Posts Tagged ‘Mike Hammer’

New Mike Hammer Novel Giveaway

Tuesday, April 15th, 2014
King of the Weeds

Last week, my offer of a dozen ARC’s (advance reading copies) of ANTIQUES CON to readers willing to do an Amazon review found all twelve spoken for within 24 hours.

This week I have a similar offer, and it just might go quicker (we will post here and on Facebook when the offered books are gone). [Note from Nate: We’re all out again. Thanks for the terrific response!] I have a dozen copies (not advance reading copies, but the real deal, and I’ll sign them) of KING OF THE WEEDS, the Mike Hammer novel going on sale May 6. Again, this is predicated on your willingness to write an Amazon review (also encouraged are Barnes & Noble reviews and blog reviews in general). Do not try to post your review before May 6 – Amazon does not allow advance reviews except from their own selected cadre.

This week our son Nathan visited Barb and me for several days, and during that time our author copies came of not only ANTIQUES CON and KING OF THE WEEDS, but Nathan’s BATTLE ROYALE (the cult classic Japanese novel of which he did a new, superior translation). Kind of amazing: every time the doorbell rang, there were more boxes of our books! (And an angel got its wings, of course.)

Battle Royale Remastered

Nathan’s presence was fortuitous in another way – he was here to participate for Barb and me (and Mrs. Nathan Collins, Abby) in the frantic on-line event known as the San Diego Con making hotel rooms available. The rooms go in under twenty minutes, and the good ones (downtown) are gone in under two minutes. Nathan took under 90 seconds to enter the required info, including a list of six hotels in order of preference, and – thanks to computer dexterity on Nate’s part that both his mother and I lack – we were rewarded with rooms at the Marriot Marina next door to the convention center. This is winning the nerd lottery. We have been attending San Diego Comic Con for many, many years…and this is the first time we’re staying at everybody’s first choice for lodgings.

Right now I am working on ANTIQUES SWAP – really dug in on it. Another week and a half, I would estimate, and my draft will be complete. Barb did such a great first draft that my work has been easy – or as easy as writing ever gets, which isn’t very.

Allow me to quickly comment on a few recent TV series and movies.

First, TV. JUSTIFIED is a great show and had a terrific season finale, setting up one last great big season with Raylon Givens and Boyd Crowder facing off one last time. ARCHER – renamed ARCHER VICE – is winding up its latest season, and it remains my favorite series on TV, just a truly demented guilty pleasure, should any of you be able to experience guilt. On Blu-ray, we watched three JACK IRISH movies, a very good hardboiled private eye show from Australia based on a novel series – beautifully shot, well-written, well-acted, with Guy Pierce excellent as the somewhat forlorn (but not despairing) lead. At least as good is the new season, the sixth, of GEORGE GENTLY with British TV superstar, Martin Shaw. These four movie-length episodes are superior to most of what you might see at the movies themselves. Set in the changing times of the late ‘60s, with a father-and-son relationship between an older and younger cop, GENTLY is as good as anything in the UK crime department with the possible exception of SHERLOCK.

Onto film. I didn’t hate CAPTAIN AMERICA: THE WINTER SOLDIER. [Note from Nate: mild spoiler alert] In fact, there is much to like, in particular Chris Evans’ portrayal of Cap, and Scarlett Johansson in a skin-tight cat suit. Audiences are reacting very well to this one and I feel like a bit of a spoilsport not to be caught up in its spell. But every surprise is predictable, and it suffers from the oh-so-serious rendering of childish concepts Stan Lee threw off in his sleep decades ago. Guys, SHIELD is not the CIA – it’s an imitation of UNCLE, as in MAN FROM. The Winter Soldier is Bucky, and Bucky is Captain America’s Robin, fer chrissakes. You would think I would relish these movies, having grown up on Marvel (and Atlas before it). But the fun has been drained out, largely. By the way, almost all of the endless fight scenes are incoherent. When a CAPTAIN AMERICA movie’s biggest surprise is that Robert Redford is not the Red Skull, we have a problem here at the Merry Marvel Marching Society (yes, I was a charter member).

For wild action that is not incoherent, although it’s gory as hell (in a good way), catch THE RAID 2. Though it lacks the purity of the single-setting first film, RAID 2 has more fantastic action set pieces than you can shake a baseball bat at (and there will a baseball shaken). This is the rare Asian crime film that actually beats John Woo at his own game.

