Posts Tagged ‘Patrick Culhane’

Black Hats & A Book Giveaway!

Tuesday, August 7th, 2018

[Note from Nate: The giveaway is over! Thank you for participating!] The book giveaway this week is for the upcoming Scarface and the Untouchable: Al Capone, Eliot Ness, and the Battle for Chicago, which will be published August 14. I have five finished copies and five bound galley proofs (ARC’s). The first five to respond get the finished book, the next five the bound galley. Winners are requested to post a review at Amazon, a blog, Barnes & Noble or any combination thereof.

This week’s update, however, is mostly about Black Hats, a new edition of which has just been published by Brash Books. For the first time, the book has my real byline, and not “Patrick Culhane.”

Brash has done a spiffy job on it, and I hope to get some copies from them for another book giveaway like the one above. Brash is also going to be bringing out Red Sky in Morning under my preferred title, and that will have the Max Allan Collins byline for the first time, too.

Black Hats is a good companion piece to Scarface and the Untouchable, because it’s about young Al Capone encountering old Wyatt Earp. Though their meeting is fanciful, the research for the book was on the order of the Heller saga and it is one of my favorite novels, and one that continues to attract very serious Hollywood attention.

Harrison Ford has been interested in playing Earp pretty much ever since the novel first came out, and he is still part of the mix – nothing signed-sealed-delivered, mind you. But that he has maintained this continued interest in the novel is exciting.

That’s all I can say at the moment, but if you’ve never read this one, send for the Brash Books edition, please. You will not find it in many book stores – the e-book will drive this one, though the “real” book that Brash has produced is handsome indeed.


Paperback:
E-Book: Amazon Google Play Nook Kobo iTunes

How did the byline “Patrick Culhane” come to appear on both Black Hats and Red Sky? Forgive me if you’ve heard this one, but I believe it’s one of the truly remarkable fuck-ups of my career, and one of the rare ones that I didn’t cause myself.

Shortly after Road to Perdition was a huge movie and the novelization made the USA Today bestseller list and the graphic novel made the New York Times bestseller list, some guy at Border’s (remember them?) told my then-publisher that he was a huge M.A.C. fan, but could sell more M.A.C. books if only the name M.A.C. wasn’t on the cover. I was too well-known, it seems, as a guy who wrote series novels. He promised huge sales if we did some standalone thrillers under a new byline.

Oddly, my real identity was never hidden. It’s prominently revealed on the jackets of both books.

I did not want to do this. My editor stopped short of insisting that I go along with it, and my agent suggested alienating my editor was a really bad idea. And Border’s was really, really powerful, right? So I came up with “Patrick Culhane,” the “Patrick” after my mother Patricia and “Culhane” as a Collins variant.

Understand that I hate pseudonyms. I fought to have my name go on my movie and TV tie-ins, figuring (correctly) that having my byline on things like Saving Private Ryan, Air Force One, American Gangster, CSI and so on would only building my audience. All of those titles either made the New York Times list or USA Today’s or both.

The only time I used a pseudonym was on the novelization I Love Trouble, because it was going to be out at the same time as another novelization, plus the movie stunk. I used Patrick again, but also my mother’s maiden name, Rushing, which seemed apt for a book written on a crazy deadline.

I use my name on all but the above exceptions because I am proud of my work, and I want to keep myself honest. I don’t want to hide. I want to acquire readers, not run away from them.

Anyway, I am very pleased that Brash Books – the people who brought you the complete Road to Perdition prose novel, something I thought I would never see – are restoring my name to two of my favorite books. They will also soon be publishing Red Sky under my preferred title, USS Powderkeg.

Now the only thing still unpublished is my original, very loose adaptation of the Dick Tracy movie, in which I fixed all its problems and sins. Getting that in print, however, is a real long shot….

* * *

The advance buzz on Scarface and the Untouchable keeps building.

The Strand’s blog has published a list by my co-author and me looking at ten surprising facts about Al Capone and Eliot Ness.

We are one of the Saturday Evening Post’s top ten late summer reads, for example.

And the History News Network has published an article that Brad and I wrote about the Trump/Manafort/Mueller parallels.

Mystery People showcases us, too.

Out of the blue, here’s an interesting look at Quarry’s List, the second Quarry novel, with lots of comments from readers.

The graphic novel, Quarry’s War, gets a boost here, in a somewhat surprising context. [Note from Nate: This is so bizarre.]

On the Mike Hammer/Spillane front, here’s an interview I did at San Diego Comic Con a few weeks ago.

And another.

Finally, here is a terrific, smart review from the smart, terrific J. Kingston Pierce about Killing Town.

M.A.C.

San Diego Comic-Con Day Four

Sunday, July 24th, 2011
Black Hats

I was waiting in the lobby, ducking zombies, space-girls, manga characters and assorted superheroes (and villains), when I checked my e-mail on my phone and saw everybody and his duck congratulating me on the news that Harrison Ford has signed to play Wyatt Earp in a big-screen adaptation of my novel BLACK HATS (published under the Patrick Culhane penname that I have since abandoned). Anyway, if you read either the Hollywood Reporter story or the Variety story, you will know as much as I do right now.

