Posts Tagged ‘Reviews’

Notes From a Stuffed-Up Author

Tuesday, February 18th, 2014

I spent much of last week fighting a cold and researching/writing an introduction for a forthcoming Hermes Press collection of the pre-Disney ZORRO comic books from Dell. The centerpiece is a trio of issues drawn by Everett Raymond Kinstler, who would go on to be our nation’s premiere portrait artist, with subjects ranging from John Wayne to various Presidents. The other comic books (seven in all) are good as well, but I really had to dig in on the net and among Zorro fans to find out who the artists and writers were. Much guesswork involved. I am a big fan of Zorro as originally created by pulp writer Johnson McCulley, and my intro in part decries the paucity of McCulley Zorro stories in print.

Also, we received good reviews from agent and editor on ANTIQUES FRUITCAKE, so that one is largely put to bed (it’s an e-book novella). Barb is back to her draft of ANTIQUES SWAP, and I am headed into the Spillane western, THE LEGEND OF CALEB YORK. There will be a subtitle for the latter but I haven’t come up with it. I’ve been told to leave out the sex and hit the violence hard, even down to the title. So RAVAGING THE DANCE HALL GALS is out. I’m considering SHOOT-OUT AT SIROCCO.

I also worked on several more passes on a HELLER TV pitch. I’ve done seven so far. Hollywood is all about rewriting. I remember so vividly when I handed in draft umpteen on THE EXPERT to director Bill Lustig and he immediately said, “Thanks! Now, on the next draft I want to concentrate on – ” I interrupted to say that I wouldn’t take any more notes till he’d read the draft I just handed him.

Barb and I are listening to Dan John Miller’s audio rendering of THE WRONG QUARRY. This is Dan’s first Quarry novel, having done all of the Hellers. He has once again nailed it.

Speaking of THE WRONG QUARRY, here’s another nifty review.

COMPLEX 90 made the top five best book covers of 2013 at the Rap Sheet.

Here’s a nice review of the Hammer short story (available from Mysterious Bookshop as a mini-book), “It’s in the Book.”

Finally, here’s a very smart review of the film of ROAD TO PERDITION. Nice to see this great film really making its mark over the years.

M.A.C.

Target Japan

Tuesday, February 11th, 2014

I was surprised and delighted to see Mike Carlson, one of the UK’s best and most respected crime fiction reviewers, give TARGET LANCER a rave. Carlson was apparently sparked by the mass-market paperback edition. He seems to share my interest in, and take on, the JFK assassination. I’ve got to get ASK NOT into his hands.

I recommend the film THE MONUMENT MEN and urge you to ignore the mostly negative reviews it’s been getting. It’s a determinedly old-fashioned movie from its star cast (essentially playing themselves or at least their movie personas), a rousing and intentionally Old School score, a compelling episodic structure cutting between story threads, and a respect for history that makes it a DIRTY DOZEN for people who respect art. There’s not a lot of slam-bang action, but the extent of the evil of the Hitler regime comes across effectively in a unique fashion. No, it’s not INGLOURIOUS BASTERDS. And 12 YEARS A SLAVE isn’t DJANGO UNCHAINED, either.

This will be an extremely short update because (A) I seem to be coming down with a cold, and (B) I am prepping to start the Spillane western novel.

So I’m turning the rest of this post over to son Nate, who with his wife Abby recently went to Japan. I’ve asked him to share some photos of that trip.

M.A.C.

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Hi everyone. Nate here. Let’s get right to the pictures!

Japan 2014

Our first day, we went to the Comic Market (aka Comiket) in Tokyo, which is sort of like Japan’s San Diego Comic-Con, only even more massive (around 540,000 attendees over three days to Comic-Con’s 130,000 over four days), and with a heavy focus on self-publishing groups (some 35,000 of them divided across the three days—each day has an entirely different lineup) in endless rows of small folding tables and minimal displays (only the industry publishers can swing enough space for booths here, and only in a separate hall with a separate entry line). Sadly, I did not take any pictures of the inside, as there was no room to do so.

Our AirBNB hosts shared us this video of the Comiket line management. San Diego Comic-Con organizers should take note!

