Posts Tagged ‘Antiques Carry On’

Reviews A Go Go (and a Book Giveaway!)

Tuesday, May 18th, 2021
Antiques Fire Sale Paperback cover
Paperback:

We are offering ten copies of the paperback edition of Antiques Fire Sale, the hardcover edition of Shoot-out at Sugar Creek (Caleb York #6), and ten copies of the paperback edition of Hot Lead, Cold Justice (Caleb York #5) in exchange for reviews at Amazon and other reviewing sites/blogs. Amazon, of course, is key.

[All copies have been claimed. Thank you!]

If you read the book and dislike it, you are relieved of your obligation to review it (though of course you can).

If you drop by here regularly, you know that reviews are a matter of some interest on these updates, and even of controversy. But reviews are important because they are one of the only sales tools available to authors. In our case, Barb and I are of an age (even before the pandemic) where we are no longer doing book tours. For years we supported our books with trips to such exotic locales as California, Texas and New York. But a waning desire to travel, and the increasing ineffectiveness of signings, has made book tours less attractive to us. (Centuries and Sleuths in Chicago remains our only regular stop.)

For a long time we maintained regular attendance at Bouchercon, where we could do signings for readers from hither and yon, but health issues prevented attending several of those and of course Covid prevented Bouchercon entirely last year. And we have already decided to pass on New Orleans.

We also did San Diego Comic Con regularly, but that too fell victim to health issues and later the pandemic. I will be doing a one-man (well, two-man because Andrew Sumner of Titan is interviewing me) panel for the upcoming virtual SDCC.

Barb and I hope to do both Bouchercon and SDCC next year. Those health issues I mentioned are well in hand, but we had to skip Bouchercon because of my heart surgery and later lung surgery, and Barb’s pertussis, which had me landing in New Orleans and immediately getting called back to Iowa, never getting beyond the New Orleans airport.

How much good reviews do, I’m not sure. But they seem to be the only thing left to us. They are not infallible –Antiques Ravin’ got rave reviews in all four publishing industry trades (Publisher’s Weekly, Kirkus, Library Journal and Booklist), after which the series was promptly dropped by Kensington after thirteen successful entries.

The good news about the Antiques/Trash ‘n’ Treasures series, of course, is that we’re doing it for another publisher now – Severn, a British house, which pleases Vivian Borne no end (everything, she reports, is “tickety boo”).

And now I will interrupt myself to share with you this remarkable review for the first Severn House Antiques entry, Antiques Carry On, from Publisher’s Weekly.

Antiques Carry On Cover
Hardcover:
E-Book: Google Play Kobo
Antiques Carry On
Barbara Allan. Severn, $28.99

Allan’s fast, funny 15th Trash ‘ n’ Treasures mystery (after 2020’s Antiques Fire Sale) takes brassy Vivian Borne and her long-suffering daughter, Brandy, the owners of the Trash ‘n’ Treasures antiques shop in Serenity, Iowa, to London, where, at the request of fellow Serenity antiques dealer Skylar James, they drop by the Old Curiosity Shop, whose proprietor, Humphrey Westcott, has a reprint of Murder on the Orient Express for Skylar to give his Christie-loving wife. When Humphrey is found stabbed to death with a letter-opener bearing Brandy’s fingerprints, the women are interrogated by a representative of MI5. Fortunately, CCTV footage proves the Bornes’ innocence, and they are unceremoniously sent back to Iowa, where more suspicious deaths await them. The pair investigate in their own inimitable fashion, eventually discovering a link between the murders and the copy of Murder on the Orient Express. Vivian and Brandy share narrative duties, and their amusing commentary provides much of the book’s appeal (Vivian admits she has “just a teensy-weensy, hardly-worth-mentioning, hint of bi-polar disorder”). Allan (the pen name of Barbara and Max Allan Collins) consistently entertains.

We are obviously thrilled about that one. The book will be out in early July. And the industry trades, PW a star in that galaxy of four planets, fuel both library and bookstore sales.

Let me interrupt this discussion (if me yammering can be so described) and share a wonderful fan letter we received – an actual, physical, through-the-mail letter.

Dear Mr. and Mrs. Collins,

Thank you so much for continuing to add new novels to the Trash ‘n’ Treasures series. I just finished reading Antiques Fire Sale. I am looking forward to the release of your newest addition, Antiques Carry On! The characters seem almost like friends to me, since I have followed their adventures and shenanigans through all of your novels.

