Posts Tagged ‘Nate Heller’

No Book Today, No Antiques Giveaway (Sung to the Tune of “No Milk Today” by Herman’s Hermits)

Tuesday, October 4th, 2022
Antiques Liquidation Cover
Hardcover:
E-Book: Kobo

We would have liked on this update to announce a book giveaway for the Barbara Allan mystery, Antiques Liquidation, from Severn, the publication date of which is…today. But the copies we requested for the promotion have not yet arrived, so that will have to wait.

You may have more difficulty than usual finding this new novel about the comic misadventures of Brandy and Vivian Borne, because the last two books don’t seem to have made it into the Barnes & Noble buying system, at least not in any major way. Or BAM! either. That may change, and the handsome trade paperback of the previous one, Antiques Carry On, may be easier to find. (The return policy of our UK-based publisher is kinder on the trade paperbacks than the hardcovers.)

The focus of Severn (not exclusively, but their main market) is libraries, where the Trash ‘n’ Treasures mysteries have always been strong.

Barb is working on her draft of the next one, Antiques Foe (pun on “faux”) while I work on the Nate Heller RFK book, Too Many Bullets. We have another book on the Severn contract so there will be at least one more of those. Barb is making noises about wrapping up the series, and she may be serious, but she has been making that threat for the last several books. They read fast and are fun, but they are hard books to write.

A long-running series has its delights and pitfalls, which are sometimes the same thing, like the pleasure of spending time with old friends (Archie Goodwin and Nero Wolfe are too of my favorite people even though they never really existed) and the nagging feeling you’re repeating yourself.

Probably the best (and hardest) thing about writing the Nate Heller novels is that each real crime/mystery I deal with is so different from the others that I never fall into the trap so many mystery writers have in their series – writing the same book again and again. Chandler is as good they come and yet he worked a very small patch of farmland over and over and never even bothered to rotate the crops.

Even when a Heller has a similar crime – the forthcoming The Big Bundle, like Stolen Away, is about a kidnapping – the difference in eras and personalities involved as well as the circumstances of the crimes keeps thing nicely different.

Barb is endlessly inventive in ways to get the girls into trouble, and I hope she’ll do at least three or four more of ‘em.

* * *

I hesitate to talk about my health issues because it only gets people writing me with concern even as I come across alarmist and whiny. But just about everybody my age has health issues, and lately mine has been A-fib. I had the cardioversion procedure not long ago – the third or fourth I’ve had since my 2016 heart adventures began – but it didn’t take (this is where I am jump-started like an old Buick). I have to go back in to repeat the procedure later this month.

Prepping for it, I was put on a really strong medication that set me on my ass (a medical condition, obviously) whereby my shortness of breath and wheezing, related to the A-fib, got much, much worse. Last night was an utterly sleepless one. Obviously, a bad reaction to the meds.

So I have stopped taking that particular medication and am close to normal (as if I ever was) but I tire easily and will be lucky just to keep up with my work till I get this behind me.

There is a very good chance that stress is responsible, and of course that I am responsible for that stress. I am a rave and ranter. My wife, in her first-floor office, hears coming from above blistering flurries of obscenities and rage that would bring tears to the gentle eyes
of any United States Marine. I am trying to keep in mind the mantra from Bill Murray in Meatballs – “It just doesn’t matter, it just doesn’t matter….”

And it really doesn’t. But everything I’ve accomplished in my career has come out of enthusiasm and intensity, by caring more about my work than I logically should. My biggest concern right now is that I don’t die before finishing Too Many Bullets. Which is a dumb-ass thing to be thinking, particularly from a guy who has been finishing one Mickey Spillane novel after another.

The punchline of this self-pitying soliloquy is that that’s why his week’s update is so damn short.

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A Long Time Dead Cover
Softcover:
E-Book: Amazon Nook Kobo iTunes

Some very nice reviews for Kill Me If You Can, the 75th anniversary Mike Hammer novel, at Amazon. Here’s a link where you can read them (and order the book!).

