Posts Tagged ‘Barbara Allan’

Previews of Coming Attractions

Tuesday, March 30th, 2021
Kiss Her Goodbye Paperback

Last week’s book giveaway went well and all thirty signed copies (ten each of Two for the Money, Kiss Her Goodbye (with the uncensored ending), and Shoot-out at Sugar Creek) have been distributed.

I am grateful for those of you who participate in these book giveaways and follow up with reviews. It’s one of the few things an author can do to promote titles in the Covid era, though even before that bookstore signings had already declined in effectiveness.

A giveaway for the recently published third John Sand novel, Live Fast, Spy Hard, will be offered here as soon as I get copies of the trade paperback. At this writing, I’m not sure the “real book” edition is available yet, though I’m checking. The e-book is available now, of course, and we’re already generating some nice Amazon reviews.

The new publisher of the Antiques Trash ‘n’ Treasures series has asked for another book, and Barb and I had already been working on the proposal for what will be Antiques Liquidation. We will be plotting it in more detail this week, doing a chapter by chapter breakdown. As some of you know, Barb writes a complete first draft and then I do the final one, with her input of course.

Meanwhile, my co-author Matt Clemens has been working on his draft of To Live and Spy in Berlin, the third John Sand novel, which we plotted and broke down into chapters a few months ago. I will be starting my draft very soon.

What I have been working on are two projects for Neo-Text, a new publisher (chiefly of e-books) with a great web site you should be checking out regularly.

The first project, which I completed several months ago, is Meet Fancy Anders, the overall title of a series of three novellas about a female private eye during World War Two in Los Angeles; the novellas are interrelated and will become a novel of that title. Fancy goes undercover as a defense plant worker, a Hollywood Canteen hostess, and a movie extra. I’m extremely excited about this series, which was fun to do, and the e-books will be illustrated by a top female artist, those illustrations porting over to various book versions – likely a trade paperback but also a larger-size, possibly hardcover book with full display of the mostly color art. The idea is for each chapter to begin with a full-page illustration.

Dave Thomas

The second project, which I’ve hinted at here, is co-written by Dave Thomas of SCTV fame (who was also a writer/producer on the TV series Bones and Blacklist). It’s called The Many Lives of Jimmy Leighton and is a genre-straddling (s-f and crime) saga that will appear in three parts and, like Fancy, be collected as a book, again possibly in several formats. We are lining up a top comic book artist to do the covers and illustrations. I finished my draft of the third and final part today, and will be doing revisions this week, then shipping it out to Dave for our final mutual edit/tweak. He’s a great storyteller and this is very much a fifty/fifty collaboration. And I think this novel will be one of my best.

This is sizing up as a very busy year for me. The Heller novel I’ll be doing (well, it straddles the latter part of this year and next) will sideline Quarry for a while, and Caleb York will have to cool his spurs likely till 2022 or even ‘23. I have a Mike Hammer novel to complete, the Spillane bio with James Traylor, and another Spillane project that will be announced later.

I think I’ve spilled enough beans already.

* * *

I have encountered two films that are not likely to be on your radar – indie productions that are not big-budget affairs but that you may find worth your while.

My son Nate and I liked the sound of The Kid Detective, a 2020 film starring Adam Brody, and decided to give it a try. It’s one of my favorite films in some time (and I think Nate has the same opinion). The premise is whimsical – in a small town, a 32-year-old private detective is existing on the fumes remaining from his high octane reputation as a kid detective when he was, yes, a kid. It’s as if Encyclopedia Brown grew up and tried to continue his detective adventures into adulthood, with the expected absurd results. The idyllic town hasn’t weathered the years any better than the now-grown kid detective, and his fellow citizens rather resent and even deride him. But he hangs in there. The humor here is gentle with a surprising edge, and laugh-out-loud funny frequently, though two real crimes – one old, one new – hang over the comical proceedings like dark, gathering clouds.

Despite the smalltown setting, and the quirky caprice of the premise, this is a genuine private eye movie with film noir themes and under- and overtones despite a surface that might be an after-school special. Prepare to be sucker-punched, because when the two mysteries converge and pay handsomely off, things get as dark as any noir. And the final moments are serious and moving and also surprising.

