Posts Tagged ‘The Million-Dollar Wound’

Hammer and Noms

Tuesday, May 29th, 2012

Two Mike Hammer projects have earned nominations in the annual Scribe Awards from the International Association of Media and Tie-in Writers. “The New Adventures of Mike Hammer: Encore for Murder” is nominated in the new audio category, and KISS HER GOODBYE is nominated in the Best Original Novel category.

The Daggers are British awards for crime and mystery fiction. I don’t know much about them, other than that they are prestigious; but the Hammer short story “A Long Time Dead” has been “shortlisted.” Whether this is a nomination or an even shorter list of nominees will follow, I can’t tell you. But here’s the full “short” list.

My cyber press tour, which I thought had wound down, continues, at least for a while. Comic List broke an interview with me into two sections, one on LADY, GO DIE and other things, another centering on the long-threatened ROAD TO PERDITION sequel. Several people comment that there should not be a sequel – apparently unaware that I’ve already written three (and the “in-between-quel, RTP 2: ON THE ROAD).

Hermes Press has announced my collection of the Mike Hammer comic strip. We have apparently located the missing Sunday lacking in the long-out-of-print previous two-volume edition, plus I’ve done two new essays about the strip and Mickey. It’ll be a very handsome book.

Mickey Spillane's From the Files of... Mike Hammer

This fairly positive but condescending review of LADY, GO DIE! is (somewhat unfortunately) probably the widest circulated of any of that novel’s reviews. The reviewer refers to the novel as a “sequel” to I, THE JURY (yes, using quotes, apparently to question its authenticity – Mickey’s partial manuscript was very clearly a sequel to I, THE JURY, and I don’t appreciate the doubt this reviewer appears to cast).

Here is Part One of an interview I did with Comic Geek (Part Two will appear later this week).

Yup, here’s another interview with me. Tired of hearing me yammer? Me, too.

For a change of pace, here’s a nice review of THE MILLION-DOLLAR WOUND, indicative of the new lease on life the Amazon reprints and e-books have given Nate Heller.

I love this review of LADY, GO DIE! (“Why don’t you marry it?” – Pee Wee Herman).

This LADY, GO DIE! review is nice, too.

So is this one.

And an overview here.

While the cyber press tour has certainly slowed down, I still have an interview or two coming up. I wonder how this is impacting sales? I don’t see how Titan could have done much better in getting the word out on the web.

If you haven’t picked up LADY, GO DIE! yet, let me encourage you to do so, and not just because I’m the co-writer. As I may have mentioned, the book is physically beautiful, with the classic Spillane photo tipped in on the front cover and his signature boldly reproduced on the back (gotta slip off the dustjacket to see this).

In the meantime, work on the fifth of the Hammer collaborations begins this week – COMPLEX 90.

M.A.C.

Sex And Violence

Tuesday, March 13th, 2012

When I set out to write hardboiled mystery novels, very much influenced by Mickey Spillane and the Gold Medal writers, I made sure my work was strong on sex and violence. I still do. Not only are these ingredients key to the noir sensibility, they represent (as I’ve said numerous times) the big topics: life and death.

And while my historical novels have an element of education/information in them, the primary purpose is to entertain, and usually in the fashion that I established early on – meaning there will be sex and violence.

Over the years this has been commented on occasionally by reviewers, but not really that often – the subject tends to come up in a more general way, i.e., why is there so much sex and violence in noir fiction?

But in the past several years, I have been getting criticized much more often about the sexual component of the books. I don’t mean to defend myself here or to complain about those reviews – I am just observing that there seems to be something afoot in the culture, something more staid, even more prudish. I graduated high school in 1966, so the sexual revolution was all around me, reflected in popular culture from underground comix to nudity-flung films.

So what’s up lately with this anti-sex scene sentiment? And almost always coming from men. Men who don’t want to read about sex. Which strikes me as bewildering. These comments often come from readers who otherwise like the books. Here’s an excerpt from an Amazon Review of CARNAL HOURS that is otherwise a rave:

“The author seems determined to inject some short, steamy sex episodes in each book. These are gratuitous and serve no purpose other than to establish the ‘ladies man’ reputation of Heller, which could be accomplished without the silly detail. I’m not prudish but each time these short episodes struck me as stupid and juvenile.”

I might wonder why any reader of book with the word “carnal” in the title would be surprised to find sex scenes in that book. But this Amazon reviewer is joined by a handful of professional reviewers who have lately made similar comments. George Easter, for example, in the fine magazine Deadly Pleasures, made that his sole carp in a very positive review of BYE BYE, BABY.

Again, I mention this because I find it odd, not to complain about it or defend myself. I will say this: anyone who considers the sex scenes in Nathan Heller novels to be mere gratuitous porn isn’t really paying attention. I don’t believe there is a single Heller sex scene involving my guy with some casual pick-up in a bar or whatever – there are references to such happenings, but they remain off-stage. The sexual encounters are there for characterization reasons, usually to build emotion and establish a closeness, even a love, between Heller and a woman who is crucial to the tale being told, often tragic romances as in TRUE DETECTIVE, TRUE CRIME, THE MILLION-DOLLAR WOUND, FLYING BLIND and BYE BYE, BABY. Some of these are real women, like Amelia Earhart, Sally Rand and Evelyn MacClean Walsh, and this gets me nasty letters at times (“How dare you?”). I had death threats over my depiction of Earhart as bisexual. Here’s the thing: Nate Heller didn’t have sex with any of these women, because Nate Heller is a fictional character.

My sex scenes do make people uncomfortable at times, and I’m rather proud of that. A mystery writer pal of mine, when TRUE DETECTIVE came out, was offended (perhaps the term is “grossed out”) that Heller used condoms and he and the lady in question cleaned up after the act. The sex was too real, apparently. An editor talked me into toning down oral sex passages in ANGEL IN BLACK…between Heller and his wife (oral sex was both characterization and a major clue in that novel).

Anyway, if you guys out there want to skip the sex scenes, fine by me. My generation of guys would more likely have underlined them. If this is progress, count me out.

And isn’t it interesting that none of these reviewers have ever complained about the graphic blood-splattering violence in my work?

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We had a very nice review for the upcoming Barbara Allan, ANTIQUES DISPOSAL, in Publisher’s Weekly.

Our good friend and that good writer Ron Fortier wrote a lovely review of ANTIQUES DISPOSAL on his fun Pulp Fiction web site.

Brandywine Books posted yet another fine Heller review, this time looking at TRUE DETECTIVE.

The low price ($2) this month of FLYING BLIND on Kindle e-book caught some nice attention here.

Perfect Crime Books has announced their Nolan reprint series, with all the covers posted.

The quirky and entertaining Temple of Schlock reviewed THE CONSUMMATA, and back on my birthday took an eccentric look at QUARRY’S EX.

Nate is heading to Japan for a month on a business vacation. He will still be handling the weekly Updates, but they will likely be a little shorter in the near future. Also, I’m working on ANTIQUES CHOP, which means you may be spared these longer entries until I am finished and Nate returns.

M.A.C.