A very nice review of the Hammer short story “Skin” appears at the essential site, Paperback Warrior. [“Skin” can be found in the short story collection A Long Time Dead. The e-book is currently only $2.99 at Amazon and B&N. –Nate]

Here’s an interesting look at the locations used shooting the film version of Road to Perdition.

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M.A.C.

Everything Old Is “New” Again

Tuesday, September 27th, 2022
Eliot Ness and the Mad Butcher
Paperback: Indiebound Purchase Link Bookshop Purchase Link Amazon Purchase Link Books-A-Million Purchase Link Barnes & Noble Purchase Link
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Digital Audiobook: Amazon Purchase Link Google Play Purchase Link Kobo Purchase Link
Audio MP3 CD: Indiebound Purchase Link Bookshop Purchase Link Amazon Purchase Link Books-A-Million Purchase Link
Audio CD: Indiebound Purchase Link Bookshop Purchase Link Amazon Purchase Link Books-A-Million Purchase Link

Audio Sample:

The Dark City
The Dark City, 1987 Bantam Paperback

Eliot Ness: An Untouchable Life Blu-Ray
Eliot Ness: An Untouchable Life
2007 Blu-Ray, VCI

A new book is out about Eliot Ness and the Mad Butcher. I’m not going to share the name or much information about that book with you, because the book you should be buying and reading is the 600-page Eliot Ness and the Mad Butcher by A. Brad Schwartz and me, available now in a handsome and inexpensive ($15.49) trade paperback.

This other Ness/Butcher book (350 pages) is about as redundant and unnecessary a volume as I can imagine. But history is fair game, true crime included, and it’s not like this hasn’t happened to me before.

My theories developed about various unsolved or controversially solved crimes in my Nathan Heller novels have paved the way for non-fiction writers who didn’t have to (and didn’t) credit me, since I had merely written a novel. That those novels are crammed with research, often aided by George Hagenauer and done on site and in libraries and raiding old bookstores at much time and expense, didn’t matter a whit.

My novel Butcher’s Dozen, published in 1988, was the first book-length look at Ness and the Mad Butcher case, and George and I did much on site research about the case, and at Case Western Reserve Library found the massive Ness scrapbooks that hadn’t been seen since 1961 when Oscar Fraley wrote Four Against the Mob about Ness in Cleveland, the only book about Ness in Cleveland prior to my The Dark City in 1987. Since then have come any number of books about the case, including a graphic novel by a guy who used to write fannishly to the letter column of Ms. Tree (where Butcher’s Dozen was announced, advertised and discussed); there have also been scads of movies announced but never made.

Fair game, all of it. Dirty pool, at times, but within the rules.

And I am not here to cry plagiarism against the author of this new Ness/Butcher book. Maybe to cry “foul” a little. Here’s why. As part of the promotion of the book, the Smithsonian announced the author’s appearance for an event called “Eliot Ness: An Untouchable Life,” featuring an actor playing Ness (as well as the author).

Some of you may know that I wrote a play that I adapted into a 2005 film for Iowa PBS of that very name – a one-man show with the late Michael Cornelison as Ness. I wrote the Smithsonian and complained. The author wrote me an e-mail saying the title hadn’t been his idea, and that he really admired my work very much. But he assured me that his September 2022 book had not been influenced by the Collins/Schwartz August 2020 book because, after all, he had concluded his research in 2019.

Uh, right.

The author claimed to have great respect for me, but the only book about Ness of mine that is (minorly) referenced in his new book is the Collins/Schwartz Scarface and the Untouchable (2018). There is a vague reference by this self-professed longtime Ness buff in the new book’s prologue (without mention of my name) to my Ness/Batman graphic novel, Scar of the Bat. No mention of Ness being a character in True Detective and subsequent Nate Heller novels. No mention of the four Eliot Ness in Cleveland novels, which have often been prominently mentioned in lectures and in print by Cleveland’s predominant Ness expert, Rebecca McFarland. And of course no mention of either An Untouchable Life or Eliot Ness and the Mad Butcher.

It’s a tad hard to imagine that an Eliot Ness buff would never have heard of me or my pioneering research efforts (initially with George Hagenauer and later with Brad Schwartz, the latter the major Ness expert on the planet).