The other film worth checking out, if what I am about to describe intrigues you, is VHYES, a 2019 feature described thusly on IMDB: “This bizarre retro comedy, shot entirely on VHS and Beta, follows 12-year-old Ralph as he accidentally records home videos and his favorite late night shows over his parents’ wedding tape.” If you read the Amazon reviews, you will find some viewers outraged and highly annoyed by the film, and others loving it (I am in the latter camp). Like Kid Detective, it has a whimsical premise that becomes more serious as the film progresses. The home-movie events that get intermittently recorded over are, as unlikely as it first seems, a narrative that has some emotional impact (again, like Kid Detective).

What the IMDB write-up neglects to mention is that the VHS cartridge is being taped over in 1987 and the entire film is set in that period. In some respects VHYES is in the tradition of the ‘70s TV parody films like The Groove Tube, Tunnelvision and Kentucky Fried Movie, pre-SCTV efforts often featuring Second City performers. VHYES features Kerri Kenney and Thomas Lennon of RENO 911, which may be enough to sell some of you – it did me.

You get snippets of public access, PBS and kid’s shows, commercials, spoofs of Home Shopping Network and Antiques Roadshow, and a real story, if you’re paying attention.

* * *

A reminder that Barb and I are doing a Master Class via Zoom that is available to anyone interested. Here’s the info again:

DSM Book Festival: Sat. April 3
Workshop: Max Allan Collins at 9 a.m. (duration 1 hour)
Log-in: 8:40 a.m.

Workshop description:
Learn from the masters, Max Allan Collins and his wife Barbara Collins, as they each present their Top 5 Fiction Writing Tips and then field questions from the class. Together, Max and Barb have published the Trash & Treasures mystery series. Max is the New York Times bestselling and award-winning author of Road to Perdition, True Detective, the Quarry series, Girl Can’t Help It and many more.

The registration deadline is today! (March 30)

https://www.dsmpartnership.com/dsmbookfestival/attend/writers-workshops

M.A.C.

Short Cuts

Tuesday, February 23rd, 2021

I came to short stories late in my career. I had written a good number as a teenager and, in the Writers Workshop format at the University of Iowa, writing short stories was expected. But I didn’t submit anything professionally until the mid-1980s, and then almost always when I was invited. I believe the first professionally published short story was “The Strawberry Teardrop” (a Heller story) for a PWA anthology. I did allow several early things to be published in Hardboiled, back when my pal Wayne Dundee was the editor, but I don’t recall the exact time frame.

The limited number of markets discouraged me, and they still do. I tried Ellery Queen Mystery Magazine with “A Wreath for Marley,” but the editor turned it down as too long (and it’s a novella, so that’s valid) although claimed to like it. I sold a Heller story to them later – don’t recall which one – and since then, on the rare occasions I submit to EQMM, they haven’t turned anything down. This to me is a real honor. I’ve never submitted anything to Alfred Hitchcock, their sister magazine, simply because I have a good relationship with the editor at EQMM.

The response there to my submissions of Spillane/Collins short stories has been favorable – I did both “A Killer is on the Loose!” (from an unproduced Spillane radio play) and “The Big Run” (from an unproduced TV script by Mickey, done for Suspense). And now, for the first time, a Mike Hammer story appears in EQMM (the March/April 2021 issue) and the Spillane & Collins team has made the cover. [Amazon Link]

This, frankly, delights me.

Ellery Queen's Mystery Magazine March/April 2021

We are the issue’s Black Mask Department story, and are the lead story, which is a thrill. And here is what editor Janet Hutchings says by way of introducing “Killer’s Alley,” adapted by me from a short Hammer film script:

“Although Mickey Spillane’s Mike Hammer stepped onto the crime-fiction scene in 1947, just six years after EQMM was founded, he’s never appeared in our pages. As we celebrated the magazine’s 80th year, it’s high time he joined EQMM’s panoply of iconic characters.”

One of the joys of being the keeper of the Spillane literary keys is to see how warmly he is now regarded. This is, frankly, a big deal, getting the EQMM seal of approval. Folks my age (and a few of us are still kicking) know how less than warm the reception was to Mickey and his success in the early ‘50s from a lot of critics and writers who should have known better, but were seized by a fit of jealousy.