My sister Jessica Butler and I are huge fans! We share laughs as we discuss the stories. Please keep writing because your works bring joy and delight into our world! Thank you for sharing your talents with us.

Best wishes,
Suzanne Schumann

Fan photo

To say this kind of response makes our day (and not in a Dirty Harry sense) is an understatement. A reader response like this makes the struggle worth it, and believe me, writing – and publishing – is a struggle. Hoping it doesn’t sound patronizing, I am so proud of Barb for developing into a wonderful writer and collaborator – she is the one who makes these books really, really special.

* * *

On another front, it’s been difficult to get reviews for the John Sand series. This may be because Wolfpack – despite getting huge attention in the trades for its burgeoning success and innovative ways – places an emphasis on e-book publication, which seems (to me at least) to make reviews from the trades more difficult to get. How difficult? Neither Come Spy With Me nor Live Fast, Spy Hard has received a single review in any one of them.

Which is why the Amazon reader reviews are so crucial, as are reviews on Internet sites and in the handful of surviving newsstand mystery magazines (Ellery Queen, Strand, Mystery Scene). Thankfully we have had support from two key sites, Bookgasm and Pulp Fiction Reviews, and the Rap Sheet may be doing reviews soon. With your forbearance, I will share the Bookgasm review of Live Fast, Spy Hard with you right now:

Live Fast, Spy Hard, the second title in the John Sand series by Max Allan Collins and his writing partner, Matthew Clemens, again features the former MI6 agent and his wife, Stacey. This time, however, Stacey is the cause of the problems that send Sand around the globe while keeping one stop ahead of potential assassins.

John Sand is living out his role as a high-ranking executive of the oil company owned by Stacey’s father. But all the while he keeps a secret from his wife. He has been tracking Jake Lonestarr, the traitorous business partner of Stacey’s father. Lonestarr is assumed dead, but Sand still feels he is still at large.

Then Stacey mysteriously disappears. Lonestarr is the chief suspect in Sand’s search for his wife. But there is reason to believe that Las Vegas gangster Anthony Morello might also be responsible. Or is Stacey actually hiding from someone that Sand does not know of?

Sand’s search takes him Berlin to Mexico, and finally to the jungles of Curacao. But can he find his missing wife before an army of assassins catches up with him?

The authors present the novel in a third-person perspective, keeping the focus mainly with Sand. There are, however, occasional shifts that allow us to know the thoughts and emotions of Stacey and those intent on ending Sand’s life.

And while the novel’s tone and structure continues to follow the traditions of Ian Fleming’s classic James Bond stories, the references to Bond are noticeably less than the first Sand novel (Come Spy With Me), but Collins and Clemens continue their satirical wordplay with both the title and chapter headings.

Also reduced are the real-life figures Sand encounters. Here, they are mainly confined to President John F. Kennedy – who tries to enlist Sand into a new international spy agency — and, briefly, movie legend John Wayne.

Familiarity with the first Sand novel is not essential. The authors even devote the opening chapter to how Sand and Stacey first met. But reading this latest Sand adventure is greatly enhanced if you already met both characters.

Is this the last encounter of John Sand and his beautiful, resourceful wife? That, it seems, is up to Collins and Clemens. For the time being, we have these two thoroughly entertaining and exciting thrillers to enjoy. —Alan Cranis

Well, Live Fast, Spy Hard will not be the last John Sand book, because just last night Matt and I shipped To Live and Spy in Berlin to Wolfpack editor Paul Bishop.

We love doing these books and the only way we will stop is if sales don’t encourage us to continue. Reader response has been excellent – lots of nice things have been (and are being) said on Facebook about John Sand. But we need you readers out there who like Quarry, Mike Hammer, Nolan, and Nate Heller (even the Antiques fans) to give Sand, John Sand, a try.

Ron Fortier at Pulp Fiction Reviews also likes Live Fast, Spy Hard. His lovely review is right here.

Finally, here’s another great Shoot-out at Sugar Creek review.

M.A.C.

The Busy Lane I Picked

Tuesday, February 9th, 2021

I’m at one of those odd junctures where, because I write so much, I am bombarded by the demands of individual books ganging up on me, as needy as bunch of starving brats.

