Archive for April, 2020

Another Book Giveaway!

Tuesday, April 28th, 2020

Hardcover:
E-Book: Amazon Google Play Nook Kobo iTunes
Digital Audiobook: Amazon Kobo

The day this update appears, Antiques Fire Sale– the latest Trash ‘n’ Treasures mystery by Barbara Allan (Barb and me) – will go on sale.

To help (Amazon) prime the pump, we are offering free copies to the first ten of you who respond. As usual, we can accept no entrants outside the United States, and you must include your snail mail address (even if you’ve won before). Send your request to macphilms@hotmail.com. We will sign all of the books (Barb signs “Barbara” and I sign “Allan”). You are expected to write a review for Amazon and/or similar web sites, like Barnes & Noble and personal blogs. If you hate the book you can bail, but even a tepid review is better than no review at all.

Barb and I wrote a fun interview in the voices of Brandy and Vivian Borne (our Antiques sleuths) that will appear here starting on Thursday the 30th.

Again, I can’t emphasize enough how important these reviews are. Even if you didn’t get any of the recent books free (Do No Harm, Antiques Fire Sale, Girl Can’t Help It, Masquerade for Murder), please take the time to write a brief review at Amazon – just a couple of lines will do, but if you are inspired…go for it!

All of the titles listed above have sort of stalled out, where reviews are concerned, so all of you bored sheltering-in-place M.A.C. readers, get to reviewing, please. Yes, I am groveling. Yes, I have no shame. No, I am not embarrassed about my behavior.

Right now I am working on a sixth Caleb York novel. The fifth Caleb – Hot Lead, Cold Justice – comes out in about a month. We had a very nice advance review for the Hot Lead, which I’ll share with you now:

Hot Lead, Cold Justice

Spillane befriended Collins and, shortly before dying of cancer, gave him his blessing to complete any unfinished manuscripts. Since 2007, Collins has completed 26 Spillane novels.

This is the fifth in the Caleb York series (e,g, Last Stage to Hell Junction, 2019). In New Mexico during the “Great Die Up” blizzard of 1887, Caleb York is settling into his role as sheriff, but he’s thrown off his game when his deputy is shot in an act of mistaken identity. York quickly learns that Luke “Burn ‘Em” Burnham is out of prison, 10 years after York put him in for bank robbery. Burnham is looking for a quick heist and revenge. Under ordinary circumstances, York would have been two steps ahead, but the blizzard puts York and Burnham on an even playing field.

It’s an exciting game of cat-and-mouse with an entertaining love triangle thrown in for good measure. Accurate details of the historical blizzard are a meticulous touch, and readers looking for more information will appreciate the informal bibliography.

— Sarah Steers

One of the things I really like about that review is that the reviewer is a woman. Mickey always claimed that a good portion of his readership was female, and my editor at Kensington has insisted that a sizeable number of readers of westerns are women. I have always taken that advice seriously, coming from reliable sources as it did, in the writing of the books.

So I have made sure to include strong female characters in the novels – something Mickey always did, too – and a portion of romance. The original Caleb York screenplay I worked from on the first novel, The Legend of Caleb York, had two strong women in Willa Cullen and Lola Filley. Since Lola (SPOILER ALERT!)does not make it out of the narrative alive (END SPOILER ALERT!), I introduced her younger sister in The Big Showdown to essentially take over Lola’s role.

Okay, they’re essentially the same character. You caught me.

There’s a thing in the Broken Lizard film Beer Fest where a loveable character is killed and later his twin brother (obviously played by the same actor, Kevin Heffernan) turns up to take his place in the ensemble, and the convenience of that is brazenly made into a wonderful joke.

Back in the days when we left our house for more than groceries and pharmaceuticals, Barb and I saw Broken Lizard at the Englert Theater in Iowa City. We spent some quality time with the boys afterward, and they were the nicest, most regular guys you could imagine.

So I suppose their shameless Beer Fest resurrection of a character inspired me to replace Lola with Rita.

As I write Shoot-out at Sugar Creek, Barb is working on her draft of Antiques Carry On. Plotting required really putting our heads together, so this time – first time ever – I did my draft on the first third of the book before she pressed on. Speaking of Fire Sale, we had a lovely if odd review of that, as well, from Bookgasm. Take a look:

Antiques Fire Sale

They’re all the same.