Short stories have been on my mind of late, because I’ve been dealing with going over the galley proofs of two new collections of my short fiction, Reincarnal & Other Dark Tales and the forthcoming Suspense – His and Hers: Tales of Love and Murder. The latter, due out in September, is a follow-up to Murder – His and Hers, and again collects stories written individually by Barb and me, and together.

Assembling these has not been without speed bumps. Wolfpack has been incredibly supportive, bringing out much of my remaining back list – the four Eliot Ness novels, the two Mommy novels, and Shoot the Moon, though I haven’t seen a physical copy of that yet. They will be bringing out Regeneration and Bombshell by Barb and me, stand-alone novels.

Already they have Murderlized (by Matt Clemens and me, a new collection I’ve very proud of) and the existing collections, Blue Christmas and Murder – His and Hers. Barb’s Too Many Tomcats is out, too, with an intro and a co-written story by me.

Again, there have been problems. I think Wolfpack’s covers are great, but I’ve had copy-editing problems; but editor Paul Bishop has been patient with my fussiness with both Reincarnal and Suspense – His and Hers. Not every problem can be blamed on copy editors, though. These stories span something like 37 years, and each tale is a file, sometimes going back to (ready for this?) WordStar days. So what we delivered sometimes had glitches I hadn’t caught. A typical problem was that, for a long time, editors wanted italics indicated by underlining; maybe a decade ago, they switched to wanting italics indicated by, yes, italics.

And Wolfpack had to get a bunch of my books out all at once. Reincarnal has a problem that a number of you have pointed out – the table of contents page is messed up. One story is not included and the numbering is wrong. I missed this. I frankly never thought to check the table of contents.

The nice thing about the e-book age is that we can correct things like that. So anyone ordering Reincarnal now, whether e-book or physical book, will have a corrected table of contents. The rest of you – well, what do you know? You own a collector’s item!

Seriously, though, folks – if you catch a typo in anything of mine, whichever of my publishers has put it out, let me know at macphilms@hotmail.com. We will at the very least be able to correct the e-book version.

Barb, by the way, has been a natural from the start where short stories are concerned. She grew up on Alfred Hitchcock Presents and The Twilight Zone and developed a real feel for a compact form with a twist ending. From the start she got great reviews and reactions for her stories, including getting slots in “best of the year” anthologies. For her, novel-writing was a stretch, but she has adapted beautifully. Nonetheless, her touch with the short form remains a strength – we have a story together (conceived by her) in – yes! – an upcoming issue of Ellery Queen Mystery Magazine.

* * *
Deadly Anniversaries Ebook Cover

I am pleased to share with you something from another of my favorite newsstand publications, Mystery Scene. The great Jon Breen included Do No Harm in an article about recent legal thrillers; a lovely color reproduction of the cover of this latest Heller novel accompanied it.

“Max Allan Collins’s excellent series about Zelig-like private eye Nate Heller fictionalizes major crimes of the past century. Occasionally, Heller drops in on classic trials, perhaps most notably in Damned in Paradise(1996), featuring a complexly characterized Clarence Darrow appearing for the defense in a 1932 Honolulu rape case. The latest in the series, Do No Harm (Forge), considers the murder of Marilyn Sheppard for which her husband Dr. Sam Sheppard, a Cleveland osteopath, was tried and convicted in 1954 and retried in 1966, this time with famed advocate F. Lee Bailey heading the defense. Both trails are visited in a total of about a dozen pages, the first summarized to Heller by newspaper columnist Flo Kilgore (a transparent pseudonym for Dorothy Kilgallen), the second viewed by Heller and including some well-selected quotes from Bailey’s cross-examinations. All the real people in the cast – Bailey, Kilgore/Kilgallen, Erle Stanley Gardner, Eliot Ness, and especially Sam Sheppard himself – come to life as convincing fictional characters. As usual, Collins’ concluding author’s note provides a bibliographic essay on his sources to make the fact/fiction demarcation clear.”

Getting back to short fiction, a story that I consider one of my best – “Amazing Grace” – appears in the MWA anthology, Deadly Anniversaries. It’s on sale now in e-book form for under two bucks, right here.

Here is an absolutely stellar Come Spy With Me review at Bookgasm.

