Posts Tagged ‘Interviews’

Binge on Books – It’s Good for You!

Tuesday, April 7th, 2020

I know many of you are bingeing on books while on lockdown, presumably my books – and remember, in addition to the recent publication of Do No Harm, Girl Can’t Help It and Masquerade for Murder, some fourteen Nathan Heller titles are available all month at 99-cents per. There’s also an Antiques title – Antiques Frame – available for $1.99 on Nook at Barnes & Noble. [Links: Hellers on Kindle, Antiques Frame on Nook]

E-books have been great to me in recent years, though I’ve never returned the compliment by reading anything on a Kindle or a Nook myself. I am an unrepentant, unapologetic reader of physical books. I collect them. I even hoard them. My suspicion is that many of you fall into the same cheerfully psychotic category.

But I understand that physical books are moving somewhat erratically through the mails right now. I’ve experienced this myself, although the emphasis is on “erratically.” Sometimes a book will arrive the day after you order it, and sometimes…well, it hasn’t arrived yet.

That’s because people are ordering items – such trivialities as food and clothing – from Amazon, who in their wisdom have deemed books non-essential. So us Prime Members will probably get a hefty refund check from Mr. Bezos, right? Well, maybe not. But this strikes me as a good time for people with Kindles and/or Nooks to buy e-books. And for those of you who have been thinking about bringing a bouncing baby e-book reader into the family, this seems like a fine time to do so.

We had hoped to launch a book giveaway this week, but Barb and I are under a more severe quarantine at the moment, because I was exposed to somebody who tested positive for Covid-19, and Barb has some symptoms and got tested today. Nothing like a Sunday afternoon at an Urgent Care Center! So we decided not to send any of you Corona Virus as a bonus giveaway. When we have a clean bill of health, we will.

We are not special. Expressions of concern should be reserved for yourself and your neighbors and this entire country. You can also send one up to the Big Guy in the Sky to encourage our federal government to get its ass in gear. That is, unless you think medical supplies should be sold at e-bay type auction. I don’t.

Some of you who have laid your hot little hands on Masquerade for Murder may have noticed it’s dedicated to Gary Sandy. Gary – who co-stars with Patty McCormack in Mommy’s Day (available on Blu-ray as a double-feature with Mommy, in case you haven’t been paying attention) appeared as Mike Hammer in the two productions of my radio-style play, Encore for Murder. The most recent one was in 2017 in Clearwater, Florida.

It was a terrific show, with noir-ish background music and a shifting video backdrop…and Gary was fantastic, carrying the whole thing on his back. It was produced by Zev Buffman, a legendary Broadway producer who revitalized Clearwater’s Ruth Eckerd Hall, a major venue (the other act appearing while Encore for Murder was playing was some nobody called Jackson Browne).

Zev mounted it beautifully, and early last year we were going to do a second Hammer radio-style play, The Little Death at the Clearwater venue when politics at the theater wound up with Zev retiring and our already announced production being dropped by the new people.

Zev passed away last week. He was 89, and one of the most vital show biz people I ever met. A lovely man. Take a bow, Zev.

Thank you, Gary, for bringing him into my life.


Left to right, Producer Zev Buffman, writer M.A.C., star Gary Sandy, director Richard Rice.
* * *

Here’s some nice attention for Ms. Tree and the upcoming collection, Skeleton in the Closet.

Even more Ms. Tree love right here!

And a really nice overview of Ms. Tree is right here.

Here’s a great look at Terry Beatty and Rex Morgan, with a link to a podcast with Terry that gets into Ms. Tree and a lot more.

Thomas McNulty’s review of Masquerade for Murder is wonderful, in part because of how much fun it is to read.

Here is another splendid Masquerade for Murder review.

Screenrant thinks Paul Newman’s last great performance was in Road to Perdition. So do I!

More nice Road to Perdition stuff here – by the way, it’s streaming on Netflix right now.

Book Page has rerun an interview with me from a couple years ago. Might be worth a look, if you missed or if your memory is like mine.

Finally, the Stilleto Gumshoe has this great review (and more!) of Do No Harm.

Stay safe!

M.A.C.

