Posts Tagged ‘Giveaways’

Reviews A Go Go (and a Book Giveaway!)

Tuesday, May 18th, 2021
Antiques Fire Sale Paperback cover
Paperback:

We are offering ten copies of the paperback edition of Antiques Fire Sale, the hardcover edition of Shoot-out at Sugar Creek (Caleb York #6), and ten copies of the paperback edition of Hot Lead, Cold Justice (Caleb York #5) in exchange for reviews at Amazon and other reviewing sites/blogs. Amazon, of course, is key.

[All copies have been claimed. Thank you!]

If you read the book and dislike it, you are relieved of your obligation to review it (though of course you can).

If you drop by here regularly, you know that reviews are a matter of some interest on these updates, and even of controversy. But reviews are important because they are one of the only sales tools available to authors. In our case, Barb and I are of an age (even before the pandemic) where we are no longer doing book tours. For years we supported our books with trips to such exotic locales as California, Texas and New York. But a waning desire to travel, and the increasing ineffectiveness of signings, has made book tours less attractive to us. (Centuries and Sleuths in Chicago remains our only regular stop.)

For a long time we maintained regular attendance at Bouchercon, where we could do signings for readers from hither and yon, but health issues prevented attending several of those and of course Covid prevented Bouchercon entirely last year. And we have already decided to pass on New Orleans.

We also did San Diego Comic Con regularly, but that too fell victim to health issues and later the pandemic. I will be doing a one-man (well, two-man because Andrew Sumner of Titan is interviewing me) panel for the upcoming virtual SDCC.

Barb and I hope to do both Bouchercon and SDCC next year. Those health issues I mentioned are well in hand, but we had to skip Bouchercon because of my heart surgery and later lung surgery, and Barb’s pertussis, which had me landing in New Orleans and immediately getting called back to Iowa, never getting beyond the New Orleans airport.

How much good reviews do, I’m not sure. But they seem to be the only thing left to us. They are not infallible –Antiques Ravin’ got rave reviews in all four publishing industry trades (Publisher’s Weekly, Kirkus, Library Journal and Booklist), after which the series was promptly dropped by Kensington after thirteen successful entries.

The good news about the Antiques/Trash ‘n’ Treasures series, of course, is that we’re doing it for another publisher now – Severn, a British house, which pleases Vivian Borne no end (everything, she reports, is “tickety boo”).

And now I will interrupt myself to share with you this remarkable review for the first Severn House Antiques entry, Antiques Carry On, from Publisher’s Weekly.

Antiques Carry On Cover
Hardcover:
E-Book: Google Play Kobo
Antiques Carry On
Barbara Allan. Severn, $28.99

Allan’s fast, funny 15th Trash ‘ n’ Treasures mystery (after 2020’s Antiques Fire Sale) takes brassy Vivian Borne and her long-suffering daughter, Brandy, the owners of the Trash ‘n’ Treasures antiques shop in Serenity, Iowa, to London, where, at the request of fellow Serenity antiques dealer Skylar James, they drop by the Old Curiosity Shop, whose proprietor, Humphrey Westcott, has a reprint of Murder on the Orient Express for Skylar to give his Christie-loving wife. When Humphrey is found stabbed to death with a letter-opener bearing Brandy’s fingerprints, the women are interrogated by a representative of MI5. Fortunately, CCTV footage proves the Bornes’ innocence, and they are unceremoniously sent back to Iowa, where more suspicious deaths await them. The pair investigate in their own inimitable fashion, eventually discovering a link between the murders and the copy of Murder on the Orient Express. Vivian and Brandy share narrative duties, and their amusing commentary provides much of the book’s appeal (Vivian admits she has “just a teensy-weensy, hardly-worth-mentioning, hint of bi-polar disorder”). Allan (the pen name of Barbara and Max Allan Collins) consistently entertains.

We are obviously thrilled about that one. The book will be out in early July. And the industry trades, PW a star in that galaxy of four planets, fuel both library and bookstore sales.

Let me interrupt this discussion (if me yammering can be so described) and share a wonderful fan letter we received – an actual, physical, through-the-mail letter.