Here’s a mixed but smart review, mostly favorable, of Skim Deep. But for the last effin time, it’s Nolan, not Frank Nolan. He has never been Frank Nolan. Stop it already.

Finally, here’s a nice if belated (but appreciated) UK review of Girl Most Likely.

M.A.C.

Wolfpack Giveaway #2 – Untouchable Cats

Tuesday, October 13th, 2020

I am in the middle of the third of the three novellas I’m doing about a brand-new character (stay tuned) for Neo-Text. So I will try to distract you for the lack of a real blog entry this week with the second Wolfpack book giveaway.

Too Many Tomcats Wolfpack Edition

I have four trade-paperback copies of Too Many Tomcats, my wife Barb’s terrific collection of tales about evil, dead and stuffed felines. I co-authored a couple and wrote the intro. If you are a hold-out among my readers who has avoided reading Barb’s work and/or our collaborative work, now is your chance to finally get wise.

Barb’s short stories are in the vein of the old Alfred Hitchcock Presents TV show and Roald Dahl, and she’s been compared to both (and not just by me!).

In addition, I have two copies each of the four Eliot Ness trade paperbacks – The Dark City, Butcher’s Dozen, Bullet Proof, and Murder by the Numbers.

[All copies have been claimed. Thank you for your support! — Nate]

This is for USA only – mailing overseas and even to just Canada was expensive before the Pandemic.

Here’s the important part – this isn’t really about free books. It’s about getting reviews on Amazon and/or at your own review site, if you have one. Most of you participating in these book giveaways have been good about doing those reviews. But please hold up your end of the bargain.

Eliot Ness Saga, Wolfpack Edition
* * *

Here is a video interview wherein my pal Andrew Sumner talks to me about Ms. Tree, and specifically about the soon-to-be-published second Ms. Tree collection, Skeleton in the Closet.

And here is the appearance (via Zoom) by my co-author A. Brad Schwartz and I at the Mob Museum in Las Vegas in support of Eliot Ness and the Mad Butcher. Includes a power point presentation! Excited?

Finally, here is a nice look at Road to Perdition as Tom Hanks’ most under-rated movie.

M.A.C.

Wolfs and Cats, Living Together, Sunday Fun, and a 5-Day Script

Tuesday, October 6th, 2020
Too Many Tomcats, Wolfpack Cover
Ebook: Amazon Purchase Link

All of the copies in last week’s book giveaway of Murderlized and Murder – His and Hers have been shipped. I unexpectedly received more copies of Murderlized that allowed me to send ten copies out, not just five.

Now we have another Wolfpack release, thus far only available on Kindle, but a physical book will be along soon. It’s Barb’s Too Many Tomcats, an anthology of her stories for the various Cat Crimes collections; I wrote the intro and co-wrote a couple of stories.

Do not be dissuaded by the title and subject – these are dark tales, very much in the Roald Dahl/Alfred Hitchcock Presents vein. While Barb does not (exactly) dislike cats, she is fact allergic to them. The cats in these stories, among other things, tend to be evil, murder victims, and/or dead. It’s a wonderful collection, reflecting many of the tales having been chosen for the Year’s 25 Finest Crime and Mystery Stories anthologies edited by Ed Gorman and Martin H. Greenberg, two great men both sadly gone.

* * *

I am pleased to announce that the project that SCTV’s Dave Thomas and I are in the process of writing has found a home.

Much more about that later.

* * *

For those of you not sick to death of me (which does not include my wife) (or myself for that matter), I did a ZOOM interview with S-F/Fantasy & Mystery author Russ Colchamiro. Russ is a fine, fun interviewer and we talked about things that haven’t made it into my zillion other interviews.

Russ is one of the Crazy 8 Press group of genre writers, which includes (among other excellent scribes) my old pals Peter David, Glenn Hauman, Robert Greenberger and Paul Kupperberg.

Check out the talk between Russ and me right here:

* * *

Although this update/blog appears on Tuesday morning, I often write them the Sunday night before. That’s the case this week.

You may recall I’ve written about a handful of very carefully orchestrated outings that Barb and I have undertaken (an unfortunate word in a pandemic), getting carry out meals to eat in the car or at a park, and slipping into a bookstore or some other retails outlet at an off-time when few if any other customers can be spied. And, of course, only stores where you have to wear a mask to enter, even if you aren’t robbing the joint.

