Posts Tagged ‘Girl Most Likely’

Girl Most Likely

Tuesday, April 2nd, 2019

Audiobook Sample (MP3)
Paperback:
E-Book: Amazon
MP3 CD: Amazon
Audio CD: Amazon

I am, no fooling, writing this on April 1, which is the pub date of Girl Most Likely. The Galena, Illinois, based mystery/thriller, introducing police chief Krista Larson and her retired homicide cop father, Keith, marks a slight change of pace for me – although nothing so radical that anyone interested in my work will find themselves untethered.

First, if you live in or near Dubuque, Iowa, here’s what might like to spend the evening of Thursday, April 4 – I will be making the only major scheduled appeared for the new book at Carnegie-Stout Public Library, 360 W 11th Street, in Dubuque, starting at 7 p.m. The event will be hosted by River Lights Bookstore, who will sell books, including Girl Most Likely of course, and my appearance will be in the library’s auditorium space. I’ll give a short reading/talk, followed by an audience Q&A and the book signing. Barb will also be at the event and our “Barbara Allan” Antiques mysteries will be available there, too.

Second, those of you who have won advanced reading copies of the novel can now post your Amazon reviews. I have had one reader encounter difficulty getting Amazon to print a review – for reasons neither he nor I can figure out – but he was able to post the review easily at Barnes & Noble. So there’s your Plan B if you need one.

As I’ve said in interviews, Girl Most Likely grew out of my desire to do something reflective of the approach I’ve seen in the Nordic Noir of The Bridge, The Killing, Wallander, Varg Veum and other mystery/thrillers that combine wildly melodramatic bad guys with, generally, detectives who are a little more real than the P.I.s, hitmen and small-town theatrical divas I’ve been writing about in recent years.

Girl Most Likely is also reflective of my wanting to develop something more thriller-oriented for Thomas & Mercer, where such novels have been successful for them – including mine. The Reeder and Rogers political thrillers for T & M by Matt Clemens and me are among my best-selling novels ever. Supreme Justice has in particular racked up strong sales.

I view Girl Most Likely as an opportunity to expand my audience – to bring in more women, and younger readers who aren’t Baby Boomers like a lot of the Heller, Quarry and even Antiques readers are. The novel alternates points of view chapters between 28-year-old Krista (youngest police chief in the nation) and her 58-year-old father Keith, which allows me to court such new readers, as well as have the nice contrast between generations.

I shared here recently some of the odd reviews I got from the UK a while back – Girl was an Amazon Prime “First Read” title over there, last month – though most of the advance notices here have been pretty good to great. GoodReads (where I hope readers of these updates will consider posting reviews) has been somewhat spotty. This week we are likely to see more reviews and get a better general feel of the reaction.

The two complaints – from younger readers and often female ones – seem to be about the clothing description, which I’ve discussed here previously, and that the ending seems abrupt. The latter is because I ended the story without a post-game wrap-up chapter – you know, like on Perry Mason when Paul Drake says, “Perry, why did you have me drop dry ice into the Grand Canyon from a helicopter?” Instead I revert to my Spillane training and end the story when it’s over, in what is (I think) a punchy way.

One recurring compliment from readers posting reviews has been how much fun the book is – that it’s a great “beach read.” That’s at once nice to hear and a little bewildering. The novel has a number of second-person POV chapters, in which you are in the skin of a butcher-knife-wielding maniac. The violence, when it comes, is as rough as anything I have done elsewhere.

For me, as these early notices (like the wonderful review and article in The Big Thrill), have come at a distracting time, as I have been writing the sequel, Girl Can’t Help It. In fact, I finished that yesterday, or at least shipped it to my editor – one never knows if one is really “finished” until the editorial notes come in.

But working on a book in a series while reviews for the previous entry are coming in can be disconcerting – you feel like people are reading over your shoulder. Nonetheless, complaints about too much description, for example, are not going to convince me to send my characters running around naked in empty rooms – I will stubbornly continue to clothe them and put them in specific locations.

I do suspect – and it’s just a suspicion, and there’s no “boo hoo” in this – that some female readers may not be crazy about a man writing a woman’s point of view. I have of course done this many times before – Ms. Tree, anyone? – but I am occasionally getting that who-do-you-think-you-are vibe, imagined or not. This includes the objection that I sometimes call a female character “attractive,” as if I am imposing a cultural stereotype in so doing. But “attractive” is a subjective word – it’s one of those words that allows readers to plug whatever their idea of attractiveness is.