And it’s been frustrating to see friends and friendly acquaintances of mine extolling the virtues of this competitive book with no mention (or possibly awareness) of our book. The MWA Edgar committees did not acknowledge either of our massive, and frankly ground-breaking books, but the author of this new Ness/Butcher book seems a shoo-in, as he’s won before. That howl of anguish you will hear, should this author be nominated or win, will (I assure) you have emanated from Iowa (and Princeton).

When we queried the publisher (also the publisher of four Nate Heller novels, the most recent, Do No Harm, featuring Ness prominently…in Cleveland!) with questions about research material from our book that seemed to have made its way into this new one, we were assured that the author simply used the same sources we had. We were unable to confirm that, but we have been assured that future editions of this rival book will have some mention of ours, perhaps in a “recommended further reading” manner.

We appreciate that.

We don’t intend to take this any further. But if you are thinking about reading – or recommending – a book on this subject, please consider doing what the author of this new Ness/Butcher book doesn’t do: mention Eliot Ness and the Mad Butcher by Max Allan Collins and A. Brad Schwartz.

[UPDATE to this week’s UPDATE written 9/25/’22:] In the Smithsonian event last night (9/26/’22), the author of the Ness/Butcher book did, if belatedly, acknowledge the two Collins/Shwartz Ness non-fiction books, giving them a full screen to themselves. He also listed me as one of “many” who have written Ness novels. That I was the first was not mentioned, nor was my role in rediscovering the Ness scrapbooks. Nor was the one-man show/feature presentation, Eliot Ness: An Untouchable Life. But it’s a start.

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On a happier note, I’d like to share a wonderful (starred!) review from Publisher’s Weekly of the forthcoming new Nate Heller novel, The Big Bundle due out Dec. 6.

The Big Bundle: A Nathan Heller Novel

Max Allan Collins. Hard Case Crime, $22.99 (304p) ISBN 978-1-78909-852-5

In MWA Grand Master Collins’s superb 18th Nathan Heller novel, (after 2020’s Do No Harm), the PI crosses paths with Robert Kennedy and Jimmy Hoffa. It’s 1953 in Kansas City, Mo., when millionaire Robert Greenlease retains Heller’s services after his six-year-old son, Bobby, is kidnapped and ransomed for $600,000. Greenlease makes the payment, but the kidnappers delay returning the child. Heller uses his underworld contacts to try to get a lead on Bobby’s whereabouts by attempting to trace the marked bills used for the payoff, though he fears that the boy is already dead. Flash forward to 1958. Heller is working both for Hoffa, the corrupt Teamsters leader, and Kennedy, then chief counsel for the Senate Rackets Committee, who’s looking to nail Hoffa. With half of the ransom never accounted for, Kennedy hopes Heller can help him prove it ended up in the Teamsters Pension Fund. Heller’s search for the money and the truth behind Bobby’s abduction proves perilous. Collins again artfully uses a real-life crime, one now obscure but headline-making in the 1950s, as the springboard for a crackerjack plot. This is another standout in a consistently good series.

And I have to share this nifty Big Bundle review from the great Ron Fortier, whose “Pulp Fiction Reviews” column is always a fun, informative read.

THE BIG BUNDLE
by Max Allan Collins
Hard Case Crimes
Arriving Dec 6th 2022
295 pgs

This is the 20th in the Nate Heller historical crime series by Collins. If you are unfamiliar with them, the conceit is simple enough. Collins, either working alone, or with other collaborators, researches an actual American crime and then drops his fictional private eye into the tale as either an investigator or actual participant in the events. In this case, he becomes both. The story revolves around the 1953 kidnapping of young Bobby Greenlease of Kansas City. The six year old was the son of Robert Cosgrove Greenlease Sr, a multi-millionaire auto dealer. His kidnappers were paid a ransom of $60,000, the largest ever paid out in American history at that time.

