Posts Tagged ‘Barbara Allan’

Many Happy Returns (Except For…)

Tuesday, November 12th, 2024

I stepped out from behind my usual “no politics here” stance last week by expressing my support for Kamala Harris. Wow, that really made the difference! Look, I am a centrist generally pissed off at both the far left and far right, having been cancelled by both in various eras. But I am grateful that nobody who follows this blog/update stepped up to slap me down last week. They respected or at least ignored my opinion. I had exactly one “pushback” on Facebook from somebody astounded that I would see Donald Trump as a threat to the rule of law. So at least I got one good laugh out of this.

The real winner of this campaign was social media for getting away with completely (a) blotting out any real news coverage in favor of this opinion and that one, and (b) making every one of us feel a sense of importance none of us deserve. Just this week I have had a movie I directed, and a book I am writing, lambasted by people who have not seen the movie and not read the book (not a surprise, since I haven’t finished it). I realize I am being a bit of hypocrite being opinionated in this – but how many of us now think our opinions are so important we need to express them in public, even when we are discussing a movie we haven’t seen, or a book that isn’t even out yet?

This is Alice in Wonderland stuff, boys and girls. And it’s going to get worse.

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Trade Paperback: Bookshop Purchase Link Amazon Purchase Link Books-A-Million Purchase Link Barnes & Noble Purchase Link
E-Book: Google Play Kobo
Digital Audiobook: Audible Purchase Link Google Play Kobo
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Audiobook MP3 CD: Amazon Purchase Link Books-A-Million Purchase Link

Quarry’s Return is out now and you should be able to find it at your favorite brick-and-mortar bookstores, but it’s also available at the usual online retailers.

I’ve said a few places that this may be the final Quarry novel, but let’s face it – I said that before (about The Last Quarry and Quarry’s Blood, to name two). So who knows?

This novel is very much a sequel or follow-up to the Edgar-nominated Quarry’s Blood, though like all of these books, each can be read out of order without causing you too much mental whiplash. What I’ve discovered about Quarry, via this one and the preceding book in the saga, is that I like writing about him when he shares with me my current age (he’s actually a tad younger). I think that’s because he was conceived, in the first novel (Quarry a.k.a The Broker), as being my age, very much my contemporary as a child of the 1950s caught up in the Vietnam era.

Nate Heller has also been older in more recent novels (Too Many Bullets is something of a concluding one, though I do have one more to write, which is next up on my novelistic plate). Those books got out of chronological order fairly early on – only the first three (True Detective, True Crime, The Million-Dollar Wound) are strictly chronological, although you could kind of lump the fourth in (Neon Mirage) as well. After that I’m all over the map with Stolen Away and Damned in Paradise and so on.

Speaking of Heller, True Noir – the ten-part fully immersible, M.A.C.-scripted audio adaptation of True Detective is deep into post-production. Plans to drop the episodes gradually, while the later ones were still in post, have been scrapped by producer Mike Bawden in favor of waiting till the entire ten parts are complete. There is merit in this decision. Release should be some time in December or very early January. Exactly how and where they will be released I’ll announce here, as soon I know it.

What I do know is the cast and director Robert Meyer Burnett have done me proud. We have a terrific Nate Heller in Michael Rosenbaum of Smallville fame, and the supporting cast is second to none.

Getting back to Quarry, I should note that we have another terrific audio book of this one read by the great Stefan Rudnicki.

As far as more Quarry is concerned, it frankly depends on my health and the interest of a publisher. As long as Hard Case Crime is around, and I’m around, I’ll probably find a way to write the occasional Quarry. Whether any future one will be about the geriatric Quarry or a flashback to his earlier days remains to be seen.

At my age, writing this kind of book, I face not only my advancement of years, but that of my readership, which (let’s face it) is pretty much cult-ish, despite the occasional break-through like Road to Perdition.

I have found it revitalizing doing several micro-budget movie productions (Encore for Murder, Blue Christmas, Death by Fruitcake); but even at this modest (!) budgetary level, funding is difficult. We’ll see how Blue Christmas and Death by Fruitcake fare.

