Posts Tagged ‘Quarry’s Blood’

Quarry in Feb, Fancy Anders Coming, and Billy Bob Thornton

Tuesday, September 28th, 2021

News flashes hot off the wires….

If you have pre-ordered Quarry’s Blood, be advised that due to printing, shipping and customs delays, the new Quarry novel from Hard Case Crime won’t be arriving in stores until February 2022.

The publication of Fancy Anders Goes to War is imminent, and both the Kindle e-book and the physical book can be pre-ordered now. I will probably not see the latter until right around publication date, but I am very pleased (obviously) with Fay Dalton’s great cover and the general layout of the book.

Again, the e-book of Fancy will have full color illos (a few are mostly black-and-white with dabs of color) while the “real” book will have the illos in black-and-white. The hope is that after the other two Fancy novellas appear (Fancy Anders For the Boys and Fancy Anders Goes Hollywood, which also feature Fay Dalton covers and illustrations), all three will be gathered in a single book with the illos in color and likely in a larger format.

You can order Fancy Anders Goes to War right here. (E-Book: Amazon Purchase Link, Paperback: Amazon Purchase Link) You can only find it on line, not in brick-and-mortar stores.

Also, over the weekend Dave Thomas, publisher John Schoenfelder and I decided that there would be two covers for NeoText’s also fairly imminent The Many Lives of Jimmy Leighton. Fay Dalton has already completed her stunner, and another is being put together from roughs by Dave (with my input) for an alternate cover. You will be able to choose which cover will adorn your copy of the book. (Jimmy is not yet available for pre-order on Amazon, but its publication is soon – October 25).

All ten copies of the Wolfpack edition of Bombshell by Barb and me are now spoken for, so the book giveaway for that title is over. Books will go out within the week. Barb and I will sign them all.

Again, the meat of the sandwich this week is the next installment my ongoing memoir, A Life in Crime, at the great NeoText web site. This week it’s the story of how Road to Perdition came to be and is again lavishly illustrated. I’d like to acknowledge Al Guthrie of NeoText who has been putting these together beautifully.

Next week will be part seven and focus on Fancy Anders on the very week of Fancy Anders Goes to War being published. Coincidence or evil plan? You tell me.

Initially, this was to end this run of A Life in Crime for now, with appropriate installments to be written and appearing in support of future books. But I decided to keep going with this essays right up to the publication of The Many Lives of Jimmy Leighton, so three more installments are (as they delicately say) in the can.

* * *
Billy Bob Thornton in Goliath

Billy Bob Thornton is one of my favorite actors – one of my favorite creative people, period.

Sling Blade (1996) is a masterpiece of indie filmmaking and proof that story and performance are more important than cinematic flash. Thornton’s limited budget made it necessary to shoot his film almost entirely in master shots (wide shots). Despite its lack of moody lighting effects and camera angles, it’s a solid example of film noir.

And I can never find Thornton in that performance. He has disappeared into Karl so thoroughly, the character seems to exist apart from the actor.

Like Orson Welles and John Cassavetes, Thornton has alternated parts in more commercial films with artier fare and the ability to record and perform with his rock band, Boxmasters. Along the way he has starred in some films I like very much – the two Bad Santa movies and the Coen Brothers’ James M. Cain pastiche, The Man Who Wasn’t There – and he knocked the ball out of the park in the first season of the FX miniseries Fargo as Lorne Malvo, a hitman who might be a physical manifestation of the devil.

I mention my like of Thornton primarily to recommend his series Goliath on Amazon Prime. Barb and I are half-way through the fourth and announced final season of this series about a once very successful attorney now an alcoholic shambles of his former self who nonetheless is able to pull himself together to play David against various corporate Goliaths. I’m not sure you need to watch the previous seasons to enjoy this final one. Each season has its own flavor and the second season, although I liked it, soured some viewers.

But overall it’s a great series, in a streaming world where we are hit with so many choices it’s easy to miss some of the really good things. And this fourth season, as far as I’ve seen at least, is outstanding. Thornton directs the first episode with the kind of noir-ish flare that is missing from Sling Blade (although frankly it might have ruined the effect of that low-key classic).

Much of the fourth season takes place in San Francisco’s Chinatown, as if to dare you not to make the connections between it and the great film of that name. It also consciously invokes Vertigo, which takes guts. By which I mean balls.

And yet so far, they’re pulling it off.

And it has Bruce Dern in it. If that doesn’t make you smile, we have nothing in common.