Collins splits the book in two parts. The first has Heller hired by Greenlease Sr. to help find the kidnappers and rescue his son. We’ve always admired Collin’s ability to empathize with his characters and that is never more evidenced than here. Believing the boy is already dead, after finding Hall, Heller’s emotional restraint is nothing short of painful as his desire to blow away the scumbag killer is kept in check with having to learn the truth. His portrayal of Carl Hall is both deft and creepy at the same time.

At the time of the couples’ eventual arrest, only half the money was recovered. Five years later the mystery remains as to where it went and who ended up with it. Reporters and police investigators suggested the funds had been laundered through organized crime and ended up in Jimmy Hoffa’s Teamsters Union Fund. Thus Greenlease Sr. once again hires Heller; this time to find out where it went. Not because he needs the money, but is sickened by the thought that unknown lowlifes profited from his son’s abduction. Like his previous Heller books, Collins skillfully weaves his protagonist through the documented historical facts having him cross paths with such players Hoffa and Bobby Kennedy.

“The Big Bundle” is classic Max Collins, that alone should have you pre-ordering it. Of all his Heller novels to date, this one will leave you feeling as if you’d been sucker punched. Since the Garden of Eden, evil has existed in our world. In 1953, it reared its head tragically.

A final note. We rarely mention of the covers of books we review. Hard Case Crime is one of the few publishers out there that always delivers stunning paintings reminiscent of the early 50s paperbacks. Paul Mann does the honors on this title offering up a Nate Heller who looks a whole lot like the late actor Robert Lansing. What we’d call brilliant casting, Mr. Mann.

And the love fest continues with this great Library Journal review of the about-to-be-published (Oct. 4) new Barbara Allan novel, Antiques Liquidation.

Antiques Liquidation Cover
Antiques Liquidation
by Barbara Allan
Severn House.
(A Trash ’n’ Treasures Mystery, Bk. 16).
Oct. 2022. 208p. ISBN 9780727850911. $29.99.

Brandy once again finds herself an unwilling partner to her septuagenarian mother’s antiques subterfuge in Allan’s 16th “Trash ’N’ Treasures” mystery (following Antiques Carry On). Awoken early in the morning by Vivian for a shady antiques shopping trip, Brandy is prepared for something to go wrong. With a little blackmail, Vivian has secured access to the auction goods before the auction happens. She has her choice of deadstock, and after an encounter with the police, is able to take it safely home. However, murder is never far behind where Brandy and Vivian are involved, and the auctioneer soon turns up dead. Vivian adds her own interpretation of events throughout the book, often to humorous effect. Readers will also find several recipes and Vivian’s tips for buying and selling antiques. Brandy’s asides about events in the previous novels will help new readers to enjoy this installment without having read the rest of the series. Fans who are returning to the series will continue to find humor in Brandy and Vivian’s relationship and will enjoy seeing favorite characters return.
VERDICT: Best for readers of cozy mysteries who enjoy small-town living, humor with a side of murder, and cute canine companions.
Reviewed by Tristan Draper, Aug 26, 2022

Our old pard Caleb York is getting a boost from Kensington, who will run price discount promotions on the York novels during October at major eBook retailers. For example, Shoot-out at Sugar Creek will be promoted with a BookBub blast on 10/8/2022 – a rootin’ tootin’ 99-cents!

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The aftermath of the presentation here in Muscatine, Iowa, on September 17 of Gary Sandy in my play, Encore for Murder (developed from a Mickey Spillane synopsis), has been gratifying. The people who saw it have approached me with praise, and others with regret that they didn’t see it.

We have just started to scratch the surface of the voluminous footage we gathered on HD of the performance. Excerpts (and interview footage of Gary Sandy and the Velda and Pat Chambers actors) will be included in the new version of my 1999 Spillane documentary, in progress. And I am hopeful we will have a complete feature version of the recorded play as well. I haven’t spent much time in editing suites in recent years and can’t wait to get back in there with Phil Dingeldein and our new buddy Chad Bishop.

* * *

Finally, Craig Zablo gives The Big Bundle a big boost here!

M.A.C.