You think that would be a terrible critique. But actually, the familiarity, the comfort, works very well. I’m talking about the antiques-themed mystery series of Barbara Allan, a pseudonym for the husband and wife team of Barbara and Max Allan Collins.

With Antiques Fire Sale, we’re now on the 18th book (including three e-books), of an antiques-themed mystery series that features Vivian Borne (now the Sheriff of Serenity, Iowa), her long-suffering daughter Brandy, and their sweet and smart Shih-Tzu, Sushi.

They are all the same, even though there is some dynamism in the characters and their interactions. For instance, Mom Vivian is a strong-willed force of nature, an excellent detective, someone who doesn’t care for rules or protocol, and she generally gets her way. In early books, she’s just a director at the local theater, but all of a sudden, she ends up as the elected Sheriff of Serenity, Iowa. This doesn’t please her daughter Brandy, who tries to rein in her mother, but generally fails. Brandy has moved from one relationship to a much stronger one with a local law enforcement colleague, but she still feels on the edge. Only the dog Sushi seems to be the most well-adjusted.

The series has grown, but the formula of the books remains the same. It’s an American humorous cozy, with recipes, interpolations between the writers and their editor, and even chapters written from different characters’ points of view. The books shift between chapters written by Brandy and some by Vivian. This particular tale includes one chapter written by 14-year-old Jake, Brandy’s son (who lives with his father elsewhere), who has been seduced into the investigation by Vivian. His chapter seems remarkably true to a teenager’s style and shows the character off to his best advantage.

Plots in these stories are actually pretty interesting. In this one, a caretaker for a mansion that is filled with valuable antiques is found dead when the mansion burns down. But Vivian (Sheriff Borne, excuse me) realizes that at least one of the valuable antiques was stolen before the fire. And it turns out the man burned in the fire is not the caretaker. Later on, they find the real caretaker’s corpse in the woods. That’s at least two deaths (with one more to go).

The whole thing is handled admirably by the author(s). Here’s the thing. The stories are pretty good. The character interactions are fun (especially between mother and daughter). But there are things that may grate: the editorial comments between the writers of whatever chapter and the off-screen editor, the constant craziness of Vivian Borne, even the shifting chapter POVs may grate on some.

It’s the kind of series that if you like one of the books, you’ll like them all and read them with pleasure. If you read one and are irritated, then these won’t work for you. Still, I find them charming and worth the day or two it will take you to try one out. Highly entertaining.

—Mark Rose

Okay, and while Mark doesn’t seem to be quite sure whether Barb and I are great or grate, I should point out that he is a male. Which I find to be very cool. Just as it may surprise some that the Caleb York novels appeal to females, so may some be surprised that the Antiques novels appeal to males.

Now, I’m not really surprised at all about Antiques and male readers – at least those of you men secure enough in your masculinity to read a cozy about two “girls” – because a very smart guy named Bill Crider used to love these books.

How I wish you were still around reading them, my friend.

* * *

Here’s a particularly well done interview with me on Mike Hammer and Masquerade for Murder.

Here’s Part One of a very good article about me, with quotes from an interview I did with the writer. Again, the focus is on Mike Hammer, but there’s a lot more.

Check out this fun review of Masquerade for Murder (by “Mike” Spillane and me!).

Here’s an interesting if condescending review of the movie version of Road to Perdition. I was amused to see a reference to Dave Thomas, who is now a friend and collaborator (I am thrilled and proud to say).

And now here is a podcast review of the Road to Perdition film, which is described as a “nice, awesome movie.”

Finally, this really good podcast actually compares the book to the movie, and discusses the plot holes in the great film that to this day drive me crazy.

M.A.C.

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It’s a Thriller Just to Be Nominated

Tuesday, April 21st, 2020

Those of you who are nice enough (or possibly deluded enough) to follow these updates know that Girl Most Likely was a book that got some terrible reviews, although the vast majority were good to great. The bad reviews that really stung came from the trades, who beat me up essentially because the novel was not in the noir mode of Nate Heller and/or Quarry.

The same reaction came from self-professed “big fans” of one or both of those series who went out of their way to bemoan what a lousy job I did in their Amazon reviews. The other group (mostly in the UK) seemed to object to an old white male writing about a young white woman, and in particular that young woman have a positive relationship (and accepting help from) her middle-aged widower father.

These are knee-jerk far left complaints, in my view, which is somewhat ironic because Matt Clemens and I had knee-jerk far right complaints about Supreme Justice and its two sequels (for the same publisher as the Girl novels) on their publication.