9 Out of 10 Doctors Recommend…

Tuesday, March 17th, 2020

…staying home and reading my two new novels, Do No Harm and Girl Can’t Help It. Available in traditional hardcover and trade paperback respectively, and in easy-to-swallow e-book form.

And if you don’t feel you can go safely out to the movies anymore, why not stay in and watch Mommy and Mommy’s Day? I was thrilled to get this review from the top Blu-Ray review site of ‘em all, DVD Beaver (get your mind out of the gutter – it’s a Canadian web site!).

We’re getting some nice reviews on Girl Can’t Help It, with Do No Harm surprisingly not getting much play yet, though the trade reviewers love it. Those of you who received review copies will, I hope, begin posting reviews – some already have, though we’re at only 4 at Amazon at the moment on Do No Harm (three glowing, one anonymously trashing it) and Girl Can’t Help It is at 14, all very good (the worst is three stars and most are five). I’m grateful for this support and interest.

At the bottom of this update are links to some very strong Girl Can’t Help It reviews.

Barb and I (and Nate and Abby and the two grandkids) are taking the corona virus pandemic very seriously, as most of you likely are, too. Our habit (Barb and mine) is to take most meals out, since we work at home; but at present we are essentially in a semi-self-quarantine, going out only on supply runs – food, medicine, some work errands. Right now that’s a once-a-week thing.

We are both High Risk, probably me a little more than Barb, as I have underlying health issues, although all of those seem to be in check. This is a house full of books, CDs, DVDs, Blu-rays and even laserdiscs, so we have plenty to amuse ourselves. And in the meantime work goes on and we may even wind up getting more done than usual.

I have cancelled a number of band gigs – leaving some outdoor ones on the books, for down the road. Even just last week when I inquired about whether an early June gig was still a go, the person who hired us seemed bewildered that I even brought it up – the committee hadn’t even discussed the matter…it wasn’t even on the radar.

Maybe now it is.

Just a week ago I declined a doctor’s check-up type visit and the nurse on the phone seemed bewildered at why I might not want to sit in a waiting room with a bunch of sick people. The facility where I get chiropractic and massages seemed mildly offended when I called to cancel my next visit and queried about what steps they were taking – they would call back, I was told. They haven’t.

That was days ago, admittedly. The reaction today might be different, since every day seems a (literal?) lifetime.

My bass player lives in nearby Iowa City, where the bulk of Iowa’s corona virus cases are located presently, so band rehearsal is off for a while. Barb and I have the luxury of already working at home and aren’t depending on regular paychecks to stay afloat on the short term.

She is working on Antiques Carry On (a visit to the UK is part of the plot) and I have just done the finishing touches on the Nolan, Skim Deep, going over the galleys, and have done the copy-edited manuscript of Eliot Ness and the Mad Butcher. On the docket this week is a chapter of the Antiques book (I am revising the first four chapters before we break the rest of the novel down for Barb to do her drafts, while I go off and write the next Caleb York book). I also have an introduction to the second Ms. Tree collection to write for Titan, and Matt Clemens and I are working up a proposal for a new Reeder and Rogers novel (we met several weeks ago but are now operating long-distance, in the telephone sense among others). Last week Dave Thomas and I (also operating long-distance) did a revision on our novel proposal and sample chapters, responding to suggestions from our agent.

That’s one thing about being a professional writer, particularly if you’ve been around a while and have projects in the pipeline – there’s always work to do.

I urge you to stay in (and of course read my books to stay sane) and take whatever steps are necessary to weather this storm. I know some people think some of us are overreacting. I hope we are. The opposite approach is just too dangerous.

* * *

Skim Deep is a rather short novel, about the same length as several of the vintage Nolan books – probably around 55,000 words. So to plump up the physical book a little, and to advertise the forthcoming republication of the rest of the Nolans (in two books per volume format), editor/publisher Charles Ardai included the prologue and first two chapters of Bait Money, written fifty years ago.

I seldom go back and read my stuff – mostly, the last I see of them is when I read the galley proofs. I do like to listen to them as audio books, though I cringe now and then.


UK edition of Bait Money
Courtesy Existential Ennui

As it happens, I did revise Bait Money slightly when it came back out in the early ‘80s, and of any book I ever wrote, I spent more time working on (and re-working) that novel, in part because I was in college at the time and studying with Richard Yates at the Writers Workshop. Also, it was written (and re-written and re-written) on a manual typewriter. So I am familiar with it in a special way.