Hear Me If You Can

Tuesday, August 30th, 2022

The Skyboat audio version of Kill Me If You Can is available now, ahead of the September 20 release of the Titan hardcover edition. Stefan Rudnicki again narrates the novel as well as the five bonus Spillane/Collins short stories (two of which are Mike Hammer yarns) that are part of the 75th anniversary package.

I can’t say enough about the great job Stefan does. Having to fill the shoes of Stacy Keach is hardly an enviable job, but Stefan pulls it off. Skyboat has been a big supporter of my work, and recently signed to do new audio versions of Regeneration and Bombshell by Barb and me.

Kill Me If You Can audiobook cover
Digital Audiobook: Google Play Audiobook Store
Audiobook MP3 CD:
Audiobook CD:
* * *

Rehearsals are heating up for our local Muscatine, Iowa, presentation of Encore for Murder featuring Gary Sandy as Mike Hammer. (For those of you in the area, or considering a road trip, here’s the info.

We had a table read with Gary joining us by phone – a conference call set-up – and it went well. My co-director Karen Cooney has done a great job casting and getting the show on its feet. I’m getting more involved now, doing some fine-tuning, but this is a strong local cast and I’m very pleased. Karen and several others of us mounting the production were able to look at the auditorium and do some in depth planning – it’s a great venue, seating 600.

We start working with sound effects and music (the latter culled from Mickey’s 1954 record album, Mickey Spillane’s Mike Hammer Story) this coming week, with a second Gary Sandy table read on Thursday.

* * *

A number of things are coming out soon – the aforementioned Kill Me If You Can and, on Oct. 4, Antiques Liquidation, which just got a snark-free review from Kirkus. Check it out:

Antiques Liquidation cover
ANTIQUES LIQUIDATION
BY BARBARA ALLAN

The mother-daughter pair of Vivian and Brandy Borne may appear to be simple antiques dealers, but there’s more to them than meets the eye.

When Vivian wakes Brandy at 2 a.m. to get a jump on a warehouse full of things that are going to be auctioned off soon—thanks to some sensitive information Vivian has about Conrad Norris, the auctioneer—Brandy gathers up her dog, Sushi, and they all drive to the warehouse where Norris awaits. They leave with a barrel of pearl buttons that Sushi picks out, two valuable toy arks, and a set of dishes. When the auction itself takes place, Norris is drunk and many people are left unsatisfied. Vivian does buy something, though—she couldn’t resist attending the auction, even having picked off some items beforehand—and when she and Brandy return to the warehouse to pick it up, they find Norris dead. Naturally, Chief of Police Tony Cassato—Brandy’s fiance—is called in. Vivian fancies herself a sleuth, and she and Brandy have solved quite a few murders together—a fact that does not incline Tony to want their help. Vivian drags Brandy along on her investigations, knowing that Norris was far from beloved by many people. Someone steals the ark Brandy had given to her best friend’s daughter, but Brandy is hesitant to finger the two collectors she knows fought fiercely to buy the remaining arks at the auction. Vivian and Brandy may be amateur detectives, but they know a hawk from a handsaw and are determined to track down the killer, especially once a skeleton is found in their button barrel, opening up a long-dead case.

Amusing mystery chockablock with antiques lore.

We intend to have book giveaways on both Kill Me If You Can and Antiques Liquidation, so stay tuned.

Before too very long we should be seeing the publication of Fancy Anders for the Boys and Cut-out from Neo-Text. These will be available both as e-books and physical books. (Cut-out is a Barbara Collins and Max Allan Collins collaboration.)

And the new Nate Heller, The Big Bundle, will be out in hardcover from Hard Case Crime in early December.

I am about to begin the writing of Too Many Bullets, the RFK assassination Heller novel, after months of research. Those months will mean that the flow of books out of here will lessen next year, probably to just three. Some of this has to do with me deciding to slow down because I’m (damnit) 74. Some of it has to do with the amount a research that goes into any Heller novel, but this one has been unexpectedly onerous.

Like a lot of Americans, I assumed the Sirhan Sirhan assassination of Robert F. Kennedy was an open-and-shut case. I knew there were doubts and expected to explore them. But I did not (although I should have) expect the number of rabbit holes I’d be drawn down into.