Right now Blue Christmas is playing a week-long run at the Palms Theater in Muscatine. Seeing our little film on a great big screen, with terrific sound, has been gratifying. (It’s still there through and including Nov. 14.) It’s a testimony to what director of photographer Phil Dingeldein and producer Chad Bishop were able to achieve on a wing and a prayer.

Blue Christmas also out on Blu-ray and DVD right now. Lots of special features, including a nice bio documentary of yours truly done for Muscatine Community College. A good place to get the Blue Christmas Blu-ray online (in addition to the usual online retailers) is the great website Diabolik. They are a terrific outfit offering all kinds of off-beat items, including our little Christmas fable. Their price is in line with other online retailers and I’d love to see you support them.

As for the DVD version, you can go to Amazon or Barnes & Noble and get it for eleven bucks and change.

Speaking of Blue Christmas, shortly after its run ends at the Palms Theater in Muscatine, there’s a special showing (open to the public) in the very Black Box venue where we recorded the film. This should be a great event and those of you in the eastern Iowa area may wish to take it in.


Hardcover:
E-Book: Nook Kobo Google PLay

Also out right now is the latest Antiques Trash ‘n’ Treasures comic mystery, Antiques Slay Belles. With Death by Fruitcake warming up as a release for next Christmas, with Brandy and Vivian Borne brought to life wonderfully by Alisabeth Von Presley and Paula Sands (co-starring with Rob Merritt who plays P.I. Richard Stone in Blue Christmas), Barb and I are happy to present another Antiques Christmas mystery. Sometimes the mystery of the Antiques novels is where to find the darn things. Our publisher, Severn House, is in the UK and sometimes it’s difficult to find the latest Antiques novel in a brick-and-mortar USA store (there have been some inroads with Barnes & Noble as well as mystery bookstores).

But you can absolutely get Antiques Slay Belles at Amazon, Barnes & Noble and whatever your favorite online retailer is likely to be.

Let’s face it. These are ideal stocking stuffers for a mystery fan – but choose wisely which of these items you stuff. Only the hardiest of souls out there might find both Antiques Slay Belles and Quarry’s Return (and yes, it’s a Christmas novel!) equally palatable. On the other hand, Blue Christmas would make a fine Christmas day family film, despite its noir-ish themes (same noir-ish themes as A Christmas Carol!).

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Check out our Blue Christmas IMDB page!

This is quite a lovely review of Blue Christmas, very positive but frank about our low-budget indie feature.

Here’s another nice Blue Christmas review, if brief; you have to scroll down to find it.

Hey, movies don’t get much more indie or micro than this; but if you like my work, I think – I hope – you’ll impressed with what we came up with. Much thanks goes to our eastern Iowa cast, with Alisabeth Von Presley already receiving a Best Actress award from the Iowa Motion Picture Association for what is essentially a supporting role. And Rob Merritt as Richard Stone carries a good deal of the weight of the production on his shoulders and proves his value as probably the most popular, busiest actor in this region.

M.A.C.

Death By Fruitcake Lives…Twice!

Tuesday, October 29th, 2024

This is a big week for us, or rather big weekend, as we’re having the premiere (aka advance screenings) of Death by Fruitcake at the Palms in Muscatine, Iowa, on Nov. 1 and Nov. 2. Start time both nights is 7 pm, and there will be a Q and A with cast and crew members after the movie.

Those of you familiar with the Antiques novels that Barb and I write as “Barbara Allan” will recognize the character names in what follows. On both nights (Nov. 1 and 2), Paula Sands – the legendary Midwest broadcaster, recently retired from Channel 6 in Davenport (KWQC) – will be on hand as part of the Q and A; she plays Vivian Borne, aka Mother. Rob Merritt, who stars in our other Christmas movie (Blue Christmas), will be here; he plays Chief of Serenity Police Tony Cassato. And Midwestern pop star Alisabeth Von Presley (of American Idol and American Song Contest fame, among much else) will be on hand Saturday night (Nov. 2).

The Friday night screening has reserved seats and is already 61% sold. Saturday night is at 38% sold. Get those tickets now (and I do apologize to regular readers of these updates/posts for showcasing this local event…but it’s a big deal to us).

