Archive for October, 2013

Supreme Satisfaction

Tuesday, October 29th, 2013
Clemens/Collins

Matt Clemens and Max Collins, in younger days….

Today I sent out the manuscript of SUPREME JUSTICE to my editor at Thomas & Mercer. It always feels a little odd to e-mail a manuscript after so many years of spending a work day running off copies for the editor, my agent and often my researchers, then wrapping packages and running to the post office or Fed Ex, trying to get there before closing. But done is done, and I’m glad to have that project under my belt.

The writing went very well. The idea was one I’d put together as a proposal probably five years ago, but never sent it around because my plate was too full – it’s an ambitious subject having to do with the Supreme Court. A while back I brought Matt Clemens on board, and together we fleshed the proposal out into a more complete document. SUPREME JUSTICE is now the second novel of a two-book contract for Thomas & Mercer (WHAT DOESN’T KILL HER being the first).

Matt did virtually all of the research, and he and I broke the story down into chapters over one of our typical lunch meetings. His story treatment is essentially a short rough draft and he did a really fine job. The book took longer than it should have because my work got interrupted by several trips, most recently Bouchercon. I hate to travel in the midst of writing – it screws up my momentum terribly.

In some respects, the novel is a departure for me. It probably most resembles the CSI novels that I did with Matt, and our two J.C. Harrow novels for Kensington. But the political subject matter and backdrop is new – well, it is cut out of somewhat the same cloth as my movie tie-ins, AIR FORCE ONE and IN THE LINE OF FIRE – and the book has a very dialogue-driven, fast-paced manner. I don’t want to say anything about the plot, because it’s very much a high concept and I’d just as soon not have somebody “borrow” it.

I will be anxious to see how my editor and agent respond to the book. From this vantage point, SUPREME JUSTICE feels very good. Of course, as the old saying goes, so does your head when you stop beating it against the wall….

ASK NOT is attracting some nice reviews, like this one in the Cedar Rapids Gazette.

This is a rare positive Kirkus review for my work, but it’s odd. Really strange. Check it out and see for yourself.

Book Reporter provides an ASK NOT write-up (but not review) here.

Scroll down at Awards Circuit and find a brief but really nice TARGET LANCER review.

And here’s another of those odd but positive Alpha 60 reviews of various Quarry novels, this time THE FIRST QUARRY.

M.A.C.

Ask for “Ask Not”

Tuesday, October 22nd, 2013

Hardcover:
E-Book: Amazon Google Play Nook Kobo iTunes

Today marks the publication date of ASK NOT, the third novel of the Nathan Heller “JFK” trilogy. It’s available right now, so scurry to your favorite bookseller, whether brick-and-mortar or on the net, and improve your life…and mine. Barnes & Noble often only gets in a couple of copies of my new novels, so you may have to ask for it.

If you like the book at all, please review it at Amazon and/or Barnes & Noble, or blog about it. (As usual, I will remind you to do this for all the authors whose books you enjoy). If you happened to read it in a bound galley, now is the day that Amazon will start posting reader reviews.

The previous JFK Heller novel, TARGET LANCER, has just come out in mass market paperback, so if you’ve been waiting for a popularly priced edition (as they used to say), now’s the time. Reviews at Amazon for that would also be much appreciated. Detailed reviews aren’t necessary – just a line or two about what you thought.

ASK NOT is my “dead witnesses” book just as TARGET LANCER was a novel about the lead-up to the assassination. Getting these two books written, and in print, was a major goal for me. When I first knew that TRUE DETECTIVE would spawn a series, I made the Kennedy assassination my end game. So in a very real sense, I have “finished” the Heller series. Should I get hit by a bus today, the Heller memoirs could be considered complete (unless I survive the accident).

With a new Forge contract, I hope to be doing at least another half dozen Heller novels. As I get older, this gets trickier – neither my researcher George Hagenauer nor I are the energetic kids we used to be. I’m an energetic something, but not a kid. Google has made writing the Hellers somewhat easier – I’m staggered to think that every Heller prior to BYE BYE, BABY was written without benefit of the net (first book I remember using the web for was THE TITANIC MURDERS). But George and I still do an enormous amount of research in old newspapers and vintage true-crime magazines, and read book after book after book.

With subjects like the McCarthy era, the Bobby Kennedy and Martin Luther King assassinations, and Watergate on my short list, what lies ahead is somewhat daunting. I hope you’ll stay with me through what I trust will be some of Nathan Heller’s best memoirs.

Speaking of ASK NOT, here’s a terrific review from Criminal Element. What’s really cool is that the author – a female (my favorite sex) – hasn’t read a Heller before, which of course includes the first two books of the trilogy. Yet she really, really dug it.

And speaking of Nate Heller, check out this fantastic and very smart review of THE MILLION-DOLLAR WOUND (among my personal favorites among my novels) by Kevin Tipple.

Finally, I joined my fellow Top Suspense members to contribute to this list of our favorite noir films.

M.A.C.

Titanic Update

Tuesday, October 15th, 2013

This week’s update will largely be devoted to another round of Bouchercon photos (courtesy of our Kensington editor Michaela Hamilton’s friend Eugene George) and some very nice links to reviews and articles.