After filling three notebooks, I have fashioned a rough synopsis, which I will be refining and expanding starting this afternoon. I hope to be writing this week.

As I’ve mentioned, I had intended this novel to cover Jimmy Hoffa material in a lengthy (middle section of the book) flashback. But as an echo of what happened to me writing True Detective in 1981 and ‘82, I found myself facing a book of potentially 1000 pages and had to retool.

(What happened with True Detective is that it turned into two books, the second one being True Crime, the first section of which was planned as the final section of True Detective.)

So Hoffa will probably become a separate book, out of chronology (although there hasn’t really been a linear chronology for Heller since after Neon Mirage).

I know some of you would prefer I write about Quarry or even Nolan (a few still request Mallory). I will indeed write about Quarry again, if I’m able, though I’ve stuck a fork in Nolan with Skim Deep. Of course, if the Lionsgate production of a Nolan film actually happens, I’ll be tempted to sell out. There’s always another story to tell if there’s money involved.

Mallory seems almost certainly a “no.” He was too on-the-nose “me.” I prefer the slightly off-kilter “me” of Heller and Quarry. And of course I’m occasionally called upon to channel Mike Hammer.

* * *

Speaking of Nate Heller, here’s an essay that includes the Heller saga as among the best novels that deserve to be made into TV shows.

Road to Perdition is recommended as one of the best movies to watch on Paramount+ right now.

An in-depth and very positive overview look at my series of Quarry novels – something that has rarely been done – can be found here.

M.A.C.

A Sumner/Collins Interview and Where To Find Sympathy

Tuesday, August 9th, 2022

My friend and editor at Titan in the UK – the great Andrew Sumner – did an interview with me about the Mike Hammer novel being published September 13th (Kill Me If You Can) as part of the 75th anniversary of Mickey Spillane’s great private eye.

Andrew has edited the last three or four Hammers, at my request. Several previous editors at Titan – while good, smart people – were not familiar with Hammer or Collins or the quirky way of American tough-guy argot. Andrew is, and he’s been a pleasure to work with.

I will spoil the punchline of the interview by revealing here that I have signed with Titan to complete the Mike Hammer Legacy series with two final Mike Hammer novels, to be published in 2023 and 2024. These final two books will, as have all of the books in this series of Collins completed novels, contain genuine Spillane content.

What an honor and pleasure it has been to undertake this task. It’s not entirely over, because a number of non-Hammer fragments remain that may generate Spillane novels, and there’s even the possibility of a couple of Hammer short stories. But the novel saga of Mike Hammer is drawing to a close, with the shelf of 13 expanding to 29 plus a short story collection (A Long Time Dead) rounding the series to an impressive 30.

I should also thank Otto Penzler at Mysterious Press, who published the first three Spillane/Collins Hammer novels (The Goliath Bone, The Big Bang and Kiss Her Goodbye, all under the Titan umbrella now) as well as the short story collection. Otto’s understanding and appreciation of Mickey and Mike’s legacy will continue with the January 2023 publication of Spillane – King of Pulp Fiction (by James L. Traylor and myself).

This will be a somewhat short update because, frankly, I am dealing with a health issue. I hesitate to mention it because – as with the recent passing of our family dog, Toaster – this might elicit an outpouring of support, good thoughts and even prayers. Which is always appreciated, but I don’t think any of this is a big deal – just the price of living this long and trying to stay active.

One aspect of my heart problems – which my open-heart surgery in 2016 dealt with effectively – is an occasional recurrence of Afib. Some people can handle Afib as a part of their daily lives, but it throws me for a loop. Nonetheless I didn’t realize I’d slipped back into Afib until I took a previously scheduled PET stress test a few days ago.

I’d been dragging around and fighting sleepless nights for about a week, and had suffered through a band job where I could barely tear down and set up and tear down my keyboards, and where my performance was perfunctory at best. Having been through Afib several times before, I should have tipped to it immediately. But didn’t. The stress test had barely begun when the nurse informed me I was in Afib.

Actually, what she said was, “Did you know you were in Afib?”