Tickets are available here.

In further exciting Palms Theater news here in Muscatine, Blue Christmas is opening on Nov.8. Tickets for the run are available here.

Other Iowa theaters in the Fridley chain will be running Blue Christmas as well, and we should have more info by next week.

If all of this Christmas movie stuff confuses you, here’s the skinny: we had such good reaction early this year when we premiered Blue Christmas at the Palms in Muscatine, the Last Picture House in Davenport, and the Fleur Cinema and Café in Des Moines, we right away started thinking about doing a follow-up of sorts. When we landed a deal for VCI and MVD to bring Blue Christmas out on Blu-Ray and DVD, and to take it out to streaming services, that cinched it.

But we didn’t want to do a sequel or any similar film. And Barb and I have been frustrated by how close we’ve come to a network or streaming service sale for the Antiques/Trash ‘n’ Treasures novels that we decided our next movie would bring that series to life. I wrote a script expanding on (and somewhat loosely adapting) the novella Antiques Fruitcake in the three-novella collection, Antiques Ho Ho Homicides.

Barb liked the script, and of course had great suggestions and notes – the series has always been her baby – and we started putting Death by Fruitcake together right away. We called upon many of the cast members of our two previous productions, Mickey Spillane’s Encore for Murder (with Gary Sandy) – available on DVD from VCI and also a special feature on VCI’s Blu-ray of the revised expanded Mike Hammer’s Mickey Spillane.

Key to the project was producer/director of photography/editor Chad Bishop, who I got to know doing the edit of Encore for Murder. Chad was a producer among much else on Blue Christmas. Both it and Death by Fruitcake would not exist without his hard work and artistic inspiration.

We’ve had a bit of an unintended (if there is such a thing as an intended) collision course between Blue Christmas and Death by Fruitcake, when it became clear the release of Blue Christmas in Iowa theaters and nationally on physical media would collide with our premieres of Death by Fruitcake. Not much we could do about that but hope you good people out there can sort them out.

Death by Fruitcake will, we hope, we given a Quad Cities premiere at the Last Picture House yet this year – our star, Paula Sands, spends half of the year away in Arizona with her husband David, so we have to work around her availability for personal appearnces. The real marketing of Death by Fruitcake begins now and it’s unlikely to be streaming or on physical media till well into next year (holiday season 2025, most likely).

Blue Christmas and Death by Fruitcake, despite some shared cast members, are very different animals (albeit both being reindeer friendly). Blue Christmas, as you may already know, is a mash-up of sorts of A Christmas Carol and The Maltese Falcon, two of my favorite novels and movies (the Sim Scrooge, the Bogart Falcon).

Death by Fruitcake has been called a zany episode of Murder She Wrote or a low-budget Knives Out. And we are low budget – actually micro-budget. But my feeling is if the writing and acting are there, and the cinematography does them justice, a minuscule budget – if the script has been written toward such a budget – is beside the point.

I continue to be frustrated but mostly amused by the people who attack Blue Christmas based on its meager budget without having seen it. As the star of A Charlie Brown Christmas says, “Sigh.”

Here’s a nice write-up about the coming event from the Muscatine Chamber of Commerce.

There’s been a ton of coverage on the Net but much of it is similar, so I won’t put all the links here.

Finally, however, here’s what our local paper, the Muscatine Journal (where I once worked) has to say.

And this just in:

M.A.C.

Movies and Me

Tuesday, October 22nd, 2024

[Bulletin: THE PALMS THEATER WEB SITE IS BACK UP! ORDER TICKETS HERE.]

For those of you in the eastern Iowa (and nearby Illinois) area who have been wanting to get advance tickets to the Nov. 1 and Nov. 2 premiere screenings at the Palms Theatre in Muscatine, you will have probably noticed that for some days now the Palms web site has been essentially down.

Tickets are available through Fandango, however.

Tickets for the Friday Nov. 1 screening at 7 pm – with stars Paula Sands and Rob Merritt on hand, as well as myself and numerous others from cast and crew – can be purchased here.

