Posts Tagged ‘Interviews’

M.A.C. Collection From Wolfpack & A Spillane Rave

Tuesday, October 18th, 2022

Another short update, I’m afraid.

My medical issues are coming to a head and I will be trying to deal with them this week. Good thoughts and crossed fingers are appreciated.

Here is the appearance by Barb and me on the Paula Sands Show recently, promoting Antiques Liquidation.

The first in a new series of e-book boxed sets from Wolfpack is available now – The Max Allan Collins Collection, Volume One: Eliot Ness. Works out to less than a buck a book!


E-Book:

There will be five e-book boxed sets in the overall Max Allan Collins Collection, plus a Mickey Spillane collection.

Come Spy With Me is set for a $.99 Kindle Countdown Deal Oct 19th – 25th.


E-Book:

The first review of the Spillane bio by Jim Traylor and me has just appeared, and it’s strong, despite being from the meanest, toughest reviewing service in the world: Kirkus.

SPILLANE King of Pulp Fiction
Author: Max Allan Collins
Author: James L. Traylor

Review Issue Date: November 15, 2022
Online Publish Date: October 20, 2022
Publisher: Mysterious Press
Pages: 400
Price ( Hardcover ): $26.95
Publication Date: January 10, 2023
ISBN ( Hardcover ): 978-1-61316-379-5
Section: NonFiction

A full-dress biography of the most polarizing practitioner of 20th-century crime fiction.

As Collins and Traylor note, nearly everyone deplored the sex and violence of Mickey Spillane’s (1918-2006) midcentury novels about private eye Mike Hammer—though that didn’t stop the millions of readers who catapulted him to the top of bestseller lists and kept him there. Delving into Spillane’s roots, the authors examine the evolution of comic-book hero Mike Lancer into Mike Hammer, cite contemporaneous reviewers who talked up or trash-talked Hammer’s adventures, and explore Spillane’s multimedia activities during the 10 years (1952-1962) of Hammer’s absence from the printed page. (Why the long silence? Collins and Traylor believe Spillane was waiting for his disadvantageous contract with film producer Victor Saville to expire). Warning in their opening chapter of spoilers ahead, the authors proceed to summarize the mysteries and solutions of all Hammer’s early novels. They’re at their best when mapping the Spillane metaverse, which includes novels, stories, articles, comic strips, radio broadcasts, TV programs, and movies, and weakest in their uncritical praise of their subject as a plotter, stylist, Jehovah’s Witness, and human being (a verdict his first two wives might have contested). “Mickey encouraged our best efforts, all the while sharing his humanity, generosity, and down-to-earth nature,” they write. “This book reflects not just our love for his work, but for the man, with thanks for his encouragement and friendship.” Spillane’s appealing directness provides an endless stream of anecdotes. The authors conclude with a formidable array of appendices, ranging from an autobiographical fragment that takes Spillane from birth to age 14 to an essay on “Ayn Rand and Mickey Spillane” to a brace of bibliographies and an account of some of their own extensive dealings with the author when he was alive and the work Collins has continued to complete since his death.

Fans who’ve been waiting for a life of Spillane will gobble this up.

A decent review of the new volume in the Titan archival Ms. Tree collections comes from the Slings and Arrows site.

M.A.C.

Poetry Slam: Terry B. & M.A.C. Plus Ms. Tree On TV!

Tuesday, October 11th, 2022

I am still dealing with my A-fib (going in for a jump-start next week) and am slowed down by the condition as well as some heavy meds I’m on in prep for the procedure. So this week the update here is represented by this interview with Terry Beatty and me by the best pop culture interviewer on the planet, Andrew Sumner. Terry and I have rarely done joint interviews, so this is something of a rarity:

Ms. Tree: Deadline cover; Ms. Tree seated on a table pointing a smoking gun toward the viewer.
Paperback: Bookshop Purchase Link
(Or at your local or online comic book store!)
E-Book: Google Play
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Shoot-Out At Sugar Creek Cover
Paperback: Indiebound Bookshop.org Amazon Books-A-Million (BAM) Barnes & Noble (B&N) Powell's

What is possibly the final Caleb York western (of six) will soon be published in paperback, Shoot-out at Sugar Creek. (Tuesday, October 25)

This is a review of the hardcover of Sugar Creek that appeared last year, and it’s a very good, smart one that’s worth reading for the first time or revisiting it.

I loved doing these westerns, and it’s unfortunate Kensington didn’t ask for more. But what had been an unproduced screenplay (for John Wayne) by Mickey Spillane has generated six fun books, so I have nothing to complain about.

This is a really nice write-up about the new Mike Hammer novel, Kill Me If You Can, at the lively, fun site Jerry’s House of Everything.