At any rate, I hope you will judge for yourself. I am very proud of this novel – and its sequel, which finds me dipping into my decades of rock ‘n’ roll in a way no novel of mine has before – and hope you will give them both a try.

Dan John Miller’s reading of the new novel is available now, too (haven’t listened to it yet – but Barb and I will, as Dan always performs in a stellar fashion). And I think Thomas & Mercer did an incredible job on the cover.

* * *

I see that Jordan Peele’s new horror film, Us, has topped $200 million at the box-office. Nonetheless, Barb and I walked out on it yesterday.

Hey, we gave it a good shot. Stayed for an hour. But we found it dreadfully slow in its opening act, rife with over-blown scary music to make up for the lack of scares, pitifully hammy, the dialogue an embarrassment, and the doppelganger menace (and its explanation) downright dopey. During the flashback that begins the picture, I immediately figured out the “big surprise” (confirmed by Wikipedia’s write-up, which I checked when we got home).

This is a 94% Fresh on Rotten Tomatoes, so your mileage may really vary.

On a happier note, Captain Marvel is an entertaining super-hero flick with a great lead in Brie Larson and (no kidding) a relatively restrained performance from Sam Jackson. Now, any director who achieves the latter is one fine director (although there were two on this one, Anna Boden and Ryan Fleck).

I am also looking forward to the fun, goofy-looking real Captain Marvel movie, Shazam. I am still pissed that DC forced Captain Marvel off the comic book racks when I was five years old.

In other cinematic news, all seven Road movies with Bob Hope, Bing Crosby and Dorothy Lamour are now out on Blu-ray (that talented trio was not available for Road to Perdition, by the way). I have loved these movies since childhood, and saw Road to Bali and the somewhat unfortunate The Road to Hong Kong in the theater. Barb loves them, too, and over the years we’ve watched them on VHS and then on DVD and now on glorious Blu-ray. Lots of fun going through them in order.

The casual, somewhat adlibbed repartee between these two performers remains modern and amazing. Crosby, who cheerfully plays a rat throughout all but the first film, and Hope, who plays a cowardly schlemiel, are magical together. Some say the men were not friends off-screen, but this is doubtful – they were in several businesses together, went golfing, guested on each other’s radio shows frequently, etc. But who cares?

I mention this chiefly because when I was searching Google for articles about the Road series, I came across one that informed me that Hope and Crosby were not funny, because Hope was a womanizer and Crosby beat his kids. Apparently, this means the rest of us shouldn’t watch those movies and laugh.

This is a most unfortunate era we’re living in. As the divide between us increases, like Hope and Crosby straddling a widening icy chasm in Road to Utopia, we are all in danger of falling.

* * *

This is an article I wrote for Crime Reads about the rewards and benefits of a writer like me doing a change-of-pace novel.

Here’s a very nice Girl Most Likely review at Where the Reader Grows.

Girl Most Likely gets the number one slot in twelve good books to read in April, as selected by Cosmopolitan magazine.

The New York Post has chosen Girl Most Likely as one of its five best books of the week.

Finally, Matt Damon considers my novel version of Saving Private Ryan to be one of his five most life-affirming books!

M.A.C.

The New Mike Hammer Audio Rocks (Said the Author)

Tuesday, March 26th, 2019

Note from Nate: The entire Barbara Allan Trash ‘n’ Treasures series of eBooks are on sale now through April 1. Most are $1.99, but a couple are $.99 or $2.99. The newest novel, Antiques Ravin’ comes out April 30, making this the perfect time to catch up and fill in any you’ve missed! I’ve provided links to all major online eBook storefronts, but if I’ve missed your preferred store, please leave a comment and I’ll add it.

Scroll down for this week’s regularly scheduled update. Thanks!


Amazon Google Play Nook Kobo iTunes

Amazon Google Play Nook Kobo iTunes

Amazon Google Play Nook Kobo iTunes

Kobo

Google Play


Amazon Google Play Nook Kobo iTunes

Amazon Google Play Nook Kobo iTunes

Amazon Google Play Nook Kobo iTunes

Amazon Google Play Nook Kobo iTunes

Amazon Google Play Nook Kobo iTunes

Amazon Google Play Nook Kobo iTunes

* * *


Audiobook (digital): Kobo Audible
Audiobook (MP3 CD): Amazon Nook
Audiobook (Audio CD): Amazon Nook

Barb and I are listening to the audio of Murder, My Love in the car. We had a trip to Cedar Rapids recently (more about that later), which took us through half of it. Another trip, this time to the Quad Cities and back, got us about 3/4’s of the way.

