Posts Tagged ‘Mickey Spillane’

Hey Kids – The Last and Biggest Book Giveaway of 2021!

Tuesday, November 2nd, 2021

This is the last book giveaway of the year – ten copies of Fancy Anders Goes to War and ten copies of The Many Lives of Jimmy Leighton. Write me at macphilms@hotmail.com with your order of preference. You pledge to write a review at Amazon for these – I specify Amazon because both books are exclusive with Amazon on Kindle and (for now at least) as physical media…you know, books.

If you hate the book, you are released from your pledge to review it, though of course you may anyway. This is a USA only book giveaway. Be sure (IMPORTANT) to include your snail-mail address, even if you’ve won previously.

Here, by the way, is a link to NeoText and their announcement of The Many Lives of Jimmy Leighton, where you can also buy it.

Anybody out there who reads and likes either of these books, your Amazon reviews are vital this time around. As I mentioned last week, neither book went out to the publishing “trades” – Publisher’s Weekly, Kirkus, Library Journal and Booklist. The reason is boring, so try not to let your eyes glaze over: NeoText is an e-book publisher, and fairly late in the game I convinced them (they are good people) to do print versions as well. These are Print-On-Demand books (and they look great). But “late in the game” means we weren’t able to get them to the trade reviewers on time.

Some of the Internet reviewers and a few newsstand magazines will get copies, though. But obviously it’s vital that my fans (both of you) review these books, preferably favorably, and get the word out.

Dave Thomas and I are doing our best to let the world know about Jimmy Leighton. We recorded a two-part Gilbert Gottfried podcast last week, which should “drop” (God I hate that expression) soon. We have done other podcasts together and separately, and some online interviews, too. Some links will follow at the end of this update.

Dave and I have become good friends, which I can hardly believe, stone SCTV freak that I am. He is a great guy, warm and funny but also with a genuine streak of Bill Needle (SCTV fans will understand). While we met a couple of times (unmemorably for Dave) before, during the writing of The Many Lives of Jimmy Leighton we did not. The plan had been for one of us to travel to the home/locale of the other, before we dug in to the writing – to plot the book, get a synopsis together, in person.

Then Covid came along.

So The Many Lives of Jimmy Lives became a Covid book – developed by Zoom and daily telephone calls (more than once a day, often). Dave did the first pass of each chapter, but called me frequently during the writing – he would read me what he’d written so far, I’d give notes, and we’d kick around where the chapter might go from there. Dave gets bored with just executing the synopsis, so the story became fluid in an interesting and positive way. I have never worked this way, and it was a glimpse into how SCTV and TV writers’ rooms work.

Dave had a bad health scare along the way – not Covid-related, other than the anxiety caused by having to deal with a health crisis when hospitals were overflowing with Covid cases – at a point where we had the first five chapters and a synopsis ready. We had already decided that we would do just that much before taking it out to market.

With Dave in the hospital, quite frankly fighting for his life, I set about to sell our book. I tried a couple of venues where I’ve had some success and got the kind of frustrating responses that longtime pros are used to – glowing enthusiasm and delight leading up to “not right for our list” as the punchline.

I was not prepared for that, though should have been. It is always difficult to sell a genre hybrid, and Jimmy Leighton was exactly that – half contemporary science fiction, half gritty crime novel. I brought my agent on board to try Canadian publishers, because Dave is a national treasure up there – a genuine superstar, as Bob and Doug are among the few Canadian icons. We got nowhere.

My agent was about to take it to other American publishers (only two had seen it) when I mentioned the project to my editor at NeoText, where I had just delivered Fancy Anders Goes to War. He was eager to see the chapters and proposal. The sale came quickly.

The Many Lives of Jimmy Leighton, without text, trimmed
E-Book: Amazon Purchase Link
Trade Paperback: Amazon Purchase Link

Fancy Anders was set up to be published as three novellas, and each – although designed to add up to one book – was a stand-alone. We had brought the great Fay Dalton aboard to do elaborate illustrations for the Fancy novellas, so to give her time to accomplish that, we set up a program whereby the publication of the three Fancy novellas would be staggered over six months at least.