Tickets for the Saturday Nov. 2 screening at 7 pm – with stars Paula Sands and Alisabeth Von Presley on hand, as well as myself and numerous others from cast and crew – can be purchased here.

We’re sorry about the difficulties with the Palms web site, and by the time you read this those difficulties may have been remedied. But for now (on 10-21-24), the Fandango link is what you’ll want to use.

Right now these are the only screenings scheduled for this year, although the Last Picture House in Davenport has expressed a strong interest in having us.

We also will likely have limited runs of Blue Christmas at the Palms in Muscatine and other Fridley Chain theaters in Iowa, as well as at the Last Picture House…but those plans are not yet firmed up.

Blue Christmas will be out on Blu-ray and DVD on Nov. 12 from VCI and MVD. They can be ordered from Amazon here.

Barb and I, as co-authors of the long-running Antiques mystery-novel series, are thrilled with having Death By Fruitcake to demonstrate how effectively our concept can be transferred to the screen. We’ve come very close over the years, with tons of interest from networks and streamers, but it never quite happened. Which is why we decided to do it ourselves, and show how we think it should be done – specifically including breaking the fourth wall, so that Brandy and Vivian can talk directly to the audience from time to time, invoking the unconventional and (we think) fun rule-breaking style of the books.

Two releases in the Antiques/Trash ‘n’ Treasures mystery novel series are imminent.

The new one, Antiques Slay Belles, will be available on Nov. 5.

The previous one, Antiques Foe, is available in a handsome full-size trade paperback on Oct. 29.

Antiques Slay Belles by Barbara Allan
Hardcover:
E-Book: Nook Kobo Google PLay
Antiques Foe by Barbara Allan
Paperback:

We must point out that our publisher (Severn House) is British and sometimes the books are hard to find in the USA – distribution to Barnes & Noble appears limited. So please take advantage of the links above, or buy from whatever on-line bookseller you like and trust (this includes Barnes & Noble). [Target Circle has a “buy 1 get 1 50% off select books” deal active through October 26, and both Barbara Allan books (and more) are eligible. –Nate]

We’ve had good support for our efforts with both our film of Blue Christmas and Death By Fruitcake, with the naysayers being exclusively people who haven’t seen either movie yet – just are contemptuous of any film that doesn’t have a Hollywood budget and the name stars that go with it.

For Death by Fruitcake, we are fortunate to have two regional celebrities in Emmy-winning broadcaster Paula Sands and American Idol/American Songwriter Contest pop sensation Alisabeth Von Presley. Alisabeth, of course, is in Blue Christmas along with Fruitcake co-star Rob Merritt, who is by our yardstick the most successful actor in this part of the world.

I have enjoyed getting back to indie filmmaking and, if it’s not too impractical at my age, to possibly do more of it. I’ve been blessed to have a certain amount of bigtime Hollywood success in Road to Perdition and the Quarry TV series; and fairly big success with The Expert debuting in primetime on HBO and Mommy appearing in primetime on Lifetime. And both Mommy movies were video store hits back in the Blockbuster days. I’ve had things on Iowa PBS (notably Eliot Ness: An Untouchable Life) and written several independent features for others, including the Quarry-derived The Last Lullaby and the upcoming Mickey Spillane’s Saturday Night in Cap City.

My point, if there is one, is that this notion of letting budget stand in the way of telling stories is a self-imposed limitation. Sure, Blue Christmas would be “better” if I’d had multiple locations and a bunch of Hollywood acting talent. But figuring out how to tell my story with talented local actors (pro and pro-am) on a single set, and shoot it in six days, was how I was able to finally get a project done (Blue Christmas) that I’d been trying to do since 1995.

Death By Fruitcake was a matter of choosing an Antiques story that could be told using limited locations – and the novella Antiques Fruitcake in the three-novella collection Antiques Ho Ho Homicide was perfect. I knew, from having done Mickey Spillane’s Encore for Murder and Blue Christmas with non-Hollywood talent that Death By Fruitcake was possible. And for all the limitations our micro budget imposed upon us, I could not be prouder of the result.

It’s incredibly gratifying for Barb and me to see Brandy and her mother brought so fully to life by two gifted comic actresses, Alisabeth Von Presley and Paula Sands.