I said I didn’t, managing not to proceed that with “duh,” as I’d been experiencing every symptom.

Anyway, luckily I am able to go in tomorrow (Monday) for cardioversion, which is essentially jump-starting your heart. Usually it’s just one long day in the hospital. This is Sunday as I write this, and will happen Monday, while this Update appears on Tuesday, so good wishes are not necessary – the shooting match will be over.

I share this with you because, obviously, it’s on my mind. I began writing F.O.M.A.C. (Friends and Family of Max Allan Collins) updates decades ago. This was prior to using the Internet for that purpose – these were literal, physical newsletters that went out once or twice a year, and announced bookstore and convention appearances, and let readers know what novels and comics and even movies were coming out.

At some point – and I have zero memory when – we moved this to the Internet, and again the occasional postings were prompted by appearances and publications. My son Nate suggested the infrequence and irregularity of these updates were not helpful and nudged me into more regular postings. Before long we switched to weekly ones.

Frankly I focused on promo of my work, links to favorable reviews, and not much else for a while, until again my son said I needed to be more personal (something he came to regret to a degree). Nate particularly encouraged me to pull back the curtain on the writing process – talking about how Nate Heller is researched and so on. To mix metaphors, to share how the sausage is made.

Now and then I wandered into politics and again my son warned me against it, and he was right. I weaken now and then, and still make no secret of my politics; but no real political opinion stuff appears here. What I drifted into was reviews and other discussion of popular culture, which I enjoy doing and get good response doing it. A more personal side began creeping in.

I was a big fan (and a friend) of Harlan Ellison’s. I told him often that I loved his collections of stories where he introduced and discussed his own work. I really loved (and love) that sense of who was behind the fiction being part of the mix. This has crept into my books, with introductions and afterwords (particularly of reprinted material), containing autobiographical looks at how novels or stories came to be written – for example, the convoluted tale of how Nolan began at Curtis Books in the early ‘70s, with only two of the five books seeing print by that company before they were swallowed up by Popular Library; and how the remaining three and one new one were picked up by Pinnacle in the ‘80s. And how Don Pendleton thought I was stealing from him because Nolan rhymed with Bolan.

And the Nolan story is a lot more complicated than that, but my essays about it can be found in the Hard Case Crime two-fer collections of the novels.

A turning point came in 2016 when I had open-heart surgery and wrote about the experience here. My writer pal Steve Mertz said that was some of my best stuff ever, and he knows whereof he speaks. So I have been more frank here, although my son from time to time protects me when I get out of hand…as when recently I went ballistic about a review that irritates me and he reminded me it was a three-year-old review and I should probably get over it. So we cut that bit.

Maybe someday I’ll collect some of the best of F.O.M.A.C. and let the censored stuff see the ill-advised light of day.

Anyway, this is a long-winded way to say that I don’t write about sad and personal and medical things here to get your sympathy. As my late friend Paul Thomas used to say (quoting his father), “If you want sympathy, it’s between shit and syphilis in the dictionary.”

Nonetheless, I want to thank you for reading these blog entries. With luck, I’ll see you here next week.

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This is an interesting column by a reader who has picked up Girl Most Likely and is experiencing it via the book and audio being able to sync up. She promises a review of the novel soon.

In the current entry of the Rap Sheet, J. Kingston Pierce talks about my announcement of Too Many Bullets, and how it will deal with “the 1968 assassination of Robert F. Kennedy, he explains, but will also ‘cover both Jimmy Hoffa and Sirhan Sirhan,’” and how it may be the last Nate Heller novel. Turns out I am an unreliable narrator, because (with editor Charles Ardai’s blessing) I have already decided to turn Too Many Bullets into two Heller novels. Too Many Bullets will be the RFK assassination novel. The as yet untitled Heller after that will go back and deal with the Jimmy Hoffa story. This came about because – as is always the case – the research has led me places I did not expect to go.

Fifteen movies are recommended here, and one of them is Road to Perdition.

And Road to Perdition is also one of the best movies that have moved to Amazon Prime.

M.A.C.