Posts Tagged ‘The Consummata’

Sex And Violence

Tuesday, March 13th, 2012

When I set out to write hardboiled mystery novels, very much influenced by Mickey Spillane and the Gold Medal writers, I made sure my work was strong on sex and violence. I still do. Not only are these ingredients key to the noir sensibility, they represent (as I’ve said numerous times) the big topics: life and death.

And while my historical novels have an element of education/information in them, the primary purpose is to entertain, and usually in the fashion that I established early on – meaning there will be sex and violence.

Over the years this has been commented on occasionally by reviewers, but not really that often – the subject tends to come up in a more general way, i.e., why is there so much sex and violence in noir fiction?

But in the past several years, I have been getting criticized much more often about the sexual component of the books. I don’t mean to defend myself here or to complain about those reviews – I am just observing that there seems to be something afoot in the culture, something more staid, even more prudish. I graduated high school in 1966, so the sexual revolution was all around me, reflected in popular culture from underground comix to nudity-flung films.

So what’s up lately with this anti-sex scene sentiment? And almost always coming from men. Men who don’t want to read about sex. Which strikes me as bewildering. These comments often come from readers who otherwise like the books. Here’s an excerpt from an Amazon Review of CARNAL HOURS that is otherwise a rave:

“The author seems determined to inject some short, steamy sex episodes in each book. These are gratuitous and serve no purpose other than to establish the ‘ladies man’ reputation of Heller, which could be accomplished without the silly detail. I’m not prudish but each time these short episodes struck me as stupid and juvenile.”

I might wonder why any reader of book with the word “carnal” in the title would be surprised to find sex scenes in that book. But this Amazon reviewer is joined by a handful of professional reviewers who have lately made similar comments. George Easter, for example, in the fine magazine Deadly Pleasures, made that his sole carp in a very positive review of BYE BYE, BABY.

Again, I mention this because I find it odd, not to complain about it or defend myself. I will say this: anyone who considers the sex scenes in Nathan Heller novels to be mere gratuitous porn isn’t really paying attention. I don’t believe there is a single Heller sex scene involving my guy with some casual pick-up in a bar or whatever – there are references to such happenings, but they remain off-stage. The sexual encounters are there for characterization reasons, usually to build emotion and establish a closeness, even a love, between Heller and a woman who is crucial to the tale being told, often tragic romances as in TRUE DETECTIVE, TRUE CRIME, THE MILLION-DOLLAR WOUND, FLYING BLIND and BYE BYE, BABY. Some of these are real women, like Amelia Earhart, Sally Rand and Evelyn MacClean Walsh, and this gets me nasty letters at times (“How dare you?”). I had death threats over my depiction of Earhart as bisexual. Here’s the thing: Nate Heller didn’t have sex with any of these women, because Nate Heller is a fictional character.

My sex scenes do make people uncomfortable at times, and I’m rather proud of that. A mystery writer pal of mine, when TRUE DETECTIVE came out, was offended (perhaps the term is “grossed out”) that Heller used condoms and he and the lady in question cleaned up after the act. The sex was too real, apparently. An editor talked me into toning down oral sex passages in ANGEL IN BLACK…between Heller and his wife (oral sex was both characterization and a major clue in that novel).

Anyway, if you guys out there want to skip the sex scenes, fine by me. My generation of guys would more likely have underlined them. If this is progress, count me out.

And isn’t it interesting that none of these reviewers have ever complained about the graphic blood-splattering violence in my work?

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We had a very nice review for the upcoming Barbara Allan, ANTIQUES DISPOSAL, in Publisher’s Weekly.

Our good friend and that good writer Ron Fortier wrote a lovely review of ANTIQUES DISPOSAL on his fun Pulp Fiction web site.

Brandywine Books posted yet another fine Heller review, this time looking at TRUE DETECTIVE.

The low price ($2) this month of FLYING BLIND on Kindle e-book caught some nice attention here.

Perfect Crime Books has announced their Nolan reprint series, with all the covers posted.