It’s quite wonderful.

I have been very blessed to have perhaps the actor most identified with Mike Hammer – Stacy Keach himself – reading all of the Hammers for audio starting with The Goliath Bone and ending with Murder Never Knocks. I have no way to express how cool it was to hear that voice, so identified with Mike Hammer, reading the books I’ve written in posthumous collaboration with Mickey Spillane himself.

Stacy also was Hammer in the two audio book radio-style presentations of mine in the New Adventures of Mike Hammer series (I wrote volumes two and three of the three produced) – The Little Death (Audie award winner for best script) and Encore for Murder (Audie award nominee for best script). I actually acted with him in a couple of scenes on both. Bliss.

When for various reasons, the very busy Mr. Keach stepped down, another of my favorite readers took over – Dan John Miller, the voice of Nate Heller, who read The Will to Kill and Killing Town. He did a fine job and made a particularly good younger-sounding Hammer, appropriate to Killing Town in particular. (He has just done Girl Most Likely, which I haven’t listened to yet, but definitely will.)

Now Stefan Rudnicki has picked up the mantle. Stefan claims to love my work, and I certainly love his. He’s been the reader of the Quarry novels for a while now, and also did an award-winning job on the massive Scarface and the Untouchable: Al Capone, Eliot Ness, and the Battle for Chicago by A. Brad Schwartz and me. An amazing job by a reader/actor who really knows how to bring a book alive.

Now he’s taken on Mike Hammer, and he is doing a fantastic job. He gets every nuance of the tough-guy and smart-ass stuff, as well as the noir poetry. If you have stepped away from these audios, because Stacy isn’t doing them anymore (and I get that), you need to get back on board. Stefan in particular brings an older Hammer to life, which is perfect in Murder, My Love, a chronologically later book in the canon.

Don’t miss these. Also, we’ll get to keep doing them if you buy ‘em. The problem with a long-running series, particularly on audio, is that at a certain point the audio publisher feels there are enough books in a series – say, Mike Hammer – to suffice.

Speaking of Scarface and the Untouchable, if you’re going to Bouchercon, and haven’t sent in your Anthony ballot yet, shake a leg. That book is eligible, as are Killing Town and Antiques Wanted, and the Spillane/Collins stories “The Big Run” (EQMM) and “The Punk” (Mystery Tribune).

* * *

Last week Barb and I appeared at the Ed Gorman Celebration of Popular Fiction at Coe College in Cedar Rapids. (We were the only guests at the inaugural event. As Miles Davis once said, told he was going to be late for the show, “I can’t be late for the show, man – I am the show”).

Barb and I taught a full classroom of interested and obviously bright students, who took lots of notes and asked plenty of smart questions. That evening I spoke for an hour, a good portion of my talk devoted to my late friend Ed Gorman and what a wonderful writer he was, and what an incredible friend he was to me (and to Barb, whose writing career he encouraged and supported with anthology invites).

Ed’s lovely, gracious wife Carol drove us around and kept us company. We stayed overnight at the DoubleTree in downtown CR, because it was a long day. I mention this because some of you may be wondering why I so seldom do this kind of thing anymore, especially since I tend to be really good at it (no brag, just fact, some asshole said) and so obviously enjoy myself doing such dates. The signing afterward was similarly fun and I loved talking to longtime readers and new ones alike.

But I have to say such events are going to be few and far between now. I doubt I’ll do more than one convention a year, and it will probably be Bouchercon. I am available to be a guest of honor at just about any other mystery or comics con, as I am easily flattered and like to have my hotel room and transportation paid for. Who doesn’t?

Coe made for a long day. We took that hotel room so I could rest between the teaching session and a cocktail party meet-and-greet followed by the speaking engagement. The long day required me to go up a lot of stairs and walk all over the campus, or at least it seemed that way to me. Listen, I’m not really complaining – I enjoyed the hell out of it, and I got a lot of laughs during my speech, which is almost as good as a fat royalty check. Almost.