Billy Bob has been married six or seven times, has phobias about antique furniture and silverware, is a huge fan of My Little Pony, and much other weirdness. And I don’t care. He’s a national treasure.

* * *

Fancy Anders Goes to War, while not a graphic novel, is attracting a lot of attention in the comics world, thanks largely to artist Fay Dalton’s contribution and maybe a little bit because of my comics connections.

IGN has nice coverage here.

John Siuntres’ Word Balloon podcast has an interview with me, and he’s knowledgeable, which made it a pleasure.

This is an especially lively video podcast with Al Mega and C.V.R. the Bard. I had a great time with this one.

And J. Kingston Pierce at the definitive mystery/crime fiction blog, The Rap Sheet, has taken notice of what we’ve been up to here recently.

M.A.C.

Hear This! John Sand and Quarry, Too

Tuesday, September 7th, 2021

I am happy to announce an audio book of Come Spy With Me by Matthew V. Clemens and myself. Neither of us have listened to it yet, but both have sampled it and like what we hear.

We were actually given an opportunity by Jake Bray at Wolfpack to choose between two narration styles – basically, American or British. Being no fools, we chose the latter.

There’s a reasonable expectation that audios of Live Fast, Spy Hard and To Live and Spy in Berlin in our John Sand series will appear in the coming months.

Matt and I went out on something of a limb, writing three books one after another in a series that hadn’t proven its legs yet. That sound you hear is either that limb being sawed off behind us or all of you nice readers applauding and/or lining up to buy the books…or at least this groovy (it’s a book set in the ‘60s) audio book.

Come Spy With Me Audiobook Cover

Sample:

Purchase on Audible: Audible

* * *

As has been the case with the previous two updates, this week the main event is an installment of my Life in Crime literary memoir at Neo-Text, who will be publishing both Fancy Anders Goes to Warand The Many Lives of Jimmy Leighton in October.

This week I discuss the history of my Quarry series, right here. Profusely illustrated with book covers and also a photograph of the real Quarry.

* * *

Re-reading my essay on Quarry got me thinking (always dangerous).

Don Westlake always said that he became Richard Stark when got up on the wrong side of the bed (also said he became the comic Westlake when the sun was out and Stark when it rained). I know the feeling.

Quarry allowed me – still does, actually – to display my darkest feelings about humanity and specifically Americans. That’s a function of the first novel growing out of the Vietnam war and how it impacted me and my wife Barb and our friends. I was a college student dreading having to go to Vietnam. Ultimately I did not have to, but plenty of my friends did and it changed them. In some cases that change was death.

It gave me a misanthropic side. Like Westlake, I have a sunny side, too. But it sure has been raining a lot.

Now and then the clouds part and a terrific review like this one turns up, for the forthcoming new Quarry novel, Quarry’s Blood.

Quarry's Blood cover
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Quarry’s Blood
Hard Case Crime, $12.95 trade paper

MWA Grand Master Collins’s fine, action-packed 16th Quarry novel (after 2019’s Killing Quarry) brings the series to a fitting close. In 1983, Quarry, a former hit man who now goes after hit men, returns to the seedy club on Mississippi’s Biloxi Strip where, 10 years earlier, he murdered the owners. Luann, his humorless former sweetheart who helped in the killings, has since taken over running the club. Quarry has been following a hit man whose target appears to be Luann. His subsequent execution of the gangster behind the hit, Alex Brunner, leads to unforeseen complications. While raiding Brunner’s safe, he comes across two computer disks containing evidence of bribery incriminating Dixie Mafia biggies, cops, and politicians—evidence of local corruption that could put dozens of people in jail. He leaves town. Not until 2021, when a bestselling true-crime author tracks down the 69-year-old Quarry in the Midwest, does he discover what became of Luann and the floppy disks. Intriguing backstories, crafty revelatory connections, tongue-in-cheek humor, and blistering present-day battles make this entry sizzle. Noir fans will be sorry to see the last of Quarry. Agent: Dominick Abel, Dominick Abel Literary. (Nov.)

Is it the last of Quarry?

M.A.C.

Shoot the Moon & A Shot in the Arm

Tuesday, March 2nd, 2021
Shoot the Moon Cover
E-Book: Amazon Purchase Link
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Yes, it’s one of our ever-popular book giveaways. I have ten copies to give to the first ten readers who request it and agree to do an Amazon (and/or other) review. Those of you who have won books in the past and have not posted a review yet, for shame. Those of you who have won books and hated the book and haven’t posted a review, thank you.