Dear Mr. and Mrs. Collins,

Thank you so much for continuing to add new novels to the Trash ‘n’ Treasures series. I just finished reading Antiques Fire Sale. I am looking forward to the release of your newest addition, Antiques Carry On! The characters seem almost like friends to me, since I have followed their adventures and shenanigans through all of your novels.

My sister Jessica Butler and I are huge fans! We share laughs as we discuss the stories. Please keep writing because your works bring joy and delight into our world! Thank you for sharing your talents with us.

Best wishes,
Suzanne Schumann

Fan photo

To say this kind of response makes our day (and not in a Dirty Harry sense) is an understatement. A reader response like this makes the struggle worth it, and believe me, writing – and publishing – is a struggle. Hoping it doesn’t sound patronizing, I am so proud of Barb for developing into a wonderful writer and collaborator – she is the one who makes these books really, really special.

* * *

On another front, it’s been difficult to get reviews for the John Sand series. This may be because Wolfpack – despite getting huge attention in the trades for its burgeoning success and innovative ways – places an emphasis on e-book publication, which seems (to me at least) to make reviews from the trades more difficult to get. How difficult? Neither Come Spy With Me nor Live Fast, Spy Hard has received a single review in any one of them.

Which is why the Amazon reader reviews are so crucial, as are reviews on Internet sites and in the handful of surviving newsstand mystery magazines (Ellery Queen, Strand, Mystery Scene). Thankfully we have had support from two key sites, Bookgasm and Pulp Fiction Reviews, and the Rap Sheet may be doing reviews soon. With your forbearance, I will share the Bookgasm review of Live Fast, Spy Hard with you right now:

Live Fast, Spy Hard, the second title in the John Sand series by Max Allan Collins and his writing partner, Matthew Clemens, again features the former MI6 agent and his wife, Stacey. This time, however, Stacey is the cause of the problems that send Sand around the globe while keeping one stop ahead of potential assassins.

John Sand is living out his role as a high-ranking executive of the oil company owned by Stacey’s father. But all the while he keeps a secret from his wife. He has been tracking Jake Lonestarr, the traitorous business partner of Stacey’s father. Lonestarr is assumed dead, but Sand still feels he is still at large.

Then Stacey mysteriously disappears. Lonestarr is the chief suspect in Sand’s search for his wife. But there is reason to believe that Las Vegas gangster Anthony Morello might also be responsible. Or is Stacey actually hiding from someone that Sand does not know of?

Sand’s search takes him Berlin to Mexico, and finally to the jungles of Curacao. But can he find his missing wife before an army of assassins catches up with him?

The authors present the novel in a third-person perspective, keeping the focus mainly with Sand. There are, however, occasional shifts that allow us to know the thoughts and emotions of Stacey and those intent on ending Sand’s life.

And while the novel’s tone and structure continues to follow the traditions of Ian Fleming’s classic James Bond stories, the references to Bond are noticeably less than the first Sand novel (Come Spy With Me), but Collins and Clemens continue their satirical wordplay with both the title and chapter headings.

Also reduced are the real-life figures Sand encounters. Here, they are mainly confined to President John F. Kennedy – who tries to enlist Sand into a new international spy agency — and, briefly, movie legend John Wayne.

Familiarity with the first Sand novel is not essential. The authors even devote the opening chapter to how Sand and Stacey first met. But reading this latest Sand adventure is greatly enhanced if you already met both characters.

Is this the last encounter of John Sand and his beautiful, resourceful wife? That, it seems, is up to Collins and Clemens. For the time being, we have these two thoroughly entertaining and exciting thrillers to enjoy. —Alan Cranis

Well, Live Fast, Spy Hard will not be the last John Sand book, because just last night Matt and I shipped To Live and Spy in Berlin to Wolfpack editor Paul Bishop.

We love doing these books and the only way we will stop is if sales don’t encourage us to continue. Reader response has been excellent – lots of nice things have been (and are being) said on Facebook about John Sand. But we need you readers out there who like Quarry, Mike Hammer, Nolan, and Nate Heller (even the Antiques fans) to give Sand, John Sand, a try.

