Posts Tagged ‘Dick Tracy’

Colonel Collins, Lord of Mystery

Tuesday, June 19th, 2012

Barb and I were guests this weekend (actually, we left last Wednesday) for the International Mystery Writers Festival at Owensboro, Kentucky. The event celebrates the world of mystery with a focus on showcasing new plays – three were presented this year, including a new stage-designed version of ENCORE FOR MURDER (the longer audio version of which, starring Stacy Keach, is available from Blackstone Audio, and was a nominee for the Audie).

I was presented with a lovely award designating me the First Lord of Mystery (previous winners, including Sue Grafton, Mary Higgins Clark and Angela Lansbury, were Mistresses of Mystery). Both Barb and I were made honorary colonels by the Commonwealth of Kentucky. This is an elite group that includes Colonel Sanders, Colonel Lee Goldberg and Colonel Robert Randisi (the latter two received their colonel-ship at the event as well).

I’m not sure how many plays were submitted, but my impression is quite a few. The other two plays that earned production at the fest were LOST AT SEA by Donald C. Drake (the other Firesign radio-style production) and ABSOLUTELY DEAD by Michael Walker (starring Kathy Garver of FAMILY AFFAIR FAME), the latter the “main stage” play.

The event is held at the River Center in Owensboro on the Ohio River, a lovely, massive modern facility with several stages. One is a 1500-seat theater, the main stage. ENCORE FOR MURDER was staged in a smaller “black box” theater similar to the one where ELIOT NESS: AN UNTOUCHABLE LIFE was presented in Des Moines. One highlight was a Lee Goldberg-led interview session, after ENCORE’s premiere, on an expansive patio outside the River Center, with the Ohio River Bridge in the background, where fifteen minutes of clips from my various movies (THE EXPERT, MOMMY, MOMMY’S DAY, REAL TIME, ELIOT NESS, THE LAST LULLABY, ROAD TO PERDITION) were shown on a drive-in-theater-size screen.

People were incredibly nice to us, and we did several signings, as well as just autographing books folks brought up for us to sign as we hung out in the cavernous River Center lobby. Barb and I did a workshop discussing our collaborative approach to the Barbara Allan books, and we attended a similar one given by Bob Randisi and his partner Christine Matthews. Roxi Witt, the manager of the River Center and producer of the event, is a gracious, ebullient hostess whose warmth and kindness are unparalleled.

What made the event really special was the great production of ENCORE FOR MURDER, which was revised and shortened for live production (the original was two and a half hours on audio, and the live version is two acts, each under an hour, with an intermission). Two figures from the legendary Firesign Theater (and regular readers of my updates know what a comedy buff I am) were instrumental in the production. David Ossman co-directed (with his wife Judith Walcutt) and Phil Proctor appeared in three roles, including a very funny Ozzie the Answer, who I described as Leo Gorcey and Huntz Hall’s lost love child. Phil’s actress wife Melinda Peterson gave perhaps my favorite Velda performance ever, playing her deadpan as if channeling Keely Smith. Richard Fish made a great Pat Chambers, reminiscent of Paul Sorvino’s in the Assante I, THE JURY, and Amy Walker and Cassie Post were luminous as potential femme fatales. The approach was broader than the original audio, getting all the comic lines across but not camping it up (I had cautioned Phil Proctor that this was Mike Hammer, not Nick Danger). Firesign superstars Ossman and Proctor have been instrumental in presenting radio-style productions at the Owensboro festival. (The festival also presents films and Lee Goldberg debuted his latest short there, produced with the help of the River Center.)

But the MVP player was Gary Sandy. Gary, of course, worked with me on MOMMY’S DAY, and I specifically requested him to play Mike Hammer. Stacy Keach was approached but his schedule wouldn’t allow, and I felt Gary – who lives in Kentucky and had participated in past festivals – would make a great Hammer. And he did. Not easy to step into a role so identified with another actor, but he put his own spin on the role and brought an incredible energy that became the engine of the show. He won Best Actor in the event’s awards, and the play essentially swept those awards.

I am already considering returning next year with a play version of THE LITTLE DEATH.

Next week I hope to have photos for you from the festival and specifically from the production of ENCORE FOR MURDER.


Lee Goldberg, Phil Proctor, and Max

Hard Case Crime has announced my Jack and Maggie Starr novel, SEDUCTION OF THE INNOCENT. Check out the fun news release here (the cover is depicted…small, but it’s there).

More about the book, and a much larger look at the cover, is here.

Mystery writer Mike Dennis has posted a great review of LADY GO, DIE! at his site.

And another nice review can be found here, at Radiant Lit.

Good ANTIQUES DISPOSAL reviews continue to roll in, like this one.

And this one.

Finally, here’s a fun blog post about a reader who discovered my work when she was ten, thanks to the DICK TRACY novelization. Here’s hoping she got the 6th printing (sold only through schools), which includes the ending.

M.A.C.