[All copies for the giveaway have been claimed. Thank you for your support! –Nate]

Anyway, this is for Shoot the Moon, which is a repackaging (with revised intro) of Early Crimes. I’ve done this because Shoot the Moon is a novel and Early Crimes was rather inaccurately described as a collection. What we have is a novel, written about six books into my career, that was my attempt to do a Donald E. Westlake-style comedy of crime. By now you can see that Westlake was a major influence on my work, and was in fact a mentor to me when I was working on Bait Money, the first published Nolan novel, which of course was written as a pastiche/homage to Westlake’s Richard Stark-bylined Parker novels.

So perhaps it was natural that I try to follow in his other footsteps, and Shoot the Moon is that novel. It’s a short novel (but not a novella) and the two early short stories, “Public Servant” and “The Love Rack,” follow the novel as the equivalent of DVD/Blu-ray bonus features.

Back to the book giveaway. Write me at [link removed], and (this is important) include your snail mail address, even if you’ve won before. This is for USA only. That’s not patriotism, it’s cheapness (foreign postage is particularly high in the Covid era).

Speaking of which….

Barb and I have received our first vaccine doses (the Pfizer variety) and we are greatly relieved. How we got it is reflective of the difficulties even those of us who are seniors with underlying conditions are having getting vaccinated for Covid-19. Here’s our story.

For about a month I have been haunting the site of the Hy-Vee supermarket’s pharmacy (Hy-Vee being the major grocery chain in Iowa). It’s where Barb and I step outside of sheltering in place to take in “geezer” hour and do our weekly grocery shopping. The benefits are fewer people and ‘60s-era oldies playing instead of country western.

About four trips to Hy-Vee ago, I stopped at the pharmacy window to ask how I went about getting an appointment for vaccination. I was told by the pleasant young woman to sign up on-line and I would receive updates. (To date, I have received none. I also enrolled at Walgreens and also got zip updates.) On my next trip to the Hy-Vee pharmacy I inquired about when a vaccine shipment might be coming in and learned that one had in fact come in two days ago – 200 doses – and were gone in an hour.

That was when I asked (Barb said, “Don’t be angry!”) why I hadn’t received an update, and was told what I needed to do was keep refreshing the Hy-Vee pharmacy page on Facebook. I went home and began doing that, probably a dozen times a day – not a hardship, as I work at my computer. Two shipments would be coming in the following week, I was assured.

A week later I was told (credibly) the shipments hadn’t made it because of the cold in Texas that Ted Cruz was avoiding. I went home and began refreshing and refreshing.

The next week – this past week – I asked when the next shipment was coming in and was told by the pleasant young woman that it already had and was gone. (Two shipments had become one shipment.) I asked why the updates had never come and why all my refreshing hadn’t indicated any shipment ever had. The answer was not direct. I was advised to go to another web site and sign up there for…updates.

I trudged off and caught up with Barb, who was shopping to the tune of “Swinging School” by Bobby Rydell. I followed, considerably less happy than I usually am hearing Bobby Rydell, who is a favorite. Suddenly I said, “I’m going back there.”

“Why?”

“It’s unclear exactly what page I’m supposed to be refreshing.”

“Be nice.”

This conversation was conducted through masks, of course.

I said, “What do you mean?”

She said, “You’re a hothead.”

Never had I ever been so insulted! That she had a point was…beside the point…or something. I trudged back.

The pleasant young woman behind the counter said, “I was just going to page you.”

“Why?”

“Get your wife. We’ve had two cancellations and we start vaccinating in fifteen minutes.”

I ran – let’s call it power-walked – to Barb, pushing her cart with the patience of Sisyphus pushing his big rock, and at about the same speed.

“Come with me,” I said.

“Why?” She was understandably suspicious.

“They’ve had two cancellations.”

Suddenly my wife loved me again. Suddenly my stubborn hotheadedness had been transformed into blessed persistence.

I don’t blame anybody for this, and I do thank Hy-Vee for stepping up in the war against Covid and for the pleasant young woman having the presence of mind – and, frankly, compassion – to take advantage of those two cancellations…and the opportunity to get rid of me.

The vaccines will start flowing better, I am sure. Some of my readers support Trump, and that’s fine. I like anchovies. But nobody can say Joe Biden isn’t taking this pandemic seriously, and things are going to get better and soon. But right now it felt like the luckiest of lucky breaks to blunder in making a weekly nuisance of myself with stupid questions and a generally incompetent approach to getting vaccinated and be able to fill two cancellations and feel like our lives had been saved.

The bottom line, of course, is: it’s better to be lucky than smart.