The quirky and entertaining Temple of Schlock reviewed THE CONSUMMATA, and back on my birthday took an eccentric look at QUARRY’S EX.

Nate is heading to Japan for a month on a business vacation. He will still be handling the weekly Updates, but they will likely be a little shorter in the near future. Also, I’m working on ANTIQUES CHOP, which means you may be spared these longer entries until I am finished and Nate returns.

M.A.C.

Coming Down The Pike

Tuesday, January 31st, 2012

This will be another fairly short update, because I am coming down the pike on the new Jack and Maggie Starr mystery, SEDUCTION OF THE INNOCENT. I have about a week and maybe a day or two left, assuming all goes well.

I admit to it being a strange experience, because at Berkley Prime Crime, I had to keep myself somewhat in check where the ol’ sex and violence is concerned – the series was conceived to be my Rex Stout tribute, so that seemed in keeping, though Rex did more in the sex and violence department than many seem to notice or recall (or I should say Archie Goodwin did). But writing this for Hard Case, my concern is the opposite. Is it tough and sexy enough? Can I push the envelope a little, and do things Prime Crime would have bridled at, without violating the integrity of the series? We’ll see.

One fun thing: the Des Moines Register called me (well, a reporter did – the paper itself just never calls) and asked me to weigh in on a real-life Iowa mystery. Check it out.

Here’s a nice review of STOLEN AWAY. I love that Amazon making these books available again is stirring new interest in Nate Heller.

Here’s a rare negative review of THE CONSUMMATA. It’s from the very good site, The Violent World of Parker, and you may want to have a look. I responded to the review, and this began an exchange that you may find entertaining. I only respond to negative reviews when I think there’s something unfair or inaccurate in a review. I might note that I may be a rare example of somebody who adores both Richard Stark’s understated style and Mickey Spillane’s over-the-top one. I know I’m the only writer who had those two men as mentors. But I am never surprised when a Stark/Westlake fan does not care for Mickey. (In this case, to be fair, the reviewer liked THE DELTA FACTOR but not the sequel.)

Lynn Myers and I (mostly Lynn) have put together a new Paul Cain collection with a biographical sketch about this mysterious BLACK MASK writer. I haven’t seen the book yet (it’s a limited edition expensive number) but it’s starting to be reviewed, for example here.

And here are some nice comments (if you scroll down the list) on my CRIMINAL MINDS novel KILLER PROFILE. Matt Clemens co-wrote that one.

We had our first public Crusin’ performance with new bass player, Brian Van Winkle, at a fun club called Ducky’s Lagoon ourside Andalusia, Illinois. How well did we do? Immediately got two book-backs for March and May.

See you next week, and I hope to report that SEDUCTION OF THE INNOCENT has been completed.

M.A.C.

Mike Danger Loses A Friend

Tuesday, December 20th, 2011

For those of you out of the comics scene loop, I’m sorry to report that Eduardo Barretto passed away recently. Eduardo was the initial artist on the MIKE DANGER comic book, drawing the first six issues, and while other good artists followed, nobody came close to his classic approach. He also drew my Eliot Ness/Batman graphic novel, SCAR OF THE BAT, providing the best Bat-art I ever got.

My collaborations with Eduardo were long distance, and we only met once, briefly, at a San Diego Comic Con. He was about to go into a meeting with an editor, and we pretty much passed like ships in the night. But I loved his work and regret I didn’t get a chance to work with him again. He was on the very short list of artists I suggested for ROAD TO PERDITION.

There were a lot of nice write-ups about Eduardo in the wake of his passing, but here’s a nice representative one.

Crimespree 44

I am pleased and honored to be a cover boy again, this time on CRIMESPREE 44. The interview, conducted by editor Jon Jordan himself, has some glitches and typos but is otherwise a particularly good one, I think, thanks to Jon’s questioning. If you can’t pick up a copy at a mystery bookstore, you can just pay $6 through Paypal to Jon@crimespreemag.com, or send a check for $6 to:

Crimespree Magazine
536 South 5th St
Milwaukee WI 53204.