Japan 2014

The first few days of the new year are the most important holiday in Japan, and one of the many New Year’s traditions is to visit a shrine or a temple. Due to the increased number of visitors, carnival-esque booths selling food and toys often spring up around the holy sites, and if you’re lucky, you might come across performances by traditional entertainers. Above is a ladder acrobatics demonstration stemming from firefighting techniques of the 19th-Century Edo period, when a portable ladder could often provide the fastest vantage point to find the source of a fire. The poles barely visible at the base of the photo are axes held by the other members of the troupe, who balance the ladder for the climber as they await their turn to show off. Would you like to know more?

Japan 2014

This is a statue in Kyoto’s Yasaka Koshin-do Temple of Binzuru-Sonja, one of Buddha’s disciples popular in Japan. He is said to help those who touch or rub his statue on the part of the body where they are suffering an affliction.

Japan 2014

“Unryuzu” by Kaiho Yusho, Kennin-ji Temple, Kyoto. 16th Century. (Reproduction)

Japan 2014

Kamo River, Kyoto.

Japan 2014

On one of our favorite days, our friend (and two of her helpers!) dressed us in these lovely traditional Japanese wedding kimono. Truly an honor!

Nate

Writer’s Work is Never Done

Tuesday, January 28th, 2014

When a writer finishes a novel and sends it in to a waiting editor/publisher, a feeling of relief is greater than any sense of accomplishment. What all of us forget, however, is that sending in the “finished” book is only the beginning.

First, there comes an editorial letter, often asking for revisions, followed by a line-edited manuscript, then a copy-edited manuscript and finally galley proofs. For a prolific writer like me, all of these turn up unexpectedly, often at terrible times, and always with a note to get the manuscript or galleys back in something like three days.

Editors don’t care if you’re on deadline with some other book, usually (though not always) for some other publisher. Every editor (rightly) considers the book of yours that is theirs to be the only book.

I also have the problem of not wanting to do any revisions that aren’t absolutely necessary – i.e., a plot point that I haven’t dealt with, or sentences and/or paragraphs that have proved confusing. I rarely agree to elaborate rewrites. Hardly ever. I also am notorious for becoming furious with copy editors. Not all copy editors: just those who have appointed themselves collaborators. About one in three times at bat, I encounter one of these creatures intent upon “improving” my work.

I don’t think I’m alone in this. The only shit fit that Mickey Spillane ever threw in front of me was in response to a copy-edited version of one of his novels. The fury of Mike Hammer at his kill-craziest was unleashed.

But it is the collision of books that can make a writer dizzy.

Last week, after completing QUARRY’S CHOICE, I was immediately thrust into dealing with the galley proofs of the very different SUPREME JUSTICE. Now, because Hard Case editor Charles Ardai is lightning fast, I am already facing the copy-edited manuscript of CHOICE!, before the literary paint is dry. I am grateful and impressed with Charles’ speed, but fear I lack enough distance from the book to effectively work with the copy-edit so soon.

Much of what a professional fiction writer does is little-known or even unknown by readers.

Ahead in the immediate week or two ahead are finishing a TV pitch for a potential Nate Heller TV series, which will require me re-reading STOLEN AWAY and much of TRUE DETECTIVE, taking notes as I go; writing my draft of a “Barbara Allan” Christmas novella called ANTIQUES FRUITCAKE, not due for a while but necessary to deal with now, because of scheduling issues; and getting ready to write a western novel based on an unproduced Mickey Spillane screenplay. The latter prep will include spending many hours with that screenplay, looking at western reference books, and reading some ‘50s western novels by the likes of Jonas Ward and Harry Whittington, to help get the right flavor.

Not complaining, mind you. This beats my other paying jobs (sacking groceries, bussing tables) by some distance.

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Eliot Ness
Eliot Ness

Be sure to check out the Huffington Post piece on Eliot Ness that Brad Schwartz and I put together to defend the Untouchable from attacks from Jonathan Eig (Get Capone) and others, in reaction to the proposal that a new ATF building be named for him.

My pal and collaborator Matt Clemens visited the Twin Cities recently to read one of our short stories at Noir at the Bar.

Speaking of Matt, here’s a great review of WHAT DOESN’T KILL HER, which – like SUPREME JUSTICE – is a book Matt contributed mightily to.

Check out this very good article on cozy mysteries dealing with antiques. Barbara Allan gets some very nice attention here.

Still haven’t picked up THE WRONG QUARRY? Here’s an excerpt.

Here’s a great WRONG QUARRY review, demonstrating that members of my favorite sex (hint: not male) can relate to Quarry just fine.

And finally a review of QUARRY – the first book in the series. How odd and oddly sweet to see a novel that I began writing in 1972 at the U of Iowa Writers Workshop getting reviewed in 2014.

