Posts Tagged ‘Dead Street’

Antiques Swap — Collect it!

Tuesday, May 5th, 2015
Antiques Swap
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The latest entry in the Trash ‘n’ Treasures series (usually referred to as the ANTIQUES series) hit the bookstores last week. Barb and I (the co-authors, as “Barbara Allan”) spotted ANTIQUES SWAP nicely displayed in the Davenport Barnes and Noble.

This one begins at a swap meet but actually touches upon other, more risque meanings of “swap,” in a plotline we feared might be frowned upon by our editor, though we got away it. Cozies are supposed to be…cozy. The murders are supposed to be…nice. But for all the humor we put into the books – and we put a lot in – we try not to take homicide too lightly.

We also realize that our audience may include some readers – possibly you – who don’t regularly read cozy mysteries. After all, the great reviewer Jon Breen has called us a “subversive” take on the form, which he meant as a compliment. When we created the series, and were asked to include certain elements (exotic setting, cute pet, gimmick premise), we did so in an overtly tongue-in-cheek way that we thought would get us rejected.

Obviously we weren’t.

By the way, neither of us love the term “cozy,” and I suspect a lot of mystery writers feel that way. But the term seems to be the reigning one, much as “noir” has supplanted “hardboiled.” Cozy mysteries are more properly called “traditional.”

Ours are definitely in a sub-genre of comic mysteries. We don’t, however, consider ourselves to be spoofing the form or doing satire. Just as we take the murders in the stories seriously, we take our two main characters seriously and follow them through problems and challenges in their lives. Vivian Borne, Serenity’s theatrical diva, may seem larger-than-life, but I’ve met her at various times in various forms. You probably have, too.

Of everything I work on, the ANTIQUES series is the one that maintains the most constant presence. That’s largely because Barb spends almost all of her writing time on it. Of late we’ve been doing a novel and a novella every year, and that keeps her in production all but a few months in the summer. So we’re discussing the stories pretty much year-round.

Also, the nature of the book business is that once you’ve “finished” a book, you’ve just begun – a copy-edited manuscript will roll in unannounced for you to check through (and we both have to do that), and then galley proofs (which we both have to deal with). These never arrive at a good time, and always are due yesterday.

Barb and I had barely finished next year’s ANTIQUES FATE when the upcoming novella, ANTIQUES ST. NICKED, arrived in galley proof form. She’s gone through it already. I haven’t yet.

In the meantime, I continue work on THE BIG SHOWDOWN, the sequel to the current THE LEGEND OF CALEB YORK. I admit to feeling something of an imposter, as I have read precious few western novels in my time. On the other hand, I love movie westerns and have a huge collection of them on DVD and Blu-ray. I’ve said here many times that MAVERICK was my favorite show in childhood (and still ranks high) and that the episode “Shady Deal at Sunny Acres” is the greatest hour of episodic television ever…an opinion that hasn’t changed.

While working on CALEB, I have subjected Barb to a festival of western movies…but “subjected” really isn’t right, because loves western movies, too. Right now we’re in the midst of a Joel McCrea festival. I rank McCrea in the upper reaches – in the top five western stars (John Wayne, Randolph Scott, Audie Murphy and Gary Cooper being the others). Regular readers of mine know I am an Italian western fan, since Nolan was largely based on Lee Van Cleef’s screen persona in those films.

What I find really difficult in the CALEB YORK novels is balancing the myth with the real west. Despite my reputation for historical accuracy with the Nathan Heller novels, I am much more interested in the mythic west than the real thing.

THE LEGEND OF CALEB YORK seems to be a little tough to find in bookstores, so I recommend you order it online. It’s already in a second printing.

Incidentally, while writing ANTIQUES FATE – which touches upon the British school of mystery writer – we spent our evenings in a festival of UK crime fare, leaning heavily on MIDSOMER MURDERS and the new Blu-rays of the great Joan Hickson as MISS MARPLE.

* * *

This terrific ANTIQUES SWAP review just came in from one of our favorite writers (and favorite people), Bill Crider.

