Posts Tagged ‘Antiques Slay Belles’

Many Happy Returns (Except For…)

Tuesday, November 12th, 2024

I stepped out from behind my usual “no politics here” stance last week by expressing my support for Kamala Harris. Wow, that really made the difference! Look, I am a centrist generally pissed off at both the far left and far right, having been cancelled by both in various eras. But I am grateful that nobody who follows this blog/update stepped up to slap me down last week. They respected or at least ignored my opinion. I had exactly one “pushback” on Facebook from somebody astounded that I would see Donald Trump as a threat to the rule of law. So at least I got one good laugh out of this.

The real winner of this campaign was social media for getting away with completely (a) blotting out any real news coverage in favor of this opinion and that one, and (b) making every one of us feel a sense of importance none of us deserve. Just this week I have had a movie I directed, and a book I am writing, lambasted by people who have not seen the movie and not read the book (not a surprise, since I haven’t finished it). I realize I am being a bit of hypocrite being opinionated in this – but how many of us now think our opinions are so important we need to express them in public, even when we are discussing a movie we haven’t seen, or a book that isn’t even out yet?

This is Alice in Wonderland stuff, boys and girls. And it’s going to get worse.

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Trade Paperback: Bookshop Purchase Link Amazon Purchase Link Books-A-Million Purchase Link Barnes & Noble Purchase Link
E-Book: Google Play Kobo
Digital Audiobook: Audible Purchase Link Google Play Kobo
Audiobook CD: Amazon Purchase Link Books-A-Million Purchase Link
Audiobook MP3 CD: Amazon Purchase Link Books-A-Million Purchase Link

Quarry’s Return is out now and you should be able to find it at your favorite brick-and-mortar bookstores, but it’s also available at the usual online retailers.

I’ve said a few places that this may be the final Quarry novel, but let’s face it – I said that before (about The Last Quarry and Quarry’s Blood, to name two). So who knows?

This novel is very much a sequel or follow-up to the Edgar-nominated Quarry’s Blood, though like all of these books, each can be read out of order without causing you too much mental whiplash. What I’ve discovered about Quarry, via this one and the preceding book in the saga, is that I like writing about him when he shares with me my current age (he’s actually a tad younger). I think that’s because he was conceived, in the first novel (Quarry a.k.a The Broker), as being my age, very much my contemporary as a child of the 1950s caught up in the Vietnam era.

Nate Heller has also been older in more recent novels (Too Many Bullets is something of a concluding one, though I do have one more to write, which is next up on my novelistic plate). Those books got out of chronological order fairly early on – only the first three (True Detective, True Crime, The Million-Dollar Wound) are strictly chronological, although you could kind of lump the fourth in (Neon Mirage) as well. After that I’m all over the map with Stolen Away and Damned in Paradise and so on.

Speaking of Heller, True Noir – the ten-part fully immersible, M.A.C.-scripted audio adaptation of True Detective is deep into post-production. Plans to drop the episodes gradually, while the later ones were still in post, have been scrapped by producer Mike Bawden in favor of waiting till the entire ten parts are complete. There is merit in this decision. Release should be some time in December or very early January. Exactly how and where they will be released I’ll announce here, as soon I know it.

What I do know is the cast and director Robert Meyer Burnett have done me proud. We have a terrific Nate Heller in Michael Rosenbaum of Smallville fame, and the supporting cast is second to none.

Getting back to Quarry, I should note that we have another terrific audio book of this one read by the great Stefan Rudnicki.

As far as more Quarry is concerned, it frankly depends on my health and the interest of a publisher. As long as Hard Case Crime is around, and I’m around, I’ll probably find a way to write the occasional Quarry. Whether any future one will be about the geriatric Quarry or a flashback to his earlier days remains to be seen.

At my age, writing this kind of book, I face not only my advancement of years, but that of my readership, which (let’s face it) is pretty much cult-ish, despite the occasional break-through like Road to Perdition.

I have found it revitalizing doing several micro-budget movie productions (Encore for Murder, Blue Christmas, Death by Fruitcake); but even at this modest (!) budgetary level, funding is difficult. We’ll see how Blue Christmas and Death by Fruitcake fare.

Right now Blue Christmas is playing a week-long run at the Palms Theater in Muscatine. Seeing our little film on a great big screen, with terrific sound, has been gratifying. (It’s still there through and including Nov. 14.) It’s a testimony to what director of photographer Phil Dingeldein and producer Chad Bishop were able to achieve on a wing and a prayer.