Look, I know it’s my fault, a combination of karma and my selfish desire to do a lot of different things and, along the way, maybe earning a decent living. My inclination, as an artist (I think that’s a fair way to put it, as long as I don’t add an “e” on the end) is to do one project at a time. Concentrate on one thing.

I mostly write novels, and I write them much as I read books – one at a time. I am not one of those strange, unfathomable people who read a number of books at once – they are like drunks changing channels on a runaway remote, as far as I’m concerned. This is one of the reasons why I don’t read much fiction – because the book I’m immersed in is the book I’m writing.

And you may have noticed that I’m always writing a book.

Almost always. I do take a week or two off between books, but I do other writing then – like short stories and articles – and catch up with the things I’ve neglected, like real life.

But fiction writing is a business, or rather a hobby or an art that has to be a business if you want to avoid a real job, a goal I have pursued since I quit my job sacking groceries in 1967. And as a business, the demands of publishing don’t care that I’m writing a book, particularly a book a given publisher isn’t, you know, publishing.

What am I talking about?

I am talking about having just finished Quarry’s Blood, and my incredibly fast editor, Charles Ardai of Hard Case Crime, read it in a couple of days and returned it with queries and minor rewrite requests, all reasonable and helpful. In the scheme of things, getting a freshly finished novel back with such immediacy is both unusual and wonderful. Everything is still fresh in my mind, and I can do the novel justice.

However. I am also dealing with the galley proofs of Antiques Carry On. Due simultaneously are the galley proofs of Live Fast, Spy Hard (John Sand #2), and the galley proofs for the short story collection, Suspense – His and Hers by Barb and me. In addition to the aforementioned Antiques Carry On galleys, our new publisher for that series quite reasonably wants a questionnaire about the book and its authors filled out, and an essay about the book written for their customers.

Galley proofs require a close read, looking for mistakes on the publisher’s end (typos) and mistakes on the author’s (continuity errors and general clean-up of writing problems, like repeating a word too many times on a page). It’s a time-consuming prospect – an Antiques book or the John Sand would take a day or two each.

Even worse is when a copy-edited manuscript comes in (the step before galley proofs), at least when a copy editor has overstepped his or her job description. This happens a lot, in my experience. Why a serial killer in one of my books hasn’t singled out copy editors for attention yet is a greater mystery than I have ever concocted.

Am I complaining? Well, of course I am, but not really. I am complaining more about my inability to do more than one thing at once. But I am improving. Right now, it’s my privilege and pleasure to be working with someone I admire and, even better, really like – Dave Thomas, SCTV star, among much else. Dave is working on the first draft of a book we’ve been working on for over a year, a project I am very proud of and am anxious to discuss here in more depth, when the time is right.

Dave, probably because of his incredible improv background, likes to run things by me and we talk and kick things around, and it’s really just great fun. I seem to have no problem stepping out of, say, Quarry’s Blood to talk about and explore the options and possibilities for our novel together in a plotting session.

But one of the things that’s become clear to me, when I’ve had such disparate projects as the Dave Thomas one, Quarry, Antiques and John Sand spinning in my brain like a noir dream sequence, is that I’ve come to understand better why I can’t expect every reader of mine to like or even understand every facet of my imagination and interests.

Some of you may recall a reader, irritated by one of my relatively rare excursions into politics, insisting that I should “pick a lane.” I responded that I am left of center in my politics, but close enough to the middle that both lanes of traffic have an equal swipe at me. I also mentioned that I feel nuance is a positive, not a negative.

I have, obviously, picked a lane in my writing – mystery/crime, but even that is really two genres, and of course horror is part of it, as the current Reincarnal & Other Dark Tales demonstrates. But it’s clear to me, at this ripe old age, that I would have been more popular and successful as a fiction writer if I had been more narrow in focus.

