Posts Tagged ‘Criminal Minds’

Gifts

Tuesday, December 20th, 2016

Andy Landers, left, Ellis Kell, right

Ellis Kell died at age 61 on December 16. He was diagnosed with cancer in October. Ellis played a major role at the River Music Experience in the Quad Cities. As a guitarist and singer, he appeared in concert with many major acts and played with countless musicians in the eastern Iowa area.

I didn’t know Ellis well, and only performed with him once, at the wedding reception of my stellar Crusin’ guitarist, Jim Van Winkle. But Ellis’ presence was warm and kind. He was a good friend of Jim’s, and of Andy Landers, the gifted singer/songwriter currently working major venues in the Seattle area. Andy played rhythm guitar and sang with Crusin’ from 2000 to 2008, and – like Jim – is among the best musicians it’s been my honor to perform with. They would be the first to tell me I should add Ellis to that list as well, though he and I only played a few songs together.

I’ve been performing rock ‘n’ roll since 1966, and much earlier than that appeared in choral concerts and musical comedies as a junior high and high school student. At my age, inevitably, I’ve lost a lot of collaborators. Kathe Bender was my Eliza Doolittle in My Fair Lady. Jim Hoffman was her “get me to the church on time” father. Both are gone. Jim was in Crusin’ at the very beginning, briefly, and since then we’ve lost Bruce Peters, Chuck Bunn, Tom Hetzler, Larry Barrett, Terry Beckey, and Paul Thomas.

My filmmaking collaborators who’ve gone on ahead of me include actors Majel Barrett, Jason Miller, Del Close and my frequent cohort, Michael Cornelison. Steve Henke, the indispensable madman who was my first A.D. and much more, worked on both Mommys, Real Time: Siege at Lucas Street Market and co-produced Caveman (Mike Cornelison was involved with all of those). And there are others whose names will jump into my mind as soon as I post this.

When someone dies around Christmas, it’s sometimes viewed as particularly sad (as if it weren’t sad enough). I’m not sure I agree. With families gathered at that time of year, it’s a perfect moment to remember and celebrate a loved one who’s gone. And TV, magazines and web sites use that time for “in memoriam” pieces about the celebrities we’ve lost throughout the year.

Crusin’ marked the loss of David Bowie and Prince by learning songs of theirs — a band can salute and celebrate in that unique fashion. Because of my own minor celebrity, I’ve come in contact with some real celebrities, whose passings this year have a special resonance for me.

Peter Brown (of Lawman) I met over the phone after he’d read and enjoyed Black Hats. Patty Duke and I had a brief, friendly conversation in a restaurant in Studio City. Mohammed Ali I met in an airport and shook his massive hand, basking in his charisma. Noel Neill signed her book to me at a Chicago comics con and shared stories about George Reeves. The warm, friendly Bobby Vee I spoke with backstage on two occasions. Comedian Kevin Meaney (“We’re big pants people!”) spent time with Barb and me twice after stand-up appearances – a sweeter guy never lived.

Apologies if this sounds like grisly name-dropping. But these moments have become precious in my memory, and are a continuing reminder of the mortality that faces us all.

Last year about this time, I was very sick. I was facing heart surgery early in the coming year, and I was weak as a kitten but not near as frisky. In my office I wrapped my wife’s presents – I do a miserable but sincere job of it – and it occurred to me I might not be around to do so again. That this might well be my last Christmas. When I came downstairs and put the awkwardly wrapped presents under the tree, Barbie got teary-eyed, which she doesn’t do very often (she’s on Prozac – you would be, too, if you lived with me).

Now I’m preparing to wrap her presents this year. And I’ll tell you – it feels like a privilege. No – it feels like a gift. Every minute we spend with people we care about is just that – a gift.

Raise a glass of nog (Captain Morgan optional), would you, to those you love and those we’ve lost? Here’s some you might wish to include: Bob Elliot, Bob of Bob and Ray; Frank Sinatra Jr. (we had tickets to see him we didn’t get to use); Ken Howard of 1776; brilliant Garry Shandling; Anton Yelchin of Star Trek; Hugh O’Brien, who made Wyatt Earp famous again; magnificent Robert Vaughn, the Man from U.N.C.L.E. but also Hustle; and of course Gene Wilder (“We are the music-makers, and we are the dreamers of dreams”). Add your favorites and especially those who’ve given you the gift of laughter and/or music.

