics indicated by underlining; maybe a decade ago, they switched to wanting italics indicated by, yes, italics.

And Wolfpack had to get a bunch of my books out all at once. Reincarnal has a problem that a number of you have pointed out – the table of contents page is messed up. One story is not included and the numbering is wrong. I missed this. I frankly never thought to check the table of contents.

The nice thing about the e-book age is that we can correct things like that. So anyone ordering Reincarnal now, whether e-book or physical book, will have a corrected table of contents. The rest of you – well, what do you know? You own a collector’s item!

Seriously, though, folks – if you catch a typo in anything of mine, whichever of my publishers has put it out, let me know at macphilms@hotmail.com. We will at the very least be able to correct the e-book version.

Barb, by the way, has been a natural from the start where short stories are concerned. She grew up on Alfred Hitchcock Presents and The Twilight Zone and developed a real feel for a compact form with a twist ending. From the start she got great reviews and reactions for her stories, including getting slots in “best of the year” anthologies. For her, novel-writing was a stretch, but she has adapted beautifully. Nonetheless, her touch with the short form remains a strength – we have a story together (conceived by her) in – yes! – an upcoming issue of Ellery Queen Mystery Magazine.

* * *
Deadly Anniversaries Ebook Cover

I am pleased to share with you something from another of my favorite newsstand publications, Mystery Scene. The great Jon Breen included Do No Harm in an article about recent legal thrillers; a lovely color reproduction of the cover of this latest Heller novel accompanied it.

“Max Allan Collins’s excellent series about Zelig-like private eye Nate Heller fictionalizes major crimes of the past century. Occasionally, Heller drops in on classic trials, perhaps most notably in Damned in Paradise(1996), featuring a complexly characterized Clarence Darrow appearing for the defense in a 1932 Honolulu rape case. The latest in the series, Do No Harm (Forge), considers the murder of Marilyn Sheppard for which her husband Dr. Sam Sheppard, a Cleveland osteopath, was tried and convicted in 1954 and retried in 1966, this time with famed advocate F. Lee Bailey heading the defense. Both trails are visited in a total of about a dozen pages, the first summarized to Heller by newspaper columnist Flo Kilgore (a transparent pseudonym for Dorothy Kilgallen), the second viewed by Heller and including some well-selected quotes from Bailey’s cross-examinations. All the real people in the cast – Bailey, Kilgore/Kilgallen, Erle Stanley Gardner, Eliot Ness, and especially Sam Sheppard himself – come to life as convincing fictional characters. As usual, Collins’ concluding author’s note provides a bibliographic essay on his sources to make the fact/fiction demarcation clear.”

Getting back to short fiction, a story that I consider one of my best – “Amazing Grace” – appears in the MWA anthology, Deadly Anniversaries. It’s on sale now in e-book form for under two bucks, right here.

Here is an absolutely stellar Come Spy With Me review at Bookgasm.

Here’s a mixed but smart review, mostly favorable, of Skim Deep. But for the last effin time, it’s Nolan, not Frank Nolan. He has never been Frank Nolan. Stop it already.

Finally, here’s a nice if belated (but appreciated) UK review of Girl Most Likely.

M.A.C.

Cover Story

Tuesday, January 26th, 2021

I had not been given an advance look at the Noir Alley episode this weekend that had me guest-presenting with Eddie Muller the great film noir, Born to Kill (1947) from the James Gunn novel, Deadly Is the Female. During the shoot, Eddie and I had talked about both the film and the book for maybe forty minutes, and the TCM editors honed it down beautifully. I am very pleased, and if it turns up on You Tube, I’ll share it here.

God, I love it when I don’t stink up the place!

Skim Deep has been getting some lovely notices, I am pleased to say, including great Amazon reviews, and readers seem to be pleased either to see Nolan again or meet him for the first time.

But due out a week from today is the first-ever audio book of Blood Money, the second Nolan novel, read by the amazing Stefan Rudnicki. As you may know, Hard Case Crime is bringing out a new trade paperback edition of Two for the Money, collecting the first two Nolan novels – Bait Money and, again, Blood Money – on April 20.

The Edgar nominations are out, and Eliot Ness and the Butcher did not receive a Best Fact Crime nom, just as Scarface and the Untouchable did not in its year. It’s frustrating that this major work – I consider these two books joined at the hip – has not been better recognized; but I am confident that what my co-author, A. Brad Schwartz, and I accomplished will have a lasting place in true-crime literature.

Both Reincarnal & Other Dark Tales and Shoot the Moon (And More) are available in trade paperback(and of course Kindle) from Wolfpack. I talked about Reincarnal last week and spoke of my pleasure in having my short horror fiction collected in one place. I’m excited to see Shoot the Moon published as a novel and not as part of a collection. Originally it was featured in the now out-of-print Early Crimes, and the two short stories from that collection are still included, but moved to the back of the book as a bonus feature.

Shoot the Moon is a novel written fairly early in my career, but after Bait Money, Blood Money, No Cure for Death, The Baby Blue Rip-off and Quarry. So it’s not an early work in the sense of being formative or from my college days. The two short stories that serve as a bonus are, in fact, from my community college days, although one of them (“Public Servant”) was considered good enough years later to be included in a Lawrence Block-edited anthology (Opening Shots).

