Posts Tagged ‘Spree’

Write and Wrong

Tuesday, February 12th, 2013

I will be tweaking THE WRONG QUARRY today, doing final rewrites, and I hope “shipping it” (i.e., e-mailing it) to editor Charles Ardai) today. It was written largely in two frenzied weeks, although my fourteen-day-no-day-off stay in the bunker was preceded by a week of prep and plotting, and now a day (or two) of tweaks and rewrites.

A writer my age should probably not undertake to write a novel in this fashion, working till 1:30 a.m., rising at 7:30 a.m. and starting in again, before going down for orange juice and English muffin. But I have always written Quarry novels in two to three weeks (with the exception of the first one, which took six months) because they are stream-of-consciousness affairs that require me to live inside the story (and Quarry’s head) for the duration.

The story is set in the early ‘80s, and falls into the Quarry sub-category of our hero helping the target of a hit contract. It takes place in a small town in Missouri, during the off-season of its tourist industry. This may sound like a fairly ordinary Quarry set-up, but I assure you it’s wilder than Mr. Toad’s ride. In fact, Barb gave me the best Quarry review ever: “Who is this twisted man I’ve been sharing my bed with?”

This will be, since I obviously have work to do, a brief update. Barb and I saw SIDE EFFECTS, the Steven Sonderbergh thriller starring Jude Law, Rooney Mara (American GIRL WITH THE DRAGON etc.), and Catherine Zeta Jones. Very good twisty piece of work, sort of like ‘70s DePalma but slightly less overt in the sex, violence and style department. Like PARKER, a throwback to kind of grown-up genre piece that the theaters used to regularly offer.

My anti-Super Bowl rant last week got some interesting comments, particularly Mike Doran aptly pointing out that my lack of interest in pro sports may be related to my living outside a metro area. No big sports franchises in Iowa. Good point. The U of I’s Hawkeyes are worshipped in this state. My father fetishitically bought black-and-gold everything, including a Cadillac once.

Odd postscript to my sports “bloviating” (as one commenter termed it): I often love sports movies and sometimes books. Mark Harris’ Henry Wiggins novels are among my favorite novels. DAMN YANKEES is high on the list of my favorite movie musicals. And I’ve already written here about TV’s FRIDAY NIGHT LIGHTS, one of my favorite shows.

Ah yes, I am an enigma wrapped in a riddle. If an occasionally bloviating one.

Here’s a terrific early COMPLEX 90 review from Ron Fortier, an excellent writer his own self.

And here’s a terrific review of my new collection (as complete as possible) of the MIKE HAMMER comic strip.

My friend (and great excellent crime writer) Ed Gorman was kind enough to post this generous review of SPREE, the final Nolan (to date, anyway).

Just in time for the publication of the third Jack and Maggie Starr (SEDUCTION OF THE INNOCENT), here’s a nice review of the first one, A KILLING IN COMICS.

Speaking of which, here’s a fun review of SEDUCTION from a gaming site.

And to celebrate finishing THE WRONG QUARRY in 2013, here’s a good review of the 1976 Quarry novel, QUARRY’S LIST.

M.A.C.

New Edition Nolan Trade Paperbacks 20% Off

Thursday, May 3rd, 2012

To celebrate the new editions of heist artist Nolan’s adventures, Perfect Crime Books is offering a 20% discount through the end of May when ordering straight from the printer’s secure store at createspace.com. Each book comes with a new introduction from Max (aside from Mourn the Living, which includes the intro from the Five Star Press run). For me, shipping on one book came out to be around $3.50, and was only a couple dollars more for an order of all six, so the deal is better the more you buy.

Click on the covers below and enter the following code at checkout:

LX2E2WBF

For the maxallancollins.com book pages:
Fly Paper | Hush Money | Hard Cash | Scratch Fever | Spree | Mourn the Living

Eliot Ness Back In Print

Tuesday, January 11th, 2011

Speaking Volumes, the audio company that has brought out several of my novels on CD, is branching out into e-books and print editions. I’m pleased to announce that all four “Eliot Ness in Cleveland” novels are now available in what look to be handsome editions (my author’s copies have not arrived yet). This is the first new printing of MURDER BY THE NUMBERS since its original publication in 1993, so that title in particular may be of interest.

Dark CityThe Dark City: Print | E-Book
Butcher's Dozen
Butcher’s Dozen: Print | E-Book

Each Ness novel is based on a real investigation by the famous Untouchable during his very exciting tenure as the Public Safety Director of Cleveland – less written about than his Chicago days, the Cleveland years mark Ness’s major contributions to crimebusting. THE DARK CITY has him cleaning up a notoriously corrupt police department (with a guest apperance by Nathan Heller), BUTCHER’S DOZEN (the best known of the novels) is the first book-length look at the famous Mad Butcher of Kingsbury Run, BULLET PROOF has Ness taking on corrupt unions, and MURDER BY THE NUMBERS finds Ness making an unlikely alliance with black numbers gangsters to defeat the famous Mayfield Road Mob’s takeover of a “colored” racket. The latter book explores Cleveland as the source of Chester Himes’ imaginary Harlem in his Coffin Ed and Gravedigger Jones crime novels, featuring the real-life black cop who provided the basis for those famous characters.

Bullet ProofBullet Proof: Print | E-Book
Murder By The Numbers
Murder by the Numbers: Print | E-Book

These novels formed the basis for the second act of my play (and film) ELIOT NESS: AN UNTOUCHABLE LIFE.

A very smart review of Mickey Spillane’s classic MY GUN IS QUICK favorably mentions my introduction to that Penguin collection of the first three Mike Hammer novels. Nice to see somebody “getting” Mickey Spillane.

David Rachels’ web site, NOIRBOILED, often has interesting stuff on display, including mini-interviews with authors and “poems” culled from crime novels. He has panned several of my novels and he gives a patronizing, half-heartedly positive review to the current reprint of QUARRY. He’s a smart guy, so it’s worth a look, but I don’t agree at all with his labeling of the Quarry series as chiefly a Richard Stark imitation. His description of QUARRY as a novel built on the Stark approach/structure doesn’t show much insight to either approach or structure – a good deal of the magic of the Parker novels is the section midway that either devotes a chunk to a single point of view other than Parker’s or gives single point-of-view chapters to various characters, enabling Stark to play games with time (a trick Don Westlake admitted to me having learned from Kubrick’s THE KILLING). QUARRY, a first-person novel built much more on the traditional private eye paradigm than that of Stark’s quirky crook books, is far, far less indebted to Richard Stark than the Nolans, which began as outright Stark pastiche (though I believe they grew into something of their own). To really understand what I am doing in the Quarry novels – or for that matter what Stark is doing in the Parker novels – a reviewer would need a better grasp of W.R. Burnett, Horace McCoy, Dan Marlowe and Jim Thompson than Rachels reveals. Rachels also does not appear aware that – after the first book, anyway – Parker never kills a civilian, and he skips entirely any consideration of the key role Vietnam plays in both Quarry the killer and Collins the novelist.

My friend Ed Gorman – one of the best living crime writers – has always been generous to me in his reviews. He continues that tradition in a wonderful review of SPREE, the final (to date, anyway) Nolan and Jon novel. He talks a lot about the Comfort family, and I happen to agree with him that that criminal hillbilly clan is among my proudest achievements. By the way, the Comforts were named as an overt reference to one of my favorite novels, Stella Gibbons’ classic COLD COMFORT FARM. One of the books begins with a sentence that includes the phrase “Cole Comfort’s farm.”

Next week I will talk about the avalanche of Collins material that 2011 will bring. Golden Age or Apocalypse…your call.

M.A.C.