On the other hand, I had not revisited Bait Money since the early ‘80s. So reading those three chapters was an interesting experience. My takeaway was that in Bait Money I was pretty good at making it seem like I knew what I was doing, as opposed to Skim Deep, in which I really do know.

Stylistically, I am in that first Nolan novel one-third Richard Stark (mostly structure and subject matter), one-third James M. Cain (the ping-pong dialogue), and one-third Mickey Spillane (everything else). I always thought of myself as more of a combination of Stark, Cain, Spillane, Chandler, Hammett, McBain, and Thompson, with my own quirks mixed in to the degree that the influences didn’t stick out awkwardly. I think that’s probably more true of me today, though I would add Rex Stout, Erle Stanley Gardner and Agatha Christie.

But seeing a Nolan story I have just written juxtaposed with three chapters of the first one (Mourn the Living sort of doesn’t count) was (if not a shock) a revelation. For better of worse, for all my influences, I am writing like Max Allan Collins now.

Bait Money will be available as part of a new edition of Two For the Money (which includes the immediate sequel, Blood Money).

* * *

If you would like a signed copy of Do No Harm, there are some available, still at the pre-order price at VJ Books.

Jolene Grace has a lovely review of Girl Can’t Help It here.

Book Reporter likes Girl Can’t Help It, too. The write-up is mostly a lively plot summary, but the last paragraph is a wonderful mini-review in and of itself.

Always With a Book also likes Girl Can’t Help It.

So does that first-rate writer Ron Fortier at Pulp Fiction Reviews.

Finally, here’s a nice little interview done with me at the Muscatine Journal on the occasion of the publication of Do No Harm and Girl Can’t Help It.

M.A.C.

Annual F.O.M.A.C. Movie Awards

Tuesday, January 7th, 2020

Here are this year’s awards for movies. All of these reflect the opinions of both Barb and me, averaged together. Keep in mind that while we see a lot of movies, there are plenty we don’t see (although some of those made this list anyway). With a few of the films we watched awards screeners from the WGA, and a handful of those we “walked out on” (i.e. bailed…we didn’t actually leave the house). This is not every film we saw – only those that made a real impression, for good or ill.

BEST LITTLE-SEEN HORROR SEQUEL
Happy Death Day 2 U

BEST MOVIE NOT ABOUT THE REAL “CAPTAIN MARVEL”
Captain Marvel

BEST MOVIE ABOUT THE REAL “CAPTAIN MARVEL”
Shazam!

MOST ACCLAIMED HORROR FILM WE WALKED OUT ON
Us

REALLY UNPLEASANT COMIC BOOK MOVIE
Hellboy

EVEN MORE UNPLEASANT COMIC BOOK MOVIE
Brightburn

REALLY UNPLEASANT COMIC BOOK MOVIE WE WILL NEVER SEE
Joker

BEST AVENGERS MOVIE EVER
Avengers: Endgame

WORST X-MEN MOVIE EVER
Dark Phoenix

BEST SEQUEL THAT SEEMS LIKE A WARNING TO STOP
John Wick Chapter 3: Parabellum

MEN IN BLACK SEQUEL SO TERRIBLE I’VE ALREADY FORGOTTEN IT
Men in Black International

SHOCKINGLY GOOD SEQUEL (BONUS POINTS FOR RICHARD ROUNDTREE)
Shaft

FIRST BILL MURRAY MOVIE WE EVER WALKED OUT OF
The Dead Don’t Die

BEST COMPUTER-ANIMATED FEATURE
Toy Story 4
Runner-up: The Addams Family

BEST BEATLES MOVIE EVER W/O THE BEATLES OR EDDIE DEEZEN
Yesterday

BEST SURPRISINGLY GOOD WW2 EPIC
Midway

BEST MOVIE THAT ISN’T WHAT YOU THINK IT IS
A Beautiful Day in the Neighborhood

SURPRISINGLY GOOD SEQUEL
Jumanji: The Next Level

BEST DARK COMEDY/MYSTERY
Knives Out
Runner-up: Ready or Not

BEST SOUTH KOREAN FILM WE SAW
Parasite

ONLY SOUTH KOREAN FILM WE SAW
Parasite

WORST MOVIE WE DIDN’T SEE
Cats

GOOD BIO-PIC STARRING A HEAVY-SET GUY FROM SUPER TROOPERS 2
Richard Jewell

GREAT BIO-PIC ABOUT CAR CHASES W/O GUNS
Ford v Ferrari

MOVIE THAT WAS BETTER THAN IT HAD ANY RIGHT TO BE
Scary Stories to Tell in the Dark