Say Hello To Goodbye

Tuesday, May 17th, 2011

Kiss Her Goodbye

I have spotted KISS HER GOODBYE on the shelves of the Davenport Barnes & Noble, so you should be able to find the new Mike Hammer hardcover at your favorite brick-and-mortar. (The trade paperback of THE BIG BANG should be right next to KISS HER.) I don’t know if Borders is carrying the new Hammer (they aren’t getting as many titles in right now, for obvious reasons), but I encourage you to snag this one at Amazon or elsewhere on line, if you don’t have a “real” bookstore handy.

Don’t wait for the trade paperback, because I don’t know if there will be one. This is the last of the Harcourt Spillane/Collins Hammer novels, and the future of the remaining three is in your hands.

Also, the Stacy Keach-read audio book should be out soon. Stacy thinks KISS HER is the best of the three. Our old friend Craig Clarke seems to agree at his Somebody Dies blog.

Great news on about THE LAST LULLABY. I’ll let director Jeffrey Goodman tell you:

“I am very excited to announce that we have signed with Level 33 Entertainment to distribute THE LAST LULLABY in the United States. We are currently aiming for a Fall release of a newly-packaged DVD. At this point, I am not sure what extras it will include, but we are looking into some different things. We also expect this release to place LULLABY in many other places and make it much more readily available.”

Whether there will be a blu-ray seems up in the air. I also don’t know if Jeffrey will include me in the extras on the disc, but I’m hoping there will be some short history-of-Quarry feature, and possibly the original, award-winning short (“A Matter of Principal”) that spawned the film.

Speaking of Quarry, Hard Case Crime has brought out all of their Quarry novels again as part of their re-birth at Titan, the great UK publisher distributed in the USA by Random House.

You might check out this interesting if odd and not entirely accurate mini-article about my DICK TRACY movie tie-in, as part of a list of 100 famous rejections. For the record, it wasn’t Warrren Beatty who went to bat for my novel, rather producer Barry Osborne. And the rewritten version was deemed fine by Disney, they just made me remove the identity of the Blank, making the book the bestselling mystery novel ever published that didn’t reveal who did it. (The 6th printing includes my real ending – all other printings are incomplete.)

ROAD TO PERDITION has made another top ten comic book movies list.

It has also made this top 25 comic-book movies list.

And speaking of movies, you can get my long out-of-print boxed set THE BLACK BOX on sale for under $25 right here. It includes an anniversary edition of MOMMY and MOMMY’S DAY (with lots of special features not previously available), plus REAL TIME: SIEGE AT LUCAS STREET MARKET and the anthology film SHADES OF NOIR (available nowhere else, and including the original, longer cut of my Mickey Spillane documentary, recently shortened/re-edited for the Criterion KISS ME DEADLY release).

M.A.C.

Collins’ Spillane on Criterion

Tuesday, March 29th, 2011

As a home video fanatic – the demented owner of thousands of DVDs, Blu-rays and laser discs – I am in particular a fan of the Criterion Collection, who consistently live up to their promise of putting out the highest quality DVDs and now Blu-rays of “classic and important contemporary films.” I have scores of Criterions in my collection, on all three formats, and as an indie filmmaker, having one of my films available from Criterion would be the equivalent of finding the Holy Grail or maybe that atomic box from KISS ME DEADLY.

Well, I have found the atomic box if not the Holy Grail (Monty Python or otherwise). In June, Criterion is bringing out (on both DVD and Blu-ray) what looks to be the definitive release of Robert Aldrich’s great film noir, KISS ME DEADLY…actually, the official title is MICKEY SPILLANE’S KISS ME DEADLY. I was approached about a month ago by representatives of Criterion wondering if they could use my documentary MIKE HAMMER’S MICKEY SPILLANE as a special feature on this disc. At first they wanted to just use excerpts, but ultimately they asked if I could do a re-edit on the piece to bring it down from around 48 minutes to half an hour.

Kiss Me Deadly

For those of you unfamiliar with MIKE HAMMER’S MICKEY SPILLANE, it’s a documentary I did in 1998 with the full participation of Mickey, utilizing all sorts of wonderful interview footage with the likes of Stacy Keach, Shirley Eaton, Lee Meredith, producer Jay Bernstein, Leonard Maltin and a galaxy of mystery writers and experts (Donald E. Westlake, Sara Paretsky, Walter Mosley, Otto Penzler, Marty Greenberg, Paul Biship, Joe Gores, Stephen Marlowe, Parnell Hall, Loren Estleman and on and on). It was produced for a company that went out of business and it never saw the light of broadcast day, although it won awards at festivals here and abroad, with a particularly memorable screening at the National Film Theater of London as part of a Spillane film festival (Mickey and I were both guests of the British Film Institute). The doc appeared as the major element of my anthology film SHADES OF NOIR a few years ago – which is only available in the boxed set BLACK BOX from Troma (it’s out of print, I believe, but can be found).