Blue Christmas also out on Blu-ray and DVD right now. Lots of special features, including a nice bio documentary of yours truly done for Muscatine Community College. A good place to get the Blue Christmas Blu-ray online (in addition to the usual online retailers) is the great website Diabolik. They are a terrific outfit offering all kinds of off-beat items, including our little Christmas fable. Their price is in line with other online retailers and I’d love to see you support them.

As for the DVD version, you can go to Amazon or Barnes & Noble and get it for eleven bucks and change.

Speaking of Blue Christmas, shortly after its run ends at the Palms Theater in Muscatine, there’s a special showing (open to the public) in the very Black Box venue where we recorded the film. This should be a great event and those of you in the eastern Iowa area may wish to take it in.


Hardcover:
E-Book: Nook Kobo Google PLay

Also out right now is the latest Antiques Trash ‘n’ Treasures comic mystery, Antiques Slay Belles. With Death by Fruitcake warming up as a release for next Christmas, with Brandy and Vivian Borne brought to life wonderfully by Alisabeth Von Presley and Paula Sands (co-starring with Rob Merritt who plays P.I. Richard Stone in Blue Christmas), Barb and I are happy to present another Antiques Christmas mystery. Sometimes the mystery of the Antiques novels is where to find the darn things. Our publisher, Severn House, is in the UK and sometimes it’s difficult to find the latest Antiques novel in a brick-and-mortar USA store (there have been some inroads with Barnes & Noble as well as mystery bookstores).

But you can absolutely get Antiques Slay Belles at Amazon, Barnes & Noble and whatever your favorite online retailer is likely to be.

Let’s face it. These are ideal stocking stuffers for a mystery fan – but choose wisely which of these items you stuff. Only the hardiest of souls out there might find both Antiques Slay Belles and Quarry’s Return (and yes, it’s a Christmas novel!) equally palatable. On the other hand, Blue Christmas would make a fine Christmas day family film, despite its noir-ish themes (same noir-ish themes as A Christmas Carol!).

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Check out our Blue Christmas IMDB page!

This is quite a lovely review of Blue Christmas, very positive but frank about our low-budget indie feature.

Here’s another nice Blue Christmas review, if brief; you have to scroll down to find it.

Hey, movies don’t get much more indie or micro than this; but if you like my work, I think – I hope – you’ll impressed with what we came up with. Much thanks goes to our eastern Iowa cast, with Alisabeth Von Presley already receiving a Best Actress award from the Iowa Motion Picture Association for what is essentially a supporting role. And Rob Merritt as Richard Stone carries a good deal of the weight of the production on his shoulders and proves his value as probably the most popular, busiest actor in this region.

M.A.C.

Movies and Me

Tuesday, October 22nd, 2024

[Bulletin: THE PALMS THEATER WEB SITE IS BACK UP! ORDER TICKETS HERE.]

For those of you in the eastern Iowa (and nearby Illinois) area who have been wanting to get advance tickets to the Nov. 1 and Nov. 2 premiere screenings at the Palms Theatre in Muscatine, you will have probably noticed that for some days now the Palms web site has been essentially down.

Tickets are available through Fandango, however.

Tickets for the Friday Nov. 1 screening at 7 pm – with stars Paula Sands and Rob Merritt on hand, as well as myself and numerous others from cast and crew – can be purchased here.

Tickets for the Saturday Nov. 2 screening at 7 pm – with stars Paula Sands and Alisabeth Von Presley on hand, as well as myself and numerous others from cast and crew – can be purchased here.

We’re sorry about the difficulties with the Palms web site, and by the time you read this those difficulties may have been remedied. But for now (on 10-21-24), the Fandango link is what you’ll want to use.

Right now these are the only screenings scheduled for this year, although the Last Picture House in Davenport has expressed a strong interest in having us.

We also will likely have limited runs of Blue Christmas at the Palms in Muscatine and other Fridley Chain theaters in Iowa, as well as at the Last Picture House…but those plans are not yet firmed up.

Blue Christmas will be out on Blu-ray and DVD on Nov. 12 from VCI and MVD. They can be ordered from Amazon here.