These pans hurt the book, in spite of very respectable, even pretty damn good sales, and predominantly positive reviews. It’s made launching Girl Can’t Help It, the second book, harder than it should have been, even without the Corona Virus factoring in.

So I am pleased to announce that the Thriller Writers have nominated Girl Most Likely for Best Paperback Novel. Read about it here.

I have no illusions that I’ll win. But I feel I have a right to consider this a certain validation, particularly since it came from my peers. What’s interesting is that those who didn’t like the book often complained that it wasn’t a thriller (apparently multiple murders with a butcher knife just didn’t do it for them).

So thank you, Thriller Writers.

Thank you, actual fans (big and medium and small alike).

As to the rest of you, as Eric Cartman says, “F**k you guys, I’m going home.”

* * *

I am also pleased to see Publisher’s Weekly join in on the general acclaim for the new Mike Hammer. Here is that review:

Masquerade for Murder: A Mike Hammer Novel

Set in 1989, MWA Grand Master Collins’s competent 12th posthumous collaboration with Spillane (after 2019’s Murder, My Love) finds Mike Hammer still operating as a PI when the WWII vet would have been in his late 60s. That touch of realism allows Collins to dial back most of the extreme elements of the early Spillane novels. Outside a Manhattan restaurant, Mike spots Wall Street wunderkind Vincent Colby as he steps into the street and is clipped by a speeding red sports car. He’s only bruised, but is taken to the hospital, and his wealthy dad, Vance, hires Mike to unearth the perpetrator over Vincent’s fierce objections. Mike’s investigation, aided as always by his voluptuous secretary, Velda, soon leads to a trail of bodies, linked only by the bizarre method by which they were dispatched. Spillane fans will be pleased to see how well Collins captures the brash tone but everyman personality of the latter-day Hammer without trying to imitate the character’s infamous vigilante crusades of earlier years. Spillane (1918–2006) would be proud of how well Collins has maintained his legacy.

* * *

I have recently cut a deal with VCI and MVD (who brought out the Blu-ray double-feature of Mommy and Mommy’s Day recently) for distribution of the Mommy movies to streaming services. Mommy seems to have promptly popped up on Amazon Prime Video in some markets, but not all markets yet. Keep an eye peeled, because I think it’s free to Prime members.

* * *

All of the covers for the upcoming new Nolan (Skim Deep) and the reprint series from Hard Case Crime are gathered for your perusal right here…and you don’t even have to click a link

I have received some really fun missives from readers lately that I would like to share.

I’ll start with an actual handwritten letter from a retired police detective here in Muscatine. I will not use his name, but will say that he was the investigator on the case against my former Mommy producer, which came out favorably for us, and he appeared quite convincingly as a uniformed cop in my movie, Real Time: Siege at Lucas Street Market.

Here’s some of what he had to say:

I am just starting Girl Can’t Help It. If it brings me as much joy as Girl Most Likely did, it will be great. It sent me back to my years as a police detective. The interviews were of most interest. (SPOILER ALERT) I got the feeling after the first one with the teacher, Mr. Stock, that he was much more than a person of interest. The way he said he wanted to mentor Astrid just did not sit right with me. (END SPOILER ALERT)

I have to admit you did a great job of making other persons look good for the murders. Maybe it’s my training or years of police work, but it made me feel good to know I can still see the telltale signs of a perp.

As long as I can read, I will try to get all the books the two of you right into my mental locker. Thanks for your talents when you write. Thanks for the part on the Lucas Street movie. I will always cherish my chance to serve you in the (REDACTED) case.

Here is one from a reader who signs himself RJM and who is actually (wait for it) older than me!

I loved your book (Do No Harm): my Dad was Chief Inspector of the War Department headquartered in the Terminal Tower starting in 1938. He was a Chicago guy and a newly wed navigating greater Cleveland.

In the early ‘80s I worked in the area covering three states for a company that no longer exists. So I thought I knew a lot about the area, but I learned a lot(I’ve never been in the Terminal Tower; I didn’t know about the Flat Iron Café, etc).

A great read well researched – I’m ordering True Detective and True Crime from Amazon soon. I’ve been a fan for about thirty years(I love Quarry and Nolan), but I’ve never read a Heller before. I’d love to review your books for Amazon (check out my review of An Eye for a Tooth by Dornford Yates). My only point of disagreement is Heller’s choice of beers – Hamm’s is fine but Cleveland beer in that era to me is always Drewery’s. Drewery’s had an enormous billboard ad just as you got on the highway coming up from the old Cleveland Stadium. As I kid I loved Mounties and horses and Drewery’s had both in their ads. Cleveland was probably Drewery’s largest metropolitan market. Thanks for countless hours of reading fun.