Anyway, I agreed to come up with a new edit expressly for Criterion – they wanted an emphasis on Mickey, Mike Hammer and (not surprisingly) KISS ME DEADLY. This was tricky because I did not have the original elements – I had to edit a new version from the existing version. Anyone who knows anything about film or video editing knows what a nightmare that is – this was a fully scored piece, meaning edits involved music at every point (the score was by my Seduction of the Innocent pal, Chris Christensen). Those who follow this update will not be surprised that I turned to my longtime collaborator, Phil Dingeldein, at dphilms in Rock Island. With his help – and that of editor Ryan Orr – we came up with a 39 minute cut that we have delivered to Criterion. A little longer than they had asked for, but in the ballpark.

In many respects, I like this new cut better. We lost a few really nice moments, but because the documentary was segmented, I was able to cut whole sections, including material on the MIKE DANGER comic book and Mickey’s appearances in my MOMMY movies (both were timely when I did the original doc). Some personal stuff about Mickey’s home life and family went, as well – material that played better when, frankly, Mickey was alive and well and among us. This shorter version acknowledges Mickey’s passing and works better, I think, as a career piece at this shorter length. I’m proud of it, and trust Criterion will indeed use the entire new edit (and not just excerpt it). The presence on their KISS ME DEADLY disc of this documentary – and, frankly, of me – is very important, because film critics have a smug tendency to dismiss and even dis Mickey’s source material in regard to Aldrich’s film. I have not heard the commentary tracks or read the Criterion background booklet, but I can guarantee you that there will be nasty things said about Spillane. And now I will be there to counterattack…er, I mean counterbalance.

Some nice web stuff this week.

The great review column Bookgasm did a fanastic write-up on the Quarry reprints from Perfect Crime.

My first Mallory novel (second published, first written), NO CURE FOR DEATH, got a very nice write-up. There’s a lot about the plot, and I remember almost none of it. In my defense, it was written around 1970.

You can pre-order RETURN TO PERDITION here and/or get a sneak look at the cover art.

And here’s a fun story showing how Mickey Spillane’s feisty widow Jane is keeping her local government honest (they promised to re-name a highway after Mickey, then didn’t follow through – bad idea!).

Finally, here is a mostly B.S. list of the supposed top 111 hardboiled heroes. Nate Heller, Mike Hammer and Dick Tracy make the list, but Quarry doesn’t. Irritating Quarry is almost as dangerous as irritating Jane Spillane.

M.A.C.

Morgan The Raider #2: 44 Years In The Making!

Tuesday, January 4th, 2011

I have just completed THE CONSUMMATA, the Morgan the Raider novel of Mickey’s that I finished for Hard Case Crime. It just went out via e-mail to editor Charles Ardai a few hours ago. I’m very pleased with it, but it was a tricky one. Mickey had completed 108 double-spaced pages, but this time I had no plot or character notes. Even the evocative title itself (which had been announced by Signet Books many years ago) went unexplained. It required really getting inside the manuscript, and Mickey’s head, to figure out where he was headed…and I think I pulled it off.

So finally, the sequel to THE DELTA FACTOR, the second Morgan the Raider novel (Signet Books announced modern-day pirate Morgan as Mickey’s new series character with great fanfare), will appear…with Mickey’s fans only having to wait 44 years.

My technique I’m sure would dismay purists. I expanded and revised Mickey’s hundred-plus pages, weaving my own scenes and thoughts and style in and around his, so that his material appears deep into the book, nine of its thirteen chapters. (I created no new characters, however, and my plot strictly flows out of things he put in motion.) I get a lot of praise (much appreciated) for the seamlessness of these collaborations, but it’s because I treat them as collaborations – and don’t just “pick up where Mickey left off” that they are able to achieve what they do.

This is going to be an extremely big year for me, at least in terms of how much stuff will be out there. I will do a post on that subject either next week or soon thereafter.

The First Quarry Audiobook
The First Quarry Audiobook

One thing that is out right now is the audio book of THE FIRST QUARRY. I haven’t heard this yet, but it’s the same reader (Curt Palmer) who did THE LAST QUARRY, and he’s excellent. This company, Speaking Volumes, will be doing more Quarrys – all the Hard Case titles and perhaps the early books, as well. It’s only $19.95, very reasonable for an audio book.

Vince Keenan considers THE BIG BANG one of the best books of the year. Hey, Vince – me, too!

The Sons of Spade website went even farther, calling THE BIG BANG the best P.I. book of the year.

This is very gratifying, and we showed up a few other places, too, but mostly were overlooked. This is the first year in a while that Bookgasm hasn’t listed me on the best books of the year. As I have made clear here before, I despise these lists, and give them absolutely no credence…unless I am on them.

There’s a lovely post about THE GOLIATH BONE, which posits a movie version and presents a dream cast. Very much worth checking out, plus I posted a comment you may find of interest.

There is a very interesting piece about the BATMAN character Two-Face and the similar Haf-and-Haf character in DICK TRACY, discussing my work on the latter and referencing my BATMAN work in general. I provided several comments and you may find the back-and-forth interesting.

Finally, the contest remains open for anyone who can identity my two sections of the Top Suspense Group “Round Robin” short story (see below for details). So for nobody has won. Well, almost nobody…my son Nathan pegged ‘em. Nice going, Nate! Too bad you don’t need any M.A.C. books….

M.A.C.