Rest in peace, Ellis Kell.

Merry Christmas, everyone.

* * *

Here, oddly, is a nice review of the Criminal Minds novel, Finishing School, on which Matt Clemens collaborated.

Once again Quarry is among the best shows of 2016.

Check out this nice write-up on the Quarry series, having to do with its appearance in the UK.

Finally, here’s a chronology with an article about the Quarry book series, with my comments.

M.A.C.

Coming Down The Pike

Tuesday, January 31st, 2012

This will be another fairly short update, because I am coming down the pike on the new Jack and Maggie Starr mystery, SEDUCTION OF THE INNOCENT. I have about a week and maybe a day or two left, assuming all goes well.

I admit to it being a strange experience, because at Berkley Prime Crime, I had to keep myself somewhat in check where the ol’ sex and violence is concerned – the series was conceived to be my Rex Stout tribute, so that seemed in keeping, though Rex did more in the sex and violence department than many seem to notice or recall (or I should say Archie Goodwin did). But writing this for Hard Case, my concern is the opposite. Is it tough and sexy enough? Can I push the envelope a little, and do things Prime Crime would have bridled at, without violating the integrity of the series? We’ll see.

One fun thing: the Des Moines Register called me (well, a reporter did – the paper itself just never calls) and asked me to weigh in on a real-life Iowa mystery. Check it out.

Here’s a nice review of STOLEN AWAY. I love that Amazon making these books available again is stirring new interest in Nate Heller.

Here’s a rare negative review of THE CONSUMMATA. It’s from the very good site, The Violent World of Parker, and you may want to have a look. I responded to the review, and this began an exchange that you may find entertaining. I only respond to negative reviews when I think there’s something unfair or inaccurate in a review. I might note that I may be a rare example of somebody who adores both Richard Stark’s understated style and Mickey Spillane’s over-the-top one. I know I’m the only writer who had those two men as mentors. But I am never surprised when a Stark/Westlake fan does not care for Mickey. (In this case, to be fair, the reviewer liked THE DELTA FACTOR but not the sequel.)

Lynn Myers and I (mostly Lynn) have put together a new Paul Cain collection with a biographical sketch about this mysterious BLACK MASK writer. I haven’t seen the book yet (it’s a limited edition expensive number) but it’s starting to be reviewed, for example here.

And here are some nice comments (if you scroll down the list) on my CRIMINAL MINDS novel KILLER PROFILE. Matt Clemens co-wrote that one.

We had our first public Crusin’ performance with new bass player, Brian Van Winkle, at a fun club called Ducky’s Lagoon ourside Andalusia, Illinois. How well did we do? Immediately got two book-backs for March and May.

See you next week, and I hope to report that SEDUCTION OF THE INNOCENT has been completed.

M.A.C.

How You Can Help

Tuesday, January 3rd, 2012

Okay, so it’s 2012, and I know what you’re wondering – what can I do to help Max Allan Collins. “Buying all of his books just isn’t enough,” you’re saying to yourself. “What more can I do?”

Thanks for asking. And the answer is one that applies to every writer you like to read, not just me. With publishing in chaos right now, nothing matters more than grass-roots word of mouth, Internet-style. If you like a book you’ve read (particularly the books by me), comment at Amazon, Barnes & Noble and other sites. These don’t have to be full-fledged reviews – just a line or two and a rating.

At Amazon, those ratings are key. Amazon pays attention to customer ratings – they make decisions based upon them – and of course browsers are often swayed by the star-rating of a book. Unfortunately, Amazon ratings are one of those places where democracy goes a little too far – there is little or no supervision. Routinely people give books lousy ratings (recently Return to Perdition suffered because of this) due to the reader having problems with receiving a damaged copy or other complaints having to do with mailing or other aspects of service – not the content of the book. You can balance this out – for any writer you like – by posting a brief review…again, a positive line or two and a high star rating will do it. If you have a blog or any kind of site where you review books, be sure to post those reviews on Amazon (Barnes and Noble, too).