AWFUL MOVIE WE WALKED OUT ON LOVED ONLY BY CRITICS
Uncut Gems

BIG DEAL FRANCHISE ENTRY THAT SHOULD HAVE BEEN BETTER
Star Wars: The Rise of Skywalker

BIZARRELY OVERRATED STRIPPER MOVIE THAT WE WALKED OUT ON
Hustlers

BEST BIG SCREEN MOVIE BASED ON BELOVED TV SHOW
Downton Abbey

BEST SMALL SCREEN MOVIE BASED ON BELOVED TV SHOW
El Camino: A Breaking Bad Movie

BEST POORLY REVIEWED FRANCHISE ENTRY
Rambo: Last Blood

BEST EDDIE MURPHY MOVIE IN MUCH TOO LONG
Dolemite Is My Name

HITLER COMEDY THAT WE WALKED OUT ON (LOVED BY CRITICS)
Jojo Rabbit

REALLY GOOD STEPHEN KING MOVIE
Doctor Sleep

ANOTHER REALLY GOOD STEPHEN KING MOVIE
It: Chapter Two

MOVIE WE EXPECTED TO HATE BUT DIDN’T
Little Women

MOVIE BY “PERDITION” DIRECTOR WE EXPECTED TO LIKE BUT DIDN’T
1917

YEAR’S BEST MOVIE PERIOD
Once Upon a Time…in Hollywood

All results are final. Varying opinions will be barely tolerated.


* * *

Inexplicably, I got profiled by the Des Moines Register – front page, above the fold. The writer did a good job, and the photographer (in addition to shooting a pic of the old guy filling in for me) shot a brief video. You may have to deal with ad-block issues, but the piece is here.

And Tor/Forge announces some upcoming mysteries with a nice Do No Harm write-up included.

M.A.C.

Confessions of a Laserdisc Fiend Pt. 2 & New Caleb York

Tuesday, May 28th, 2019

Hardcover:
E-Book: Google Play Kobo
Digital Audiobook: Google Play Kobo

Today (Tuesday May 28) is pub date for Last Stage to Hell Junction, the new Spillane/Collins “Caleb York” novel. It’s a hardcover and you will probably be able to find it in the western sections of Barnes & Noble and BAM! Also, this means those of you who have been waiting to review the novel, having won a copy in a book giveaway, will now be able to post your thoughts at Amazon.

I like this one quite a bit, as much of it happens outside of Trinidad, New Mexico, which has been pretty much the sole setting of the previous three novels. I had in mind the Warner Bros television westerns of the late ‘50s and early ‘60s that, as much as anything, made me love the western form. My particular favorite was Maverick, which is the only one of those shows I’ve revisited extensively in recent years, although I’ve collected the DVD sets of all the rest, from Cheyenne to Sugarfoot, from Lawman to Bronco.

Maverick, of course, is known for its genre-spoofing approach, but the series had plenty of serious episodes, particularly (but not exclusively) the Jack Kelly-starring Bart ones. The very best episodes usually had both Bart and James Garner’s Bret, and these did tend toward humor; but a surprising number had noir-ish aspects and Agatha Christie-like enclosed settings. Hell Junction has the latter by way of a ghost town hotel that is welcome only to outlaws.

If you’ve been avoiding Caleb York because the novels are westerns and not crime novels, you are making the wrong assumption, and I encourage you to take a ride on this particular Hell-bound stage.

* * *

Meanwhile, back at the laserdisc ranch….

So far the experience has proven to be neither folly nor triumph. The 21″-inch tube TV (CRT) arrived and, with Barb’s help, I managed to extricate it from a big cardboard box full of smunched newspaper and packing peanuts. Such an experience is will-crushing in and of itself, and that was just the beginning.

