Scarface and the Untouchable – At Large! Chicago Signings

August 14th, 2018 by Max Allan Collins

Yes, at long last Scarface and the Untouchable: Al Capone, Eliot Ness, and the Battle for Chicago by A. Brad Schwartz and myself is hitting the bookstores the very day this update first appears.

Brad and I (and Barb) will be appearing at two major Chicago bookstores and another at the bookstore in Dick Tracy’s hometown – Woodstock, Illinois, starting with the latter.

Saturday August 18:
Read Between the Lynes (Website)
From 4PM till…?
111 E. Van Buren St
Woodstock, IL 60098 (Map)

Sunday August 19:
Centuries & Sleuths (Website)
2:00PM till…?
19 Madison St
Forest Park, IL 60130 (Map)

Monday August 20:
Anderson’s Bookshop (Website)
7 PM till…?
123 W Jefferson Ave
Naperville, IL 60540 (Map)

This mini-tour will be the only joint event by Brad and me in support of the book during its opening weeks. Brad heads back to Princeton in his unending crusade to diminish me by making me call him “Dr. Schwartz” (who, let’s face it, sounds like a dermatologist). We’ll be doing some solo events thereafter, and if the media wises up and books us on a national TV show, we’ll likely do that together.

We are also set to appear on the WGN Morning News on Monday morning, but exactly when I can’t say (we arrive at 8:30 AM).

We’ll also be doing a Reddit AMA (Ask Me Anything) on r/books this Thursday at 1PM EST. Keep an eye on my facebook page for a link.

The Centuries and Sleuths signing will include Barb, as “Barbara Allan”-bylined novels (Antiques Wanted in particular) will be available. This is the first joint signing Barb and I have done in some time.

Centuries and Sleuths is where Brad and I first met, when he came to a signing after seeing “Untouchable Life” live in Des Moines. By the way, work progresses on the Blu-ray of the film version. You can order it here.

In the meantime, come and see us (Mike Doran – I’m talking to you) (but no questions requiring a photographic memory of the entire run of TV Guide to answer).


Hardcover:
E-Book: Amazon Google Play Nook Kobo iTunes
Digital Audiobook: Amazon Google Play Kobo

The reviews thus far have been stellar, including the Chicago Tribune, where Rick Koganwhere Rick Kogan – a well-known writer and TV personality in Chicago – loved the book but hated my introduction. Why? Because I (with Brad’s help) singled out the authors (and one screenwriter) whose offenses had much to do with us feeling another book about Capone and Ness needed writing. We were very specific about what we were correcting, but Mr. Kogan found my intro “unseemly.”

Here’s what he wrote, along with links to other favorable reviews (the Kogan link is mid-page).

Now, just for fun, read what I wrote that offended Mr. Kogan, available thanks to the Ellery Queen Mystery Magazine blog.

Others reviewing the book in the days just ahead of publication include USA Today, which makes us one of the top books of the week that they recommend. (Omarosa’s Trump memoir gets the top spot, though.)

Here’s a really nice review courtesy of Mystery People.

This one isn’t a review, but uses our book as a sort of tour guide to track Capone’s real-life hangouts.

* * *

Now in non-Scarface and the Untouchable news, here’s another San Diego Comic Con interview with me, on the new Mike Hammer serialized graphic novel from Hard Case Crime. It’s one of the better interviews, I think.

Finally, Gaping Blackbird continues to review the early Quarry novels, and very intelligently.

M.A.C.

Black Hats & A Book Giveaway!

August 7th, 2018 by Max Allan Collins

[Note from Nate: The giveaway is over! Thank you for participating!] The book giveaway this week is for the upcoming Scarface and the Untouchable: Al Capone, Eliot Ness, and the Battle for Chicago, which will be published August 14. I have five finished copies and five bound galley proofs (ARC’s). The first five to respond get the finished book, the next five the bound galley. Winners are requested to post a review at Amazon, a blog, Barnes & Noble or any combination thereof.

This week’s update, however, is mostly about Black Hats, a new edition of which has just been published by Brash Books. For the first time, the book has my real byline, and not “Patrick Culhane.”

Brash has done a spiffy job on it, and I hope to get some copies from them for another book giveaway like the one above. Brash is also going to be bringing out Red Sky in Morning under my preferred title, and that will have the Max Allan Collins byline for the first time, too.

Black Hats is a good companion piece to Scarface and the Untouchable, because it’s about young Al Capone encountering old Wyatt Earp. Though their meeting is fanciful, the research for the book was on the order of the Heller saga and it is one of my favorite novels, and one that continues to attract very serious Hollywood attention.