Some of you may have to wait till next year to see it, but I’m confident we’ll get Fruitcake out there in some form for you to partake of a slice. And look for announcements about streaming service availability of Blue Christmas soon.

Although…if you have Blu-ray, the VCI release is packed full of extra features.

Here’s some great area coverage of the Fruitcake premiere weekend.

M.A.C.

A Perdition Screening, Falcon Begins, True Noir Continues!

Tuesday, October 1st, 2024

We have an event coming up on Sunday, Oct. 6, at the Putnam museum in Davenport, Iowa, a special screening of Road to Perdition. The details are here.

Road to Perdition event info
The Maltese Falcon 1st printing hardcover cover.

In the meantime, I’m wrapping up the research phase of The Return of the Maltese Falcon and should begin the actual writing by sometime this coming week. The research consists of me marking up, text-book style, a copy of The Maltese Falcon as I go through reading it in depth (and am reminded what an incredible writer Hammett was, and what an incredible book The Falcon is); plus material on San Francisco in the late 1920s. The great J. Kingston Pierce of The Rap Sheet sent me a picture book he wrote and assembled on the city, a resource that’s going to be invaluable.

Barb and I also screened the 1941 Maltese Falcon (on beautiful 4K) and films from novels don’t come more faithful – but it’s fascinating to see what director John Huston left out. Hammett’s Spade is much more ruthless than Bogart’s. Also, it’s illuminating to see how Hammett – without ever going into Spade’s mind – tells us things, including just what his relationship with secretary Effie Perrine really is.

I’ve said this before, and it’s not exactly a revelation; but Hammett completely creates the private eye genre, perfects and then abandons it, in The Maltese Falcon. Don’t talk to me about Race Williams – I’m a Carroll John Daly fan, have all of the books, but his take on the private eye (however much impact it had on Mickey Spillane) did not establish either the tropes or the artistic possibilities of the private eye novel.

While I’ve been very busy this year, I haven’t dug into the writing of a novel for a while, tied up with filmmaking and scripting True Noir: The Assassination of Anton Cermak.

Where True Noir is concerned, I’ve also been attending (by Zoom) much of the recording, which is nearing its end. This past week we recorded Patton Oswalt (a great guy) and have two more sessions with our Nathan Heller, Michael Rosenbaum, who is absolutely spot on as Nate. Robert Meyer Burnett, the director and another of the producers on the project, is hard at work editing the enormous project (ten audio episodes) and, based on what I’ve heard to date, is doing a remarkable job.

For now, the True Noir Kickstarter page is still active and you can order the audio drama there in various forms (from downloads to physical media) right now.

True Noir’s Nathan Heller, Michael Rosenbaum
True Noir’s Nathan Heller, Michael Rosenbaum

I will be working on lining up the Iowa theatrical release of Blue Christmas, and a premiere event or two for Death by Fruitcake. I’ll be trying to do some promo for both. Over the weekend, I went over “check discs” of the blu-ray and DVD of Blue Christmas for Bob Blair at VCI, who are distributing it through MVD. Here’s one of the places you can pre-order it.

Here’s the sleeve.

Blue Christmas Blu Ray sleeve.

The Blue Christmas Blu-ray is almost ridiculously overloaded. In addition to the movie itself, there’s a trailer, a feature-length commentary with me and producer/editor Chad Bishop, a documentary on yrs truly, over an hour-and-a-half of Q and A at the various premieres around the state of Iowa, and a booklet where I discuss the origin of Blue Christmas. The DVD is packed, too, but lacks the 90-minute-plus Q and A/premiere stuff – the commentary’s there, and the booklet, and the documentary about, well, me. It was produced by Muscatine Community College in 2023 when I was deemed a “legend” (in my own mind?).

There is a connection between some, if not all, of these things. Blue Christmas is essentially a rumination on both The Maltese Falcon and A Christmas Carol (specifically, the 1951 Alistair Sim film version). Nathan Heller is my take on the private eye that Hammett – and Chandler and Spillane – developed.

My thanks to all of you who drop by here to see what I’m up to, and provide your generous support.

M.A.C.