Ron Fortier at Pulp Fiction Reviews also likes Live Fast, Spy Hard. His lovely review is right here.

Finally, here’s another great Shoot-out at Sugar Creek review.

M.A.C.

Not Another Book Giveaway! Live Fast….

Tuesday, April 20th, 2021
Live Fast Spy Hard cover

Yes, another book giveaway!

I have ten copies of the second John Sand novel, Live Fast, Spy Hard by Matt Clemens and me, and ten copies of the new Wolfpack edition of Regeneration by Barb and me. It’s first-come first serve. You must include your address (include your name as part of your address, so I can copy paste) and agree to write a review for Amazon (Barnes & Noble and review blogs are also welcome). USA only, please – foreign postage is prohibitive.

[All copies have been claimed. Thank you for your participation! –Nate]

Give me an order of preference, or if you are only interested in one title of these two.

If you read and then don’t like the book, you are released from your pledge to review it, and in fact I’d rather you didn’t. The purpose of these exercises is not to show you what a fine, generous man I am (though of course that’s true), but to attract favorable attention to these books.

You know – get others to buy them.

Live Fast, Spy Hard represents the second of what will be at least three John Sand novels. I’ve mentioned the premise here – that Sand is the spy who (reading between the lines) Ian Fleming based James Bond upon. The secondary conceit is that what happened at the end of On Her Majesty’s Secret Service (SPOILER ALERT: Bond marries and his wife is killed) was not reflected in John Sand’s “real life.” He does marry, but the wife – and, so far, the marriage – survives.

I have heard through the grapevine that some readers have avoided Come Spy With Me and now Live Fast, Spy Hard because they are assuming that these are spoofs of spy novels. This may be a result of the lead espionage agent being married and teaming up with his wife for duties with a new spy agency called GUILE, which is vaguely like UNCLE in, you know, THE MAN FROM.

A couple of things.

First, these novels derive from my love for the Ian Fleming novels and the Sean Connery-starring Bond films. I only tolerate Roger Moore, and defend Timothy Dalton because his Bond is like the book Bond, and enjoy the two later Bonds (Brosnan and Craig) because they are loyal to Fleming and Connery each in his own way. As for George Lazenby, he was a faithful to Fleming Bond, too.

I’ve told the story here many times that when – at around age 14 – I ran out of Mickey Spillane books to read, I turned to the author advertised as “the British Mickey Spillane” – Fleming, Ian Fleming. And you may recall that, in junior high, I talked my parents into taking me to see the opening of Dr. No on a school night.

Second, while I was very much caught up in the spy craze that accompanied Beatlemania while I was in high school – watching every dreadful spy spoof from Dean Martin as Matt Helm to James Coburn as Flint (actually walked out of In Like Flint) – I have no love for any spoofy spy thing of the period with the exception of Get Smart. (I do love the latterday OSS 117 films from France. Also, for the record, I love both Dino and Coburn, just not in those films – though I own all of them on Blu-ray, so go figure).

Third, the UNCLE reference, which puts some people off, has a basis in Ian Fleming, thank you very much. First of all, the acronym thing was a big deal in real life, and in the reality of the spies Fleming wrote about (SMERSH being real, with of course SPECTRE a Fleming invention). Fleming named both Napoleon Solo and UNCLE, but was forced off the TV project by the producers of the Bond film series. Hardcore Bond fans may recall that “Solo” was the name of a gangster in Goldfinger.

So the presence of GUILE does not indicate that Matt and I are going down a spoofy path.

Readers who think John Sand marrying a beautiful woman means there is no sex in these books need to either (a) if single, start dating, or (b), if married, buy their wives some flowers and see what happens.

And readers who like the harder-edged side of my work – who value Quarry, Mike Hammer and Nate Heller – should not misconstrue the nature of the John Sand books, which are extremely tough with brutal action and lots of plot twists and turns. Heller fans may in particular enjoy the historical aspect. In pursuing the conceit of John Sand being the “real” James Bond, Matt Clemens and I have devised stories within the early ‘60s time frame that bring in the likes of Castro, JFK and the Rat Pack. These are at once historical novels and espionage thrillers, as well as bloody valentines to Ian Fleming.