The thing is, I am driven not so much by genre considerations as I am by ideas. Ideas have driven every novel writing choice I’ve made. Quarry was a hitman who had to solve the murder he committed. Road to Perdition was a take on John Woo and other Asian influences my then very young son and I were taking in. Mommy was a reversal of The Bad Seed’s premise. Eliot Ness, both novel and non-fiction, was looking for the man behind the myth, and his real cases. Black Hats was old Wyatt Earp meets young Al Capone. USS Powderkeg was a way to talk about my father’s experiences with an all-black crew in the Pacific during the Second World War. Krista and Keith Larson was an American take on Nordic noir and a step away from hardboiled genre types. Ms. Tree was Velda marrying Mike Hammer and Mike getting killed on their honeymoon. Antiques was a young woman using antiquing (and amateur sleuthing) as a positive way to relate to her eccentric mother. Supreme Justice was somebody killing Supreme Court justices to change the balance of the court. John Sand is the spy that James Bond was based on. And on and on.

Ideas.

And the need to execute these ideas in a way that is appropriate to the material is the goal – effective storytelling, interesting to me. Fiction writers should write the novels they want to read themselves. Their first audience is themselves – and my readers are invited in, welcomed in, but don’t always share my interests and enthusiasms.

So I get it if Girl Can’t Help It doesn’t please somebody who is really into Quarry and Nolan. I wholly understand if someone into the Antiques series is horrified beyond words at my writing Mike Hammer novels.

But it is, frankly, hurtful when a reader feels betrayed by a choice I’ve made, and attacks a work that isn’t on their wave length as if I have failed them or am “phoning it in” or doing inferior work simply because it’s not to their taste.

And here in the last phase of my career – which I hope will be another twenty years, don’t get me wrong – I am interested in getting as many of the stories I want to tell fucking told. I am (as perhaps being the co-author of a series of cozy mysteries about antiquing might indicate) a collector. I am of perhaps the first generation of mystery writers who were fans first, and became writers.

So what I am doing, in 2021 and beyond, is collecting my own books. In a way, I am my own biggest fan, but also my harshest critic. A creative person needs to be an unlikely combination of self-confidence and self-doubt, and I certainly qualify.

* * *
Turning the Tied cover

Matt Clemens and I have contributed a Sherlock Holmes short story to an exciting new collection by top tie-in writers. Read about it here.

J. Kingston Pierce’s Rap Sheet is always worth reading. Some interesting news about me is buried in his latest installment.

Finally, Mike Hammer: The Night I Died graphic novel from Titan is one of seven recommended graphic novels here.

M.A.C.

Murder – His and Hers, Venturing Out & Tracy One Last Time

Tuesday, August 25th, 2020
Murder - His & Hers
E-Book: Amazon Purchase Link

On September 2, Wolfpack’s new Kindle edition of Murder – His and Hers will be available at Amazon.

This collection was previously only an expensive hardcover by Five Star. This new edition will be followed soon by Too Many Tomcats, and before too very long a companion volume, Suspense – His and Hers.

These books collect short stories that Barb and I have written together as well as some written by us individually. Too Many Tomcats, which I edited, is mostly Barb’s solo stories, but all of these will be marketed as by “Max Allan Collins and Barbara Collins.” Wolfpack wants to focus the books as part of their M.A.C. publishing program, so don’t think it’s my ego run (further) amok.

I am hoping that Wolfpack will eventually be publishing our the two collaborative novels, Regeneration and Bombshell, that preceded the long-running Antiques series of mysteries. Those, our first two novels together, were originally published under both our names and later, by Thomas & Mercer, as by “Barbara Allan.” We’re reverting to a joint byline for marketing purposes. All of these will soon be available in print editions (stay tuned).

We also have a collaborative short story coming out in Ellery Queen Mystery Magazine, though we haven’t been told in what issue yet – “What’s Wrong with Harley Quinn?” – set at the 2019 San Diego Comic Con, which seems like a very long time ago and a different world now. (I also sold a collaborative Spillane/Collins story to EQMM – “Killer’s Alley,” which will be the first Mike Hammer story ever published in those pages; naturally, it will be in their Black Mask section. Barb and I are both thrilled to be contributers to EQMM.)

My bride and I have been writing together for a long time. The process is similar to the one Matt Clemens and I use, although I don’t sleep with Matt, a situation he and I are both fine with. One difference is that I tend to come up with the initial idea when writing with Matt. Usually Barb comes up with the initial idea. Then she and I plot the story together, she writes the rough draft, and I do the second draft. It’s the same for both short stories and novels.