Harrison Ford has been interested in playing Earp pretty much ever since the novel first came out, and he is still part of the mix – nothing signed-sealed-delivered, mind you. But that he has maintained this continued interest in the novel is exciting.

That’s all I can say at the moment, but if you’ve never read this one, send for the Brash Books edition, please. You will not find it in many book stores – the e-book will drive this one, though the “real” book that Brash has produced is handsome indeed.


Paperback:
E-Book: Amazon Google Play Nook Kobo iTunes

How did the byline “Patrick Culhane” come to appear on both Black Hats and Red Sky? Forgive me if you’ve heard this one, but I believe it’s one of the truly remarkable fuck-ups of my career, and one of the rare ones that I didn’t cause myself.

Shortly after Road to Perdition was a huge movie and the novelization made the USA Today bestseller list and the graphic novel made the New York Times bestseller list, some guy at Border’s (remember them?) told my then-publisher that he was a huge M.A.C. fan, but could sell more M.A.C. books if only the name M.A.C. wasn’t on the cover. I was too well-known, it seems, as a guy who wrote series novels. He promised huge sales if we did some standalone thrillers under a new byline.

Oddly, my real identity was never hidden. It’s prominently revealed on the jackets of both books.

I did not want to do this. My editor stopped short of insisting that I go along with it, and my agent suggested alienating my editor was a really bad idea. And Border’s was really, really powerful, right? So I came up with “Patrick Culhane,” the “Patrick” after my mother Patricia and “Culhane” as a Collins variant.

Understand that I hate pseudonyms. I fought to have my name go on my movie and TV tie-ins, figuring (correctly) that having my byline on things like Saving Private Ryan, Air Force One, American Gangster, CSI and so on would only building my audience. All of those titles either made the New York Times list or USA Today’s or both.

The only time I used a pseudonym was on the novelization I Love Trouble, because it was going to be out at the same time as another novelization, plus the movie stunk. I used Patrick again, but also my mother’s maiden name, Rushing, which seemed apt for a book written on a crazy deadline.

I use my name on all but the above exceptions because I am proud of my work, and I want to keep myself honest. I don’t want to hide. I want to acquire readers, not run away from them.

Anyway, I am very pleased that Brash Books – the people who brought you the complete Road to Perdition prose novel, something I thought I would never see – are restoring my name to two of my favorite books. They will also soon be publishing Red Sky under my preferred title, USS Powderkeg.

Now the only thing still unpublished is my original, very loose adaptation of the Dick Tracy movie, in which I fixed all its problems and sins. Getting that in print, however, is a real long shot….

* * *

The advance buzz on Scarface and the Untouchable keeps building.

The Strand’s blog has published a list by my co-author and me looking at ten surprising facts about Al Capone and Eliot Ness.

We are one of the Saturday Evening Post’s top ten late summer reads, for example.

And the History News Network has published an article that Brad and I wrote about the Trump/Manafort/Mueller parallels.

Mystery People showcases us, too.

Out of the blue, here’s an interesting look at Quarry’s List, the second Quarry novel, with lots of comments from readers.

The graphic novel, Quarry’s War, gets a boost here, in a somewhat surprising context. [Note from Nate: This is so bizarre.]

On the Mike Hammer/Spillane front, here’s an interview I did at San Diego Comic Con a few weeks ago.

And another.

Finally, here is a terrific, smart review from the smart, terrific J. Kingston Pierce about Killing Town.

M.A.C.

Mission: Incredible

July 31st, 2018 by Max Allan Collins

Knowing a new Mission: Impossible was coming, Barb and I decided to watch all of the movies in order, one night at a time. Which we did on Blu-ray. Most I hadn’t seen since first seeing them in the theater. And I came away much impressed – I would be hard pressed to think of a series that maintained this high a level, and even improved as it went along.

Brian DePalma and John Woo are two of my favorite directors, and I was struck this time by how their entries (the first and second respectively) were so much their movies. DePalma’s style but also his recurring themes were much on display and the same was true of John Woo in number two, right down to the pigeons in slow motion.

But the auteur here is Tom Cruise. He is a genuine movie star, who commits every molecule of his being to the job at hand. In the new film, Mission: Impossible – Fallout, he spends much time telling his comrades that he won’t let them down – that he will pull off whatever crazy job is expected of him. But the subtext is that he’s saying the same thing to the ticket buyers. His Jackie Chan-like insistence of doing his own stunts is both thrilling and frightening. Learn to fly a helicopter in a matter of months? No problem. Run on a broken ankle? Piece of cake.

But none of that would work if he wasn’t a strong screen actor – not just presence, but actor. He brings an emotional reality and intensity to this, let’s face it, inherently silly material that is the real impossible mission that he and the various directors and writers pull off.