Barb and I, as co-authors of the long-running Antiques mystery-novel series, are thrilled with having Death By Fruitcake to demonstrate how effectively our concept can be transferred to the screen. We’ve come very close over the years, with tons of interest from networks and streamers, but it never quite happened. Which is why we decided to do it ourselves, and show how we think it should be done – specifically including breaking the fourth wall, so that Brandy and Vivian can talk directly to the audience from time to time, invoking the unconventional and (we think) fun rule-breaking style of the books.

Two releases in the Antiques/Trash ‘n’ Treasures mystery novel series are imminent.

The new one, Antiques Slay Belles, will be available on Nov. 5.

The previous one, Antiques Foe, is available in a handsome full-size trade paperback on Oct. 29.

Antiques Slay Belles by Barbara Allan
Hardcover:
E-Book: Nook Kobo Google PLay
Antiques Foe by Barbara Allan
Paperback:

We must point out that our publisher (Severn House) is British and sometimes the books are hard to find in the USA – distribution to Barnes & Noble appears limited. So please take advantage of the links above, or buy from whatever on-line bookseller you like and trust (this includes Barnes & Noble). [Target Circle has a “buy 1 get 1 50% off select books” deal active through October 26, and both Barbara Allan books (and more) are eligible. –Nate]

We’ve had good support for our efforts with both our film of Blue Christmas and Death By Fruitcake, with the naysayers being exclusively people who haven’t seen either movie yet – just are contemptuous of any film that doesn’t have a Hollywood budget and the name stars that go with it.

For Death by Fruitcake, we are fortunate to have two regional celebrities in Emmy-winning broadcaster Paula Sands and American Idol/American Songwriter Contest pop sensation Alisabeth Von Presley. Alisabeth, of course, is in Blue Christmas along with Fruitcake co-star Rob Merritt, who is by our yardstick the most successful actor in this part of the world.

I have enjoyed getting back to indie filmmaking and, if it’s not too impractical at my age, to possibly do more of it. I’ve been blessed to have a certain amount of bigtime Hollywood success in Road to Perdition and the Quarry TV series; and fairly big success with The Expert debuting in primetime on HBO and Mommy appearing in primetime on Lifetime. And both Mommy movies were video store hits back in the Blockbuster days. I’ve had things on Iowa PBS (notably Eliot Ness: An Untouchable Life) and written several independent features for others, including the Quarry-derived The Last Lullaby and the upcoming Mickey Spillane’s Saturday Night in Cap City.

My point, if there is one, is that this notion of letting budget stand in the way of telling stories is a self-imposed limitation. Sure, Blue Christmas would be “better” if I’d had multiple locations and a bunch of Hollywood acting talent. But figuring out how to tell my story with talented local actors (pro and pro-am) on a single set, and shoot it in six days, was how I was able to finally get a project done (Blue Christmas) that I’d been trying to do since 1995.

Death By Fruitcake was a matter of choosing an Antiques story that could be told using limited locations – and the novella Antiques Fruitcake in the three-novella collection Antiques Ho Ho Homicide was perfect. I knew, from having done Mickey Spillane’s Encore for Murder and Blue Christmas with non-Hollywood talent that Death By Fruitcake was possible. And for all the limitations our micro budget imposed upon us, I could not be prouder of the result.

It’s incredibly gratifying for Barb and me to see Brandy and her mother brought so fully to life by two gifted comic actresses, Alisabeth Von Presley and Paula Sands.

Some of you may have to wait till next year to see it, but I’m confident we’ll get Fruitcake out there in some form for you to partake of a slice. And look for announcements about streaming service availability of Blue Christmas soon.

Although…if you have Blu-ray, the VCI release is packed full of extra features.

Here’s some great area coverage of the Fruitcake premiere weekend.

M.A.C.

Two Events, A New Movie Script, Nate Heller News and More

Tuesday, February 13th, 2024

Two events are coming up that Iowa residents, particularly those in (or near) Des Moines may wish to attend.

The Fridley Theatre chain has reopened the great Fleur Theater and have booked me in for two events. Coming up this weekend (Saturday February 17) is a presentation of Chinatown that I will introduce. I will be discussing the importance of the film and how it has been a key influence on me and my work.

Then, just a week later on Saturday February 24, I will be there with a number of cast and crew members for the World Premiere of Blue Christmas.

Advance tickets for both events are available at the links.

