Somehow it’s the first week of 2024 and it seems to be business as usual around M.A.C. Productions. Which means we are busy but there’s nothing “usual” about it. But it’s all good news, and good problems, so despite the Buck Rogers sound of the date on my calendar, I am rarin’ to go.
First news to share is that we have lined up four Iowa premieres for Blue Christmas in February and March.
We will have the World Premiere in Des Moines at the Fleur Theatre on Saturday, February 24. The Fleur is a terrific venue. They have a quote from me on the wall! We had a big Road to Perdition event there on the film’s release, and a few years ago I introduced (and spoke after) a screening of Kiss Me Deadly.
Our Cedar Rapids Premiere will be Wednesday March 13 at the Collins Road Theater. Another great venue, Collins Road Theater (love that name) is very supportive of independent film, hosting the Cedar Rapids Film Festival.
(We are entered in the fest and, if selected, there will likely be another Collins Road screening of Blue Christmas on the weekend of the fest, April 5 – 7.)
We will have our hometown Premiere at the beautiful Palms 10 Theater here in Muscatine on Saturday, March 16. It’s a treat and a privilege to have our film made available to our friends and family so close to home. We’ll go the Red Carpet route and everything.
On Saturday March 22, the Quad Cities Premiere will be held at the Last Picture House in Davenport. This is the brand spanking new theater that is the brainchild of the Quiet Place//65 filmmakers (local boys!), Scott Beck and Bryan Woods. Their support of their home-state filmmakers is much appreciated.
We – Chad Bishop, Phil Dingeldein and I (the executive producers of Blue Christmas) – are very grateful to the various managers of these theaters for welcoming us onto their screens. It came together remarkably quickly and is extremely gratifying.
Chad and I will be participating in a Q and A session after each screening with various cast members present. Phil Dingeldein will be there as much as his busy schedule allows, as will star Rob Merritt and his co-star, Alisabeth Von Presley. Alisabeth and Rob have been confirmed for the Cedar Rapids premiere.
As you may know, we shot the principal photography in Muscatine Community College’s Black Box Theater, and we are working out details for a screening there as well for students and teachers.
If you were a contributor to the fund-raising effort, and were promised admission to a premiere, please write me at macphilms@hotmail.com and let me know which of these premieres (choose one, please) you would be able to attend. More details will follow.
I’m centerstage with my back to the camera, directing Alisabeth Von Presley and Rob Merritt in Blue Christmas; left of me is Liz Toal, first camera assistant, and I’m blocking my buddy Phil Dingeldein, at right.
A lot of people who keep up with these updates helped make this film possible, and we are very grateful. I frankly thought I’d hung up my indie film shootin’ iron with Eliot Ness: An Untouchable Life (2006). But Encore for Murder came together so well as a play, we shot it at the last minute and soon the ol’ juices were flowing. Which in a man my age isn’t pretty….
I will tell you, with no modesty at all, that Blue Christmas came out most satisfactorily (as Nero Wolfe might say). That our cash budget was $14,000 indicates just how remarkable a feat this was. (The budget would sky-rocket if everyone, myself included, who took no remuneration were actually…you know…paid.)
Heath Holland at Cereal at Midnight on YouTube showed off on both the Blu-ray of Mike Hammer’s Mickey Spillane (which includes Encore for Murder as a bonus feature) and the DVD of Encore on his wrap-up of new releases. Thank you, Heath! (I am recording an interview with Heath tomorrow.) You can also rent both the documentary and the recorded Golden Age Radio-style play on Amazon Prime and VUDU.
And so the writing year begins.
I have just completed what I’m calling Conversations With Nathan Heller, a 13,000-word look at the entire Nate Heller novel series to date. The format is that I am visiting Heller at his Boca Raton digs to interview him before beginning each book in the series. This has been done for Otto Penzler at Mysterious Press, and was just shipped yesterday. What Otto’s reaction will be is hard to say, but obviously I hope he likes it. The title may change – that will be up to Otto, at least to some degree – but I think any Heller reader will get a charge out of it.
No idea when this will be published, but I will keep you informed here. I’m told there will be a square-bound hardcover edition.
Additionally I have corrected and tweaked Quarry’s Return, the copy edited version on its way back to editor Charles Ardai. The novel is scheduled for December, I believe. Going to be a busy December, with Blue Christmas possibly playing in some regional theaters (we’re working on that).
In the meantime, Barb has been working on her draft of Antiques Slay Belles – another Christmas book! I will start my draft yet this week.
After that I will be starting the massive podcast script combining the novels True Detective and True Crime (the first two Hellers) into one massive dramatic piece.
Stay tuned.
I received today copies of the fifth Ms. Tree collection, Ms. Tree – Heroine Withdrawal. It’s (as Chester Gould used to say) a honey. Just physically lovely. I am so grateful to Nick Landau and Vivian Cheung at Titan for keeping after to me to do these Ms. Tree collections with them (a shout-out to the great Andrew Sumner).
I also received two books from Gary Kato, who helped Terry Beatty out on Ms. Tree from time to time – Peter Pan in Return to Never Never Land and Satin’s Ways – both written by my pal Ron Fortier. Both are published by Redbud Studio.
M.A.C.