Posts Tagged ‘Mike Hammer’

Heart and Soul: Bonus Features

Tuesday, April 12th, 2016

Here’s a special treat that none of you have been asking for: brief reviews of every movie I watched while I was hospitalized.

Early on, when I learned open-heart surgery was in the cards, I bought a small portable Blu-ray player. Beyond its obvious use, during the upcoming hospital stay, I knew it would be cool to have on trips where early-to-bedder Barb could go to sleep in our hotel room while I watched something on the Blu-ray player, listening through headphones and not bothering her. Getting that Blu-ray portable was smart of me.

Here’s where I was dumb. Instead of picking DVDs and Blu-rays (from my stupidly large collection) that were either old favorites or which had a lot of potential, I filled a little CD case with oddball stuff I hadn’t got around to yet, and that I was pretty sure Barb would have no interest in.

But it was Barb who soon realized I was making my hospital time even worse by torturing myself with crap movies. I guess when you almost die, you have less patience for spending time pointlessly. So here’s a rundown on a bunch of movies that you should avoid. I’m using the Leonard Maltin four-star system, just don’t look for any four-stars. I usually am loathe to write bad reviews of movies. But since I loathed these movies, I’ll make these exceptions.

SMART GIRLS DON’T TALK (1948) – * ½. Pitiful excuse for a film noir with Virginia Mayo (her character all over the good-girl/bad-girl map) supported by Bruce Bennett and Robert Hutton, two of the dullest leading men on record.

CHRISTMAS EVE (1947) – * ½. Two of my favorite (if limited) actors, Randolph Scott and George Raft, in a sort of anthology movie that is among the dreariest Christmas movies ever made. After this contemporary misfire, Scott made only westerns. Good choice!

THE SUN SHINES BRIGHT (1953) – *. Worst John Ford movie ever. A personal favorite of his, and the pits – cornball smalltown humor, sentimental slop, and incredibly racist attitudes even for its era (Stepin Fetchit co-stars). A remake of a much earlier Ford starring Will Rogers. Full disclosure: the only one of these terrible movies I didn’t make it through.

CAPTAIN CAREY U.S.A. (1950). 1 ½ *. Incredibly dull, slow-moving Alan Ladd almost-noir. Don’t believe the “U.S.A.” – it takes place in a studio-created Italy. Somebody betrayed Ladd during the war and he wants to get even. I watched the thing and I’d like to get even myself.

THE CROOKED WAY (1949) – 1 ½ *. I’m a fan of John Payne, whose MIRACLE ON 34th STREET performance is pitch-perfect. Here he’s earning a paycheck as an amnesiac in a rote would-be noir that remembers only to hit every cliche, hard. I wish I could forget it.

YOU AND ME (1938) **. Probably the most interesting of these movies, but nonetheless an oddball misfire from director Fritz Lang. It’s a musical starring George Raft! Neither Raft nor co-star Sylvia Sidney sing. A Greek chorus of lowlifes, courtesy of Kurt Weill, recalls THREEPENNY OPERA, but nothing here was worth Bobby Darin covering. Bob Cummings plays a gangster!

MAN IN THE SHADOW (1957) 1 ½ *. Brain-numbingly predictable modern-day western in which the whole town stands up against a sheriff (Jeff Chandler) who wants to stand up against the rich guy who owns the place. That the rich guy is Orson Welles in a fake nose somehow only makes it worse. Written by STAR TREK scripter Gene L. Coon, who should have known better.

ASSAULT ON A QUEEN (1966) **. Conceived as a nautical take on OCEAN’S 11, and based on a Jack Finney novel, this one has Frank Sinatra very much in TONY ROME mode. Fine, but then the plot turns out to be about using a recovered Nazi sub to rob the Queen Mary. Sinatra participates because he likes the way Virna Lisi looks. I don’t disagree with that, but I wouldn’t try to knock over the Queen Mary for her, particularly in the company of an unbearable Tony Franciosa.