As you may know, three more premiere events will present Blue Christmas to the public for the first time; it will not be made available (at least nothing is planned yet) until the Christmas season of this year:

Fleur Cinema/Des Moines, World Premiere; February 24th
Collins Road Theater/Cedar Rapids Premiere; March 13th
Palms 10/Muscatine Premiere; March 16th
Last Picture House/Quad Cities Premiere; March 22nd

I will be attending all four and at least some cast and crew will be at these events as well (with Q and A after).

* * *

After delivering the new Trash ‘n Treasures novel, Antiques Slay Belles, to our publisher Severin (who we are pleased to say loves it), Barb and I began work on a film script based on the novella “Antiques Fruitcake,” seen in our collection of three Antiques Christmas novellas, Antiques Ho-Ho-Homicides.

Even before the script was started, we had approached with some success several key actors (mostly from Blue Christmas) as well as secured the primary location for the shoot, which we project for late July or early August (that, of course can change).

Working from the novella, with Barb consulting and editing everything I wrote, I’ve produced a screenplay called Death by Fruitcake which I think successfully captures the feel and approach of the books. For one thing, it has a lot of talking to the camera by Brandy and Mother, breaking the fourth wall. The goal was to be very funny and yet a legit mystery (the way the book series does, at its best anyway).

Why another Christmas movie?

Well, the warm reception we got from not only the home video distributor but a major film chain in Iowa, and several independent theaters, showed the holiday aspect of Blue Christmas was hugely beneficial. We’d been looking for another low-budget film project to do, and doing Christmas again but in a completely different fashion made sense.

This project will be in process all year, so you’ll be hearing about it here.

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I am pleased to announce what is almost certainly going to be the last Nathan Heller novel, The One-Way Ride, which I’ll be writing this year for Hard Case Crime. God willin’ and the crick don’t rise, it will appear in late 2025.

This will, at long last, tell the story of Heller, RFK and Jimmy Hoffa, which takes place in the ‘60s but with first and last sections that feature Heller at the end of his career – chronologically the farthest up I’ve gone (other than brief sections of the whatever-happened-to chapters in various of the books).

I both hate and love the thought of doing a final chapter in Heller’s saga. The love part is (a) getting to do another one, and (b) knowing that this saga has a definitive ending. The hate part is that I love to do them and consider Heller my key work (Quarry would disagree, but I’m not giving him a vote).

Several realities are at play here. First, at my age and with my health issues (which for now I’m keeping in check), doing a massive project like a Heller novel, with its soul-crushing research, is best put behind me. I have several other things I want to do, and speaking of Quarry, I may do more with him. I might also do an occasional Heller short story for the Strand and/or Ellery Queen.

Other factors are the way sales got impacted by the way a UK dock strike screwed up the publication of Too Many Bullets, which I consider to be a major book in the saga. That strike, as I’ve outlined here before, meant the 2022 publication of The Big Bundle effectively got pushed to the first quarter of 2023. That had the novel careening into Too Many Bullets, published early fall 2023, meaning two Hellers were published in one year (effectively). It led to the major trade publications (Publisher’s Weekly, Booklist, Kirkus and Library Journal) not reviewing Too Many Bullets (and in the past they have almost always reviewed the Heller novels). That cost us bookstore and library sales.

And it made getting Hard Case Crime to do another book in the series required a real sales job from me.

On the other hand, we’ve had several really terrific reviews lately for Too Many Bullets. Check out this one from the fine fanzine Deadly Pleasures (who tabulated how many “Best of the Year” lists various books appeared on – Too Many Bullets appeared on five):

Too Many Bullets
by Max Allan Collins
Hard Case Crime, $26.99, October 2023
Rating: A

Nathan Heller is body-guarding Robert (“Bob! Not ‘Bobby!’”) Kennedy on June 5, 1968, the night he won the California Democratic primary. As they walk through the crowded Pantry in L.A.’s Ambassador Hotel, a dozen or more shots ring out. Kennedy falls, as do five others, but he is the only one to die. A dazed Sirhan Sirhan, gun in hand, is slammed down by Roosevelt Grier, Rafer Johnson, and Heller. The LAPD muscles the FBI out of the investigation of the assassination, since it’s clearly an open-and-shut case against Sirhan. But months later, a now skeptical Heller undertakes his own investigation, first at the behest of columnist Drew Pearson, then Time/Life after Pearson’s death. After all, there weren’t enough guns and there were too many bullets in that room. And what of the mysterious woman in the polka-dot dress that several witnesses saw fleeing the scene?