But in some ways John Sand is a change of pace, simply because I haven’t written much espionage, although such movie tie-ins as I Spy, Air Force One and In the Line of Fire seem to qualify, as well does the Reeder & Rogers trilogy (Supreme Justice, Fate of the Union and Executive Order) that Matt and I did for Thomas & Mercer.

Here is an interview Matt and I did with Wolfpack editor Paul Bishop.

As I mentioned above, the point of these book giveaways is generating good reviews to in turn generate sales. That’s how I keep food on the table, the lights on, and you entertained. When I – or any writer whose work you enjoy – change things up with a different type of book, and you don’t like it, might I make a suggestion? If you usually like the writer, don’t write an Amazon review advising other fans to steer clear of it. Have some respect for the author, and give your fellow fans the opportunity to judge for themselves.

Now and then I see an Amazon review that begins, “I’m a big Max Allan Collins fan,” followed by a blisteringly bad review. Either I’m not writing as well, or these readers may just not really be “big” fans.

Regeneration book cover, Wolfpack edition

The other book in this week’s giveaway, Regeneration, has generated many terrific Amazon reviews, but I am always up against resistance when I try to break out of my specific noir/historical niche. I write different kinds of things to stay fresh, to stay interested. Particularly when I collaborate, as with Barb or Matt or recently Dave Thomas, I am looking to do something different. That’s on purpose.

Regeneration is a novel I’m particularly proud of. It began as a short story of Barb’s in which I saw possibilities for a novel. As the Mommy movies indicate (and the Mommy novels for that matter) (available from Wolfpack), I am interested in horror and dark suspense. My anthology Reincarnal is packed with specifically that kind of tale. And Regeneration, thanks to Barb’s terrific idea as well as her draft on the novel, is definitely in that cubicle of my wheelhouse.

Regeneration explores ageism on the one hand, and the failure of Baby Boomers to save for retirement on the other, putting them together in a darkly comic and intentionally disturbing mix that reflects Alfred Hitchcock Presents and The Twilight Zone as influences on both Barb’s and my work.

Check out the knockout cover Wolfpack has come up with for this new edition.

* * *

Here’s a podcast interview with me, nicely handled by Joe Meyers.

M.A.C.

Biggest Book Giveaway Yet, Boys and Girls!

Tuesday, March 23rd, 2021

This book giveaway may be my biggest yet.

Two for the Money 2021 Paperback Edition cover
Paperback:

I am offering ten copies each of Kiss Her Goodbye, Shoot-out at Sugar Creek, Two for the Money – these are all books that will be published in April.
Kiss Her Goodbye is a trade paperback from Titan of the third Spillane/Collins Mike Hammer novel, with my original, previously censored ending.

Shoot-out at Sugar Creek is the final Caleb York western being published by Kensington, although I hope to revive the series next year (probably with Wolfpack). This edition is a trade paperback the size of the hardcover and is an advance reading copy.

Two for the Money is a reprint of Hard Case Crime’s omnibus of the first two Nolan novels, Bait Money and Blood Money, with a new cover (the previous one being the rare HCC cover that disappointed).

[All copies have been claimed. Thank you for your support!–Nate]

You agree to write a review for Amazon and/or Barnes & Noble (and other review sites, blogs, etc.). This is the honor system, but Big Brother is watching. Or anyway I am.

Kiss Her Goodbye will be of interest to Mike Hammer fans because this is indeed the correct ending for the novel. My previous editor objected to what he considered too big a similarity to the ending of a classic Spillane title; he is a Spillane fan and expert, and I mean no disrespect to him – he was instrumental in getting Mike Hammer back out there – but I should not have given in to him and rewritten it.

So if you already have the hardcover, you still need to get the trade paperback. Yes, it’s double dipping, but there’s a new cherry on the sundae.

* * *

Barb and I are doing a Master Class via Zoom that is available to anyone interested.

DSM Book Festival: Sat. April 3
Workshop: Max Allan Collins at 9 a.m. (duration 1 hour)
Log-in: 8:40 a.m.

