Fifty Years (More or Less) of Quarry

August 25th, 2026 by Max Allan Collins

Yes, I created my hitman character Quarry fifty years ago. The life he’s led since has been both violent and unexpected.

In the late ‘60s, I’d set my ambitions to be a private eye writer aside to follow the Richard Stark example and write Bait Money, in which the mono-named thief Nolan and his sidekick Jon had one criminal adventure that led somehow to a number more. Nolan was meant to be an homage to Stark (Donald E. Westlake) and his antihero Parker, a one-off; but the publisher wanted more, and Don Westlake gave his blessing, so off and running we went.

But from the start I wanted to come up with something of my own, even if it was bound to reflect the hardboiled likes of Richard Stark, Mickey Spillane, Dashiell Hammett, James M. Cain, Jim Thompson and Raymond Chandler. I’m fuzzy on whether I was, somewhere in my young psyche, wanting to write a novel that could lead to sequels.

I’ll say this: I never have believed in writing a novel consciously designed to do that. It’s too presumptuous and leads to bad decisions – I always have written one book at a time. And with Quarry (originally published under the unfortunate title The Broker) I left my hitman in an untenable position, one from which it was unlikely he might survive.

Of course he did anyway.

I’ve spoken of this before, but I wanted to get away from the Stark/Parker approach that included only other crooks getting killed – no civilians. And, in part because I already felt I had a knack for it, utilize my gift for first-person narration to write about a bad guy in his own voice. To me, much as I liked Stark’s Parker, the character and his world presented in third person gave the reader some protection.

I wanted to tear that wall down, to confront readers with just who they were identifying. Additionally, I wanted Quarry to be in many ways normal, so you could go for long stretches and not have to deal with who and what he really was. I wanted him to be good company. He was damaged goods, but in many ways was just like us.

Also, I knew I had to do something original (again, within the hardboiled spectrum) to really make my mark in my chosen field. The way Spade, Marlowe, Hammer, Bond had. And Quarry seemed just the ticket. Nobody had written that character before, not in the first person, anyway.

So some part of the young me felt I’d found the thing that would set me apart, and my mark would be made. Except…no. The four Quarry paperbacks I wrote for Berkley Books generated scant sales; yes, a few nice reviews and some fan mail, but…when the fourth book came and went, so did Quarry.

And Nathan Heller, with his historical approach and first-person narration, became how I really made at least some sort of mark in my chosen field.

Enough so that a publisher approached me about doing whatever novel I wanted to…and I took that opportunity to write a fifth Quarry, to see if I could jump-start the series. The novel was well received (Primary Target aka Quarry’s Vote) but no further novels immediately followed. A few short stories did, however, and one of them (“A Matter of Principal”) generated a short film.

From there, Quarry just kept coming. Editor Charles Ardai at Hard Case Crime, in the early days of that line, gave me the opportunity to wrap the series up with The Last Quarry. But somehow that led to The First Quarry, and now the novels number eighteen…and somehow he’s been around since 1976. Along the way there has been a movie I wrote plus a single season of a Quarry TV series.

Actually the character was created at the University of Iowa’s Writers Workshop around ‘72, but it took a while for me to finish the novel and get it sold.

In November the 50th anniversary Quarry novel will be published by Hard Case Crime: Quarry’s Reunion. Reviews have started to appear and they’ve been positive. Take a look at Publisher’s Weekly on the novel:


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Quarry’s Reunion (Quarry #18)
Max Allan Collins. Hard Case Crime, $18.99 trade paper (224p) ISBN 978-1-83541-646-4

Aging ex–hit man Quarry is in fine form in the pulse-pounding sequel to Quarry’s Return from MWA Grand Master Collins. At 71, Quarry is trying to lead a tranquil life in Minnesota. He jumps into action when he’s approached by Jenny Means, an attractive 40-something who’s the spitting image of her mother, Mary Ann—Quarry’s high school sweetheart. Jenny, who’s recently experienced a series of strange accidents and been shot at, fears someone is out to kill her. The police have dismissed her worries, attributing the gunfire to random gang violence, but Quarry returns to his hometown of Fair View, Ohio, where Jenny lives, to investigate. He arrives just in time for his 50th high school reunion, and finds several people who might want Jenny dead. They include her half brother, Alex, who’ll benefit financially if she dies before him, and Quarry’s former classmate, Caldonia Jackson, who has a fraught history with Quarry and has become Alex’s mentor. As in other series entries, Collins complements the brisk, pulpy plot with plentiful sex scenes, resulting in a gritty adventure that lives up to series standards. Collins’s fans will be well pleased. (Nov.)