Doesn’t sound like a lot of fun, but the three times we’ve gone out on such outings have been lovely – it felt like the old days, way-way-way back in February of this year, when only our president and Bob Woodward knew the truth about Covad-19.

We had our day planned – another Quad Cities trip. We would again go Portillo’s, a wonderful drive-in restaurant, and then Barb would slip into the Van Maur department store at North Park Mall in Davenport while I would do the same at the Barnes & Noble, for perhaps half an hour. We timed it to arrive at Portillo’s around 10:45 a.m. and the mall at 11:30 (when it opened). We planned it with a precision that Nolan and Jon (if you’re reading this you really should know who that is) would envy.

Then we got up this morning and read the Quad City Times Sunday edition. It told of the 500 cases of Covid logged in the QC’s this week, mostly Iowa side of the river. It also mentioned that Iowa is number four among Covid hot spots in the nation.

And we stayed home.

And you know what? It wasn’t bad. We spent some time together in the morning (none of your business), I got us breakfast at Hardee’s (Mickey Spillane ate their biscuits every day), prepared the living room for carpet cleaning early this coming week (I will be upstairs and the cleaners will be downstairs) (in masks), and I finished up cleaning my office to prepare for beginning a new project tomorrow. Barb and I spent the evening watching three episodes of the British crime show New Tricks, which we have been bingeing. We ate hot dogs that were damn near Portillo’s-worthy.

Of course we also had to watch the president of the United States take a motorcade to nowhere to wave at his fans. Your tax dollars at work.

No, I’m not going to get political, because I have too many friends and business associates who are not just Republicans but support the president. Their privilege, and I don’t want to alienate any of my readers, either.

But just between us, the inside of my head is exploding, twenty-four hours a day.

* * *

I had a wild week, reminiscent of my pre-heart surgery younger days. With another deadline looming, I nonetheless agreed to write a first-draft screenplay for a movie based on “A Bullet for Satisfaction,” a non-Mike Hammer crime novella written by Mickey Spillane and yours truly. (It appeared as a sort of short subject before the main attraction in The Last Stand, the 100th anniversary Spillane novel.)

Basically I had to turn out twenty pages of finished script a day (“first draft” merely means the first version of a script, not something loose or sloppy or haphazard). The novella is a gloriously crazed collection of noir tropes, which attracted an established, Hard Case Crime-loving indie filmmaker to the material. My job was to assemble a bunch of short, fun, off-the-wall scenes into a more coherent whole, combining them, and making them play believably, mining a plot out of the mineral content, without losing what attracted the filmmaker in the first place.

I had a wonderful time. I just loved doing it.

Will it go anywhere? You never know. We have not signed a deal yet, but I had a window in which to work, so I grabbed it – if the project falls through, I’ll wind up with a screenplay, so no harm, no foul. If it goes forward, I am not carrying the ball – I am not the director, who will be doing a second draft from my first. Doesn’t bother me – he’s the director, and it’s his movie. Having talked to him at length, I liked what I heard, and we seem to be on the same page.

But this is the movies, and you never know. My version of The Last Lullaby – my script was faithfully novelized by me into The Last Quarry – was used by a young director to raise the money. I was the Road to Perdition guy, remember? Then a producer came aboard with his own writer and my screenplay was rewritten by someone I’ve never met. After that, I was able to do a polish, but I still wish my initial version had been shot.

On the other hand, despite certain problems with it, The Last Lullaby is still a damn good crime movie and probably a more accurate rendition of Quarry than the Cinemax series (though technically the main character is not Quarry – he’s “Price,” a name I think was appropriate).

Anyway, it’s the movies. I love the damn things, and I love my excursions into screenwriting.

But there’s a reason why you write novels.

They are yours.

* * *

A reminder that this coming Thursday, Oct. 8, 2020, A. Brad Schwartz and I will be appearing via ZOOM at the Mob Museum in Las Vegas to talk about Eliot Ness and the Mad Butcher. You don’t have to go to Vegas to participate, either.

And here’s a great review of the paperback edition of The Big Bang, only the second of the Spillane/Collins collaborative Mike Hammer novels.

M.A.C.