No Man's Woman

NO MAN’S WOMAN – (1955) *. This by-the-numbers low-end crime melodrama (calling it noir is a stretch) holds a strange fascination by playing like an early PERRY MASON episode, right down to Marie Windsor’s femme fatale racking up an array of suspects in the early reels for after she gets murdered. Just about every actor here appeared on a MASON, but without Raymond Burr, William Hopper and Barbara Hale, the result is lacking somehow.

THE ANGRY HILLS – * (1959). Barb actually brought me this at the hospital (it had arrived in the mail) because she was concerned about the effect lousy movies were having on me. Much looked forward to by me, it’s the rejoining of KISS ME DEADLY’s director (Robert Aldrich) and writer (A.I. Bezzerides). And it stars Robert Mitchum! And it blows!
During World War Two, reporter Mitchum wanders around Europe to deliver a message to somebody. The Warner Archive DVD must be the European cut, because there’s a lengthy topless dancer scene that doesn’t mitigate the agony.

CURSE OF THE FACELESS MAN – (1958) **. Slow-moving, unexciting rip-off of THE MUMMY. Standard B schlock from notorious team of director Edward L. Cahn and producer Robert E. Kent. Another STAR TREK writer, Jerome Bixby, shares the guilt. Why do I do this to myself?

BEACHHEAD – (1954) **. Tony Curtis gets out-acted by Frank Lovejoy as they portray two soldiers during World War Two, who openly hate each other, yet are somehow selected to cross enemy territory together to deliver a message (Robert Mitchum wasn’t available). They pick up a cute love interest along the way (Mary Murphy of THE WILD ONE) but I still fell asleep in the middle of it and didn’t bother going back to see what I missed when I woke up.

SPELLBINDER – (1988) **½. Probably my favorite of these movies, which is the faintest of praise. An okay ‘80s horror flick with Timothy Daly doing a nice job as a regular guy who falls for gorgeous coven escapee, Kelly Preston. Think of it as ROSEMARY’S BABE, with a predictably downbeat ending.

A LOVELY WAY TO DIE – (1968) **. A goofy, crazily sexist private eye mystery that is almost enjoyable, thanks to the high energy of Kirk Douglas. But it goes on forever…well, an hour and forty-one minutes, which is long enough. Remember when a helicopter chasing a car was exciting? Me either.

And you thought you’d heard about the worst horrors that greeted me during my hospital stay!

* * *

Here’s a terrific MURDER NEVER KNOCKS review.

Jeff Pierce at the Rap Sheet wrote about the pending publication by Brash Books of my complete ROAD TO PERDITION novel. Scroll down for it.

Here, from Open Book Society, is a review of the recently re-published QUARRY’S CUT.

My pal Bill Crider wrote this great piece about QUARRY’S VOTE, also recently republished.

Finally, here’s a terrific ANTIQUES FATE review from the great Ed Gorman. The book is out soon!

M.A.C.

Heart & Soul Pt. 3

Tuesday, April 5th, 2016

Before we get to the third (and final) episode of my hospital capers, I’d like to share with you the kind of e-mail that makes my days. Here goes (from “R.G.”):

“I recently discovered one of your novels in the new section of the local library. To my surprise it was a Mike Hammer mystery. I have to tell you that I’m now on my third one in the last week. I actually still have all the original paperbacks from Spillane that I purchased for sixty cents many years ago as well as all the Brett Halliday from that era. I can’t tell you how pleased I am to have found you. You would swear that Spillane had finished these manuscripts himself. I had already found finished manuscripts from William Johnstone and Robert Parker but the Spillane books are incredible. I can’t wait to read the rest of them. Thank you so much for your talent.”

This kind of response is what makes it all worthwhile.

Now, part three of HEART & SOUL (some links after):

During my hospital stay, and for a week or so after, I had occasional crying jags. I am told there’s a medical term for that, which I don’t remember, though it’s specifically tied to the fact that your heart is physically removed from your body. I wouldn’t call this depression, more like emotions gone generally out of control, and in fact some of the crying was of the “I love you so much” variety (addressed to my wife, not random nurses).