Workshop description:
Learn from the masters, Max Allan Collins and his wife Barbara Collins, as they each present their Top 5 Fiction Writing Tips and then field questions from the class. Together, Max and Barb have published the “Trash & Treasures” mystery series. Max is the New York Times bestselling and award-winning author of “Road to Perdition”, “True Detective,” the Quarry series, “Girl Can’t Help It” and many more.

Here’s the link: https://www.dsmpartnership.com/dsmbookfestival/attend/writers-workshops

They are taking registrations for until March 30.

* * *
Anatomy of a Murder DVD Cover

Several classic films got watched around the Collins household this weekend.

First, one of my top ten turned up in high-def on TCM – Anatomy of a Murder. I watch this once a year, and am astonished by how caught up in it I get every time. It’s a perfect movie. Otto Preminger may have been a cruel taskmaster, but he made some great films (Anatomy the greatest, but Laura and Advice and Consent ain’t chopped liver, nor are a bunch of other films noir, and he pushed the censor’s envelope with Moon Is Blue and Man With a Golden Arm) (on the other hand…Skidoo).

James Stewart is at the top of his powers in Anatomy, and I am reminded that he was the greatest film actor of the 20th Century. That sounds like I’m stating a fact. I am. No one starred in, and propelled, more great films than Stewart. If you can top this list with your choice, feel free to try – Mr. Smith Goes to Washington, The Shop Around the Corner, The Philadelphia Story, It’s a Wonderful Life, Winchester ‘73, Harvey, Rear Window, Vertigo, Anatomy of a Murder, The Man Who Shot Liberty Valance).

And that’s just the great films. It doesn’t count the really good ones, like the other Anthony Mann films he made, or Bell, Book and Candle, or Rope, or Destry Rides Again, or The Man Who Knew Too Much, or Flight of the Phoenix, or The Shootist.

He made Vertigo, Bell, Book and Candle and Anatomy of a Murder right in a row – astounding. On my birthday Barb and I watched Vertigo in 4K in case I’d forgotten that it was my favorite movie. I would hate to have to choose between Vertigo and Anatomy of a Murder for Stewart’s best performance, and they are quite different, at that.

I love courtroom dramas and Anatomy is the best I’ve ever seen. It’s based on a novel by a lawyer (Robert Traver) and was itself based on a real murder case that lawyer won as a defense attorney. Boldly shot entirely on location, the film has a stunning, innovative jazz score by Duke Ellington and amazing opening credits by Saul Bass. For its day it was daring in its subject matter and frank expression thereof.

But perhaps what dazzles me most, every time I see it, is the intersection of two eras – Stewart as a Golden Age movie star going head to head with the Method crowd of Ben Gazzara, George C. Scott and Lee Remick. Gazzara and Remick are terrific in it, and Scott too…but Stewart owns the picture anyway. He is aided and abetted by two classic Hollywood supporting players – Eve Arden and Arthur O’Connell.

Two supporting performances stand out for me – Orson Bean, a personal favorite of mine (for The Star Wagon if nothing else), and Joseph Welch, Joe McCarthy’s real-life nemesis who, though an amateur actor, more than holds his own in this heady company.

Interestingly, another supporting player – Russ Brown – turned up in the second half of our amazing double feature this weekend – Damn Yankees (1958), on Blu-ray at last. Brown played the trainer of the Washington Senators in the great Broadway hit brought very faithfully to the screen by George Abbott and Stanley Donen. In the original show, Brown won a Tony as did Gwen Verdon and Ray Walston, and choreographer Bob Fosse.

Damn Yankees is one of the handful of Broadway musicals done justice by Hollywood – others include Li’l Abner, Pajama Game and How to Succeed in Business Without Really Trying. Pajama Game was based on the novel 7 ½ Cents by Iowa novelist Richard Bissell (another personal favorite). Both Pajama Game and Damn Yankees (also from a novel, Douglas Wallop’s The Year the Yankees Lost the Pennant) had scores by Richard Adler and Jerry Ross, but tragically Ross died at age 29, leaving only these two great shows and a few pop songs as a nonetheless amazing legacy for the team.