The unstoppable Tom Zappe sent me this:

I have just finished ordering what I call my “Literary Legacy” for my two grandkids aged 4 and 1.5 years respectively. They will not be able to begin to approach these books for another 10 or 12 years yet and I may well have made my trip to the gallows by then, so I’m assembling and delivering it to them and their parents within the next few weeks as they arrive from Amazon.

By and large these are books that I read [and later re-read] in my teens and later which put a distinct warp into my personality which remains unstraightened to this day. In all there about two dozen. They center mostly around the music, arts and entertainment field as especially found in New York and Hollywood in the Art Deco Era.

They include much biographical and autobiographical materiel of the likes of Mae West, Duke Ellington, Oscar Levant, Lillian Gish, Milton Berle, Alexander Woollcott, Dorothy Parker, Groucho and Harpo Marx, Fred Astaire, Louis Armstrong and one of my all time favorites Alexander King who wrote four autobiographies, three of which are well worth reading and re-reading. (Note from MAC: I loved the King bios as a teenager.)

The Mark Twain autobiographies hold a place of special esteem among these works.

Although it’s not strictly about show business, I am also including Scarface and the Untouchable in this menagerie since it so thoroughly captures the era in which so much of this happened. Being able to put things in to the proper context is Paramount [or perhaps Universal]. I sometimes feel that I must have been in Show-Biz in my previous life.

I find it unlikely that we will see the likes of these people anytime again soon. Their style and personalities were [mostly] of their own making even among the Hollywood bunch. They didn’t need a press agent or focus group to tell them who they were.

All your readers have had, I’m sure, similar literary experiences worth passing on to their perhaps yet unborn descendants. This is my approach to seeing that the things I value might yet get a shot.

As a former viola player in the St. Louis Symphony once told me “There is nothing more subversive than a book. It can sit there for years apparently doing nothing, but once opened up it can change your world.”

* * *

Here’s a nice recommendation for volume one of Ms. Tree: One Mean Mother. Apparently, however, for all these years, Terry Beatty has been a female….

And we’ll end with this nice look back at the film of Road to Perdition from the Cedar Rapids Gazette.

M.A.C.

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Hey Kids! Free Books! And Corona Virus Stuff, Too!!

Tuesday, April 14th, 2020

Now in Paperback!

Or…
Hardcover:
E-Book: Amazon Google Play Nook Kobo iTunes
Digital Audiobook: Amazon Kobo
Audio CD:

And now here’s our first Corona Virus-era book giveaway, waiting for you to request a copy, receive, wipe down, read, and review.

We have ten copies of Masquerade for Murder, the new Mike Hammer, and ten copies of the paperback edition of Antiques Ravin’. Request the book of your choice, and if you’re willing to accept the other option, say so. [Note from Nate: All copies are spoken for. Thank you!]

Be sure you’re willing to review the book at Amazon and/or Barnes & Noble, and anywhere else appropriate, including a blog. If you absolutely hate the book, I certainly won’t insist you review it; but everybody else I would like to see put in their two cents (or three or four or five stars).

You know who already likes it? Booklist. Check this out:

A man steps off a curb. A roaring Ferrari sends him “tumbling across the hood” and speeds off. A famous PI witnesses the moment and senses it wasn’t an accident. Days later the victim’s father hires the famous PI to find out what happened. By then we know the PI is Mike Hammer, appearing in the latest of Max Allan Collins’ reconstructions of Mickey Spillane’s unfinished manuscripts. This one is relatively free of Spillane’s posturings about women and society that offend today’s readers, and that’s fortunate, as it’s a first-rate noir adventure, set in 1988, and it boasts some excellent writing. Hammer’s examination of an apartment, for example, goes on for pages and is so masterfully, tensely described one scarcely notices that absolutely nothing happens. As Spillane/Collins move to the finale, which puts a remarkable twist on the “things are not as they seem” chestnut, Hammer broods on his own obsolescence. He’s a dinosaur, a being from the world of Milton Berle and Howdy Doody. Doesn’t bother him. — Don Crinklaw

Nice one, huh? Now, I’m going to keep after all of you to post those Amazon reviews, especially for Masquerade for Murder, Do No Harm, and Girl Can’t Help It, even if you actually paid for a copy. We have some nice reviews on everything, a couple of weak ones but mostly stellar, and could use more.