Late in my stay, I had an odd experience with a crying episode. My breakfast arrived, and while it was worth crying over, that wasn’t the trigger. All I’d ordered was a biscuit with grape jelly, orange juice, and orange jello. Shortly after I finished this feast, a nurse came in and said, “You weren’t supposed to eat your breakfast before I checked your blood sugar.” Then she took the blood sample anyway, and shortly I was told that my blood sugar was very high (no kidding) and I’d be getting an insulin shot.

Understand that I hadn’t been diagnosed with diabetes. But on several occasions, when my blood sugar registered high (the orange Steak-and-Shake shake I had Barb sneak me may have been one culprit), I was given insulin. This was just one of a pin-cushion parade of blood tests and blood draws and I.V,’s and shots that I was subjected to during my stay.

Well, I kind of flipped. Of course after that breakfast my blood sugar was high! I indignantly refused the insulin. Then, as I was preparing to shower, I started to cry. No doubt part of it was the problem with my hand, which at that point was pretty useless, but mostly I was frustrated with the blood sugar fuck up. One of the Occupational Therapy females arrived to help me with my shower and found me in tears. Megan, her name is, and she was sympathetic beyond words. Really talked me down off the ledge, bless her.

“I can’t take this bureaucratic shit,” I said, sobbing. “I hate bureaucracies in general, but this hospital bureaucracy is crushing me.”

Now, upon reflection, the hospital wasn’t all that bureaucratic. They had a schedule they kept, for giving you meds and drawing blood and so on, and my physical therapy (which I valued) was also structured. So mostly I think I was just riding an emotional roller coaster. I can look at it now and know two things: (a) it was no big deal, and (b) I was shattered anyway.

I believe reporting this incident to Barb convinced her more than ever that I would do better at home. My heart surgeon wanted me to stay for another week of physical therapy, but he had no idea how the endless hospital nights were dragging me down. The doctor who ran fifth-floor rehab approved my dismissal, but asked me to stay another night, to get the paperwork done. Even one more long night was hard to face, but I of course went along.

This gave the O.T. and P.T. females a day to give me final testing, and I did well on the P.T. stuff, although on the O.T. side, my hand was not progressing quickly. I was taken to a faux kitchen area to make sure I could bend down and secure pots and pans and use a microwave. Megan (again) wanted me to show her how the dishwasher worked. I said, “Sure,” and called out to Barb nearby, “Honey? Are these clean?”

Finally one of the O.T. females walked me over to a computer with keyboard and said, “You’re not leaving till you type something.” I typed “ROAD TO PERDITION by Max Allan Collins” and “TRUE DETECTIVE by Max Allan Collins.” You will be proud to hear I did not break into tears.

There were goodbyes with various nurses and nurse’s aides. One aide named Laura had a talented son in high school who got very excited when he learned I was his mom’s patient. Turned out he was a buff on famous disasters like the Titanic and the Hindenburg, so Barb rounded up copies of the entire disaster series for him. That was a nice boost for my ego, or anyway it was till I realized I couldn’t sign them for him. I did read something of his and dictated to Barb my glowing comments.

Suddenly I was in our car, being driven. The oddest thing was being reminded that we were in Rock Island, Illinois, a mere forty miles from home. It had felt like another planet. Or anyway, Chicago.

Home seemed unreal to me, but I was so glad to be there. Barb got a bench for me to sit on while showering, and rented me a claw-foot cane. I slept in my living room recliner and Barb slept on the nearby couch, so she could walk me to the bathroom should I have to get up in the night. As a middle-aged man (and for me to be middle-aged, I’ll have to live to 136), that means only about a half dozen trips per night.

Soon it became clear I needed to use the upstairs guest room, which allowed Barb to sleep in our master bedroom and put the bathroom a few steps away from me. The claw-foot cane became unnecessary at this point.

For several weeks, I had in-house therapy with both O.T. and P.T. professionals – they were great, mostly giving me exercises I could do at home (I‘m still doing them). A nurse came and gave me a medical onceover every couple of days. Oddly, she turned out to be a new neighbor of ours from two doors down.