It’s also available as an e-book from either Amazon or Barnes & Noble online.

My pal Leonard Maltin called recently to say how much he liked BYE BYE, BABY. He even included it in his seasonal wrap-up on new and notable Hollywood-oriented books.

At Bookreporter.com, several regular reviewers were asked to present best 10 books of the year, and Tom Callahan included BYE BYE, BABY on his.

We also received some Best of 2011 honors at the cool Sons of Spade site.

I was asked to write about one of my favorite authors, Ed McBain, for Amazon, and you can find my piece (and others) right here. If you like my work and McBain’s, you’ll want to take a look.

A nice CONSUMMATA review popped up here. That little book has generated nice online buzz (and was recently part of a Titan giveaway promotion at Ain’t It Cool News); no link, ‘cause the contest’s over….

You may find this review of the graphic novel ROAD TO PERDITION of interest. It’s quite insightful, but has the unusual perspective of a reviewer who likes the book but does not like the film. I like the film a lot, but I am always up for hearing from people who like the book better….

That gifted comics scribe John Ostrander said some nice things about CHICAGO LIGHTNING.

Finally, let me wish you and your loved ones a very Merry Christmas this week, and a happy holidays in general. This has been a rough year in many ways – the loss of Eduardo Barretto is a reminder of other losses, including Chuck Bunn from Crusin’ and my longtime film collaborator Mike Cornelison. My mom at her nursing home no longer recognizes Barb and me. I have always gotten misty-eyed at that line in “I’ll Be Home For Christmas” that says we’ll all be together “if the fates allow.” The fates have been kinder in other years.

Still, I am remarkably blessed. I have a beautiful, funny, talented, supportive wife in Barb – did I mention beautiful? – and a talented, funny, supportive son in Nate (I would call him “handsome,” but as much as we look alike, that would be inappropriate). My career manages to roll along nicely despite a marketplace that resembles a back-alley in Iraq. I have so many friends, many of whom collaborate with me – like Jane Spillane, Matt Clemens and Phil Dingeldein, among many others (you know who you are, or anyway I hope you do) – who make my life a particularly full and happy one. Among those friends are the readers who support my work and stop by this weekly update. I raise a rum-spiked glass of egg nog to you all.

M.A.C.

Sneak Peak At The New Hammer

Tuesday, December 13th, 2011
Lady, Go Die!

Titan has a wonderful new take on doing Spillane/Hammer covers, as this advance look at LADY, GO DIE! reveals. I’m a little concerned that I seem to be getting top billing here, but Mickey’s name at the bottom of the image is somewhat larger and I’m assured will catch the eye first. (The official billing, as always, puts Spillane in first position.) But it’s a striking design, isn’t it?

Speaking of Spillane, THE CONSUMMATA continues to garner fine reviews, like this widely circulated one at Blogcritics. Funny thing about this one – the presence of a comics reference (specifically Batman and Catwoman) convinces the critic that I wrote that particular line. Apparently he’s unaware of Mickey’s affiliation with (and affinity for) comics – Batman was a favorite of Mick’s, and he claimed to have written some stories for the feature, though we’ve never been able to confirm that (Mickey worked for Funnies, Inc., and a lot of his stuff was at Timely/Marvel).

The Simon & Kirby Crime Comics book that I introduced has continued to rack up great notices, often with kind words about my intro. Check out this one, and this one.

My friend and collaborator Terry Beatty and I began work on SEDUCTION OF THE INNOCENT over the weekend – I plotted it and provided him with script for his chapter intros and the Ellery Queen-style “Challenge to the Reader.” Terry gave an interesting interview here.

I made a mid-week Chicago day trip with another frequent collaborator, Matt Clemens, to continue preliminary work with sports radio star Mike North. Matt and I are prepping to write an “as told to” autobiography for Mike. We met with a publisher and confabbed at the great restaurant Gibson’s (on the site of Mr. Kelly’s!), and made the Sun Times. Usually me having lunch doesn’t rate major media attention….

M.A.C.