This is not about my health issues, or at least is only partly about them. The medication I’m on can give me dizziness, and my gait gets unsteady when I get tired, ever since the minor stroke I had on the operating table. People think because I am energetic and charming and witty as hell that I am a Superman. Maybe, if he had pockets full of Kryptonite.

This is something Barb and I are dealing with. I noticed it for the first time in Vegas at the Mob Museum, where at my first of two appearances I felt I stunk up the joint (I was very good at the second event, a day…and a bunch of rest…later.) At the same time, I am preparing for my band Crusin’ and our “season,” which begins early summer and lasts through early fall. Last year we played around nine gigs, mostly out of doors, which makes me wonder if I should make this my last gigging season.

Nonetheless, I am hoping we will make a new CD this summer, all original material.

The one thing that doesn’t seem to be terribly impacted by age and occasionally sketchy health is my writing. I am more prolific than ever, which makes it hard for some readers to keep up with me. But that’s when I feel the most myself and the most alive – at the machine. Making up stories.

I am not looking for sympathy, which I do not deserve, and don’t mean to imply I am unwell, which I am not. I feel very good almost all of the time. It’s a matter of energy, and I think when this dreadful Midwestern winter gets tired of torturing us, and I get out walking again – and gigging again – I will start to feel in shape.

Just know that the reason my book signings and con appearances are more and more infrequent doesn’t mean I don’t love you. It means that I have to watch my energy level and make sure any appearances are infrequent and, when I do take one on, designed to give me time for rest…and to drop me at the door by car of wherever I’m appearing, with Barb at my side.

What I want to spend most of my time doing now is writing books, and short stories and non-fiction pieces and movie and TV scripts. And I think that’s probably how you’d prefer I spend my time, too.

* * *

Here is what I consider a first-rate interview with yours truly, in support of The Girl Most Likely.

Supreme Justice is chosen one of the best 21 legal thrillers of the 21st Century. Hey, Matt Clemens – we are in some heady company, my friend!

The Rock Island Dispatch-Argus lists some men who made their mark who come from the Quad Cities area. I sort of make the list by hanging onto John Looney’s coattails.

Finally, here’s some stuff about Batman: Child of Dreams by Kia Asamiya and me. Looks like some collectibles were generated from that, unbeknownst to me.

M.A.C.

Mike Hammer Returns…and Another Book Giveaway!

Tuesday, March 19th, 2019

Hardcover:
E-Book: Amazon Google Play Nook Kobo
Audiobook (digital): Kobo Audible
Audiobook (MP3 CD): Amazon Nook
Audiobook (Audio CD): Amazon Nook

The day this post appears is the pub date for the new Mike Hammer novel from Titan, Murder, My Love.

I am offering ten copies to readers who are willing to post a review at Amazon and other sites, such as Barnes & Noble and Goodreads. We also have eight Advance Reading copies of the new Barbara Allan, which is not out till April 30, Antiques Ravin’. And five more Advance Reading copies of Girl Most Likely. When you enter, list your order of preference for which book to receive (and let me know if you already have a Girl Most Likely or if there’s one of these three titles you simply aren’t interested in).

With Antiques Ravin’ and Girl Most Likely, you will need to wait till pub day to review at Amazon. Elsewhere you should be good to go.

You need to be in the USA – foreign mailings are expensive – and you must send me your snail mail address (even if you won in the past).

Send requests to macphilms@hotmail.com.

As you may have noticed, if you follow the comments section, there has been misunderstanding about the reader reviews that are the point of these books being sent out. They are not being sent out of the goodness of my heart. They mean to generate positive reviews and nice star ratings at Amazon.

For that reason, I’ve made it clear that anyone who wins a book in one of my giveaway from me, and winds up not liking the book, need not feel obligated to review it. I don’t mean such readers should lie and say that liked the book, just that they not slag it at my expense. These book giveaways are an expensive and time-consuming undertaking. The one Barb and I are launching here will run me around $150.

This is why I suggested that if you win a book, and can’t at least give it a mixed but predominantly favorable review, you just don’t bother. That you chuck it in the circular file or take it to Half-Price books and earn yourself a dime or so.

I don’t think this is unreasonable.

On the other hand, review copies sent to readers for honest reviews by Amazon or the publisher’s PR reps can say whatever they please – obviously. Ditto for book giveaways at Goodreads. An honest bad review is a perfectly acceptable response in that kind of giveaway.

Just don’t ask the author for a free book and then trash it in public.