M.A.C. waiting to get a COVID vaccine.

M.A.C. receiving the COVID vaccine.

* * *

Our sheltering in place has gone on for just about a year, Barb and I. We take it very seriously. Her health is fine, but she’s only a few months younger than me, so she needs protection and I’m not talking condoms. And I have enough underlying conditions to just check “all of the above” on a physician’s questionnaire.

So tomorrow (if you are reading this on the Tuesday it was posted) I will turn 73. It seems unreal to me, but I will tell you this – as long as I have my marbles, and can find venues that will have me, I will keep working. I will keep writing. Skim Deep is the new Nolan novel and the first one appeared in 1973, and was written around 1970. So do the math. It’s almost beyond belief that I recently wrote an entry in a series I created fifty-one years ago.

And I just completed Quarry’s Blood, in a series that began with a book I started in 1971. Fifty years ago.

Mickey Spillane used to talk to me about this – how writing was the only business you could stay at as long as you had decent health, no matter what age you might be. And that you can keep improving all along the way.

I’m not sure if that’s correct. I know there are many things I do better now, but I also know that the rigors of a work like Stolen Away might be beyond me. Nonetheless, I intend to do another Heller later this year, if the contract comes through.

Oh, as for my birthday. I am not fishing for birthday wishes, here or on Facebook or even in my snail-mail mailbox. If you want to send a gift, though, checks are best. Sorry – no PayPal account.

And if you really are, seriously, looking for a way to say Happy Birthday to me, buy one of the recent books: Come Spy With Me, Skim Deep, Masquerade for Murder, Antiques Fire Sale, Reincarnal, Shoot the Moon, Ms. Tree Vol. 2: Skeleton in the Closet, Murderlized, or maybe one of the great audiobooks that Skyboat Media is putting out (they’re doing all of the Nolans!). And the Wolfpack trade paperbacks are very handsome books indeed.

Here’s an idea: post a positive review for Max for his birthday.

* * *

I have seen some interesting things of late. I am particularly taken by a new sub-genre that Groundhog Day has spawned – specifically, movies that openly, unabashedly borrow its premise. Happy Death Day is a crafty horror-movie take on the Time Loop premise, and its sequel, Happy Death Day 2U, is more of the same but also good. Edge of Tomorrow is a strong s-f variation.

Two excellent rom-com takes are streaming right now – Palm Springs starring Cristin Milioti and Andy Samberg, and The Map of Tiny Perfect Things starring Kathryn Newton and Kyle Allen. What’s fascinating about these two is that, despite both depicting a couple caught in a Time Loop with a romance developing, each is different and makes its own point. And, while both films name-check Groundhog Day on screen, they demonstrate that the Time Loop concept has plenty more places to go.

As I say, a new sub-genre.

Now to a controversial topic. Barb and I gave up on Hamilton after about 45 minutes. I’ve made it clear that I am a musical comedy fan – that I love Rodgers and Hammerstein and Stephen Sondheim and Frank Loesser. The upcoming Blu-ray release of Damn Yankees has me giddy. And Hamilton certainly is a spectacle with a stage brimming with energy and talent.

What’s wrong with it – for me – is the rap/hip hop aspect. And that’s my problem. But I can’t get past it. I hate rap almost as much as I hate country western – maybe more. To my ancient ears, it’s just a bunch of rhyming and fast-talk gymnastics, and has little to do with music, although the percussive aspect is catchy in the way melodies used to be.

All-black musicals are nothing new – this one does have a few white faces dropped in – as The Wiz and Ain’t Misbehavin’ and many others demonstrate. All-black revivals of the likes of Guys and Dolls and Hello Dolly! have done very well, both critically and at the box office. But Porgy and Bess and Carmen Jones were originals, and the faithful films of both are both problematic today, I’m afraid, despite the wealth of talent on display.

Hamilton feels like a fad to me, not a Broadway classic unfolding before our eyes. But I am probably wrong.

As I said earlier, I will be 73 this week. This musical isn’t for me. As someone who has loved popular culture my entire life – loved my generation’s pop culture, but also my parents’ and my grandparents’ and much of my son’s – I am disappointed that Hamilton doesn’t touch me the way Sweeney Todd or Carousel or How To Succeed in Business do.

My fault. My loss.

* * *

Here’s a peek at the Spillane/Collins “Mike Hammer” short story, “Killer’s Alley,” in this month’s Ellery Queen Mystery Magazine. Just a taste….

From the great Ron Fortier comes this splendid review of Reincarnal.