Initially we were going to publish Jimmy Leighton the same way. But first Dave – then I – became concerned that the three sections of Jimmy didn’t each stand alone in the way Fancy did. And we had early on abandoned the idea of illustrations for the book, other than the cover art. So – again – fairly late in the game, we lobbied for NeoText to publish Jimmy as a single book. The novel had been written that way and it began to make sense following that path, not the Fancy one.

It’s cost us reviews, which is (as I’ve indicated) where you come in.

I know I harp on this a lot. But the nature of the beast these days is that you nice people who actually still read books need to support the authors you like with reviews online, particularly at Amazon.

I irritated some readers when I complained about self-professed fans of mine who would (in my view) attack novels of mine that didn’t suit what they wanted from me. On artistic grounds, my hopping around from here to there has a lot to do with me staying fresh and also pursuing various interests, which takes me various places, obviously. But on practical grounds, I write a lot to stay in business and bad reviews from people who only like some of my work, and go out of their way to complain about what they don’t like, costs me money. Worse, it can cost me venues.

This is true for all of us telling stories in the very old-fashioned prose fiction way. Support the authors you like. Don’t just write reviews of my stuff, but theirs, too (I’m fine with me being at the top of your list, though). Even a couple of sentient sentences will do, but longer expressions of delight are good also (very Jerry Lewis cadence there)…even balanced, well-reasoned opinions are encouraged. Those numbers – how many reviews and even just star ratings have been logged – are key for the success of a book, and for an author to continue producing.

Novelists are an endangered species, like the spotted owl. Keep us healthy and fed, would you? Spotted owl is delicious, by the way.

* * *

I’ve had some wonderful comments on my ten-part literary memoir, A Life in Crime. I hope to write a few more entries over time, and eventually collect them into a book. Among the things I did not discuss at length in the series are my adventures in indie filmmaking, comics/graphic novel writing, the Spillane novels (Caleb York deserves a chapter of his own), and a bunch of other stuff.

The serialization of A Life in Crime allowed me to focus on the Spillane biography, which I completed my draft of over the weekend. I still have the lengthy “Spillane Files” appendix to work on, although most of that was already put together by Jim Traylor, who has been working on this project literally since Mickey’s passing in 2006.

This will absolutely be the definitive book on Mickey Spillane – the story of his life, and the story of his life’s work. We hope to send it to our publisher, Mysterious Press, this month.

* * *

I was disappointed in Halloween Kills. The same writing/directing team who did the much superior Halloween reboot stumbled here, sacrificing a political allegory about Jan. 6 and the divisiveness in America to a humorless and unpleasant gore fest. I understand this is the second of a trilogy and I liked the first film enough to give the third one a try.

Barb and I watched Halloween 3: Season of the Witch, which is flawed but very entertaining and underrated. Halloween Kills could have benefitted from this much unloved non-sequel’s strong but fleeting gore, and heavy-handed but effective satire.

In the Halloween spirit, I showed Nate The Final Girls, the 2015 horror comedy that has a group of current teens getting stuck inside an ‘80s slasher movie. It’s somewhat little known but is well-worth checking out, if you are at all a fan of the Halloween/Friday the 13th genre.

* * *

Here’s a great Fan Base interview with Dave Thomas on our novel, The Many Lives of Jimmy Leighton.

Check out the Dave Thomas Appreciation Page at Facebook.

Finally, here’s the Word Balloon podcast with Dave about the book (and his SCTV adventures).

M.A.C.

A Fancy Look and the History of Heller

Tuesday, September 14th, 2021

Here is a hot-off-the-presses look at the cover of the print edition of Fancy Anders Goes to War.