Mystery Writers of America Grand Master and Private Eye Writers of America’s Lifetime Achievement “Eye” Award recipient Max Allan Collins’ first Nathan Heller novel, True Detective, was published in 1983. This latest novel marks forty years of some of the very best and most cohesive historical detective fiction ever written. Each book in the series has been meticulously researched, down to the smallest factual details, then tied together with a cleverly plotted and convincing fictional re-examination of events surrounding a murder, a kidnapping, a disappearance, extortion, assassination or other well-known crime. What’s more, there is a well-reasoned solution to previously unsolved or questionable cases. Collins uses real names whenever possible, adding to the authenticity. Each book also contains a wrap up of what happened to characters after the story has concluded.

Too Many Bullets follows that established pattern. Collins presents little known facts gathered from autopsy and police records, things that were conveniently overlooked in a rush to judgment. But it is the reasoned conjecture that he wraps around those facts that make for fascinating reading. Further, he faithfully recreates the politics of the late 1960s. Readers will almost come to believe that they were caught up in the panic in the hotel’s Pantry, so realistic is the writing. In today’s world, with crazy conspiracy theories abounding, this novel takes a deep dive into one that just might not be so crazy.

The author has previously explored other Kennedy family assassination (and near assassination) stories, but this may just be one of his best. No need to have read any of the previous novels in the series, since Collins doesn’t write them in chronological order anyway. The final two sentence paragraph sums up Heller’s dedication to the job perfectly. If this is the final Heller (and I sincerely hope it is not), the detective goes out on a very high note.

Well, Too Many Bullets isn’t the last Heller, if I can get The One-Way Ride written. But that’s a fine review.

As I’ve said here before, it’s no picnic for an old white guy to get a book sold in a marketplace filled with young Woke editors who have apparently slept through the history of noir fiction. I am lucky to still be in business at all.

For example, I have pitched (sometimes with Matt Clemens and sometimes on my own) half a dozen projects (full book proposals) to Amazon’s Thomas and Mercer, where the Reeder and Rogers trilogy sold hundreds of thousands of copies and my back list has flourished for over a decade. And they haven’t gone forward with a thing. In fairness, the second of my two Krista Larsen novels (Girl Can’t Help It, a book I love) has not earned out yet and maybe never will. Still, the royalties on that title and several dozen others keep coming in and I’m grateful to them (particularly to the initial editors at Thomas and Mercer who made Ian Fleming and Max Allan Collins among their first buys).

I am not complaining (exactly). I have a full plate of work for 2024. But with both Nathan Heller and Mike Hammer getting their series wrapped up, I have to be resilient and creative. (Hammer was always planned to be finite – no new novels written solely by me, strictly M.A.C. finishing up Mickey’s works-in-progress.)

That’s why I’m directing and writing indie movies again. It’s why I’m developing a Nate Heller podcast, bringing the books to life, collaborating with my buddies Phil Dingeldein, Mike Bawden and the great Robert Meyer Burnett, a genuine YouTube star. Recently Rob did a blisteringly funny, wickedly sharp takedown on Amazon (don’t mean to pick on them, and this isn’t Thomas & Mercer) putting out a statement with advice to writers (particularly screenwriters) that is so D.E.I. (Diversity Equity and Inclusive) as to be absurdly hilarious. Take a look. (His Robservations episodes always begin with promos for other stuff of his, so be patient. It’s worth it.)

Also worth a watch this week is Heath Holland and me talking about the latest Kino Lorber film noir Blu-ray boxset on his fine podcast, Cereal at Midnight.

* * *

Here is another lovely Too Many Bullets review.

This article discusses why Tom Hanks decided to do Road to Perdition.

Finally, Ron Fortier is back with a retro review of my The Hindenburg Murders.

M.A.C.

Tickets on Sale, Spillane Bargain, and a Novel Out the Door

Tuesday, January 30th, 2024

Advance tickets are on sale for the World Premiere of Blue Christmas in Des Moines at the Fleur Theater on February 24. Buy them here.

Advance tickets are on sale for the Muscatine premiere of Blue Christmas at the Palms theater on March 16. Buy them here.

When I have a ticket link for the Cedar Rapids Premiere at the Collins Road Theatre on March 13, I will post it.

When I have a ticket link for the Quad Cities Premiere at the Last Picture House on March 22, I will post it.