The films of Damn Yankees and Pajama Game brought almost the entire Broadway casts along for the ride. Pajama Game replaced Janis Paige with Doris Day and Damn Yankees replaced Robert Shafer with Tab Hunter. Hunter gets a bad rap, sometimes, for his performance, but he’s quite good.

While I’m ruminating about (not quite reviewing) films I’ve seen recently, I should mention Zack Snyder’s Justice League, which lasts four hours plus and is streaming on HBO Max. This is an odd duck of a movie for many reasons. Director/writer Snyder left the original filming due to a family tragedy and Joss Whedon took over. Fans largely recoiled at Whedon’s version, which took a somewhat light approach to what had been conceived as a dark film. He re-shot most of it. I’ve often liked Whedon’s work, but his Justice League only looks good if you compare it to Wonder Woman 1984.

Snyder restored the material Whedon either cut or ignored of a film Snyder had shot 80% of, albeit minus most special effects. Fan pressure, amazingly, got Snyder the opportunity (i.e., the funding) to complete the film his way, and it’s better. Obviously over-long, but on its own quirky terms, it’s a super-hero epic worth seeing.

But quirky is right – for one thing, he presents the film in 4:3 ratio, which is to say, old-fashioned square TV format, apparently because that’s the I-Max format, even though not much of the film had been shot that way. Oh-kay….

And he got most of the cast back to film an apocalyptic dream sequence that ruins an otherwise acceptable epilogue. The dream sequence features ridiculously misjudged dialogue between Ben Affleck’s Batman and Jared Leto’s Joker (otherwise not in the film). How ridiculous? Batman talks about “fucking killing” Harley Quinn, and the Joker rhapsodizes about giving Batman a “reach-around.” Plus, it lasts a long time, right after we’ve sat through about four hours of capes and quips. Not okay.

Curiously, the film goes out of its way to set up the next film in the saga that Snyder would have made had Warner’s and DC not cancelled it. So rather than take the opportunity to bring his saga to a satisfying conclusion, Snyder tosses loose ends right and left, as if daring somebody to give him more money to keep going.

Nonetheless, I enjoyed it. I took the ride. I just wish I had turned it off when the dream sequence (initially not obviously a dream sequence, more a flash-forward) (including the Flash) gave a bad taste to a good time.

* * *

Here’s an interview I did with Brian Vakulskas on KSCJ radio in Sioux City, largely about the current Nolan novel, Skim Deep. The interviewer knew his stuff.

And here’s an advance look at the third Ms. Tree collection from Titan.

M.A.C.

Shoot the Moon & A Shot in the Arm

Tuesday, March 2nd, 2021
Shoot the Moon Cover
E-Book: Amazon Purchase Link
Trade Paperback: Indiebound Purchase Link Bookshop Purchase Link Amazon Purchase Link Books-A-Million Purchase Link Barnes & Noble Purchase Link

Yes, it’s one of our ever-popular book giveaways. I have ten copies to give to the first ten readers who request it and agree to do an Amazon (and/or other) review. Those of you who have won books in the past and have not posted a review yet, for shame. Those of you who have won books and hated the book and haven’t posted a review, thank you.

[All copies for the giveaway have been claimed. Thank you for your support! –Nate]

Anyway, this is for Shoot the Moon, which is a repackaging (with revised intro) of Early Crimes. I’ve done this because Shoot the Moon is a novel and Early Crimes was rather inaccurately described as a collection. What we have is a novel, written about six books into my career, that was my attempt to do a Donald E. Westlake-style comedy of crime. By now you can see that Westlake was a major influence on my work, and was in fact a mentor to me when I was working on Bait Money, the first published Nolan novel, which of course was written as a pastiche/homage to Westlake’s Richard Stark-bylined Parker novels.

So perhaps it was natural that I try to follow in his other footsteps, and Shoot the Moon is that novel. It’s a short novel (but not a novella) and the two early short stories, “Public Servant” and “The Love Rack,” follow the novel as the equivalent of DVD/Blu-ray bonus features.

Back to the book giveaway. Write me at [link removed], and (this is important) include your snail mail address, even if you’ve won before. This is for USA only. That’s not patriotism, it’s cheapness (foreign postage is particularly high in the Covid era).