My writer pal Ed Gorman used this review of the Dover reprint of STRIP FOR MURDER at his terrific blog.

The QUARRY series gets great play in this article about Memphis trying to lure the series back there (it’s shooting in New Orleans currently with limited Memphis footage scheduled to be shot later).

A recurring cast member has been added to the QUARRY series.

Here’s another of those articles about movies you didn’t know were based on comics, with ROAD TO PERDITION included. But either I am getting very old or the world is getting very young when such movies include ANNIE and THE ADDAMS FAMILY (!!!).

And finally, of all things, here’s a review of the audio of DEAD STREET, the first Spillane novel I completed (though I took only limited credit for my polish and concluding chapters).

M.A.C.

Complex 90 Out Today

Tuesday, May 7th, 2013
COMPLEX 90 Audiobook

Hardcover:

E-Book:

Audio CD:

Audio MP3 CD:

Actually, COMPLEX 90 – the new Mike Hammer novel – will be published tomorrow, since I write these blog posts a day in advance. The cover we’re showing off here is the Blackstone audio version, read by Stacy Keach. I haven’t heard it yet, but it’s one of the greatest joys of my career to listen to Stacy reading these Spillane/Collins novels on audio.

This is, I think, one of the strongest of the collaborative Hammers, as it answers a lot of questions about Mike and Velda’s relationship, and it’s a sequel to perhaps the Mickey’s best book of the ‘60s – THE GIRL HUNTERS. Yes, the Dragon (the surviving half) is back. What great fun, writing about Mike Hammer in his espionage agent mode in a book begun by Mickey at the height of the James Bond spy craze. Fun, too, imagining Mickey as Mike in a movie playing in your demented brain. Well, my demented brain, anyway.

People often ask how I decide what order to do these books in – I had half a dozen substantial (100 pages or more) Spillane “Hammer” manuscripts to choose from. GOLIATH BONE was a no-brainer choice – it was the final book Mickey was working on, and was the longest manuscript (of the Hammers, that is – DEAD STREET was shy only of the last three chapters). Also, it had a 9/11 aspect that threatened to date it. So it was first up.

THE BIG BANG was a great ‘60s novel, with Hammer taking on drug racketeers, and just a great manuscript from Mickey, with one of his most outrageous endings. It won second position as a way to really show off Mike at his best. KISS HER GOODBYE, with its ‘70s setting and themes, was a natural progression. I held back the greatest find – LADY, GO DIE!, the unfinished sequel to I, THE JURY – for the fourth position, because my initial contract was for three books, and I wanted something very strong to launch the second trio, particularly if I had to change publishers…which I did.

COMPLEX 90 needed to be held back a while, because the anti-Commie aspect of it would only court trouble with the Hammer haters. I needed Mike to be back for a while before going there. Also, though Mickey wrote about Russian espionage in ONE LONELY NIGHT and THE GIRL HUNTERS, the Cold War theme is not what Hammer is best known for.

Shortly (yet this month) I will begin work on KING OF THE WEEDS, a novel designed by Mickey as a sequel to BLACK ALLEY and as the final Hammer novel. Mickey set it aside after 9/11 seemed to require Mike Hammer to wade into the war on terror. So these six novels begin with the final Hammer novel (THE GOLIATH BONE), and wind up with what Mickey had intended to be the final novel (KING OF THE WEEDS), making that the penultimate one, I guess.

Is this the end of the Spillane/Collins Hammer stories? Probably not. I am expanding short Hammer fragments into short stories (most recently in The Strand, “So Long, Chief”), and in two or three more stories will have enough for a collection. There’s also the possibility of doing a book that offers prose versions of the two audio plays. And there are three more significant Hammer fragments that I hope to turn into novels. When I say “substantial” unfinished manuscript, I mean that Mickey left behind at least one hundred pages and often plot and character notes.

When I say “significant” unfinished manuscript, I mean at least forty pages and sometimes plot and character notes.