Fancy Anders Goes to War Print Cover

As I’ve mentioned here, three Fancy Anders short novels have been done for NeoText. The emphasis is on e-book, but I realize many of you (who are nice enough to follow these updates) much prefer actual books…the much-derided “physical media” of us Luddites.

Well, the physical version of Fancy Anders Goes to War should be very nice indeed. The interior illos by Fay Dalton will be in black-and-white (color in the e-book) and with luck one day we’ll have a collection of all three novellas that will be a larger format with color interior pics.

For now, this is the only print edition. And be advised it’s strictly available online – the e-book is Kindle only – and will not be seen in brick-and-mortar bookstores.

I am really proud of this project and hope you will support Fancy, Fay and me. Here’s where you can pre-order the Kindle edition.

Pre-ordering the print edition has not gone live yet, but I will let you know as soon as it does.

[NEWS FLASH: Pre-order of FANCY ANDERS GOES TO WAR now available: Amazon Purchase Link]

* * *

The main event this week is again an installment of my ongoing “A Life in Crime” series at NeoText’s site, this time dealing with the history and development of the Nathan Heller saga.

One of the great things about NeoText is their willingness – even enthusiasm – to support my work even when it’s for other publishers. I will be starting on – later this year – The Big Bundle, the first of at least two Nathan Heller novels for Hard Case Crime.

Right now I am working on the Spillane biography with Jim Traylor for Otto Penzler at Mysterious Press. It’s a big job but one Jim and I enjoy. I had to gather from several places in my house huge stacks of Spillane material to go through and, in many cases, take notes from. My collecting of articles and reviews and what-have-you pertaining to Mickey’s work goes back to my junior high days in the late ‘50s and early ‘60s, and earlier material that I picked up through collecting sources. It’s been like poking my ink-stained fingers through a brain filled with decades of memories.

My hope is that Jim and I will be able to present the story of Mickey’s life in the context of the important, much under-estimated contribution he made to the American mystery and world popular culture.

* * *

Here’s a podcast about Road to Perdition, film and (to a lesser degree) graphic novel.

M.A.C.

Happy Anniversary – Everybody!

Tuesday, August 3rd, 2021
Suspense His and Hers cover
E-Book: Amazon Purchase Link
Trade Paperback: Indiebound Purchase Link Amazon Purchase Link Books-A-Million Purchase Link Barnes & Noble Purchase Link

We hope to have advance copies of Suspense – His & Hers before too long. The pub date is September 8. Wolfpack has done another outstanding job on the cover of this collection, a companion piece to Murder – His & Hers, also published by Wolfpack (originally published by Five Star).

These two His & Hers collections are unusual in that they gather individual stories by Barb and me, as well as collaborative ones. I feel my best individual short story I’ve ever written is in Suspense (“Amazing Grace”) and a collaborative one that is primarily by Barb (“What’s the Matter With Harley Quinn?”) is a particularly strong example of her work. These are both recent stories and reflect how personal experience impacts our writing. Also included are two Quarry short stories and the Edgar-nominated Ms. Tree prose tale, “Louise,” by me. Several “best of the year” stories by Barb are included.

“Amazing Grace” was suggested by my great grandparents’ Golden party. It was particularly significant in real life, and I had told Barb about it several times (my great grandfather, with all the family gathered at a big anniversary party, announced she was divorcing my great grandfather, a sweet tippler who deserved the boot). When I got the assignment to write a story involving an anniversary for an MWA collection, Barb reminded me of this true event and I was off and running.

“What’s the Matter With Harley Quinn?” derives from Barb’s experiences at the most recent San Diego Comic Con we were able to attend when she spent two days trying to get collectible pins for our (very much grown) son Nathan, who did not attend the con that year. Not a comics fan herself, Barb was thrown into a rather wild and wooly lion’s den and, typically, she came out bloody but unbowed, and with a story in mind. If Alfred Hitchcock Presents will still on, her stories would be a staple there. Our friend the late Ed Gorman frequently compared her work to Roald Dahl’s.