As I’ve mentioned earlier, Shoot the Moon is to the Donald E. Westlake comic crime novels as Bait Money is to the Richard Stark un-comic crime novels. My debt to Don Westlake, as an inspiration and mentor, is one I can never adequately repay.

Reincarnal & Other Dark Tales Cover
Shoot the Moon Cover

My son Nate encourages me to share behind-the-scenes stories and such about the writing life. So here I go….

Wolfpack is a very interesting outfit, because its publisher, Mike Bray, is something of a visionary, and its editor-in-chief Paul Bishop is a first-rate novelist himself who approaches publishing with an empathy and feel for his fellow writers.

I have been particularly pleased with the covers that have come out of Wolfpack, and yet a couple of problems turned up recently. As an example of the rampant political correctness that all creative people suffer these days, the cover of Reincarnal – which I love – was rejected for use in ads by Amazon. Fortunately, I’m told, ads for Facebook with that cover are still possible.

Apparently Reincarnal having a knife on its cover is the problem. I’ve run into this kind of thing before at several publishers, who haven’t wanted a gun on their covers. In one case, a publisher doing serial killer books – where the editor had me add a violent opening scene – did not allow guns or knives on their covers. Hey, I’m all for keeping guns off the floor of the House of Representatives and Senate – none of those people should be allowed around sharp objects – but on the covers of thrillers, horror novels and noir?

Who are we protecting with this prissy attitude, anyway?

Come Spy With Me Cover

Conversely, the wonderful cover of Come Spy With Me has taken some heat for being too classy, too subtle. And it does have a gun on it! That gun is on a beach covered in sand, which anyone whose favorite word isn’t “Duh!” will tell you was meant to make you think of the protagonist, John Sand. It’s possible we’ll eventually do a second cover for that title, when the third Sand novel, To Live and Spy in Berlin, emerges – a book Matt Clemens and I are plotting, having delivered book two, Live Fast, Spy Hard recently.

Wolfpack’s bread-and-butter has been what I used to hear called “boy books” by editors both male and female. “Boy books” are westerns, techno-thrillers, male-lead thrillers, private eye novels and noir (the latter will come as a surprise to Christa Faust and Megan Abbott). Westerns and men’s adventure-type novels, including spy stuff, do very well at Wolfpack, and while my work is at least vaguely in the “boy book” vein, I am part of the publisher’s effort to expand into new publishing realms. And I salute them for that.

“How can I help?” I hear you saying.

You can buy Reincarnal, Shoot the Moon, and Come Spy With Me for a start, and all the other titles of mine Wolfpack has been good enough to foist upon you lucky people.

At fear of kissing up (well, I’m not that afraid), I will say that Wolfpack, Hard Case Crime, Titan and the emerging Neo-Text are publishers who are allowing me to explore the genres and characters I care about, both old and new, and God bless them for it. Every one of them has invested their faith in me and my work in a way that goes well beyond the standard publishing approach of, “Well, we’ll throw one or two of your titles out there and see how they do.”

Publishers, notoriously, have laid all the blame on the writer for the lack of success of a book. We writers are where the buck stops, and you might say, “Of course you are!” But the truth is publishers are not in the book-selling business, they are in the cover-selling business. Hey, if my books aren’t packaged correctly, it’s not my effing fault.

Now, I have to cop to having loved some covers that didn’t work in the marketplace, and having hated some that did. But it’s not my job to package the books. I am busy writing them. I am hard at work making Wheaties. What athlete goes on the box isn’t my choice or my fault, which means I can’t take full credit for how many boxes of Wheaties fly off the shelves.

Publishers usually ask for a writer’s input into the covers, and then ignore that input, often for good reason. Hard Case Crime sends me the cover before I’ve even written the book, so I can work the scene into the narrative, like the old pulp writers used to – I get a perverse pleasure out of that. Thomas & Mercer gave me a lot of input into the covers, and I love the results. Those books continue to sell briskly.

But here is my dream. An editor has a series that has received glowing reviews, a series that said editor considers first-rate, though with a small but dedicated reader base, if not enough to justify publishing any more books in that series. Rather than drop that series like something icky, why not consider a re-packaging approach, and take a hard look at the marketing that has (or hasn’t) gone into it, and give that series a book or two more, with a new cover and new marketing approach, before deciding its ultimate fate?

That never happens.

Keeping Nate Heller alive through five major publishing houses, with a fifth coming, over almost fifty years is a small miracle – no, a big miracle, speaking to my own stubbornness and my only-child inability to be told “no.”

And yet. Here is Nolan back in print. Here is Quarry not only back in print but with me writing, right now, the tenth new book (Quarry’s Blood) in a series started back up again in 2006 when the damned thing had been declared dead in 1976.

* * *

J. Kingston Pierce’s The Rap Sheet, hands down the best mystery site on the web, has an edition of his entertaining column-within-a-column “Bullet Points” that has a nice paragraph about the book I’m writing now (Quarry’s Blood) and Heller.