Now that the bribery and groveling is out of the way, I’m going to discuss something more serious. I have tried to keep it light here since the Covid-19 thing kicked in, but I’m going to talk this time about something that I’ve been dealing with, something that’s been on my mind.

When the whole shelter-in-place thing started, I didn’t get depressed or upset or terribly scared, even though at my age with my underlying health issues I should be hiding under the bed (shout out to Bill Barr, the Jabba the Hutt of the Trump Administration).

My thoughts initially were mostly centered on how lucky I am – I have a beautiful wife who treats me well, my son and his family are just up the street (and we are now interacting after some quarantining of both households for different reasons) (see below), and I am swimming in books, DVDs, Blu-rays and CD’s. My late actor friend Mike Cornelison used to say he wanted to take his vacations in my house.

Not the worst bomb shelter in the world to be stuck in.

And I also initially thought that, as a writer, I would get (technical term ahead) shitloads of work done. This would work out great. I could really dig in. Right. That’s what Jack Nicholson thought when he first typed, “All work and no play makes Jack a dull boy.”

I am working. I am working every day. But I would say my productivity is at about half-speed. I feel sluggish. Most days I stop short of depression, but happiness seems pretty abstract right now…though there are of course moments. But this creative slog surprised me.

Then I started to talk to other writers – book writers and TV/movie writers, all of whom had the same initial thought (“This won’t impact my productivity – I’m going to really get a lot done!”) and ever since have struggled to maintain even half their pace.

Some of it, for me, is specific to our life style. Back in the normal world, Barb and I would take at least one and usually two meals out. Since we both work at home, we have used restaurants as a way to get out, run errands, take a break, and not have to deal with cooking. Now every meal is an event. Often a mini-event, but more goes into it, and energy is expended.

Excursions into the outer world – like grocery shopping and going to the pharmacy – take up an inordinate amount of time. Recently I learned I’d been exposed to the Corona Virus by (engaging in what reckless behavior, you ask?) going to the eye doctor to pick my new glasses up, in a very controlled way – an appointment, answering questions at the door, I was the only patient in the building, and the optometrist assistants numbered two (one of whom had Covid-19 but didn’t know it yet). This meant a somewhat scary quarantine for both Barb and me, and no contact for two weeks with Nate and his up-the-street brood. And we had just waited out two weeks since the grandkids had stopped going to Day Care.

So my two weeks elapse, and the next day Barb has chills, a 101-plus fever, and other suspicious symptoms. An afternoon is spent at Urgent Care. Barb is tested. While we wait for results, we explore how we will sequester her in a separate part of the house, if need be. I go to the supermarket by myself (I love that they play oldies during the hour reserved for senior shoppers, and that when it’s up, immediately nauseating country western begins). I buy a cart of food designed for me to take care of myself and Barb, meaning a life based around the microwave altar.

The cart of food I buy for $144 is something that if you had shown it to me, say, in December and told me I had selected the items, I’d have said you’re out of your effing mind.

Two days later it turns out Barb doesn’t have the virus.

Back to the store to buy better groceries, and look in vain for hand sanitizer and sanitary wipes. (Tip for male shoppers: sanitary napkins are no substitute.)

So, my point – if there is one – is that it’s hard to be creative when you’re having these at least mildly dystopian adventures.

I hesitate to share any of this, because I know I have it easy. This isn’t really bad at all. And yet. And yet.

There will be no band jobs this summer. There will be no store signings for any of my books, even if bookstores re-open, and no appearances at conventions – San Diego would be madness (it is anyway) and while we haven’t cancelled Bouchercon yet…really? Really? Is that something any of us should do?

My point of view, of course, is that of a 72 year-old man who on paper died a couple of years ago. So I tend to be cautious.

And I am writing. I was fast before, and even slowed down, I’m still productive. But this reminds me of 9/11 – writers like me, both in books and TV/movies, found themselves wondering if anybody wanted, oh, crime/murder stories anymore, or comedy or music. Turns out we did, but most of us had a sluggish week or two.

This is more than a week or two. I think we’ll find our pace, our groove. But not yet.

* * *

Here’s another lovely Masquerade for Murder review, this time from that terrific writer, Ron Fortier.