I am hopeful readers and my current publisher will agree that the Mike Hammer canon should be completed. I see no reason for me to do original Hammer stories, not with the wealth of Spillane material at my fingertips. There are even non-Hammer fragments that could be Hammer-ized if need be. If the movie happens, anything is possible.

* * *

Last week was taken up with preparing materials for my producing partner, Ken Levin, to take with him to LA for meetings. Barb and I wrote up a TV proposal for the ANTIQUES series, and I put together an Eliot Ness in Cleveland TV proposal. In addition, I did a full-scale rewrite of “House of Blood,” turning it from an 85-page feature film script into a 58-page TV pilot script.

This week I’ll be meeting with Matt Clemens to work on the plotting of SUPREME JUSTICE, my second Thomas & Mercer novel. My friend Brad Schwartz and I have been working on a Teddy Roosevelt project, and the screen treatment of that will be finished probably today. Then I will be doing articles for Huffington Post and other web sites to promote COMPLEX 90.

Did I mention it’s coming out today?

A lot of Net activity to report and share.

A Minneapolis radio station has Part One of the Gary Sandy-starring version of MIKE HAMMER: ENCORE FOR MURDER produced at the International Mystery Writers Festival in Owensboro, Kentucky, last year. They will post Part Two next week. This is a lot of fun, but the host gives perhaps the most shambling introduction I have ever heard, starting with a discussion of the character “Mickey Spillane” who debuted on radio before the publication of I, THE JURY. You learn something every day….

The great web site Bookgasm had a lively, complimentary review of ANTIQUES CHOP, now a bouncing baby one week old.

Here’s a nice write-up on COMPLEX 90 at the Geek Girl Project.

I haven’t listened to this interview, but I was on the phone a long time, so be forewarned that you may need Red Bull to make it through. The guys interviewing me were great, but I’m afraid I blathered even more than usual.

Here’s a cool Nerds of a Feather write-up of COMPLEX 90 (out today!) (over doing?).

The news about HOUSE OF BLOOD winning that IMPA award was covered neatly at the Fangoria web site.

The SEDUCTION OF THE INNOCENT reviews are still comin’ in! Check out this cool one at Nerd Bloggers.

I was very pleased by this NO CURE FOR DEATH review – having a smart reviewer approve of a book written forty years ago is kind of amazing. Not as amazing as me writing it when I was six, but amazing.

This is a very intelligent review of THE BABY BLUE RIP-OFF from a guy who forgives me for being a liberal. (I’m taking something for it.)

And at this late date, we’re still being told that ROAD TO PERDITION was based on a graphic novel. Who’da thunk it?

THE TITANIC MURDERS gets a very nice write-up here.

And, finally, here’s the review you were all waiting for – of SKIN GAME, the second DARK ANGEL book (not published today…but still in print!). Matt Clemens co-wrote the DARK ANGEL novels with me, and they are among our best collaborations, in both our opinions.

M.A.C.

Cover Boy

Tuesday, November 1st, 2011
Deadly Pleasures

Seeing my face on the cover of the current DEADLY PLEASURES (Summer 2001, issue 66), is gratifying if frustrating – I’d have looked better twenty or even ten years ago. But it’s nice to see Nate Heller get this kind of attention – editor George Easter told me I’d get the DP cover when I wrote another Heller (this was during the drought between CHICAGO CONFIDENTIAL and the current BYE BYE, BABY). And he kept his word.

The issue is an embarrassment of riches, because editor Easter reviews/discusses seven of the books I have out this year (he skips ANTIQUES KNOCK-OFF, either not knowing about “Barbara Allan” or just not liking the cozy stuff). Ted Fitzgerald in the same issue provides a rave review of BYE BYE, BABY as well, and Roger M. Sobin does retro coverage of FLYING BLIND, comparing it to the 2009 film “Amelia” (which I thought was dreadful…the film, not Sobin’s solid discussion).