Speaking of which….

Barb and I have received our first vaccine doses (the Pfizer variety) and we are greatly relieved. How we got it is reflective of the difficulties even those of us who are seniors with underlying conditions are having getting vaccinated for Covid-19. Here’s our story.

For about a month I have been haunting the site of the Hy-Vee supermarket’s pharmacy (Hy-Vee being the major grocery chain in Iowa). It’s where Barb and I step outside of sheltering in place to take in “geezer” hour and do our weekly grocery shopping. The benefits are fewer people and ‘60s-era oldies playing instead of country western.

About four trips to Hy-Vee ago, I stopped at the pharmacy window to ask how I went about getting an appointment for vaccination. I was told by the pleasant young woman to sign up on-line and I would receive updates. (To date, I have received none. I also enrolled at Walgreens and also got zip updates.) On my next trip to the Hy-Vee pharmacy I inquired about when a vaccine shipment might be coming in and learned that one had in fact come in two days ago – 200 doses – and were gone in an hour.

That was when I asked (Barb said, “Don’t be angry!”) why I hadn’t received an update, and was told what I needed to do was keep refreshing the Hy-Vee pharmacy page on Facebook. I went home and began doing that, probably a dozen times a day – not a hardship, as I work at my computer. Two shipments would be coming in the following week, I was assured.

A week later I was told (credibly) the shipments hadn’t made it because of the cold in Texas that Ted Cruz was avoiding. I went home and began refreshing and refreshing.

The next week – this past week – I asked when the next shipment was coming in and was told by the pleasant young woman that it already had and was gone. (Two shipments had become one shipment.) I asked why the updates had never come and why all my refreshing hadn’t indicated any shipment ever had. The answer was not direct. I was advised to go to another web site and sign up there for…updates.

I trudged off and caught up with Barb, who was shopping to the tune of “Swinging School” by Bobby Rydell. I followed, considerably less happy than I usually am hearing Bobby Rydell, who is a favorite. Suddenly I said, “I’m going back there.”

“Why?”

“It’s unclear exactly what page I’m supposed to be refreshing.”

“Be nice.”

This conversation was conducted through masks, of course.

I said, “What do you mean?”

She said, “You’re a hothead.”

Never had I ever been so insulted! That she had a point was…beside the point…or something. I trudged back.

The pleasant young woman behind the counter said, “I was just going to page you.”

“Why?”

“Get your wife. We’ve had two cancellations and we start vaccinating in fifteen minutes.”

I ran – let’s call it power-walked – to Barb, pushing her cart with the patience of Sisyphus pushing his big rock, and at about the same speed.

“Come with me,” I said.

“Why?” She was understandably suspicious.

“They’ve had two cancellations.”

Suddenly my wife loved me again. Suddenly my stubborn hotheadedness had been transformed into blessed persistence.

I don’t blame anybody for this, and I do thank Hy-Vee for stepping up in the war against Covid and for the pleasant young woman having the presence of mind – and, frankly, compassion – to take advantage of those two cancellations…and the opportunity to get rid of me.

The vaccines will start flowing better, I am sure. Some of my readers support Trump, and that’s fine. I like anchovies. But nobody can say Joe Biden isn’t taking this pandemic seriously, and things are going to get better and soon. But right now it felt like the luckiest of lucky breaks to blunder in making a weekly nuisance of myself with stupid questions and a generally incompetent approach to getting vaccinated and be able to fill two cancellations and feel like our lives had been saved.

The bottom line, of course, is: it’s better to be lucky than smart.

M.A.C. waiting to get a COVID vaccine.

M.A.C. receiving the COVID vaccine.

* * *

Our sheltering in place has gone on for just about a year, Barb and I. We take it very seriously. Her health is fine, but she’s only a few months younger than me, so she needs protection and I’m not talking condoms. And I have enough underlying conditions to just check “all of the above” on a physician’s questionnaire.