But the best movie I’ve seen this year – though it’s admittedly not to every taste – is THE GRAND BUDAPEST HOTEL. I run hot and cold on Wes Anderson. Hated MR. FOX, loved MOONRISE KINGDOM. Was annoyed by DARJEELING EXPRESS, was crazy about RUSHMORE. This new film is his best, combining all of his obsessions and quirks into one very funny, very moving film, with a mindboggling cast that is unlikely to be repeated, even in another Wes Anderson film. Anderson is a novelist on screen, but one who shares the vision inside his skull with the viewer.

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Here’s a blast from the past: a review of THE HISTORY OF MYSTERY.

And here’s a fun review of THE WRONG QUARRY, specifically of the audio version read by the great Dan John Miller.

M.A.C.

Notes From a Stuffed-Up Author

Tuesday, February 18th, 2014

I spent much of last week fighting a cold and researching/writing an introduction for a forthcoming Hermes Press collection of the pre-Disney ZORRO comic books from Dell. The centerpiece is a trio of issues drawn by Everett Raymond Kinstler, who would go on to be our nation’s premiere portrait artist, with subjects ranging from John Wayne to various Presidents. The other comic books (seven in all) are good as well, but I really had to dig in on the net and among Zorro fans to find out who the artists and writers were. Much guesswork involved. I am a big fan of Zorro as originally created by pulp writer Johnson McCulley, and my intro in part decries the paucity of McCulley Zorro stories in print.

Also, we received good reviews from agent and editor on ANTIQUES FRUITCAKE, so that one is largely put to bed (it’s an e-book novella). Barb is back to her draft of ANTIQUES SWAP, and I am headed into the Spillane western, THE LEGEND OF CALEB YORK. There will be a subtitle for the latter but I haven’t come up with it. I’ve been told to leave out the sex and hit the violence hard, even down to the title. So RAVAGING THE DANCE HALL GALS is out. I’m considering SHOOT-OUT AT SIROCCO.

I also worked on several more passes on a HELLER TV pitch. I’ve done seven so far. Hollywood is all about rewriting. I remember so vividly when I handed in draft umpteen on THE EXPERT to director Bill Lustig and he immediately said, “Thanks! Now, on the next draft I want to concentrate on – ” I interrupted to say that I wouldn’t take any more notes till he’d read the draft I just handed him.

Barb and I are listening to Dan John Miller’s audio rendering of THE WRONG QUARRY. This is Dan’s first Quarry novel, having done all of the Hellers. He has once again nailed it.

Speaking of THE WRONG QUARRY, here’s another nifty review.

COMPLEX 90 made the top five best book covers of 2013 at the Rap Sheet.

Here’s a nice review of the Hammer short story (available from Mysterious Bookshop as a mini-book), “It’s in the Book.”

Finally, here’s a very smart review of the film of ROAD TO PERDITION. Nice to see this great film really making its mark over the years.

M.A.C.

The Write Quarry

Tuesday, February 4th, 2014

It’s very gratifying that THE WRONG QUARRY has generated so much attention, particularly on the Net. This is, after all, the tenth novel in a series begun in 1976. No other book of mine in recent years – including the Heller comeback novels that form the JFK Trilogy – has been so widely reviewed. As I noted a while back, out of what must be around forty write-ups by now, there’s been only one that wasn’t a near rave – and it was mixed.

It appears that a lot of the reviewers and bloggers who dig Quarry are only familiar with the recent five Hard Case Crime novels. I hope that gradually the Perfect Crime reprints, with the cool Terry Beatty covers, will find their way into the hands and minds of these new Quarry fans.

One interesting result of (I presume) younger readers discovering the series through Hard Case is that the premise of Quarry being a hitman who kills other hitmen has been hailed as innovative, and “new” for Quarry specifically and crime novels in general. Of course, many of you who follow these updates (both of you) know that the premise of Quarry using the Broker’s list began back in 1976, in the book now known as (not surprisingly) QUARRY’S LIST. Also, both QUARRY IN THE MIDDLE and QUARRY’S EX from Hard Case are “list” novels.

I’m not complaining. I always thought the “list” concept was innovative myself. I just thought that starting back in ‘76….

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Complex 90

Here’s a nice essay utilizing interview answers from me. The emphasis, not surprisingly, is on Quarry and the current novel.

And, yes, wonderful WRONG QUARRY reviews are still appearing, like this one at Crime Fiction Lover.

Here’s a nice one from Fiction Addict.

On the Mike Hammer front, J. Kingston Pierce at the Rap Sheet has singled out his favorite covers of last year and COMPLEX 90 made the list. He’s giving you the opportunity to vote for your favorite among his. Remember, any vote for Mike Hammer is a vote for America.