And the similarly fun Borg site has a discussion of Tough Tender, the two-fer of Nolan novels, Hard Cash and Scratch Fever, the final two novels of the original Nolan run. Available from Hard Case Crime, my lifeline to readers!

M.A.C.

A Sumner/Collins Interview and Where To Find Sympathy

Tuesday, August 9th, 2022

My friend and editor at Titan in the UK – the great Andrew Sumner – did an interview with me about the Mike Hammer novel being published September 13th (Kill Me If You Can) as part of the 75th anniversary of Mickey Spillane’s great private eye.

Andrew has edited the last three or four Hammers, at my request. Several previous editors at Titan – while good, smart people – were not familiar with Hammer or Collins or the quirky way of American tough-guy argot. Andrew is, and he’s been a pleasure to work with.

I will spoil the punchline of the interview by revealing here that I have signed with Titan to complete the Mike Hammer Legacy series with two final Mike Hammer novels, to be published in 2023 and 2024. These final two books will, as have all of the books in this series of Collins completed novels, contain genuine Spillane content.

What an honor and pleasure it has been to undertake this task. It’s not entirely over, because a number of non-Hammer fragments remain that may generate Spillane novels, and there’s even the possibility of a couple of Hammer short stories. But the novel saga of Mike Hammer is drawing to a close, with the shelf of 13 expanding to 29 plus a short story collection (A Long Time Dead) rounding the series to an impressive 30.

I should also thank Otto Penzler at Mysterious Press, who published the first three Spillane/Collins Hammer novels (The Goliath Bone, The Big Bang and Kiss Her Goodbye, all under the Titan umbrella now) as well as the short story collection. Otto’s understanding and appreciation of Mickey and Mike’s legacy will continue with the January 2023 publication of Spillane – King of Pulp Fiction (by James L. Traylor and myself).

This will be a somewhat short update because, frankly, I am dealing with a health issue. I hesitate to mention it because – as with the recent passing of our family dog, Toaster – this might elicit an outpouring of support, good thoughts and even prayers. Which is always appreciated, but I don’t think any of this is a big deal – just the price of living this long and trying to stay active.

One aspect of my heart problems – which my open-heart surgery in 2016 dealt with effectively – is an occasional recurrence of Afib. Some people can handle Afib as a part of their daily lives, but it throws me for a loop. Nonetheless I didn’t realize I’d slipped back into Afib until I took a previously scheduled PET stress test a few days ago.

I’d been dragging around and fighting sleepless nights for about a week, and had suffered through a band job where I could barely tear down and set up and tear down my keyboards, and where my performance was perfunctory at best. Having been through Afib several times before, I should have tipped to it immediately. But didn’t. The stress test had barely begun when the nurse informed me I was in Afib.

Actually, what she said was, “Did you know you were in Afib?”

I said I didn’t, managing not to proceed that with “duh,” as I’d been experiencing every symptom.

Anyway, luckily I am able to go in tomorrow (Monday) for cardioversion, which is essentially jump-starting your heart. Usually it’s just one long day in the hospital. This is Sunday as I write this, and will happen Monday, while this Update appears on Tuesday, so good wishes are not necessary – the shooting match will be over.

I share this with you because, obviously, it’s on my mind. I began writing F.O.M.A.C. (Friends and Family of Max Allan Collins) updates decades ago. This was prior to using the Internet for that purpose – these were literal, physical newsletters that went out once or twice a year, and announced bookstore and convention appearances, and let readers know what novels and comics and even movies were coming out.

At some point – and I have zero memory when – we moved this to the Internet, and again the occasional postings were prompted by appearances and publications. My son Nate suggested the infrequence and irregularity of these updates were not helpful and nudged me into more regular postings. Before long we switched to weekly ones.

Frankly I focused on promo of my work, links to favorable reviews, and not much else for a while, until again my son said I needed to be more personal (something he came to regret to a degree). Nate particularly encouraged me to pull back the curtain on the writing process – talking about how Nate Heller is researched and so on. To mix metaphors, to share how the sausage is made.

Now and then I wandered into politics and again my son warned me against it, and he was right. I weaken now and then, and still make no secret of my politics; but no real political opinion stuff appears here. What I drifted into was reviews and other discussion of popular culture, which I enjoy doing and get good response doing it. A more personal side began creeping in.

I was a big fan (and a friend) of Harlan Ellison’s. I told him often that I loved his collections of stories where he introduced and discussed his own work. I really loved (and love) that sense of who was behind the fiction being part of the mix. This has crept into my books, with introductions and afterwords (particularly of reprinted material), containing autobiographical looks at how novels or stories came to be written – for example, the convoluted tale of how Nolan began at Curtis Books in the early ‘70s, with only two of the five books seeing print by that company before they were swallowed up by Popular Library; and how the remaining three and one new one were picked up by Pinnacle in the ‘80s. And how Don Pendleton thought I was stealing from him because Nolan rhymed with Bolan.