Our Antiques Carry On is out right now, and I hope you’ll look for it. Frankly, we haven’t seen it (a hardcover) in a Barnes & Noble or BAM! yet, the only bookstores we’ve been to in post-Covid. The book is very handsome and (I say with zero modesty) funny as hell, as well as a good mystery, so your support is encouraged. We have a new publisher, the British house Severn, and they packaged the book very well indeed. But the future of Brandy and Vivian Bourne is in your hands.

Speaking of bookstores, a friend of the family sent in this lovely display from Powell’s Books in Portland:

Powell's Books M.A.C. display.

I have completed the 75th anniversary Mike Hammer novel, Kill Me If You Can, which will have five bonus Spillane/Collins short stories that include two Hammer tales. It’s going to be a special book, just one of a number of things I’m working on to make Mike Hammer’s anniversary (yes, this is an anniversary-themed update) special. The anniversary in question is the first appearance of the detective in I, the Jury (1947).

I should say first published appearance, because as those of you who have really been paying attention know…the first appearance of the character, as Mike Lancer, was in a Green Hornet comic book (#10, December 1942) and the character was first developed by Mickey as Mike Danger as a comic project that did not come to fruition, and in an unfinished novel that became the Spillane/Collins collaboration, Killing Town.

Kill Me If You Can is based on mid-‘50s material Mickey wrote with radio and later TV in mind, and gave me the opportunity to deal with the younger, psychotic Hammer in a more direct way than ever before. Basically it bridges Kiss Me, Deadly and The Girl Hunters (the film of which is on several streaming services right now, by the way).

Tom Sizemore and Sasha Alexander in The Last Lullaby

The Last Lullaby, based on the Quarry novel The Last Quarry with a screenplay co-written by me, is streaming in HD on Amazon Prime right now, included with your Prime membership (if you have one, of course). [And $2.99 to rent / $6.99 to buy if you don’t have Prime.–Nate] It’s a good film and is probably more in line with the novels than the Cinemax series was, though Quarry is called “Price” because I didn’t want to grant sequel rights.

M.A.C. holding a copy of To Live and Spy in Berlin at his desk

Finished copies of the trade paperback edition of To Live and Spy in Berlin by Matt Clemens and me were sent out to the winners of the most current book giveaway. It’s a thing of beauty, and that wonderful essay Jeff Pierce wrote about the series in January Magazine has sparked real interest.

And now the estimable Ron Fortier has written the following rave review, which I will (still immodest) share with you:

TO LIVE AND SPY IN BERLIN
By Max Allan Collins with Matthew V. Clemens
Wolfpack Publishing 221 pgs

With this third installment of the John Sand series, Collins and Clemens put forth a proposition many past mystery writers have tackled; can marriage still be romantic and sexy? Following the events that were detailed in “Come Spy With Me” and “Live Fast, Spy Hard,” former British Agent John Sand and his Texas Oil Heiress wife, Stacey, have together joined the new international spy organization called GUILE created by U.S. President John Kennedy and run by former British Spy Chief Sir Lord Malcolm Marbury; known affectionately as Double M.

As we rejoin the Sands, the major issue between them is whether or not Stacey becoming an operative was a good idea or not. A series of lethal encounters with a team of professional assassins has John rethinking his decision. At the same time certain intelligence comes to the surface that former Nazis who escaped capture at the end of World War II may be active in Berlin, after having disappeared for several decades in certain South American countries. Bomb making uranium has been stolen and the likelihood of these renegade Nazis creating their own atomic bomb is a threat that cannot be ignored.

As in the first two entries, Collins and Clemens cleverly work in actual historical settings throughout the thriller, weaving their fiction skillfully around real people and the volatile political atmosphere of the early 1960s. Yet despite this outer layer of narrative, it is the relationship between John and Stacey that is truly captivating. It was impossible not to recall other literary and cinematic spouses from the past. From Nick and Nora Charles, to televisions Hart to Hart and McMillan & Wife, married duos sharing outlandish adventures worked remarkably well in the past and they are very much the pedigree of this thrill-a-minute new series.