What followed was an effort by a heart-patient/recovering stroke victim up the stairs with the heavy, clumsy TV aided by a not thrilled-about-it wife. I had, as luck would have it, a cabinet that was perfect for the TV to rest upon, a big square boxy affair that was designed to hold LPs with a built-in shelf designed for nothing in particular. That shelf would have been perfect for the laserdisc player to rest within, but no hole in the back existed to feed cords through. And I am a do-it-yourself-er whose skills do not include drilling a small hole in a piece of wood.

I had earlier ordered a stand from Amazon for a princely $28 that would support the TV and under which the laserdisc player would (theoretically) slide. This little stand, a sturdy effer, needed assembly. Either Barb or I assembled it. I will allow you to decide which of us was capable of that task. If you are giving me the benefit of the doubt, you are making a mistake.

Next step was to set the 21″-inch TV on top of the stand. Not that bad a job we made of it, for two people with a collective age of 141 years. I had shrewdly studied the specs at the Amazon listing and knew everything would be perfect. Plenty of room to slide that laserdisc player within the stand.

I’d already connected the appropriate cords and a S-video cable to the laserdisc player, so we set the TV sideways on the stand and completed connecting everything up. We eased the TV into position. We prepared to slide the laserdisc player home.

Amazon’s specs, however, did not include a wooden brace under the stand that made the passageway two inches or so smaller. No room at the inn (we could have used Jesus – he was a carpenter, after all). So I needed to prop up the stand at least two inches, all around. I considered pieces of wood, and then Barb suggested something we have no shortage of – books.

I tried four copies of the paperback edition of Road to Paradise – not quite right. After several other attempts, we used the Bantam mass market paperback of Stolen Away – representing my first royalties from that edition.

The laserdisc player now slid under perfectly. I was delighted. I turned to say as much to Barb, but for some reason, she had disappeared. Oh well.


M.A.C. with three random laserdiscs.

I fired everything up and all seemed tickety-boo. The laserdisc player made some disturbing noises, like a Tasmanian devil clearing its throat, but soon settled down. I selected a laserdisc to try out – The Bangles Greatest Hits (all of their hits, actually) – and pushed a button on the laserdisc player to open the tray into which the disc would go. The tray emerged and revealed a disc already in there. Somewhat disturbingly, its label was loose – had come unglued, picked off its perch by the hands of Father Time.

Also, disturbingly, the label on the reverse side of the shining disc was M.I.A. This meant it was somewhere down inside the machine. So far that didn’t seem to matter, though it might explain the initial sounds of discomfort emanating from the belly of the beast.

But the Bangles looked fine on the little TV – much better than such discs had looked on a flat screen – and the music sounded great. The girls (I mean, young women) may have had only enough hits to fill one compilation, but what great hits they were.

As Borat once said, “Success!”

That evening I selected another disc – Sammy Davis Jr. and Jerry Lewis performing in Vegas. Summoned the tray, filled it, sent it back into the machine. The disc looked and sounded great! When it was over, I pushed the button to eject the disc (I had done this successfully with the Bangles LD, earlier in the day).

The grinding returned, more forcefully now, the Tasmanian devil’s jaws grinding, and the disc tray would not open.

I tried various tactics to open it, all desperate in nature, and got nowhere. Finally I unhooked the laserdisc player, which still had its previous Sammy and Jerry disc in its mouth, and tried another machine. That machine was older and it too grumbled (even though it had not ingested a laserdisc label), but it did play. It does play. But it’s sluggish, taking forever to warm up and to perform such functions as ejecting a disc, and its key feature – playing side B after side A completes – does not function at all.

I am hobbling along with this disc player until I find if the original player I tried can be repaired. I believe it is merely a case of removing the semi-ingested laser disc label from the player’s mechanical innards. I’ve taken it to a computer store, where the gent is going to give it a try, though he looks from me to the Pioneer player and back again, as if trying to figure out which of us is the dinosaur, only to conclude: both.

But I will succeed. I promise you. I am not easy to dissuade. It’s the only child in me.

I will report back, whether you want me to or not.

* * *

Here’s a really nice review of Girl Most Likely.

I’m not sure why this 2017 interview of me by Sean Leary was recently posted, but Sean did his typical good job.

Finally, check out this great review of the Mike Hammer graphic novel from Titan.

M.A.C.