Well, I’m well-pleased, as PW can be tough, and I took a chance with this one, because it’s not a typical Quarry (if there is such a thing). I wanted to explore his past in a way I haven’t before, and I also wanted to do a traditional mystery with a noir approach – something I’ve done a few times, including with Quarry in Quarry’s Cut.

The novel will not be out till November, but I am planning to do a book giveaway in September. I’ll offer ten copies to readers willing to write Amazon reviews. Or if you have a blog and do reviews, and would like a copy, let me know at macphilms@hotmail.com. More about this later.

In the meantime, here’s a terrific write-up from writer Ron Fortier, a real pro:

QUARRY’S REUNION
By Max Allan Collins
Available 10 Nov. 2026
Hard Case Crime
217 pgs

Grand Master mystery writer Max Allan Collins has created a number of series during his long career. He’s given us professional thieves, historical private eyes, retired secret agents and a wonderful small town female sheriff among many others. All were brilliantly written, but we do have our favorites. Topping our list is the Quarry books that tell the story of a Vietnam veteran and his evolution into a contract killer. Why it remains our favorite is primarily because, like Collin’s deadly protagonist, we too are veterans of that Southeast Asian conflict and are now well past calling ourselves middle-age.

Collins allows his fictional character to age like the rest of us. With the past few entries in the series, it has been fun to watch a 70-year-old tough guy deal with new, and always dangerous situations. Never quite sure his body will respond to whatever threats he will encounter; Quarry has to rely on his experience and hard earned survival skills.

In this new story, he is summoned back to his home town of Fair View, Ohio, by his long ago high-school sweetheart, Mary Ann Kemper. After he had left home to join the US Marines, Mary Ann married Bobby Means, the son of the town’s wealthiest family. They had a beautiful daughter named Jenny. After the marriage ended in divorce, Bobby married another local girl, Suzanne Shaw, and together they had a son, Alex. Soon after, Suzanne followed Mary Ann’s history and left him. Despite the scandalous divorces, Bobby’s mother, Virginia Means, refused to abandon her grandchildren and set up a trust fund for them. When turning 50, both Jenny and Alex would receive half a million dollars.

Now, as each is nearing that particular birthday, Jenny is nearly killed in three separate incidents. The police believe them to be nothing by random events, but Mary Ann disagrees. Convinced someone is trying to kill her daughter, she reaches out to Quarry. How and why she does this would involve writing our own lengthy dissertation. Suffice it to say, our protagonist agrees to help her. All this occurs during the weekend of his 50th High School Reunion. Among his surviving classmates are several possible suspects with motives for wanting Jenny terminated.

Quarry’s Reunion is a fun read watching Collins juxtapose his mystery over the all too familiar nostalgic torture that these gatherings become. It offers us a rare glimpse into Quarry’s origins, his life and aspiration before the world turned upside down and he found himself lost in a jungle half a world away. Again, it was all too easy for this reviewer to nod time and again, as we share quite a few of the old soldiers’ memories. This Quarry is a different character, attesting to the reality that change is the only true constant. Thanks Max, for not being afraid to grow old with us.

M.A.C.

My Last Superhero Movie

August 18th, 2026 by Max Allan Collins

When I was in high school, I was the comic book guy in our class of around 300. Yes, kids read comics in grade school and junior high, but nobody but me collected them in high school. I was the oddball who did.

I had been inhaling comic books from age five on, with a propensity toward Dick Tracy, Joe Palooka and Li’l Abner, all of which were reprints of newspaper comic strips, though I initially wasn’t aware of that. I read Superman, Batman, Captain Marvel, and Mad, among many others. An antiques shop within easy walking distance had stacks of comics and I would trade two-for-one.