Here’s an excellent review of THE GOLIATH BONE. There’s also an explanatory comment from me about who-wrote-what.

Finally, here’s an overview of Crime Fiction in Comics and Graphic Novels that includes a nice section on yours truly (I always want to add “Johnny Dollar” to that…).

M.A.C.

Edgar Nom and Life with Mickey

Tuesday, January 21st, 2014

I am pleased, and a little astonished, that “So Long, Chief,” a short story by Mickey Spillane and me that appeared in the Strand magazine, has been nominated for an Edgar. The story is one of around five I’ve done so far with an eye on developing a Hammer short story collection, utilizing the shorter fragments in Mickey’s files.

I’ve been nominated a bunch of times for Edgars, but this is only my second for fiction (the previous one was for the Ms. Tree prose short story, “Louise”). Nate Heller has never rated a nomination; Quarry either. ROAD TO PERDITION wasn’t eligible in any category because it’s a graphic novel.

This nomination rights an embarrassing wrong: while he was named a Grand Master Edgar by the MWA (thanks to the efforts of Don Westlake, Otto Penzler and others), this is Mickey Spillane’s first Edgar nomination.

Barb and I have not decided whether we’ll attend the awards ceremony in New York. If I go, I may jinx it, and we already have trips planned this year for San Diego Con and Bouchercon. And I have a lot of work on my plate. We’ll see.

See the full list of short story nominees, and my stiff competition, here.

In other Spillane news, there’s a Mickey book that I didn’t write that’s about to come out: MY LIFE WITH MICKEY by the effervescent Jane Spillane. I can’t wait to read this myself. Mickey’s lovely widow has attracted lots of press, particularly in the South. Check this wonderful piece out.

I should note that the journalist got one bit a little wrong – Jane found a section of the climax of THE GOLIATH BONE in Mickey’s pick-up, complete with post-it’s…not LADY, GO DIE! To order MY LIFE WITH MICKEY, go here.

I have wrapped up QUARRY’S CHOICE. It went out yesterday to editor Charles Ardai, and was one of the harder Quarry novels for me. First, I had the potential TV series hanging over my head (still no news); and second, in the midst of much reviewer love for the hitman-killing-hitmen aspect of recent Quarry novels, CHOICE is only the third novel to deal with Quarry when he was working for the Broker. (There’s also a short story.) There’s a lot of sex in this one. How much? Well, Barb said I’m now officially a dirty old man.

She’s kidding, of course (aren’t you, honey?) but it touches upon the reaction some reviewers and readers have to the sex in my novels, particularly Quarry ones. Are these scenes gratuitous? Well, a book as dark and violent as any Quarry novel is inherently gratuitous. But I try to use sex scenes for characterization purposes. In THE WRONG QUARRY, a casual, nasty bit of back alley sex shows Quarry and the woman at a sort of low moral ebb; but a later, tender sexual encounter between them reveals they have stirred better impulses in each other. Similarly, an over-the-top sex scene involving a barely legal wild child means to demonstrate its relative emptiness compared to conventional but loving sex with a much older woman. Anyway, that’s what I hope those scenes do.

Scenes of violence in Quarry novels tend to be either very understated (“I got out the wrench”) or go into gory Spillane-style excessive description. A flat scene of violence can indicate the protagonist’s emotional numbness to such carnage; a highly descriptive depiction of that carnage can remind you of the actual physical and human toll.

I share these thoughts with you, because a good number of the reviews – and I mean the positive ones – of THE WRONG QUARRY talk about the book as pulpy fun, and I hope that’s the case, because as I said here last week, I consider the books to be black comedies. But in my novels – in any good fiction dealing with sex and violence – such scenes do not occur in a vacuum. They intend to reveal character.

The reviews of THE WRONG QUARRY continue to roll in. This is one of my most-reviewed books of recent years, and really only one of them (probably numbering close to 35 by now) could be called mixed or negative. (Guess which review I fixate upon.)

I was thrilled to get this glowing notice from one of the key reviewers in contemporary mystery/crime fiction, J. Kingston Pierce at the Rap Sheet.

Careful reading this fun review – there’s a major spoiler (I had to ask the reviewer to attach a SPOILER WARNING before the paragraph in question, which she graciously did).

Here’s another good one.

And another.

Finally, here’s yet another did-you-know-it-was-a-comic-book rewrite about ROAD TO PERDITION, book and film.

M.A.C.