I was only briefly at the con, but had the great fun of meeting both Sybil Danning and John Saxon at the Shout Factory Booth, where they were promoting the DVD/Blu-ray release of BATTLE BEYOND THE STARS. John Saxon, whose body of work is amazing, was a real gentleman, and Sybil Danning looks amazing, exactly as she did on the screen in the ’80s and ’90s (and is very, very nice as well). I would rather meet the great B movie stars, anytime, over the Hollywood big shots…with the exception of Harrison Ford, of course. And Tom Hanks.

Much of the day was a family one for us, eating at the Fish Market restaurant (Barb, Nate, Abby and me) on a deck I referred to as the Hitchcock Lounge, because of the friendly birds; shopping Seaport Village and the Gaslamp District; wolfing down sundaes at Ghirardelli’s; dining on great Mexican food at Casa Guadalajara in Old Town; and finally taking in an evening showing of HARRY POTTER (the 3-D conclusion), which I thought was a good film, if not as exciting as the cab ride home where Barb ordered the cabbie to slow down, and he asked, “Why?” What followed was not pretty….

M.A.C.

Seaport Village Comic Con 2011

G.I. Joe & Red Sky in Morning

Monday, August 10th, 2009

GI JOE: ABOVE AND BEYONDGI JOE: THE RISE OF COBRA

By the time you read this, G.I. JOE will have hit theaters, and I’ll have seen it, and so will some of you. This is one of the most eagerly awaited — and vilified — movies of the summer. I have no idea whether it will be good or bad, but I’m fairly confident it will be entertaining. I have written four other novels for Stephen Sommers movies, and none of the screenplays have seemed liked masterpieces to me, and yet they all made entertaining movies…and books.

My two G.I. JOE novels have been out for quite a while, but they should get a boost from the film’s release. I think the books are fun, and am particularly happy with the prequel (which Matt Clemens helped me with). Creating a novel out of an action-heavy, stuff-blows-up screenplay is harder than, say, adapting and expanding THE X-FILES: I WANT TO BELIEVE or AMERICAN GANGSTER, which are more suspense and character-driven. But getting to do a prequel helped the novelization work better.

Ron Fortier, a terrific reviewer, really got what I was going for in his dual review.

One of the complaints about the film (from people who hadn’t seen it yet, though some had read my novelization, which generated web interest) is that the rebooted G.I. JOE organization is international, not American. The very American term G.I. Joe comes from World War Two and may have been coined by David Breger, who did a cartoon under that name and another called PRIVATE BREGER (which had a long post-war civilian run as MR. BREGER). The film script addressed that problem by making two American G.I.s the central characters, and my prequel novel emphasizes those characters (Duke Hauser and Ripcord Weems) even more.

Red Sky in Morning Paperback

While we’re on this military note, I should point out that my World War Two naval thriller, RED SKY IN MORNING, based on my father’s experiences in the Pacific, is out in paperback with a handsome new cover.

I will use the occasion to reveal that the “Patrick Culhane” penname was not my idea, and was to a degree forced upon me, and I have no plans to use it again. I regret that my real byline is not on this very personal novel, or BLACK HATS for that matter, which is one of my most commercial. And while RED SKY IN MORNING is a title I came up with, my original title — U.S.S. POWDERKEG, which I liked very much — was rejected. One of the great frustrations of the writing life is having a title that you have lived with and woven into a book spurned by an editor (or a sales force). I would be thrilled to see the book reprinted at some point with my preferred title and my real byline…but for now, you need to look for the Culhane byline on this one.

Till next week….

M.A.C.

Message from M.A.C. – September 19, 2008

Friday, September 19th, 2008

This is probably my record year for number of books published (and for me that’s saying something, I know). But I’m really proud of what Barb and I have accomplished of late, and want to make sure you’re aware of what’s out there already, and what’s coming.

Antiques Flee Market

In September from Kensington, “Barbara Allan” (Barb and me) will have the reprint of ANTIQUES MAUL (ISBN 978-0-7582-1194-1) out and the new “Trash ‘n’ Treasures” mystery, too: ANTIQUES FLEE MARKET (ISBN 978-0-7582-1195-8), with a Christmas theme. It’s been getting the best reviews of the series yet. These are funny cozies with an edge, and fans of my tougher stuff may be surprised by how much they’ll enjoy these…and we’ve just signed to do two more!

The Goliath Bone

Very soon Harcourt will publish the first new Mike Hammer novel in over a decade — THE GOLIATH BONE (ISBN 978-0-15-101454-5), which I completed from Mickey Spillane’s nearly finished manuscript. This is the first of at least three Hammers I will complete from manuscripts Mickey entrusted to me. To say this is an honor and a thrill is an extreme understatement. It’s also getting great advance notices. Do not miss this one!