New Horror and Dark Suspense Antho from Wolfpack

Tuesday, January 19th, 2021
Book cover for Reincarnal and Other Dark Tales
E-Book: Amazon Purchase Link

In about a week, my latest Wolfpack release – Reincarnal & Other Dark Tales – will be available on Kindle, and shortly thereafter as a physical book.

When I have copies of the trade paperback, I will announce a book giveaway here. For those that haven’t noticed, this update/blog has a new post every Tuesday morning. [10 Eastern/9 Central unless I mess something up. –Nate] So check in – they go fast.

Obviously, Wolfpack has provided me with another outstanding cover. I continue to be delighted by what they come up with. I realize some of you may be overwhelmed by how much of my material Wolfpack has unleashed upon an unsuspecting world pretty much all at once. Publisher Mike Bray and editor Paul Bishop were good enough to take on virtually all of my remaining backlist, as those who come here regularly know. Nine of these books are novels, but the others are anthologies. Of those anthologies, only three (including a forthcoming one by Barb and me, Suspense – His and Hers) are new collections…new books.

Reincarnal is one of them.

It’s a special one for me, because it collects virtually all of my horror short stories. In addition, the book includes two radio plays that I wrote for Fangoria’s Dreadtime Stories: “House of Blood” and “Mercy.” I adapted a number of the yarns in the collection for Dreadtime Stories, but the two radio plays were original to the series.

While I’ve spent most of my career writing suspense and crime fiction, the horror genre has been an interest since childhood, undoubtedly having to do with watching old monster movies on TV. In Reincarnal, you meet the big three: Frankenstein’s monster, a werewolf, and more than one vampire.

Some of the stories are more in a “dark suspense” vein, though the majority have a supernatural element. And they have another element that may either please or not please you: this is definitely a “parental advisory” type book. Several stories were originally written for the famous Hot Blood and Shock Rock series, whose co-editor Jeff Gelb was my co-editor on Flesh and Blood. The format of those anthologies was to combine horror with an erotic element.

I mention this because – much to my surprise – in recent years some readers are offended by sexual content, and many of you are undoubtedly saying, “Boy, did they sign up with the wrong writer.” In re-reading the stories, I realized that changing times and attitudes are reflected therein, but I made no edits to bring them up to date. They were written over a thirty-year period and, like Popeye, yam what they yam.

But also in re-reading the stories I discovered that some of these dark tales are among my best work. I would be hard-pressed to come up with a better story of mine than “Traces of Red,” for example. “Reincarnal,” the lead story, was much praised at the time of its original publication, and I adapted it into a screenplay. That project still rears its head now and then. “Interstate 666″ was written originally as a screenplay, and the story herein is actually a condensed version. It came very close to being made as a TV pilot (one iteration involving Rob Zombie!).

Both radio plays in the new collection were conceived in hopes of movie production and they too are not yet off the table in that regard. Those stories are collected in audio anthologies available at Amazon and elsewhere. Producer Carl Amari did a great job on them.

My interest in horror should come as no surprise to my regular readers, even though they may missed the stories collected in Reincarnal when originally published. Such novels of mine as Butcher’s Dozen, Angel in Black, and What Doesn’t Kill Her, as well as the two J.C. Harrow novels by Matt Clemens and me, are in part horror novels. So is Regeneration by Barb and me (a new edition is coming from Wolfpack).

Speaking of which, let me get back to Wolfpack. You supporting my efforts there by ordering Reincarnal & Other Dark Tales and the John Sand novel, Come Spy With Me, paves the way for me to do new novels in various series that have run their course at other publishers. When fans ask a writer, are you ever going to do another novel about such-and-such a favorite character, the true answer is: it’s not up to the authors. We need publishers who believe in us, and frankly most publishers want the next big thing, not the last modestly successful thing.

* * *

We lost Parnell Hall recently, and the parade of hurtful losses to the mystery genre continues. The great John Lutz of Single White Female fame is gone.

outdoor portrait of author John Lutz wearing a black shirt and jacket.

This from Janet Rudolph:

John Lutz: 1939-2021.

I was lucky to know John Lutz over the years. John wrote over 50 novels of political suspense, private eye novels, urban suspense, humor, occult, caper, police procedural, espionage, historical, futuristic, amateur sleuth, thriller — just about every mystery sub-genre. He also wrote over 200 short stories and articles. John was a past president of both Mystery Writers of America and Private Eye Writers of America. Among his awards were the MWA Edgar, the PWA Shamus, The Trophee 813 Award for best mystery short story collection translated into the French language, the PWA Life Achievement Award, and the Short Mystery Fiction Society’s Golden Derringer Lifetime Achievement Award. And, he was a kind, supportive, and generous man. He’ll be missed.

I knew John well, and Barb and I know his wonderful wife Barbara, too. John was a terrific writer and also displayed a dry wit second to none. For many years, John was a welcome, low-key presence at Bouchercon, one of those friends I saw almost exclusively in that manner. He was shy and modest, but that sense of humor came through, or I should say sneaked up on you.

This one hurts.

* * *

This mind-bogglingly wonderful review of Skim Deep is at Book Reporter. Please feast your eyes upon it.

M.A.C.