Tomorrow (Monday, as I write this) I will begin work on the new Trash ‘n’ Treasures mystery novel – Antiques Carry On. Barb has completed her draft and I will start in, revising and expanding (she has given me 250 double-spaced pages and I will write 300 to 350 double-spaced pages). The only unusual factor this time is that I’ve already done my draft (from hers) of the first three chapters. That was necessary because we moved to a new publisher and needed to provide a substantial finished sample of the book to that publisher in the effort to land a contract.

We fully intend to keep going with the series, but we are at a funny (odd) juncture, which I trust is one many mystery writers with long-running series are experiencing. In plotting the next book, do we set it pre-pandemic or post-pandemic, or even during pandemic? The problem with post-pandemic, of course, is that none of us know what that will look like.

For seniors like us – and I have underlying health issues that magnify the situation – even a post-pandemic world will be tricky. Maybe it’s already occurred to you that you may have eaten at your last buffet. Or that how (or even if) you go out to the movies will be radically different.

Today, suffering from almost six months of cabin fever, we ventured tentatively out. Prior to Covid-19 we almost always took a day off every week that included going to either the nearby Quad Cities or Iowa City/Cedar Rapids for shopping, dining and sometimes a movie. We also have a nice movie theater here in Muscatine, and often took in films there – you may remember how often I did little movie reviews here back in the Good Old Days.

Since then, trips out for groceries and meds have been about it. I’ve cancelled doctor’s appointments and – although going to the local hospital for blood work – have had my consultations over the phone. We have been essentially sheltering in place since fairly early March.

But today we drove to the Quad Cities. We went through the drive-through at Portillo’s and got delicious food, which we ate in the car. We went briefly into the Davenport Books-a-Million, where masks are required and where the filled parking lot places were fairly sparse, and shopped a little and used the restroom (carefully) and drove home. An outing. An honest-to-God outing. On the way home we took the river road, which is scenic as hell and includes the quarry that Quarry was named after. We were listening to the audiobook of Quarry’s Ex read by the fabulous Stefan Rudnicki, so it was fitting.

In terms of what we used to do, it was kind of pitiful. After six months of sheltering, it was fabulous.

I don’t feel like we took any risks worse than our weekly grocery run. I know a lot of seniors get their groceries delivered, or pull up outside the supermarket for curbside service. But I rather pathetically look forward to a weekly grocery run – it’s early morning (we get up at six a.m. to make it there by seven) and it’s worth it, because the music is oldies, not country western, which you may have noticed I despise. The joy of hearing Bobby Rydell singing “Wild One” or Bobby Darin doing “Things” while I look for mini-cans of Coke Zero is difficult for me to articulate.

Meds we get going through a drive-up.

Also, I have a new appreciation for McDonald’s and Burger King.

So. What world will Barb and I write about when we do the next book about Brandy and Vivian Borne, if we’re lucky enough to get to keep going (as writers and as living breathing human beings)? How much zany laughter does a pandemic produce, anyway? I am planning to write a new Krista and Keith Larson novel – should I set it during the pandemic? Would that be interesting? Or will this be a period that no one will want to re-live? Yes, we look at movies made during the Depression, but mostly they are full of guys in tuxes and gals in ballgowns, or maybe Toby Wing wearing nothing but a great big dime.

And why is anybody still on the planet who would make a Toby Wing reference?

And yet the beat goes on.

* * *

This past week found me finishing up the second novella in the new series I’m doing for Neotext – more about that soon – and cleaning my office and dealing with copy-edited manuscripts and clearing my desk of smaller projects before I dive into Antiques Carry On.

One of those projects is writing the introduction to the 29th volume of The Complete Chester Gould’s Dick Tracy for IDW. I have written introductions to the previous 28 volumes, too.

And now, with Intro 29, I will have written about the entire run of Chester Gould’s Tracy. This volume ends immediately before my fifteen-year tenure begins. Writing about the last, less than stellar year and a half or so of Chet’s work – though that work definitely has its rewards – was a bittersweet experience. My intro gets personal, as during this period my pal Matt Masterson and I were, every six months or so, getting together with Chet at his Tribune Tower office and dining at the prestigious Tavern Club for lunch. On the first such visit, I met my future collaborator, Rick Fletcher. At the time I had no idea that I would be the second writer on this great, important comic strip.

So writing this final intro was indeed a bittersweet thing. Like this damn pandemic, it was gave me a real sense of my mortality – although once you’ve had open heart surgery, your mortality’s on your mind quite a bit, actually. Like – am I dying, or is that just gas? When I first met Chester Gould, he was 72. My age now.