And if you see an unfair or in particular an inaccurate review on any web site, write a comment in response. I’m not saying argue with somebody’s taste – just their fairness or accuracy. I do this myself, and a lot of people (including my son Nate) tell me not to. But I don’t respond to negative reviews unless they are unfair or especially inaccurate.

These are challenging times for authors. Support them not only by buying their stuff, but commenting favorably on it. If you’re disappointed with a book, you should also comment, but strive to fair, accurate and avoid glibness. If you accuse a writer of something – using cliches, maybe, or poor dialogue or anything really – be sure to give examples. Avoid what we used to call in English class “glittering generalities.”

Here are some nice things that appeared on the web over the last week or so.

Terry and I made a Best 10 Graphic Novels list for Return to Perdition. Once again, I consider such lists nonsense, useless, pointless and offensive…unless I am on one.

Dick Tracy

Read online at Go Comics

The current team on DICK TRACY gave me a nice shout-out in the strip recently. Thanks, guys!

Here’s a thoughtful if a little patronizing review of CHICAGO LIGHTNING. Look below the review for my comment.

Every now and then a CRIMINAL MINDS novel gets review. Here’s a nice example.

This is actually the first writing for me of 2012. I’m doing this update in advance a day or so, because Barb and I (and Toaster, who we’ve been dog-sitting) are about to head to St. Louis to see Nate and his girl Abby. We’ll spend several days there, and probably will see the English-language version of THE GIRL WITH THE DRAGON TATTOO. Recently we’ve seen the new MISSION: IMPOSSIBLE (outstanding), the new Downey Holmes movie (I fell asleep), TINTIN (wonderful) and, on Blu-Ray, ATTACK THE BLOCK, one of my favorite films of the year. I am dismayed to see the abysmal DRIVE topping many Best of film lists for 2011. I told you those lists were worthless.

M.A.C.

Message from M.A.C. – July 7, 2007

Saturday, July 7th, 2007

Antiques Maul

First off, the paperback of ANTIQUES ROADKILL has just hit the stands as I write this. The hardcover did very well — sales and reviews — and “Barbara Allan” (that’s Barb and me) hope the paperback will boost the series further. The second novel in the Trash ‘n’ Treasures series, ANTIQUES MAUL, will be out in September in hardcover. Barb is working on the rough draft of the third, ANTIQUES FLEE MARKET, right now, and I’ll be getting to my draft in the fall.

We have just signed with VCI home video for ELIOT NESS: AN UNTOUCHABLE LIFE to come out very soon on DVD — September 25, to be exact. Phil Dingeldein and I are putting together bonus features right now, including a new short noir film that emerged from another workshop (a la “Three Women” which became part of the SHADES OF NOIR DVD). When we have artwork, we’ll post it here. The film (recording for posterity Michael Cornelison’s definitive Ness) was entered into two regional festivals and won BEST FEATURE at both, as well as BEST DIRECTOR and BEST EDITING at one.

The mini-book tour for BLACK HATS and A KILLING IN COMICS was quite successful, with particularly good turnouts at the Muskego Public Library (where Ted Hertel and Gary Neibuhr expertly grilled research associate George Hagenauer and me) and at Centuries and Sleuths in Forest Park. Barb and I have been discussing cutting way back on such personal appearances, but these well-attended events were encouraging. We also did very well at the new Mystery Cat bookstore in Cedar Rapids, a used/collectible shop that is a real delight, and worth a trip for midwesterners.

The brevity of the tour had to do with my heavy schedule this year, even heavier than usual. Already this year I’ve written three novels, a nonfiction book and a screenplay.

The nonfiction book is a return to the pin-up world, a biography of my late friend Earl Mac Pherson; Collector’s Press (who did just a wonderful job on HISTORY OF MYSTERY) had a coffee-table book essentially ready to go and asked me to contribute a full 10,000 word bio on Earl. I contributed more art and photos from my own collection, as well — don’t know exactly when this will be out.

The screenplay is my own adaptation of ROAD TO PURGATORY, which we are in the early stages of attempting to mount right here in the midwest with me directing. I’m partnered with some very good people, including longtime crony Phil D., and it’s an exciting venture — if we can pull off the fund-raising, it will be the most ambitious project I’ve ever attempted in any medium. The script was submitted to the Iowa Motion Picture Awards and won the Award of Excellence for Unproduced Screenplay.