Cinematic Titanic Farewell Tour

I’ll just briefly say that Barb and I spent a great weekend in St. Louis with Nate and Abby, taking in Cinematic Titanic whose live show was part of its “Bon Voyage” tour. The cast “riffed” a wonderfully terrible ‘70s movie called INVISIBLE STRANGLER in which such pros as Stephanie Powers and Elke Sommer are crushed by terrible direction and miserable dialogue, blissfully unaware of the outlandishly bad special effects with which they would share the screen. We are all huge fans of the two spin-off groups from MYSTERY SCIENCE THEATER 3000 (the other being, of course, Riff Trax). Titanic, after half a dozen years, numerous live shows and a dozen DVD releases, is going on “indefinite hiatus.” There was a definite valedictory feel to the evening, with Joel Hodgson sharing a slide show that revealed new information about the influences and beginnings of MST3000 (3000 is not a year, for example, but a model number). We briefly met Joel, Frank Conniff, Mary Jo Pehl, Trace Beaulieu and Dave “Gruber” Allen, who was filling in for an ailing J. Elvis Weinstein. (Gruber played Counselor Rosso on FREAKS & GEEKS! Trace and Joel appeared on the show, and the absent Weinstein was a writer/producer on that great series.) Like the Riff Trax boys, the Cinematic Titanic cast is gracious, warm and witty when dealing with their many fans.

Bouchercon 2013
Max Allan Collins on panel

Bouchercon 2013
Matthew Clemens and Barbara Collins signing

Bouchercon 2013
Barbara and Max signing

Bouchercon 2013
Barbara on panel

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I’m thrilled to share with you this stunning rave review from Bookgasm of ASK NOT.

Here’s an article on crime comics that gives MS. TREE her due.

And this ranking of Tom Hanks’ best six movies includes a familiar title.

Here’s a nice if brief review of the TRUE DETECTIVE audio.

I was gratified by this terrific look at ONE LONELY NIGHT from a reviewer who initially disliked Spillane and Mike Hammer (based on upon reading I, THE JURY) but tried LADY, GO DIE! at my urging and got turned around. Then ONE LONELY NIGHT sealed the deal. Read the comments below, too.

Finally, the DARK ANGEL trilogy, written by Matt Clemens and me, gets a very nice appraisal here (scroll down till you see Jessica Alba).

M.A.C.

You Slay Me

Tuesday, October 8th, 2013
Bouchercon 2013

Here are two images courtesy of Kensington editor Michaela Hamilton – a photo of Barb, Matt Clemens and me at the recent Albany Bouchercon (courtesy of Mike’s friend Gene) and the cover of the new Trash ‘n’ Treasures Christmas novella, ANTIQUES SLAY RIDE.

Antiques Slay Ride

SLAY RIDE is available only as an e-book, and is the first of three such novellas (all with Christmas themes) that will appear over a three-year period. This one came out very well, and works as an introduction to the series and the characters if you’ve never tried one of these novels by Barbara Allan (Barb and me).

Barb is working on her draft of the next full-length novel in the series, ANTIQUES SWAP – at about the half-way mark. I am deep into SUPREME JUSTICE, a political thriller for Thomas & Mercer, that Matt Clemens has helped develop. It’s due November 1 and, with any luck, I’ll make that deadline.

WHAT DOESN’T KILL HER has done very well so far, particularly on e-book, which is Thomas & Mercer’s long suit. As I write this, we are still number #1 in serial killer books. If you had a chance to read it, or EARLY CRIMES, let me again say how much positive reviews (however short) are helpful. I’ve been told by a credible source that even negative reviews can be helpful at Amazon and Barnes & Noble – statistics apparently show that books with no reviews don’t sell as well as books with primarily negative reviews. Right now we’re at 34 reviews and a four-star average for WHAT DOESN’T KILL HER. (EARLY CRIMES has 13 reviews and a five-star rating, which is very nice for such an offbeat little book.)

Barb and I have been watching horror movies, in honor of Halloween, with an emphasis on 3-D (we are set up for that in my office). The new 3-D blu-ray of the classic HOUSE OF WAX (SCTV fans, all together now: “Have you theen my paddleball?”) is quite wonderful and shows how effective and fun 3-D effects can be (from an eyepatch-sporting director who could not perceive the effect himself). Though it’s not a great movie, AMITYVILLE 3-D is also out on blu-ray as part of a boxed set of Amityville movies, and it too has wonderful 3-D effects, as well as a strong performance from the too-little-seen Candy Clark.

On the other hand, we tried to watch GATSBY and bailed after twenty minutes of pretentious self-conscious bilge. I avoided this in the theater but gave in to my 3-D curiosity for an attempted home viewing. I never dreamed Baz Lurhmann could make a film more dreadful than his MOULIN ROUGE, but he seems to have knocked the ball out of the park and into the crapper – based on the twenty minutes we watched. (Barb: “Are you having fun?” M.A.C.: “Not in the least.” Barb: “Can we stop watching this?” M.A.C.: “Absolutely.”)

We also took in the 3-D version of GRAVITY at our new multi-plex and were far less impressed than the critics at Rotten Tomatoes who give it 98% fresh. It’s an impressive piece of filmmaking in the technical sense, and well-acted, working fine as a thrill ride. The story, such as it is, is weak, with Sandra Bullock’s character in particular poorly thought through. It’s probably worth seeing, but keep in mind it’s one of those one-damn-thing-after-another movies. It also has one of those New Age orchestral scores with a wordless soprano caterwauling in a vaguely spiritual manner – the kind I hope never to hear again.

Here’s my blurb: “Way better than GATSBY!”

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There’s a really nice review of several Hard Case titles, including SEDUCTION OF THE INNOCENT, at Barnes and Noble’s web site.

Here’s a nice review of COMPLEX 90.

Finally, no firm news on QUARRY for Cinemax yet, but here’s an interesting interview with a mention of the pilot from an HBO exec.

M.A.C.