I hope you Tracy fans are taking the time to read my little introductory essays, which I think are pretty good. And fans of mine who haven’t been collecting these Tracy volumes ought to start – but not with the last one. Try something from the ‘40s or early ‘50s and see just how good Chester Gould was at his peak.

* * *

Here’s a nice review of Ms. Tree: One Mean Mother. Scroll down for it.

And here’s a Quarry’s Choice review. Again, scroll down for it. This may be my favorite Quarry novel – definitely my favorite “list” book.

M.A.C.

Another Book Giveaway!

Tuesday, April 28th, 2020

Hardcover:
E-Book: Amazon Google Play Nook Kobo iTunes
Digital Audiobook: Amazon Kobo

The day this update appears, Antiques Fire Sale– the latest Trash ‘n’ Treasures mystery by Barbara Allan (Barb and me) – will go on sale.

To help (Amazon) prime the pump, we are offering free copies to the first ten of you who respond. As usual, we can accept no entrants outside the United States, and you must include your snail mail address (even if you’ve won before). Send your request to macphilms@hotmail.com. We will sign all of the books (Barb signs “Barbara” and I sign “Allan”). You are expected to write a review for Amazon and/or similar web sites, like Barnes & Noble and personal blogs. If you hate the book you can bail, but even a tepid review is better than no review at all.

Barb and I wrote a fun interview in the voices of Brandy and Vivian Borne (our Antiques sleuths) that will appear here starting on Thursday the 30th.

Again, I can’t emphasize enough how important these reviews are. Even if you didn’t get any of the recent books free (Do No Harm, Antiques Fire Sale, Girl Can’t Help It, Masquerade for Murder), please take the time to write a brief review at Amazon – just a couple of lines will do, but if you are inspired…go for it!

All of the titles listed above have sort of stalled out, where reviews are concerned, so all of you bored sheltering-in-place M.A.C. readers, get to reviewing, please. Yes, I am groveling. Yes, I have no shame. No, I am not embarrassed about my behavior.

Right now I am working on a sixth Caleb York novel. The fifth Caleb – Hot Lead, Cold Justice – comes out in about a month. We had a very nice advance review for the Hot Lead, which I’ll share with you now:

Hot Lead, Cold Justice

Spillane befriended Collins and, shortly before dying of cancer, gave him his blessing to complete any unfinished manuscripts. Since 2007, Collins has completed 26 Spillane novels.

This is the fifth in the Caleb York series (e,g, Last Stage to Hell Junction, 2019). In New Mexico during the “Great Die Up” blizzard of 1887, Caleb York is settling into his role as sheriff, but he’s thrown off his game when his deputy is shot in an act of mistaken identity. York quickly learns that Luke “Burn ‘Em” Burnham is out of prison, 10 years after York put him in for bank robbery. Burnham is looking for a quick heist and revenge. Under ordinary circumstances, York would have been two steps ahead, but the blizzard puts York and Burnham on an even playing field.

It’s an exciting game of cat-and-mouse with an entertaining love triangle thrown in for good measure. Accurate details of the historical blizzard are a meticulous touch, and readers looking for more information will appreciate the informal bibliography.

— Sarah Steers

One of the things I really like about that review is that the reviewer is a woman. Mickey always claimed that a good portion of his readership was female, and my editor at Kensington has insisted that a sizeable number of readers of westerns are women. I have always taken that advice seriously, coming from reliable sources as it did, in the writing of the books.

So I have made sure to include strong female characters in the novels – something Mickey always did, too – and a portion of romance. The original Caleb York screenplay I worked from on the first novel, The Legend of Caleb York, had two strong women in Willa Cullen and Lola Filley. Since Lola (SPOILER ALERT!)does not make it out of the narrative alive (END SPOILER ALERT!), I introduced her younger sister in The Big Showdown to essentially take over Lola’s role.

Okay, they’re essentially the same character. You caught me.

There’s a thing in the Broken Lizard film Beer Fest where a loveable character is killed and later his twin brother (obviously played by the same actor, Kevin Heffernan) turns up to take his place in the ensemble, and the convenience of that is brazenly made into a wonderful joke.