But when I was six, the Comics Code Authority came in and censorship chased a lot of comic books out of business, in particular horror and crime, which I’d already been gobbling up. Also, DC Comics managed to sue the original Captain Marvel off the stands, claiming it was a plagiarism of Superman. Captain Marvel (and Captain Marvel Jr. and The Marvel Family) were outselling DC, which somehow had the muscle to get rid of their competition (much as they had gotten rid of Siegel and Shuster, who created Superman).

Mad became a magazine, and lots of comic books flat out disappeared. Tracy survived a while, as did Palooka; but before long just about all that was left of adventure comics was Superman (and its spin-offs) and Batman, which after some wonderful years (mostly drawn by Dick Sprang) got silly; but I hung in there. Batman still had a newspaper-comics look that endeared it to me. I was still buying it in high school.

DC’s Showcase introduced a new version of the Flash in 1956, and in the late ‘50s brought back Green Lantern, too, as well as the proto-Fantastic Four by way of Challengers of the Unknown in 1957. When the latter got its own comic book, I subscribed. I had good instincts at age nine: it was Jack Kirby’s work.

Then came Marvel.

Because of Kirby, I had followed that artist to Marvel where he drew monsters like Fin Fang Foom for Strange Tales and other similar titles. This would have been the late 1950s and early ‘60s. But what really caught my attention was Amazing Fantasy #15 in 1962.

That title introduced Spider-man (aka Peter Parker) and his cast of supporting players. Artist Steve Ditko was a unique talent and the stories by longtime Atlas/Marvel editor Stan Lee essentially updated Superman to what was then modern-day, specifically making his super-hero an angst-ridden teenager. In March 1963 Spidey got his own book.

The Fantastic Four came along late in 1961 with Lee bringing a tongue-in-cheek touch to his four super-powered leads, with Jack Kirby co-creating. Kirby did around 100 issues, but when he left, so did I.

Ditko left Spider-man in 1966, the year I graduated from high school. He was replaced by John Romita, also a fine cartoonist, and I hung in there as long as Romita drew the book (1971), at which point I bailed.

As Marvel expanded, though, I’d come along for the ride – The Avengers in 1963, The X-Men that same year, both co-created by Kirby and Lee. Additionally Iron Man and Dr. Strange came along, too, in 1963.

My enthusiasm for Marvel petered out in my college years, during which I sold many of my now incredibly valuable comic books. But I needed the money, so what the hell.

Still, I have history with Spider-man and the rest of the Marvel universe. And I have gone to every movie about those characters, up through Thunderbolts, which I skipped – it just looked dreadful.

And I do believe I am done.

I realize a lot of people like Spider-Man: Brand-New Day. Tom Holland is fine in the lead. The personal story works well enough. It all adds up to a fine 90-minute Spider-man movie. Unfortunately Brand-New Day runs 145 minutes.

This is really not a movie at all. It is an overstuffed promotional piece for upcoming Marvel movies in general, and an attempt to elevate characters in the Marvel Universe who are lesser than Spider-man.

[Major Brand-New Day plot spoilers follow!! You’ve been warned! — Nate]
[I mean it! — Nate]

The central story has to do with Jean Grey, one of the X-Men. It includes the character Black Widow, previously played by Scarlett Johansson, now played by Florence Pugh (as the dead Widow’s sister) since the film Thunderbolts, which was a flop (and yet we’re all supposed to know who she is). Her scenes are ridiculous, even for a super-hero movie (her “office” is a bathhouse swimming pool and she’s naked…my 11 year-old grandson said, “Hello!”).

Another minor Marvel character, the Punisher (a direct rip-off of Don Pendleton’s The Executioner), is given a criminal amount of screen time and is uncomfortably overplayed by Jon Bernthal. Bruce Banner is back, which is to say the Hulk as portrayed by a picking-up-a-paycheck Mark Ruffalo; he too gets an inordinate amount of (mostly unconvincing CGI) screen time.

The Jean Grey character is a ridiculous sinister villain until a vision including the unlikely glamorous version of Aunt May (Spidey’s late aunt) turns Jean “nice.” Sorry about the old guy she made to get hit by a taxi cab!

Does Holland hold it all together? Sort of. He seems to be guest-starring in his own movie, though. This is the Happy Meal version of a film and I am done. A comics fan since age five, and I am done. Never again!

Well…maybe Batman 2….