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Spillane: King of Pulp Fiction Audiobook cover

The Edgar-nominated Spillane – King of Pulp Fiction by Jim Traylor and me is on sale at Barnes & Noble for an astonishing $13.47. That’s literally half price for a new hardcover copy. Not sure how long this price will last, so I’d suggest striking while the iron is hot. [The Nate Heller novel The Big Bundle is also 50% off! — Nate]

Pictured here is the audio edition. It, and the e-book edition, are priced higher than the hardcover (at the moment).

For those of you wondering if I’m planning to attend the Edgar Awards event, that’s as yet undecided. I have expressed here my feeling that there remains enough anti-Spillane sentiment to make a win difficult. Also, the other nominees include books on Poe and Ellroy, the first the author the award is named after (!), the second a highly celebrated author in the hardboiled field.

The other factor is that Blue Christmas has been entered in the Iowa Motion Picture Association awards and I am waiting to see how we fare there. As a three-time former president of that organization – and with a new film I’ve written and directed utilizing Iowa talent (and Iowa money), my first indie offering since 2006 – I have a responsibility to consider that event (which takes place in the same time frame as the Edgars) instead. I can only be in one place at a time.

A further factor is that a New York trip would cost me about what I was paid as an advance for Too Many Bullets. Add to this a trip from Muscatine to Manhattan and the air travel (and taxi rides) it would entail would be difficult for me at this age and with my health issues.

Again, a decision has yet to be made.

I will say that in the unlikely event that Spillane wins, it would be an honor second only to being named an MWA Grand Master, an award I treasure.

* * *
Antiques Foe cover

This morning Barb and I shipped Antiques Slay Belles to Severn, our publisher (based in the UK).

Getting a novel out is a harrowing job. The writing itself was concluded last Thursday. We essentially took Friday off, then dug in for a long weekend of assembling the manuscript.

That’s always tricky. Both Barb and I write in WordPerfect, so a conversion to the more accepted Word is necessary. We also create a file for each chapter as we go. The first stage of prepping the completed manuscript for the publisher is to assemble the chapters into a single file, a task I take on. The next stage is for me to read the hard copy we’ve created and for Barb to enter the corrections and to consider the tweaks I’ve made (sometimes she disagrees with them, and we discuss, and usually she’s right). Usually I get about 100 pages done and Barb begins her process of entering the corrections/tweaks while I press ahead. This is a job (on a 60,000-word manuscript like Antiques Slay Belles) that usually takes two full work days.

Occasionally I discover something that got past both of us and that requires a rewrite. That happened this time, and a considerable slice of the first chapter had to be reworked. This takes considerable poise to deal with in a cool-headed manner, and of course we both ran around with our hair on fire for a while before figuring out how to fix the problem.

Another issue is the conversion itself. We frequently discover page-numbering problems, and working in one word processing program that requires a change into another word processing problem has, as they say, issues. I do a certain of amount of work in Word and so does Barb, but for fiction writing, we both much prefer WordPerfect and we pay for that preference at this last stage of the process.

I handle the actual conversion, and I go through page by page looking for conversion problems, but I inevitably miss a few. Still, I think we send in a very clean manuscript. About the only thing I like about the conversion process is that Word gives the entire manuscript a fresh spell- and grammar-check, and I’m able to address some goofs we made that we hadn’t previously caught.

Last step is simply to send it to our editor with an attachment of the manuscript.

Now we sit back and wait for the editorial response. Usually this comes quickly, but a problem I have that some writers do not is that I almost immediately move on to my next project. And by the time I get the editorial notes, asking this and that (about plot in particular), the novel in question is less than fresh in my mind.

Not complaining. All of this is part of the process. But I am guessing this aspect of getting a novel written (and delivered) is off the radar of most readers. And that’s not a criticism. You have a right to not care (or not seek knowledge of) how the sausage is made.

Just in case you are interested, though, I thought I’d share this vital but little discussed aspect of the creation of a manuscript by fulltime professional writers.

* * *

Later this week I am joining Heath Holland on a taping his Cereal at Midnight podcast for what may become a regular (once a month?) exercise in discussing Blu-rays and 4K’s. We are starting with the latest Kino Lorber boxed set of western films.

Heath has been slicing up my two-hour (yikes!) career interview with him into bite-size portions. Here’s me on the relationship between Quarry and Audie Murphy.

M.A.C.