Finally, here’s an article on the best Batman stories drawn by Norm Breyfogle, one of which is mine.

M.A.C.

In This Exciting Issue!

Tuesday, February 16th, 2021

One of the small pleasures denied me during this pandemic, where Barb and I have been largely sheltering in place for almost a year now, is going to Barnes & Noble and Books-a-Million to check out the new magazines.

But magazines have been a stubbornly dying breed for some time, and my favorites – most dealing with B-movies – have been hit hard. A particularly tough loss to take comes as a double hit – the writer/editor/publisher behind VideoScope, Joe Kane, has died.

And with him has gone his wonderful magazine.

Cover of VideoScope magazine

VideoScope was among the last of a handful of magazines combining reviews of what a prior dead magazine called psychotronic movies with news, articles and interviews. I never met Joe, but we exchanged many e-mails and I was an occasional contributor to the magazine. He was a consistent booster of my films and, when he was writing for the New York Daily News, reviewed both Mommy movies generously.

I looked forward to receiving VideoScope in the mail the way I used to (in my high school years) look forward to snagging my father’s gift subscription copy to Playboy before he got home from work. Of course Playboy – like my father – is gone now, but perhaps that magazine’s demise has to do not just with changing times, but the reality that certain magazines – yes, like the otherwise dissimilar VideoScope – were so much extensions of their creators/editors that they could not survive their absence. The fate awaiting Hustler, now that Larry Flynt is gone, is likely the same.

I dealt with a Flynt-like editor of the Hustler-like Climax magazine in Quarry’s Climax, the sexual content of which offended some readers – usually the same readers who weren’t offended by the violence. And I revisit aspects of that story in the forthcoming Quarry’s Blood. I liked Flynt’s Hustler, which had an outrageous sense of humor and a unique combination of blue-collar sensibility and left-wing politics (only “Asshole of the Month” could do a Tucker Carlson justice). The interviews and articles were often of interest as well (I will stop short of defending myself by saying, “I read Hustler for the articles,” even if it is sort of true – but I doubt I’ll be picking it up again).

Among the more respectable magazines I have looked forward to are two devoted to Old West history/pop culture, True West and Wild West. Both remain excellent and the former is the work of Stuart Rosebrook, a friend of mine who I’ve watched in recent years rise to the position of editor (the magazine’s publisher and creative guiding hand is the great artist/writer, Bob Boze Bell). Stuart Rosebrook’s screenwriter father Jeb wrote the classic “modern” western, Junior Bonner and much else (including The Waltons and The Yellow Rose on TV, The Black Hole feature film and The Gambler TV movies); when Stuart was living in Iowa City, he arranged for me to meet his visiting dad, which was an honor and a thrill.

Shock Cinema cover

With VideoScope gone, only a few stalwart defenders of the psychotronic side of cinema remain. A standout is Steven Puchalski’s Shock Cinema, which combines in-depth interviews with actors and filmmakers with reviews of obscure movies, Blu-rays/DVDs, and books. It has the same kind of fannish yet professional touch as Joe Kane’s VideoScope but with its own distinctive spin. The current issue is typical, featuring incredible interviews with actors Candy Clark (American Graffitti), Veronica Cartwright (Alien), Robert Wuhl (Arli$$), and director Jack Hill (Switchblade Sisters). A similar survivor is Darryl Mazeski’s Screem, another newsstand survivor. Like Shock Cinema and the now-lamented VideoScope, Screem has a personal touch and its own look and feel.

A slicker classic cinema magazine that somehow endures is the UK’s Cinema Retro, with incredible in-depth articles, wonderful reviews, and contributions by my pal Raymond Benson. Every issue is a feast, and occasionally they do a special issue devoted to a single classic film, with the emphasis on the ‘60s and ‘70s.

But these baby-boomer delights are a dying breed, as are magazines themselves, I fear.

Among the first things I did when it became clear we’d be sheltering in place until a vaccine arrived (and we still are waiting, Barb and I, for our shots) was to subscribe to all of the above and a few other magazines. But the joy of going to the magazine section of a book store, to see if a new issue of a favorite periodical is on the stands, is among the small yet keenly felt losses of this pandemic.

Joe Kane, who called himself the Phantom of the Movies, is a loss particularly keenly felt. So are the many magazines we have all loved…and taken for granted.

* * *

Here’s my introduction to the just-published IAMTW tie-in anthology, Turning the Tied. (Kindle link)

I also discussed tie-in writing in the forthcoming MWA, Lee Child-edited mystery writing handbook.

M.A.C.