Back in the days when we left our house for more than groceries and pharmaceuticals, Barb and I saw Broken Lizard at the Englert Theater in Iowa City. We spent some quality time with the boys afterward, and they were the nicest, most regular guys you could imagine.

So I suppose their shameless Beer Fest resurrection of a character inspired me to replace Lola with Rita.

As I write Shoot-out at Sugar Creek, Barb is working on her draft of Antiques Carry On. Plotting required really putting our heads together, so this time – first time ever – I did my draft on the first third of the book before she pressed on. Speaking of Fire Sale, we had a lovely if odd review of that, as well, from Bookgasm. Take a look:

Antiques Fire Sale

They’re all the same.

You think that would be a terrible critique. But actually, the familiarity, the comfort, works very well. I’m talking about the antiques-themed mystery series of Barbara Allan, a pseudonym for the husband and wife team of Barbara and Max Allan Collins.

With Antiques Fire Sale, we’re now on the 18th book (including three e-books), of an antiques-themed mystery series that features Vivian Borne (now the Sheriff of Serenity, Iowa), her long-suffering daughter Brandy, and their sweet and smart Shih-Tzu, Sushi.

They are all the same, even though there is some dynamism in the characters and their interactions. For instance, Mom Vivian is a strong-willed force of nature, an excellent detective, someone who doesn’t care for rules or protocol, and she generally gets her way. In early books, she’s just a director at the local theater, but all of a sudden, she ends up as the elected Sheriff of Serenity, Iowa. This doesn’t please her daughter Brandy, who tries to rein in her mother, but generally fails. Brandy has moved from one relationship to a much stronger one with a local law enforcement colleague, but she still feels on the edge. Only the dog Sushi seems to be the most well-adjusted.

The series has grown, but the formula of the books remains the same. It’s an American humorous cozy, with recipes, interpolations between the writers and their editor, and even chapters written from different characters’ points of view. The books shift between chapters written by Brandy and some by Vivian. This particular tale includes one chapter written by 14-year-old Jake, Brandy’s son (who lives with his father elsewhere), who has been seduced into the investigation by Vivian. His chapter seems remarkably true to a teenager’s style and shows the character off to his best advantage.

Plots in these stories are actually pretty interesting. In this one, a caretaker for a mansion that is filled with valuable antiques is found dead when the mansion burns down. But Vivian (Sheriff Borne, excuse me) realizes that at least one of the valuable antiques was stolen before the fire. And it turns out the man burned in the fire is not the caretaker. Later on, they find the real caretaker’s corpse in the woods. That’s at least two deaths (with one more to go).

The whole thing is handled admirably by the author(s). Here’s the thing. The stories are pretty good. The character interactions are fun (especially between mother and daughter). But there are things that may grate: the editorial comments between the writers of whatever chapter and the off-screen editor, the constant craziness of Vivian Borne, even the shifting chapter POVs may grate on some.

It’s the kind of series that if you like one of the books, you’ll like them all and read them with pleasure. If you read one and are irritated, then these won’t work for you. Still, I find them charming and worth the day or two it will take you to try one out. Highly entertaining.

—Mark Rose

Okay, and while Mark doesn’t seem to be quite sure whether Barb and I are great or grate, I should point out that he is a male. Which I find to be very cool. Just as it may surprise some that the Caleb York novels appeal to females, so may some be surprised that the Antiques novels appeal to males.

Now, I’m not really surprised at all about Antiques and male readers – at least those of you men secure enough in your masculinity to read a cozy about two “girls” – because a very smart guy named Bill Crider used to love these books.

How I wish you were still around reading them, my friend.

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Here’s a particularly well done interview with me on Mike Hammer and Masquerade for Murder.

Here’s Part One of a very good article about me, with quotes from an interview I did with the writer. Again, the focus is on Mike Hammer, but there’s a lot more.

Check out this fun review of Masquerade for Murder (by “Mike” Spillane and me!).

Here’s an interesting if condescending review of the movie version of Road to Perdition. I was amused to see a reference to Dave Thomas, who is now a friend and collaborator (I am thrilled and proud to say).

And now here is a podcast review of the Road to Perdition film, which is described as a “nice, awesome movie.”

Finally, this really good podcast actually compares the book to the movie, and discusses the plot holes in the great film that to this day drive me crazy.

M.A.C.