So tomorrow (if you are reading this on the Tuesday it was posted) I will turn 73. It seems unreal to me, but I will tell you this – as long as I have my marbles, and can find venues that will have me, I will keep working. I will keep writing. Skim Deep is the new Nolan novel and the first one appeared in 1973, and was written around 1970. So do the math. It’s almost beyond belief that I recently wrote an entry in a series I created fifty-one years ago.

And I just completed Quarry’s Blood, in a series that began with a book I started in 1971. Fifty years ago.

Mickey Spillane used to talk to me about this – how writing was the only business you could stay at as long as you had decent health, no matter what age you might be. And that you can keep improving all along the way.

I’m not sure if that’s correct. I know there are many things I do better now, but I also know that the rigors of a work like Stolen Away might be beyond me. Nonetheless, I intend to do another Heller later this year, if the contract comes through.

Oh, as for my birthday. I am not fishing for birthday wishes, here or on Facebook or even in my snail-mail mailbox. If you want to send a gift, though, checks are best. Sorry – no PayPal account.

And if you really are, seriously, looking for a way to say Happy Birthday to me, buy one of the recent books: Come Spy With Me, Skim Deep, Masquerade for Murder, Antiques Fire Sale, Reincarnal, Shoot the Moon, Ms. Tree Vol. 2: Skeleton in the Closet, Murderlized, or maybe one of the great audiobooks that Skyboat Media is putting out (they’re doing all of the Nolans!). And the Wolfpack trade paperbacks are very handsome books indeed.

Here’s an idea: post a positive review for Max for his birthday.

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I have seen some interesting things of late. I am particularly taken by a new sub-genre that Groundhog Day has spawned – specifically, movies that openly, unabashedly borrow its premise. Happy Death Day is a crafty horror-movie take on the Time Loop premise, and its sequel, Happy Death Day 2U, is more of the same but also good. Edge of Tomorrow is a strong s-f variation.

Two excellent rom-com takes are streaming right now – Palm Springs starring Cristin Milioti and Andy Samberg, and The Map of Tiny Perfect Things starring Kathryn Newton and Kyle Allen. What’s fascinating about these two is that, despite both depicting a couple caught in a Time Loop with a romance developing, each is different and makes its own point. And, while both films name-check Groundhog Day on screen, they demonstrate that the Time Loop concept has plenty more places to go.

As I say, a new sub-genre.

Now to a controversial topic. Barb and I gave up on Hamilton after about 45 minutes. I’ve made it clear that I am a musical comedy fan – that I love Rodgers and Hammerstein and Stephen Sondheim and Frank Loesser. The upcoming Blu-ray release of Damn Yankees has me giddy. And Hamilton certainly is a spectacle with a stage brimming with energy and talent.

What’s wrong with it – for me – is the rap/hip hop aspect. And that’s my problem. But I can’t get past it. I hate rap almost as much as I hate country western – maybe more. To my ancient ears, it’s just a bunch of rhyming and fast-talk gymnastics, and has little to do with music, although the percussive aspect is catchy in the way melodies used to be.

All-black musicals are nothing new – this one does have a few white faces dropped in – as The Wiz and Ain’t Misbehavin’ and many others demonstrate. All-black revivals of the likes of Guys and Dolls and Hello Dolly! have done very well, both critically and at the box office. But Porgy and Bess and Carmen Jones were originals, and the faithful films of both are both problematic today, I’m afraid, despite the wealth of talent on display.

Hamilton feels like a fad to me, not a Broadway classic unfolding before our eyes. But I am probably wrong.

As I said earlier, I will be 73 this week. This musical isn’t for me. As someone who has loved popular culture my entire life – loved my generation’s pop culture, but also my parents’ and my grandparents’ and much of my son’s – I am disappointed that Hamilton doesn’t touch me the way Sweeney Todd or Carousel or How To Succeed in Business do.

My fault. My loss.

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Here’s a peek at the Spillane/Collins “Mike Hammer” short story, “Killer’s Alley,” in this month’s Ellery Queen Mystery Magazine. Just a taste….

From the great Ron Fortier comes this splendid review of Reincarnal.

Finally, here’s an article on the best Batman stories drawn by Norm Breyfogle, one of which is mine.

M.A.C.