* * *

The great J. Kingston Pierce has given Nate Heller some attention in his Rap Sheet column, specifically a behind-the-scenes look at the first two covers done for the series at TOR Books back in the day.

M.A.C.

The Road to John Looney

August 11th, 2026 by Max Allan Collins

I am preparing to begin Road to Hell, which will be both the prose novel prequel to Road to Perdition and a deeper dive into the real-life criminal reign of John Looney (and his son Connor) in the Iowa/Illinois Quad Cities.

This mini-documentary on Looney has just popped up on YouTube.

Of course, you have probably already heard that “Looney” was changed to “Rooney” in the 2002 film, because Looney sounded too “comic-booky” (a pronouncement indicating a lack of knowledge about Looney and his son having been real).

Here’s another YouTube look at John and Connor Looney courtesy of the Forgotten Quad Cities series. The narrator overdoes the folksy bit but he knows his stuff.

[And here’s an older one, short and sweet, from a channel I recommend highly. –Nate]

And as usual, here’s a story about the “comic book” that led to screen great Paul Newman’s final film role.

People still can’t get over Road to Perdition being based on a comic book, which is to say, graphic novel.

I believe I’ve told this story before, so forgive me if you’ve heard it. But one of my instructors at the University of Iowa’s Writers Workshop was Walter Tevis. He wrote The Queen’s Gambit (a terrific novel) and The Man Who Fell to Earth (one of several science-fiction novels he wrote). More importantly, in this context at least, he wrote the great crime novel The Hustler, made into a Paul Newman-starring film, much acclaimed, directed by Robert Rossen. I was excited to have an instructor who seemed to be working my side of the street, at least to some degree.

When I know I’m going to meet someone famous, particularly one who I admire, I take a tactic designed to disarm that someone. For example, when I talked with Tom Hanks at the Chicago premiere of Road to Perdition, I didn’t talk to him about that film but instead brought up That Thing You Do, which he’d written and directed. I knew he had an interest in ‘60s garage rock and I talked to him about that subject, which he immediately warmed to. He seemed excited to learn of the famous groups my two bands had opened for in concert.

So with Newman I thought bringing up Walter Tevis as one of my teachers would be just the ticket.

It wasn’t.

The actor immediately said that they had thrown the book away and started over – nothing was usable. Now we were talking about The Hustler, or at least that was the door I went in. I was puzzled and taken aback and had to do some fancy footwork to get back on this enigmatic man’s good side.

What I figured out, literally years later, was that he had confused The Hustler with its sequel, The Color of Money, which had been the source of the film sequel, too…but most of which had indeed been thrown out.

In a way, it was a lucky break, because I liked The Color of Money the book much better than the movie, and if that had slipped out, I’d have received an even colder look from those ice-blue eyes.

A minor irony is that a documentary about Newman’s life included, of all things, some footage of my conversation with him at the Perdition premiere.

M.A.C.

Return of the Maltese Falcon, Nate Heller & Nolan Get Some YouTube Love

August 4th, 2026 by Max Allan Collins

This week is a YouTube fest, and we begin with a fan of The Maltese Falcon taking a smart look at Return of the Maltese Falcon.

There’s something on You Tube called Private Eye July, and Mystery and Mayhem host Jim (don’t know his last name) took a look at both True Detective (and the Nathan Heller series) and Return of the Maltese Falcon.

First, on what appears to be a regular show, Jim offers Mystery and Mayhem recommendations.

Second, he offers a wrap-up of this year’s Private Eye July, including a look at Return of the Maltese Falcon.

Finally the Book Graveyard has a review of my first published book, Bait Money.

Though the Graveyard host is knowledgeable, and apparently a big fan of my work, he is unaware that the 1981 edition from Pinnacle of Bait Money is a somewhat revised reprint of the Curtis Books original that had appeared in 1973. A Nolan book preceded it, Mourn the Living, but it didn’t see publication till much later (this early work is included with Spree in the Hard Case Crime title, Mad Money).

The Book Graveyard host is obviously an enthusiast of paperback originals in the men’s adventure and Executioner-type crime vein, and I admit to being delighted for my early ‘70s self when he talks about my writing being on a whole other level than what he regularly reads.

M.A.C.