I felt okay. My incision was bandaged in a Frankenstein’s monster manner, as were the seven incisions on my inner thighs. But I was alive. I never got the “good drugs” everybody said I could look forward to, unless you count Tylenol. The worst thing was a kind of spongy quality to my walk – it was like I was on a diving board, narrow and bouncy. But my hand responded fairly quickly to the exercises. I worked toward getting my signature back and it took only a few days.

The smartest thing I did – with Barb’s blessing – was order the new keyboard (musical not computer) I’d had my eye on prior to going in the hospital. I found immediately that I could play quite a lot, and for an hour or so a day I worked at it. For getting dexterity back, this was a Godsend. I’m still at it.

After the first week or so, Barb and I began taking the occasional meal out. We took very tentative day trips (in part so we could listen to MURDER NEVER KNOCKS read by Stacy Keach) to Davenport and Iowa City. We also went to a few movies. Barb stayed right with me, then as I got some confidence, she finally dropped me off by myself at the Davenport Barnes & Noble while she went to Von Maur to buy a girl friend an Easter present. At B & N, I spent my fifty-buck Christmas gift certificate and did not fall on my ass – a triumph!

From the start, the biggest problem has been getting my stamina and strength back. Just today I started twice-a-week eighty-minute P.T./O.T. out-patient sessions, and they are working me hard. Good things will happen.

As I wind this up, let me make a couple of points. Some of you have understandably expressed concern about me having had a stroke – hey, it was a mild one and I’m recovering quickly. This is the main thing – a little time in the hospital underscores how many people on this planet have it worse than you do.

Let me close by talking about Barb, or rather demonstrating what kind of wife and friend she is. I’d been home about four days, living on the first floor. She announced that we were going up the stairs to my office. I said, “Nothing doing.” She wouldn’t hear of that, knowing damn well I was avoiding it. She walked me into my office and the surroundings of my work life swallowed me and spit me out. She held me as, yes, I had a crying jag.

The last one.

* * *

Here’s an interesting QUARRY’S CUT review.

Lovely review here of CHICAGO CONFIDENTIAL specifically and the Heller series in general.

Finally, here’s a splendid review of MURDER NEVER KNOCKS. Have you read that yet? Have you posted an Amazon review? Get busy!

M.A.C.

Heart and Soul Pt. 1

Tuesday, March 22nd, 2016

First off, I want to say how thrilled I am that QUARRY’S CHOICE has been nominated for a Barry Award (Best Paperback Original). Toward the bottom of this update will be links to the full list as well as some reviews.

Also, note the cover art for the audio of MURDER NEVER KNOCKS – just finished listening to Stacy Keach’s reading of the book, and it’s fantastic. Speaking of MURDER NEVER KNOCKS, if you’ve read and liked it, please post an Amazon review.

I am back writing these updates (after the four canned entries that appeared during the month following my open-heart surgery). For the next several updates, I am going to talk about my experiences of late, and you are welcome not to read them and to wait until I get back to books and movies and other “funner” topics. But this is on my mind, and I need to purge some.

A month ago today (as I write this) I had my operation, which involved a valve replacement, two bypasses and a couple of other let’s-keep-this-bastard-alive-while-we’re-in-here items. Of that first day, I remember nothing apart from getting wheeled in the operating room. Barb reports that several hours after the operation, I said, “I made it…I made it….” Shortly after that, like most of us with a pulse, I began complaining.

That night, in the ICU, I hallucinated that I was on a spacecraft and being held prisoner. I could see a long windowed-off corridor where futuristic nurses strolled, ignoring my cries of “Help!”

I remember little of the next two days. I know Barb and Nate were with me as much as possible. Apparently I was not a stellar patient. At some point I learned that my right arm and hand were (to use the medical term) fucked up. Basically the arm was weak and the hand felt like a bunch of sausages sticking out of a wad of mashed potatoes. After initial alarm, I wasn’t worried because I figured it would be temporary.

