Here is a free excerpt from Do No Harm, the soon-to-be-published Nathan Heller novel.
As I approach my 72nd birthday (March 3 – plenty of time left for gift-buying), I am struck by the surprising emergence of ageism in my career, the tumultuous times I’m being forced to tolerate, and changing tastes that are understandably somewhat foreign to me. The latter has never proved a problem for me, but time and age have finally caught up with me on that score. I believe it has a lot to do with the fragmentation of the culture, including and maybe particularly the pop culture, where there is too much stuff to keep track of. Too many choices.
Too many choices has an upside – it means new venues are available for storytellers. It may also mean less pay, in some cases, but my focus now is on being able to continue telling stories. Part of why I am less tuned into the popular culture of the day has to do with my increased focus on my own work – in getting everything done that I came here to do. I am a collector who is collecting his own work.
Two events this weekend were markers of sorts for me. I’ll start with the fun one, which was Barb and me accompanying our four-and-a-half year-old grandson, Sam, to his first movie at a theater. Yes, I know theaters are not what they used to be – what is? But for a little boy who has never experienced a film in the big dark chamber with a huge screen and earthshaking sound and other people seated around him, seeing Sonic The Hedgehog was a very big, even frightening deal.
Sam is a smart kid, very well-spoken and funny. He is rather small – he was a premie – which adds to the impact of the sometimes astonishing things he says. As we drove toward the Palms Theater, Barb and I explained that the big building up ahead was where we’d be seeing the movie. The very size of the multiplex widened his eyes.
In the lobby, he watched with interest while other kids and their parents were lining up for popcorn, his grandpa among them. He was insistent that he did not want soda, and was glad to find lemonade an option. He was a very well composed young man.
Sam’s First Movie
When we entered the darkened theater, however, where the previews were blaring, he paused and clutched his grandma’s hand. He was, understandably, overwhelmed. We assured him everything would be all right, and he moved cautiously with us up the rise of the entry and then across the theater, with the mammoth screen looming and the sound booming, to seats on the other side, about half-way back and on the aisle, and sat between us. The kiddie meal (a little tray of popcorn with a slot for a package of M and M’s and a built-in cup holder for the non-soda) was soon in his lap. He looked small in the seat, but his eyes were big, as kid-oriented previews took the screen. Luckily, first up was the trailer for the new Minions movie (Minions are a favorite of his and most kids), which eased all three of us into the process.
Sam has seen movies at home, but always the animated variety – he has always been rather bored by actual humans (as am I, often). But he got caught up early on in Sonic, which proved to be a pretty good movie. Sam held his grandma’s hand through a few scary parts, but mostly he ate popcorn and M and M’s as he watched intently, sometimes on the literal edge of his seat. He asked surprisingly few questions, and the ones he did ask tended to be, “Are those good guys or bad guys?” In the four-year-old world, there are few grays.
We sat and watched much of the end credits, during which two post-film tags appeared, one revealing the Jim Carrey villain turning out to be the Sonic world’s key bad guy, Dr. Eggman. But more important, the final tag revealed the character Tails, a key character from Sonic-land, apparently, who has come to our world to seek the speedy blue hedgehog. There seems to be some confusion as to whether Tails is a boy or girl, but Sam always refers to Tails in the female sense.
“She has two tails,” he told us, “that transform into propellers.” (Later, in his car seat, he said, “I am wondering what is going to happen to Tails in the next movie.” He said he’d still be wondering tomorrow.)
On our way out of the theater, the credits were still rolling, with endless names as is the case with movies heavy with CGI, and Sam said to me (holding onto my hand now), “Are those the people who made this movie?” I said yes, and that since he likes to make up stories (which he does), someday a movie might be made from one of his stories.
“Then will my name be up there?”
I assured him would be.
And you know what? I think it will.
Russ Cochran by Frank Frazetta
That rite of passage over, another rite of passage much less pleasant happened last Sunday – I learned my friend Russ Cochran had died.
I’ll let his web site tell you who Russ was, and after that, I’ll tell you who he was to me.
Russ Cochran was born in West Plains, Missouri. Without television in the 1940s, Russ developed a passion for comic books.