Now, I admit to being annoyed with the First Read reviewers who get free books from Amazon and then savage them. But I can’t do anything about it except bitch.

A few words about Murder, My Love.

This is the first Mike Hammer novel that contains no Spillane prose – strictly Collins. Every single novel of the dual-byline Spillanes that preceded had at least a chapter or two by Mickey, although I always expanded and manipulated that material to extend the Spillane influence and his sound. This time I did, however, work from a fairly detailed synopsis of a novel he intended to write, although it may have been a synopsis of Mickey’s for a Mike Hammer TV movie for Stacy Keach and producer Jay Bernstein (my introduction explains my reasoning and sets the novel’s place in the chronology of the series).

The next Hammer novel, which I haven’t started yet, does have some Spillane prose in it, though it too is mostly a synopsis.

For those who have wondered, I will likely be converting some non-Mike Hammer material – two screenplays and several starts on novels – into Hammers, if Titan moves forward with another contract (or two).

I think Murder, My Love came out rather well, and it certainly feels like authentic Hammer to me. I’ll be interested in your opinion.

* * *

One of my favorite crime writers is the late Ted Lewis, whose novel Jack’s Return Home (1985) became the great Brit crime film, Get Carter (1971). I wrote about Lewis in an introduction to the Jack Carter prequel novel in 2014, Jack Carter’s Law, originally published in 1978.

Recently I read a solid bio of Lewis by Nick Triplow, Getting Carter: Ted Lewis and the Birth of Brit Noir, published in the UK in 2017 by No Exit Press (it’s also available here). Lewis is an interesting but sad, even tragic figure, another artist taken down by self-doubt and alcoholism. I was fascinated (but not surprised) to learn that Lewis had been heavily influenced by Spillane and by Richard Stark’s Parker novels, to which Lewis had been led by the film Point Blank…because that was exactly the case with me. So Nolan and Quarry grew out of the same influences as Jack Carter.

But something strange and oddly wonderful, at least in my view (Small World, Dept.), popped up late in the book, in a discussion of Jack Carter’s Law, the very book I would one day introduce and praise. Triplow had difficulty finding any contemporary press reviews for that novel, with the only one turning up coming from the Carroll Daily Times Herald, the “Iowa Book Shelf” by reviewer R. Choate, who praises the book as offering a “realistic background of the London criminal element,” but says it’s “not recommended for those with squeamish stomachs.”

In the very next paragraph of the bio, Triplow talks about what I had to say of the same novel in my 2014 introduction. He of course doesn’t mention I am also from Iowa, and perhaps doesn’t know.

Here’s what had my jaw dropping: “R. Choate” is almost certainly Richard Choate, at the time a Des Moines area actor who was one of Michael Cornelison’s best friends. Do I have to tell readers of these updates that Cornelison was also one of my best friends, and that he had major roles in every one of my indie films and narrated both of my documentaries? That his one-man show of my Eliot Ness: An Untouchable Life is streaming on Amazon Prime right now?

I met Richard through Mike, and it’s entirely possible that Mike – knowing of my interest in crime fiction and film – made Choate aware of the book called in America, Jack Carter and the Law.

Richard Choate – who I haven’t seen since the public tribute to Mike, where I spoke – was originally going to have a major role in my indie film, Real Time: Siege at Lucas Street Market (2000). In fact, I wrote the part for him (he’s a wonderful actor), but a last-minute unexpected conflict with his day job made it necessary for me to re-cast the day before we went into production.

So what? (you might reasonably wonder).

But I ask you to put yourself in my place, innocently reading a book about one of your favorite authors and then having the coincidence of those two adjoining paragraphs gobsmack you.

To put it in some kind of less than ridiculous context, it was likely the one review Lewis got came from my talking up Get Carter to Mike, which likely led to him mentioning it to Richard, who then gave the prequel novel its only known review, until I wrote that 2014 introduction….

Cue Rod Serling and the music.

Two postscripts.

I believe Richard is in Oregon now and still involved in theater, and also in addiction treatment and counseling.

Also, Carter himself, Michael Caine, has a book out (Blowing the Bloody Doors Off) that is wonderful reading, not an autobio exactly (he’s done several of those), but reflections on his acting career and how what he’s experienced and learned can be translated to other professions. Much of what he says can easily be transferred to the writing game.