As always, Collins and Clemens offer up a whole lot more than any back cover blurb can properly define. This series is brilliant in all its many aspects. If you’re a spy junkie like us, its time you met the Sands.

Ron does entertaining and informative reviews regularly at his Pulp Fiction Reviews blog.

And if you’re not a regular reader of J. Kingston Pierce’s Rap Sheet, you should be. There’s a mention of my stuff in this incredibly packed installment of his informative Bullet Points.

M.A.C.

Sand, Free John Sand Book & More

Tuesday, July 27th, 2021

The Book Giveaway for the third John Sand novel, To Live and Spy in Berlin, by Matthew V. Clemens and me and published by Wolfpack starts right now – ten physical copies are available to the first ten of you who ask for one.

[All copies have been claimed! Thank you for your support!]

In return you agree to write a review at Amazon and/or other review venues (Barnes & Noble, Goodreads, various blogs). Should you dislike the book, you are absolved from that duty if you wish.

I would love to run J. Kington Pierce’s wonderful piece on the John Sand books for January Magazine, but you will need to follow the link here.

But it’s so encouraging to see a really intelligent professional and highly respected reviewer understand what Matt and I are up to in the Sand books. Good reviews are great for marketing, but it’s really gratifying when a smart critic “gets it.” (He also writes about it briefly at the Rap Sheet.)

My pal and Titan editor Andrew Sumner did an interview with me for the at-home San Diego Comic Con. It runs an hour and he did his usual terrific job. We cover all the Titan stuff – the forthcoming Ms. Tree Volume 3: The Cold Dish, the current flurry of Nolan books from Hard Case Crime (including Double Down), and next year’s 75th anniversary Mike Hammer novel, Kill Me If You Can for Titan, which I’m writing now (and which is the reason so little content is available here this week beyond the giveaway and some news items). Generously Andrew asks me about non-Titan projects, including the Spillane bio I’m doing with Jim Traylor for Otto Penzler at Mysterious Press and, yes, the John Sand series (and more) at Wolfpack.

I’m also a guest at the home version of the Sentai con, where I discuss Lone Wolf and Cub and Asian action films in regard to Road to Perdition. Info here.

A couple other pieces of news/information.

First, the rights to the Nate Heller novel Better Dead have reverted to me and I hope to line up a new publisher because there’s never been a paperback edition. And for now the e-book is off the market.

Second, in a bizarre mistake, the paperback edition of the Caleb York western Hot Lead, Cold Justice was published with the art for the previously published Last Stage to Hell Junction. A new edition will be published soon by Kensington with the correct art (the same art as the hardcover edition of Hot Lead). I hope to be able to have a way for anyone with the a copy of the wrong cover to be sent a corrected version. More on this later.

Dead-End Jobs: A Hitman Anthology
Paperback: Indiebound Amazon Books-A-Million (BAM) Barnes & Noble (B&N) Powell's
E-Book: Amazon Google Play Nook Kobo iTunes

Andy Rausch, editor of Dead-End Jobs: A Hitman Anthology (which features a Quarry short story), is interviewed by Michael Gonzales on the subject of fictional hitmen here.

Book Bub has a $1.99 e-book deal on the Mike Hammer novel Murder Never Knocks, which they describe as a page-turning noir thriller: Legendary PI Mike Hammer scours Hollywood’s dark underbelly for the person who tried to have him killed. “This novel supplies the goods: hard-boiled ambience, cynicism, witty banter, and plenty of tough-guy action” (Booklist).

Check out this excellent write-up on an unfortunately out of print collection of my early Dick Tracy work with Rick Fletcher.

Finally, this should lead you to an excellent documentary about Walter Tevis, who (like Richard Yates) was one of my instructors at the University of Iowa Writers Workshop.

M.A.C.