And the Nolan story is a lot more complicated than that, but my essays about it can be found in the Hard Case Crime two-fer collections of the novels.

A turning point came in 2016 when I had open-heart surgery and wrote about the experience here. My writer pal Steve Mertz said that was some of my best stuff ever, and he knows whereof he speaks. So I have been more frank here, although my son from time to time protects me when I get out of hand…as when recently I went ballistic about a review that irritates me and he reminded me it was a three-year-old review and I should probably get over it. So we cut that bit.

Maybe someday I’ll collect some of the best of F.O.M.A.C. and let the censored stuff see the ill-advised light of day.

Anyway, this is a long-winded way to say that I don’t write about sad and personal and medical things here to get your sympathy. As my late friend Paul Thomas used to say (quoting his father), “If you want sympathy, it’s between shit and syphilis in the dictionary.”

Nonetheless, I want to thank you for reading these blog entries. With luck, I’ll see you here next week.

* * *

This is an interesting column by a reader who has picked up Girl Most Likely and is experiencing it via the book and audio being able to sync up. She promises a review of the novel soon.

In the current entry of the Rap Sheet, J. Kingston Pierce talks about my announcement of Too Many Bullets, and how it will deal with “the 1968 assassination of Robert F. Kennedy, he explains, but will also ‘cover both Jimmy Hoffa and Sirhan Sirhan,’” and how it may be the last Nate Heller novel. Turns out I am an unreliable narrator, because (with editor Charles Ardai’s blessing) I have already decided to turn Too Many Bullets into two Heller novels. Too Many Bullets will be the RFK assassination novel. The as yet untitled Heller after that will go back and deal with the Jimmy Hoffa story. This came about because – as is always the case – the research has led me places I did not expect to go.

Fifteen movies are recommended here, and one of them is Road to Perdition.

And Road to Perdition is also one of the best movies that have moved to Amazon Prime.

M.A.C.

Sand Sale, Perdition, Hammer Theme, Spillane, Crusin’

Tuesday, June 21st, 2022

There is another John Sand bargain this week – I believe it goes to the 15th of next month (July) – for the audio of To Live and Spy in Berlin. For only 99 cents! Brian J. Gill reads this (and the other two Sand novels) in a nice English accent that suits the material; really a great job.

To Live and Spy in Berlin Audiobook
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Several friends and fans wrote me about a Daily Atlantic newsletter essay that selected Road to Perdition as an ideal Father’s Day movie. I liked the piece, even though it neglected to mention me, and was touched that the photo running with the article was from the sequence directly based on my first driving lesson with my late father. No bank robberies were involved in real life, however. I also like John Rooney being based on John Looney got a mention.

Here it is:

‘He Was My Father’

Sometimes at the Daily we step back at the end of the week’s blizzard of news and current events and suggest something for your leisure time. It’s Father’s Day weekend, and so I want to recommend to you one of my favorite movies, a meditation on generations and fatherhood and loyalty and duty, a warm, nostalgic look at families during a simpler time, starring two of America’s most beloved actors.

I am talking, of course, about Road to Perdition.

If you have not seen it, Road to Perdition (based on the graphic novel of the same name, and widely available to stream) is a 2002 film about Irish gangsters in the 1930s. But it’s really about fathers and sons. A mob leg-breaker named Mike Sullivan, played by a bulked-up Tom Hanks, is fiercely loyal to his boss, John Rooney (played, in his last role, against type and with regal Hibernian menace by Paul Newman); indeed, Sullivan and Rooney have a father-son relationship.

But Rooney already has a son, played by Daniel Craig, and that son is a murderous psychopath. (People wonder why I had a hard time accepting Craig as James Bond. It’s because I saw Road to Perdition first.) Without giving away too much, Sullivan and his own young son, Michael, have to go on the lam. It’s a father-son road-trip movie, except with tommy guns and stone killers.

You may find this an unusual recommendation. Bear with me.

When Father’s Day rolls around, I naturally think of my own father. I have never been able to relate to all those Hallmark-card, Ward Cleaver images. My dad was a complicated man, which is what sons say when we mean “He was terribly flawed in a lot of ways, but he loved me.” He bore a lot of sins and had a lot of shortcomings, but he had a consistent code of ethics in dealing with others and he was known for it. He kept his word, paid his debts, and treated others with respect. He was the kind of man who would walk into a local bar and his peers would call him Nick but younger men would unfailingly refer to him as “Mr. Nichols.” Even our younger neighbors called him “Mr. Nichols,” with great affection. (When he died, I sold his house to one of the children who’d grown up next door to him.)