M.A.C.

New Mike Hammer Mini-Book Plus Quarry Raves

Tuesday, January 14th, 2014

My friend Otto Penzler, who published the first three Spillane/Collins “Mike Hammer” novels at Harcourt, asked me to develop a bibliophile novella for him. He has a series of these small books that are sold exclusively through his Mysterious Bookshop in Manhattan. The story, called “It’s in the Book,” has Mike Hammer searching for…a book. I think it’s one of best the short stories I’ve developed from Mickey’s shorter Hammer fragments, and you can order it here for $4.95.

There’s also a signed limited hardcover edition for $100, for the more demented among you. You can find it at the Mysterious Bookshop website.

Courtesy of Iowa-based stand-up comic Dwayne Clark (he’s terrific) comes this screen cap of Chris Christie. No political point here, just bragging on how a certain title of mine has gotten into the language.

Road to Contrition

The WRONG QUARRY reviews, mostly raves, keep rolling in. Very good response to this one. It’s been interesting and a little odd to have all this discussion of what is from my perspective the previous Quarry novel while I am working on the current one. It’s especially odd because a lot of the reviews focus on the “list” approach of WRONG QUARRY, whereas QUARRY’S CHOICE takes place while Quarry is still working for the Broker. When he’s a hitman killing citizens and not a hitman killing other hitmen.

One reviewer, generally a fan of my work, has trouble with Quarry himself. That he talks to the reader. That he seems fairly normal. That he is a killer. I get this, and always knew the character would not work for all of my readers. Going back to the character’s creation in the early ‘70s, Quarry is perhaps the first series protagonist with PTSD. He is us, post-Vietnam – numb, less human while still recognizably human. The arc of almost any Quarry novel is the character starting as a cold killer, meeting a good woman, and becoming something more like who he’d been pre-Vietnam. But faced at the conclusion with a decision that could be answered any number of ways (one of them violence), he will always choose violence. Like America, that war ruined him.

I understand that readers who like Mallory or Heller (or the ANTIQUES series!) may find Quarry a hard go. The books are black comedies, and he is not a hero in the traditional sense. He’s not even an anti-hero in the traditional sense. I like it when readers are disturbed or uncomfortable with him and his behavior. When in 1972 I showed the first two chapters of QUARRY to my workshop class at the University of Iowa, many students objected to Quarry killing a man dispassionately in chapter one and screwing a woman dispassionately in chapter two. I just smiled and said, “That was the point – bang bang.”

Also, there are Quarry fans who don’t like Heller and really don’t like Mallory (and would probably puke reading an ANTIQUES novel). I’m okay with that. You don’t have to like everything on the restaurant’s menu. But do keep in mind that I primarily write melodrama, and that I don’t necessarily approve of everything that my protagonists do. Do you really think Mike Hammer and I vote for the same candidates?

Well, that’s unfair. Mike Hammer doesn’t vote.

Not even for Chris Christie.

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Let me share some of these mostly incredible WRONG QUARRY reviews, starting with this rave from Book Reporter.

Another nice one can be seen at the Eloquent Page, though I hardly agree with the reviewer that Quarry is depicted as “a real man’s man, all booze, violence and broads.” Mostly he drinks Cokes, and he doesn’t really think about women in those terms. Violence – okay, you got me there.

As a guy who never served in the military, I love it when a military.com reviewer digs Quarry. (Quarry was, as I mentioned, in part based on my late friend Jon McRae, who served many tours in Vietnam as a Marine.)

The Mystery People folks chose THE WRONG QUARRY as one of their three picks for January.

Here’s a cool one from Nerd Like You. I love it when nerds like my stuff – I was one before it became cool.

Here’s a very intelligent write-up from Mystery Maven.

And another great one from Terry Ambrose.

Geek Hard finds THE WRONG QUARRY righteous.

This brief, positive review prefers Heller and Mallory to Quarry, and recommends Mallory as the place to start with my work. As I mentioned above, I can see that a Mallory fan might struggle with Quarry.

And Nerds of a Feather likes THE WRONG QUARRY, too.

The mixed review I discussed above can be seen here. You have to admire a balanced approach like this – so easy these days to write a rave or a pan.

Finally, on a non-Quarry note, here’s a scan of a BATMAN story courtesy of current fans who like my work on that feature. Bless you, my children!

M.A.C.