Check out this killer Pinterest array of Mike Hammer covers.

Chicago Lightning, the Nate Heller short story collection, gets a nice mention here.

My Batman’s Robin explained in this comics piece. Topic not covered: do I care?

And Road to Perdition is one of the best 100 movies on Netflix right now, sez here.

Stay safe. Stay healthy.

M.A.C.

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Binge on Books – It’s Good for You!

Tuesday, April 7th, 2020

I know many of you are bingeing on books while on lockdown, presumably my books – and remember, in addition to the recent publication of Do No Harm, Girl Can’t Help It and Masquerade for Murder, some fourteen Nathan Heller titles are available all month at 99-cents per. There’s also an Antiques title – Antiques Frame – available for $1.99 on Nook at Barnes & Noble. [Links: Hellers on Kindle, Antiques Frame on Nook]

E-books have been great to me in recent years, though I’ve never returned the compliment by reading anything on a Kindle or a Nook myself. I am an unrepentant, unapologetic reader of physical books. I collect them. I even hoard them. My suspicion is that many of you fall into the same cheerfully psychotic category.

But I understand that physical books are moving somewhat erratically through the mails right now. I’ve experienced this myself, although the emphasis is on “erratically.” Sometimes a book will arrive the day after you order it, and sometimes…well, it hasn’t arrived yet.

That’s because people are ordering items – such trivialities as food and clothing – from Amazon, who in their wisdom have deemed books non-essential. So us Prime Members will probably get a hefty refund check from Mr. Bezos, right? Well, maybe not. But this strikes me as a good time for people with Kindles and/or Nooks to buy e-books. And for those of you who have been thinking about bringing a bouncing baby e-book reader into the family, this seems like a fine time to do so.

We had hoped to launch a book giveaway this week, but Barb and I are under a more severe quarantine at the moment, because I was exposed to somebody who tested positive for Covid-19, and Barb has some symptoms and got tested today. Nothing like a Sunday afternoon at an Urgent Care Center! So we decided not to send any of you Corona Virus as a bonus giveaway. When we have a clean bill of health, we will.

We are not special. Expressions of concern should be reserved for yourself and your neighbors and this entire country. You can also send one up to the Big Guy in the Sky to encourage our federal government to get its ass in gear. That is, unless you think medical supplies should be sold at e-bay type auction. I don’t.

Some of you who have laid your hot little hands on Masquerade for Murder may have noticed it’s dedicated to Gary Sandy. Gary – who co-stars with Patty McCormack in Mommy’s Day (available on Blu-ray as a double-feature with Mommy, in case you haven’t been paying attention) appeared as Mike Hammer in the two productions of my radio-style play, Encore for Murder. The most recent one was in 2017 in Clearwater, Florida.

It was a terrific show, with noir-ish background music and a shifting video backdrop…and Gary was fantastic, carrying the whole thing on his back. It was produced by Zev Buffman, a legendary Broadway producer who revitalized Clearwater’s Ruth Eckerd Hall, a major venue (the other act appearing while Encore for Murder was playing was some nobody called Jackson Browne).

Zev mounted it beautifully, and early last year we were going to do a second Hammer radio-style play, The Little Death at the Clearwater venue when politics at the theater wound up with Zev retiring and our already announced production being dropped by the new people.

Zev passed away last week. He was 89, and one of the most vital show biz people I ever met. A lovely man. Take a bow, Zev.

Thank you, Gary, for bringing him into my life.


Left to right, Producer Zev Buffman, writer M.A.C., star Gary Sandy, director Richard Rice.
* * *

Here’s some nice attention for Ms. Tree and the upcoming collection, Skeleton in the Closet.

Even more Ms. Tree love right here!

And a really nice overview of Ms. Tree is right here.

Here’s a great look at Terry Beatty and Rex Morgan, with a link to a podcast with Terry that gets into Ms. Tree and a lot more.

Thomas McNulty’s review of Masquerade for Murder is wonderful, in part because of how much fun it is to read.

Here is another splendid Masquerade for Murder review.

Screenrant thinks Paul Newman’s last great performance was in Road to Perdition. So do I!

More nice Road to Perdition stuff here – by the way, it’s streaming on Netflix right now.

Book Page has rerun an interview with me from a couple years ago. Might be worth a look, if you missed or if your memory is like mine.

Finally, the Stilleto Gumshoe has this great review (and more!) of Do No Harm.

Stay safe!

M.A.C.

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