J.J. Abrams is also key to the enduring success, both commercially and artistically, of this stellar franchise. Just adding Simon Pegg and his humor and humanity lifted an already soaring series. Abrams fine-tuned the formula with the third entry, and my son Nathan’s favorite – the fourth film, Ghost Protocol – found a strong director in Brad Bird. Christopher McQuarrie followed that perhaps definitive entry as the first director (also writer) to do two chapters in the saga, rather boldly making Fallout a direct sequel to his Rogue Nation.

If you’re down on Cruise because of Scientology, let me say that I’m no fan of the L. Ron Hubbub, either. But I’ve said it before and will likely say it again: what an artist owes the public is his or her work. And Tom Cruise works damn hard and so well.

* * *

Crusin’ played another outdoor gig in Muscatine (well, the rural area near Muscatine) last Friday night, at Ardon Creek winery. It went very well, and showed what we can do on a beautiful cool evening as opposed to the horrific, soul-crushing heat we’ve played in previously this year.

I have frankly considered throwing in the towel, after over fifty years of this; but we had fun and the crowd was large and responsive, so what was not to love? The band is like a woman; just when you say you’re going to quit her, she gives you a really, really good night, and all bets are off.

* * *

Here’s one of the interviews I did at San Diego, where I was promoting the Mike Hammer comic book mini-series and the graphic novel Quarry’s War.

This is a fresh link on the Mr. Media interview.

Here’s another San Diego podcast, this one with the prestigious PW’s graphic novel editor.

Finally, here’s a nice, loving piece about Mickey.

M.A.C.

San Diego Comic Con 2018 – Wrap-Up

July 24th, 2018 by Max Allan Collins

After skipping last year due to health concerns of mine, Barb and I returned to SDCC wondering if the changes we’d noted in recent years would have continued.

They had.

My interests in collecting original comic art remained well-served by the likes of Anthony’s Comic Art and Steve Donnely of Coollines, as well as random comic-book back-issue tables where a handful of art was on display. That alone made the experience fun and worthwhile.

And a number of books on offer from such esoteric publishers as Last Gasp and Vanguard also made me smile, and spend money.

But there’s no question that the booths that serve my enthusiasms are disappearing, if gradually. It’s all Hollywood and video games (my son’s childhood fave, Dragon Ball Z, was much in evidence, due to a new movie about to screen in theaters, albeit in a limited way).

The worst thing about the con, however, is the people…not individually (not always, anyway) but the amount of them, the sheer packed humanity. Often aisles were just seas of bobbing heads. Movement was hampered by cosplay folks posing, con goers freezing mid-aisle to gawk at a booth, parents with small kids who were understandably advancing with caution, and, uh, the occasional idiot.

On the whole, however, we really did have a fine time. I was on three panels, all of which went well. I was lucky enough to share the stage with Leonard Maltin in the nicely named You’re Wrong, Leonard Maltin! (his talented daughter/moderator Jessie’s idea). My job was to explain why Deadpool 2 is a cinematic masterpiece. I did this largely by quoting from the title song of Road to Morocco, which indulges in the same sort of breaking the fourth wall as the Deadpool films.

Perhaps the best one-on-one with me ever seen at a con came courtesy of Titan’s Andrew Sumner, who knows his Spillane inside out, which came in handy because that was the topic. Following the panel I did a signing at the Titan booth, and I’m glad to say we sold a lot of books, both Hammer novels and The Last Stand.

This was on Thursday. On Friday I hosted the Scribe Awards, and the panel of pros was excellent. I was slightly disorganized but everything went well despite that. The Will to Kill did not win, but I was in good company with winner Mike Black and fellow nominee Reed Farrel Coleman.

We had several nice business meetings. Barb and I met with our Hollywood guy, Ken Levin (who is from Chicago of course), and two smart producers who came down from Los Angeles to talk to us about the possibilities an Antiques TV series. And today (Sunday as I write this) we had a lovely breakfast with Nick and Viv Landau of Titan, exploring the next cycle of Hammer novels, as well as a possible series of Nolan reprints, a reprinting of the complete Ms. Tree and various Spillane non-Hammer projects, since I am nearing the end of Mickey’s MH material.

Will we ever attend again? Hard to say. It’s not the same without Nate and Abby along, and their growing little family makes their presence doubtful for a few years at least. But any year the con wants me as a special guest (which means they pay and I don’t, something you will not be surprised to learn I like very much) Barb and I will almost certainly be there.

I hope you enjoy the photos from the con that Nate has liberally sprinkled throughout this update.

M.A.C.