In 1964 Russ earned his Ph.D. in Physics and became the Chairman of the Drake University Physics Department in Des Moines, Iowa.
As time passed, Russ felt the desire to become a collector of the comic books he had always enjoyed in his youth. The hobby brought him to his first comic book convention in 1965. Russ pursued a collector’s connection with Bill Gaines, publisher of EC Comics and MAD Magazine. Bill Gaines and Russ Cochran shared a mutual enthusiasm which led to a great friendship. Their relationship inspired Russ Cochran to republish the entire collection of EC comics.
In 1975 Russ followed his dream by moving back to West Plains, Missouri while devoting all of his energy toward publishing. Today Russ Cochran’s Auction offers select comic art for those collectors who share his appreciation and nostalgia.
That’s a modest, compressed version of who Russ was. A more detailed look at his accomplishments is provided by Bleeding Cool here.
I’ll bet there are people in your life who you’ve known for many years and who have been important over those years, yet you don’t remember exactly how the two of you came to intersect. I am going to guess that I met Russ around 1971 or ‘72, when he was still living in the Des Moines area. Whether he invited me to his place, or whether I had heard there was somebody into comics in Des Moines that I might like to meet, I can’t tell you.
But it speaks volumes that, back in the early ‘70s, just hearing that somebody else in your state – not your town, your state – was into comics made it worthwhile getting in touch with them. We were rare beasts. Comics fandom was still in its relative infancy.
At any rate, Barb dropped me at Russ’s place – all I remember is that it was a lovely, ranch-style affair – and likely drove off to spend a few hours at a shopping center. Meanwhile, Russ welcomed me warmly. Lanky, casual, he had a low, easy, slow pattern of speech, kind of deceptively lazy in a western way. I understood that he was the Chair of Physics at Drake, which was at once surprising – his quiet, folksy manner – and not surprising – his confidence and articulate speech.
He was a big, bearded guy, who might have been a Mountain Man in another life. He showed me around his house and I saw the most amazing, even mind-boggling array of original comic strip, comic book and illustration art that I had ever seen…no, have ever seen. He had paintings by Frank Frazetta, with whom he it was clear he had a friendship, and Flash Gordon originals by Alex Raymond, and Krazy Kat originals by George Herriman, and so much more…all framed, knocking my eyes out from every wall.
Over the years to come, as Russ began his fabled art auctions – which ran for decades with beautifully illustrated catalogues – I began collecting comic artwork. Not on his level, of course, but Russ showed me the way to appreciate this material. I have never been a collector who sticks things away in a drawer. Like Russ, I have framed the art. And I found surrounding myself with the creativity of others somehow fueled me. It still does.
Russ Cochran changed my life…Barb might say not for the better…and the thought that I won’t still hear that smoky, soothing voice of his over the phone saddens me more, perhaps, than it should. I bought from him, traded with him, spent time at comics conventions with him, and in the last few years have thinned my collection through his still ongoing art auctions. My most recent conversations with him were about an original Tarzan page by Jesse Marsh (good for you, if you know who that is) from the Dell comic books of my youth. Russ helped make sure I landed the page that I wanted.
Russ had an eccentric side. He was such a Tarzan fan, he bought a chimp as a pet – not a good idea, everyone will tell you, but it worked for him…and the chimp, apparently. You don’t move from Chairman of the Physics Department to a comic art dealer if you’re not eccentric.
I wrote introductions for a number of the EC hardcover collections he did – Johnny Craig’s work my speciality. For that, he sent me every volume of that incredible reprint series – boxed sets of every comic book and magazine EC ever published.
We argued a few times. He got mad at me once when I wouldn’t make a trade. That happens among collectors. But that unpleasantness lasted about a day, then fizzled away into warmth and good will. He always called me “Al” – in that Missouri way of his that somehow turned Al into three syllables.
Thanks, Russ. You introduced me to a world of collecting that was equal parts misery and delight, and – oddly – I appreciate having experienced both.
This is the first coverage that Girl Can’t Help It has received on the Net – features a quote from me before I wrote the book, inaccurately describing it! Check out my comment among several others at the bottom.
There’s a nice Killing Quarry mention toward the bottom of this EQMM review column.
M.A.C.