The success of THE LAST QUARRY (which has been made into the film THE LAST LULLABY, on the festival circuit now) has led to the new prequel, THE FIRST QUARRY (ISBN 0-8439-5965-7), which Hard Case will publish in paperback in the fall. This is also getting wonderful advance reviews. This one is definitely not cozy, and could be the nastiest noir novel I’ve ever written….

I’m pleased to report that in December VCI Home Entertainment is bringing out my documentary, CAVEMAN: V.T. HAMLIN & ALLEY OOP on DVD! It’s a great package, with an extended Will Eisner interview and a panel discussion at a Des Moines Historical Museum screen of the film that features me, producer Mark Lambert and the current OOP writer and artist team, Jack and Carole Bender. CAVEMAN has been seen several times on Iowa PBS as part of the celebration of the OOP strip’s 75th Anniversary. (This means all of my indie films will now be available on DVD.)

For the past several months, Barb and I have been out in the midwest, appearing at bookstores and libraries and other events, talking about various books (including those just mentioned) and other projects. Here’s what we’ve been talking about:

Red Sky in Morning

STRIP FOR MURDER from Berkley Prime Crime — a snazzy trade paperback, a Rex Stout-style mystery that combines graphic novel elements (my longtime MS. TREE cohort Terry Beatty did the comic art), and is a lot of fun. The story is loosely based on the notorious Al Capp (Li’l Abner)/Ham Fisher (Joe Palooka) feud.

RED SKY IN MORNING (ISBN 978-0-06-089255-5) is by “Patrick Culhane” — the byline I began with the Wyatt Earp/Al Capone novel, BLACK HATS (in mass-market paperback now, ISBN 978-0-06-089254-8). This one is special to me, a book I’ve planned for decades based on my father’s experiences in the Navy in WW 2 as a young officer in charge of black sailors handling explosives in the Pacific. It’s my CAINE MUTINY, hinging on the infamous Port Chicago disaster, but there is a mystery. You may have this on the way — please don’t miss RED SKY. EQMM’s Jon Breen says it’s one of my best.

In movie/TV world, my New York Times bestseller AMERICAN GANGSTER picked up the “Scribe” for Best Novel at San Diego Comic Con from the International Association of Media Tie-In Writers. Current tie-ins of mine included THE MUMMY: TOMB OF THE DRAGON EMPEROR (ISBN 978-0-425-22313-0) and X-FILES: I WANT TO BELIEVE (ISBN 978-0-06-168771-6), and the second CRIMINAL MINDS novel, KILLER PROFILE (ISBN 978-0-451-22382-1). The third CRIMINAL MINDS, FINISHING SCHOOL (ISBN 978-0-451-22547-4), is out in November from NAL (my fave of the 3).

X Files: I Want to Believe
Chris Carter and Frank Spotnitz at Forbidden Planet

In non-literary news, I’m thrilled to report that my ’60s garage band, the Daybreakers, has been inducted into the Iowa Rock ‘n’ Roll Hall of Fame. Over the Labor Day weekend, we appeared with seven other inductee bands in concert at Arnold’s Park on Lake Okoboji, to a packed house of over 1000 rock fans. What made this truly special was that the original line-up of the band — guitarist Mike Bridges, bassist Chuck Bunn, guitarist Dennis Maxwell and drummer Buddy Busch (and me) — were able to assemble from around the country and reunite both to be honored and to perform for the first time together since 1968. We did half an hour and, frankly, we killed — a magical set in which we took a major risk, doing mostly original material at an oldies show!

Of course, our major claim to fame nationally (make that our only claim to fame nationally) was our infamous single “Psychedelic Siren”/”Afterthoughts.” “Siren” is one of the most anthologized garage-band songs of the ’60s, currently available on a Sundazed CD called GARAGE BAND ’66: Speak of the Devil. We managed to reproduce the siren sound on stage and the crowd went nuts. We also played live, for the first time, “I Need Somebody,” an original written by our late great bandmate, Bruce Peters.

Daybreakers Hall of Fame Collection

A limited edition of 100 CDs called “THE DAYBREAKERS aka Crusin’ — The Hall of Fame Collection” was pressed for the show. This is essentially the long-out-of-print “Thirty Year Plan,” and is filled with Daybreakers/Crusin’ recordings, studio, demo, live, from 1967’s “Psychedelic Siren” to the ’90s songs from the “Mommy” movies. We have about forty of these left.

For $15 postpaid (plus $7.50 for shipping outside the U.S.), you can get a copy of “The Hall of Fame Collection.” For $25 (plus $7.50 for shipping outside the U.S.), you can get a copy signed by the entire band (there are only 15 of these).

[2013 EDIT: All options temporarily sold out! We’ll recheck our remaining stock and make a new post soon!]

We have uploaded footage of “Psychedelic Siren” from our Hall of Fame performance. Check back soon for more clips!

And Crusin’ has added Daybreaker bassist Chuck Bunn to the mix, and will be performing more in the midwest than in recent years. Stay tuned!

M.A.C.