I think most of us had fathers who weren’t perfect. Mine wasn’t, and yet he taught me important things: Do an honest day’s work. Love your country. Do things you have to do even if they’re unpleasant. Never back down if you know you’re right. Be courteous in public.

He also taught me how to gamble and showed me how to spot someone dealing off the bottom of a deck of cards.

He wasn’t the blueprint for a good husband or father, and he knew it. When I was in my 30s, he admitted to my mother that he thought I’d grown up to be a better man than he was. This is a hard thing to learn about your father, a source of both pride and sadness. (I will have more to say about fathers, and the men I knew growing up, over on my Peacefield newsletter this weekend.)

Which brings me back to Road to Perdition. When Sullivan has to go on the run with Michael (played by a young Tyler Hoechlin), the son finally learns what the father he idolizes actually does for a living. He also learns that Rooney—based on the real-life Irish godfather John Patrick Looney—is not a kindly grandfather but a cold-blooded killer. These men (and this is very much a man’s movie) are scoundrels, but they have a code, and their obedience to that code leads them to tragic choices.

The last line of the movie (again, without spoiling anything) is what ties it all to my memories of my own boyhood. Young Michael reminisces, and says: “When people ask me if Michael Sullivan was a good man, or if there was just no good in him at all, I always give the same answer. I just tell them: He was my father.”

That is the most honest thing most of us can say about our fathers. We love them, and they love us, and that’s enough.

* * *

My Brit pal Andrew Sumner, who edits my Mike Hammer novels at Titan (including the upcoming Kill Me If You Can), sent this great video.

He explains: “Due to my regular attendance at London’s finest jazz clubs, I’ve become friendly with a well-known UK swing/jazz R&B performer called Ray Gelato. Ray leads a band called Ray Gelato and the Giants and they essentially channel the energy of Louis Prima & Louis Jordan – they played Paul McCartney’s wedding, they’ve supported Queen, etc. They’re in a similar wheelhouse to Brian Setzer and Big Bad Voodoo Daddy.”

Andrew was nice enough to request that they play “Harlem Nocturne,” Mike Hammer’s theme in the Keach era, and dedicate it to me. Have a listen and look (or is that a butcher’s hook?).

* * *

If you’re a huge Spillane fan or huge Collins fan or just huge masochist, you may wish to watch this entire ninety-minute interview of me (on the subject of Mickey) by Dan Scheider (he’s very’s good) featuring the great Kevin Burton Smith of Thrilling Detective fame and accomplishment.

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On another musical note (or two or three or four), my band Crusin’, 2018 inductees in the Iowa Rock ‘n’ Roll Hall of Fame, will be playing four dates in Eastern Iowa this summer and early fall.

First up, on Friday June 24 from 6 to 9 p.m., is the Ardon Creek Vineyard in the gently rolling farmland of “76 Township” in Eastern Iowa, approximately 30 minutes southeast of Iowa City, Iowa, 15 minutes southwest of Muscatine, Iowa and 5 miles north of Letts. Here’s the address: 2391 Independence Avenue, Letts, IA 52754. Their phone is (563) 272-0028 and more info’s available here, including a map.

On Saturday July 2 we’ll be at Proof Social in Muscatine, from 5 to 8 pm. We’ll be on the patio unless there’s rain, in which case we’ll be inside. This is a lovely venue, and the patio overlooks the Mississippi.

On Sunday August 14 we’ll again be appearing as part of the Second Sunday Concert Series at Musser Public Library, 408 E. 2nd Street in Muscatine, IA. Sometimes it’s held indoors and other times, weather allowing, with an outdoor stage in the parking lot. Hours are 6 to 8 p.m.

Finally, we’ll be appearing at the Muscatine Art Center’s yearly Ice Cream Social, which runs from 1 till 4 p.m. (Our times are 1:15 to 2:10 and 3 to 3:45.) 1314 Mulberry Ave, Muscatine.

Yes, our “season” is short, which is on purpose. Again I wonder if this will be the last year for Crusin’ appearances. And my memory fills with my departed bandmates, including the most recent and cutting loss, bass player Brian Van Winkle. I hope he’s somewhere arguing with Paul Thomas, Chuck Bunn, Bruce Peters, and Terry Beckey who among them gets to play bass if that Rock ‘n’ Roll Heaven gig comes through. But knowing Brian, he’d just smile and wait his turn.


Crusin’ at the Moose in January 2022
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Check out this wonderful Quarry’s Blood review at the web’s definitive genre book review site, Bookgasm.

Here’s a nice Goodreads review of the graphic novel, Road to Perdition.

And finally here is The Big Bundle at the Hard Case Crime web site.

M.A.C.