AMERICAN GANGSTER, my movie tie-in for the Ridley Scott film starring Denzel Washington and Russell Crowe, will be out in November along with the film. It’s a fact-based early ’70s druglord tale and the screenplay was first-rate; this is my first novelization (dreaded word) since THE PINK PANTHER and I’m proud of it. TOR is publishing.

I have also completed a long-contemplated novel based on my late father Max A. Collins Sr.’s experiences in the Navy during World War II, when he was one of a handful of very young white officers in charge of a large body of black sailors loading ammo in the Pacific. The book is essentially my CAINE MUTINY (albeit with a murder mystery at its heart) and I believe it came off very well. My title is USS POWDERKEG, and I hope it will remain such, but you never know — my editor at Morrow may have another idea. Matthew Clemens got involved in this one, doing extensive research and helping develop the plot. This may be published as the second “Patrick Culhane” bylined novel, but that’s up in the air – the jury’s still out on whether the Culhane byline was a good idea or not. Should be out in the fall of 2008.

Criminal Minds: Jump Cut

As you may know, I am no longer doing CSI novels. Instead, my researcher Matt Clemens and I are doing at least three novels based on the hit show, CRIMINAL MINDS. We have completed the first book, JUMP CUT, and it came off very well — working with profilers rather than crime scene investigators was liberating, because a lot of Holmes/Wolfe-style speculation can come into play. The novel will be out in November.

Next up for me is the second Jack & Maggie Starr mystery for Berkley Prime Crime, probably called STRIP FOR MURDER. It’s based on the Al Capp LIL ABNER/Ham Fisher JOE PALOOKA feud. Terry Beatty will again be providing comics panels for chapter headings as well as a “challenge to the reader” comics chapter toward the end of the novel. The response to the first novel, A KILLING IN COMICS, has been very gratifying — after a limp review from Publisher’s Weekly (complaining that the book was not a Nate Heller), online reviews have been overwhelmingly favorable, even glowing. Readers seem to “get” the retro fun of a Rex Stout-ish mystery in the context of the world of post-war comics.

The biggest news I’m saving for last: I have signed with Otto Penzler’s Harcourt line to complete three Mike Hammer novels begun by Mickey Spillane. I am working from substantial partial manuscripts — at least half of each book already written by Mickey. That I will be collaborating with Mickey on at least three Hammer novels is thrilling to me beyond words. This is highly unusual, because I am working not only with his wife Jane’s blessing, but Mickey’s own: he asked me to complete these novels. First up: THE GOLIATH BONE, the final Hammer chronologically. (Other novels will be given time frames according to when they were begun by Mickey.)

Mickey’s file of unpublished material was extensive — another trio of Hammers can follow, if these three do well. This is a very big deal – there are only 13 Mike Hammer novels, and adding another three (or six) to the canon is unheard of for so famous a mystery series.

Dead Street

I have already completed Mickey’s last crime novel, DEAD STREET, for Charles Ardai at Hard Case Crime; it will be out in December – I edited the existing eight chapters and completed the last three from Mickey’s notes. I am not taking a byline on DEAD STREET, however, though will be sharing byline with Mickey on the Hammer novels. (My afterword explains the process.)

Also from Hard Case is DEADLY BELOVED — the first ever Ms. Tree prose novel. This came about as an offshoot of the current MS. TREE TV option (with Oxygen Network), though no film has yet been made. MS. TREE co-creator Terry Beatty has done a lovely cover – among the best Hard Case has done, and that’s saying something — and I spent a lot of time revising and polishing, trying to make DEADLY BELOVED a novel that would work equally well for longtime fans of the graphic novel series and readers unfamiliar with the character/series. Look for it in December.

Barb and I may go out on another mini-tour late in the year to promote ANTIQUES MAUL, the ELIOT NESS DVD, AMERICAN GANGSTER, CRIMINAL MINDS: JUMP CUT, and DEADLY BELOVED. But if we don’t have time, I bet you’ll understand….

M.A.C.