But, interestingly, he says little about Get Carter and doesn’t seem to particularly value it as anything special. This is odd because in Great Britain it is widely considered the best UK crime film of all. I would rate it Caine’s best, even above The Ipcress File and The Man Who Would Be King. I do agree with him, though, that the third Harry Palmer film, The Billion-Dollar Brain, is woefully underrated.

* * *

If you read this the day it’s posted (Tuesday, March 19, 2019), I will be appearing in Cedar Rapids, Iowa, at an event for writers dedicated to the memory of my late friend and great writer, Ed Gorman – a free 7 p.m. presentation in Sinclair Auditorium at Coe College in Cedar Rapids.

Here is an article – which is among the better in depth articles written about me ever, by the way – with the details.

And here is a terrific article about Ms. Tree (and the upcoming series of collections from Titan) at the generally terrific Stiletto Gumshoe site.

Finally, here’s where you can get a signed copy of Girl Most Likely. (Not a giveaway!)

Spending $50 at Amazon, and Not Everyone in the UK Loves Me

Tuesday, March 12th, 2019

The forthcoming audio read by Dan John Miller

A rumor is around that you can’t review a book for Amazon unless you buy it from them. That appears to be false. What seems to be true is that you have to occasionally buy things from Amazon to be able to review there – which is different. You need to have spent at least fifty bucks at Amazon during the last twelve months. That’s it.

I actually think that’s fair. Why should a business where you don’t do business put your opinions on its web site?

Girl Most Likely is an Amazon Prime “First Read” selection the UK, so reader reviews of the novel are starting to appear there. Some are very good. Others are snarky and even savage. A certain breed of nasty UK reviewer seems to really relish attacking books – including books like mine, which they got for free – rather viciously.

Some of these reviews are appearing now at Goodreads. By the way, if you have been participating in my book giveaways, I hope you will post your reviews at Goodreads. I can especially use your reviews on Girl Most Likely, as the UK ones have pulled down the star rating, despite some really nice write-ups.

Don’t forget Barnes & Noble, and other blogs, including your own, if you have one.

Also, if you participate in my book giveaways, and if you don’t like the book, you are not obligated to review it. I am not insisting on good reviews, mind you – even I would not sink that low (I did create Nate Heller and Quarry, however). But every book I send out to you costs me time and money, and if you don’t care for the book you got free from me, that’s what the wastebasket or the Half-Price Books “buy” counter is for.

Let’s take an ill-advised look at Goodreads. (Pause for my son Nate to roll his eyes and reach for the phone.) This is where those UK readers – possibly taking Brexit out on me – have had their say already, weeks before the book will be on sale here. While there have indeed been some excellent reviews from the UK, and some mixed but fair ones, we also get things like this from Ceecee:

“I understand this is a book in the tradition of a Scandi noir of which I have read many and enjoyed most. So here goes. Brace yourselves.”

Never a good sign when a review begins with “Brace yourselves.” And what follows is an attack on me for calling my characters Scandinavian (it’s pointed out that they are actually Americans, which was interesting to learn). Problem is, the word “Scandinavian” does not appear anywhere in the novel.

Here’s a paragraph from later in Ceecee’s review that manages to be lengthy without presenting any examples to back up her opinions, and also not to have much to do with the novel:

“Danes are Uber cool. Probably the coolest of the Scandinavian countries. Sorry if you’re Swedish. Or Norwegian. You are cool too. Just quite not as cool as the stylish Danes. I didn’t detect too much cool in this setting in Illinois apart from the weather. Sorry if you are cool and from Illinois. I’m sure there’s plenty of you.”

This negative review from Christopher Williams says:

“The perpetrator also turned out to be somebody I was completely unaware of through the whole of the book!”

But just above his review, Cathi Reynolds says, “The red herrings were fairly obvious too and I’d spotted the killer by half way.”

Sophie Andrews says, “The female characters are really badly written, and many characters behave in completely inexplicable or unexplained ways.”

What are Sophie’s choice examples of my bad writing and poor characterization? What from the book does she quote or even paraphrase to back up her opinions?

Nothing.

And that’s the problem with so many of these reviews, even some of the positive ones. Opinions backed up with nothing at all.

This fairly positive review from Dr R Gallow compares me to Agatha Christie (cool!), but then says, “It was like 10 little indians. Who was killing off the Class of 2009 and why?”

Problem with that is, only two members of the class of 2009 are killed off in the novel. That’s eight Indians short – even I can do that math.