When Jon Breen retired from regularly writing the review column in ELLERY QUEEN MYSTERY MAGAZINE, “The Jury Box,” I thought I was cooked. Jon was a big booster of my stuff and reviewed me regularly. I figured the new guy, Steve Steinbock, would have more sense. Fortunately, he doesn’t, as the new EQMM (December 2001) gives generous “Jury Box” attention to a slew of my novels, leading off with a four-star BYE BYE, BABY review.

This kind of coverage is so important. For those of you who think my ego is out of control, when I mention such things, well, you’re probably right…but the real appeal of it to me is that the books get attention and gain more readers. That’s not really an ego-driven desire. It’s on the most basic level a desire to keep the lights on in this joint. I can’t stay in business if the books don’t sell, and I have never been a success on the level of a Harlan Coben or Lee Child. I remain a freelance writer desperately avoiding getting a real job.

Here’s a great write-up on the Nate Heller series worth checking out.

And here’s one specifically about the new Heller collection, CHICAGO LIGHTNING.

Oddly, this is a nice review of DEAD STREET, reacting as if the book just came out. The comments below the smart review reveal the level of idiocy that Spillane can elicit in apparently intelligent readers.

This week the new Titan collection of Simon and Kirby crime comics comes out, with my introduction. USA TODAY interviewed me about the book and about S & K.

Work continues apace on SPILLANE ON SCREEN as Jim Traylor and I keep the words flying between Iowa and Georgia. It’s a McFarland book and will be horrendously expensive, no doubt, but it’s gonna be worth it.

M.A.C.

Returning to Perdition

Tuesday, September 7th, 2010

I am back at work on Return to Perdition – strictly on the front burner now. I’m inspired by Terry Beatty’s great artwork. I hope this graphic novel, the conclusion to the Perdition saga, is out next year some time. Some of the characters and events intertwine with the Marilyn and Kennedy Nate Heller novels, which is tricky.

And negotiations to possibly film my screenplay from my novel Road to Purgatory are continuing apace. I never believe this kind of thing till the check clears and shooting begins, but it’s promising, very promising.

After a busy summer, Crusin’ has no bookings this September – next date is Oct. 1 at the Elms in Muscatine. But we have been booked back to Riverside Casino in December, which is very encouraging, and we are putting together our live CD to help show other venues what we can do. Any Midwestern mystery conventions would be wise to consider us.

Even now The Big Bang is racking up some nice notices. You’ll have to scroll down to read this nice one from the Lansing State Journal.

It’s a pleasure to see an Augusta Chronicle article about cult crime writer Ennis Willie getting widespread attention on the web. Considering Willie was a mystery himself for years, seeing his picture and reading an interview with him is almost surreal…definitely surreal is seeing my own name prominent in the article. A good job, though the writer seems to think Willie was a rich, famous writer in the ‘60s, when even then he was an obscurity, published by a minor softcore smut house (Merit Books) out of Chicago. Over the years, a handful of us realized we had been reading and loving and collecting Willie, and our enthusiasm turned him into a much-collected writer – the original paperbacks now go for a lot of money. The article, of course, covers the new Willie collection, Sand’s Game, from Ramble House.

Fun to see Dead Street (by Mickey Spillane with a little help from yrs truly) getting attention so late in the game with this really nice write-up.

Downright odd is seeing my Dick Tracy movie novelization getting attention, but here’s a pretty good article on my adventures with Disney on that project. You can get my version in the book Tied-In, available at Amazon on Kindle and print-on-demand.

I’ll wrap by saying Barb and I saw some very fun movies this weekend – Machete and Going the Distance, incredibly different films but similar in that they are entertaining and not cookie-cutter Hollywood. Machete is, of course, an outrageous B-movie ride, while Going the Distance is a really funny, uncontrived romantic comedy with Justin Long and Drew Barrymore. In addition, we got the blu-ray from England of the new updated Sherlock (Martin Freeman of the original Office is Watson) – it’s first-rate, really terrific. It’s coming out over here soon, and don’t miss it. In its way it’s very faithful, and by dumping the Victorian era, you get an idea of what it must have been like to encounter the Sherlock Holmes tales when they were first published, and were cutting-edge current, not fog-wrapped nostalgia.

M.A.C.