Here, from Glen’s somewhat favorable review (an American, not from the UK or Scandinavia either for that matter), comes this:

“We get an awful lot of virtue signalling, just like in most Nordic Noir. There are also some of the usual MAC tics, like describing everyone’s clothes in minute detail…”

Much of this review is fine, but I had never heard of “virtue signaling.” I looked it up and this is what Wikipedia says: “Virtue signaling is a pejorative term that refers to the conspicuous expression of moral values….In recent years, the term has become more commonly used as a pejorative by commentators to criticize what they regard as empty or superficial support of certain political views.”

Hmmm.

I suspect the presence of a conservative reader who knows I am a liberal and believes I am spouting my dire views upon the unwitting public by putting words into characters’ mouths. Right. Like the way I do with that flaming liberal Mike Hammer. Or that bleeding heart Quarry. Or that oh so politically correct Nate Heller.

Bullshit says I. My characters, and I would say the characters of most proficient fiction writers, have views appropriate to said characters, and are designed to lend those characterizations weight and specificity.

Must we talk clothing again? How many times do I have to say that I describe clothing for characterization? And in Girl Most Likely, the brand names have to do with a very successful woman returning to her class reunion dressed to the nines, and (minor spoiler alert) revealing later that the designer fashions are on loan or rented, like the sports car she arrived in.

Look, all of these people have a right to their opinions. Obviously. Believe it or not, I appreciate the time they have taken to write about the book, no matter how they felt about it. A well-reasoned review with criticism is well within bounds and I have even learned from some – but for that to happen, the opinions have to be backed up with examples of what didn’t work and why.

I think brief reviews are fine. “Not my cup of tea” is perfectly acceptable. “I loved every page” is just fine – really fine! But if you go on at length, remember, it’s an essay. Points have to be proven. Examples provided – like I have here.

Also, and this is basic and if I’ve gone on about this before, my apologies…but the experience of reading fiction is collaborative. It’s the writer plus the reader. The experience is unique to that pairing. No two readers experience a novel the same way.

Where my fiction is concerned I am something of a control freak. I know you, the reader, will come to my novel with bag and baggage, with opinions and points of view, and that comes with the territory. But I want to come as close as I can in the words I put on the page to having you see in your brain what I saw in mine, as I was creating the story. I want my physical descriptions of people and places to create something close to what I saw. I want to clothe my characters, not send them naked into the world. I am not just the writer but the director, and the costumer and the set designer, and you will just have to live with it, or at least skim what doesn’t interest you.

I’ve said this before, in so many words – sometimes my little play (we’re a play now, not a movie, in metaphorical terms) is performed on Broadway by the finest actors in the world. Other times it’s performed at the Podunk Playhouse by a bunch of amateur gits (that was for you UK readers). How well performed my work is, to some degree, up to you and your skills.

Me? I’m just trying to help.

* * *

Here how’s it done in this lovely (but at times mildly critical) review of Girl Most Likely from Ron Fortier.

Mickey Spillane’s 101st birthday was last week (March 9) and there have been some nice remembrances, including this one from Paul Davison with a link to a piece of mine.

For all the Goodreads reviews and ratings of Girl Most Likely, you go here. There’s a book giveaway of Girl here, too.

And finally here, in full, because I don’t have a link, is the Booklist review:

Girl Most Likely.
By Max Allan Collins
Apr. 2019. 272p. Amazon/Thomas & Mercer, paper, $15.95 (9781542040587); e-book (9781542090582)

Someone is killing members of the Galena [Illinois] High School class of 2009. Six months before the 10-year reunion, class member Sue Logan is brutally stabbed in Florida, shortly after a tense meeting with her murderer. During the reunion weekend, the victim is attendee Astrid Lund, the “girl most likely to succeed,” who has become a well-known Chicago TV reporter. After trying to make amends for stealing her classmates’ boyfriends in high school, she too meets with her killer before being stabbed to death.

These murders—and a third, seemingly committed by the same person—land in the lap of another class member, Krista Larson, the country’s youngest female chief of police 28, who calls on her widowed father, Keith, a retired police detective, as a consultant. This is a change of pace for Collins, best known for his fact-based historical-mystery series starring Nate Heller, and he describes it as “an American take on Nordic noir.” As such, it’s a well-wrought tale, and, though it lacks the bite of the Heller novels, it will keep readers going through the suspenseful, if somewhat abrupt, climax.
— Michele Leber