Various nasty things happened during the ICU stay, including getting tubes yanked out of me and the removal of a catheter. But nothing was nastier than the food. I am considering writing a cookbook called HOW TO SCREW UP TATER TOTS. What saved me was Barb, who was spending every afternoon with me, bringing me food from the outside.

The nurses were nice, very helpful, supportive and even sweet. My heart surgeon dropped by every day, and assured me my hand would “come back.” I gradually came to understand that this would include me working very hard to make that happen.

The worst part of the stay was the long nights. Something about my sleep cycle got screwed up as a side-effect of the heart surgery, so that I would sleep for half an hour and then wake up, thinking it was morning. I spent the nights alternating between reading and sleeping and watching movies on a portable blu-ray player and sleeping some more. Of course due to the surgery I had to sleep on my back. The bed was every bit as comfortable as a hotel-room couch fold-out affair. Nurses came in about once an hour to check vitals and give me tests on my lungs and the occasional pills. I hated these long nights and began begging Barb to take me home.

That wasn’t to be – my hand/arm problem required physical therapy and that meant I was headed to the fifth floor. While still on the seventh floor, I began walking (with a walker at first) and had some preliminary work on my hand. Barb spent many hours with me.

The night of the move I hallucinated again. I thought I was sleeping in a bed in a department store showroom that a nurse and an orderly were disassembling. Then they rolled me out of the showroom onto an elevator and down a hall and into a dark room where I was abandoned. I felt afraid, in fact terrified. I began to shout for help and when a kindly older nurse came in, I said I wasn’t comfortable staying here and wanted to call my wife on the phone. The nurse settled me down and I somehow got back to sleep.

NEXT WEEK: THE BEST HALLUCINATION YET

– – –

Here is a fantastic MURDER NEVER KNOCKS review from the great Ed Gorman (glad to have him back reviewing again!).

Here, at the Rap Sheet, is the complete list of Barry Award nominees.

There are several nice mentions of Nate Heller and me in this wonderful piece by Jeff Pierce at the Kirkus blog.

Here’s a short but nice piece on Mickey.

Finally, here’s a good if patronizing review of CARNAL HOURS. The reviewer seems put off by the sexual content – this continues to baffle me, and must be generational. One of the commenters, apparently a Heller fan, finds the novel the “weakest” of the series. I certainly disagree, and have often given it to readers who wanted to sample Heller, because it’s highly self-contained and has a real-life locked-room mystery.

M.A.C.

Better Dead

Tuesday, March 15th, 2016
Better Dead

Hardcover:
E-Book: Amazon Nook Kobo

The first Nathan Heller novel in three years, BETTER DEAD takes a step back in time from the JFK Trilogy (BYE BYE, BABY; TARGET LANCER; ASK NOT) to deal with the events of the Red Scare-era 1950s.

This book has been coming for a long time. It’s one of the projects that got set aside when it came time for Heller to make a comeback after about a decade away. To get Heller back out there, I proposed the Kennedy trio, a good bet for a sale because of the high-profile nature of the material; a trilogy with Marilyn Monroe, Jack Kennedy and Bobby Kennedy was appealing. But it meant skipping several things I had planned to do, including a Robert Kennedy/Jimmy Hoffa book that I hope eventually to get around to.

With BETTER DEAD, the tricky thing is that I have two cases for Nate to deal with. Neither seemed right for a single book, but together – with the shared era and a number of common characters beyond Heller himself – the whole just might exceed the sum of its parts.

Joe McCarthy is one of the characters – and factors – that joins the two stories: the Rosenberg “atom spies” case, and the Frank Olson murder. The latter has to do with the Army scientist who was dosed with LSD at a CIA retreat, which had unfortunate results.

Heller is working on the East Coast exclusively this time around – he’s just opened a branch office in the Empire State Building – which puts him right in the heart of Mike Hammer’s world circa 1953. Heller has always had things in common with Hammer, but this time – in this setting – those commonalities come out more prominently. In fact, as the guy completing the Hammer stories from Spillane’s files, I several times questioned whether I’d slipped out of Heller territory and into Hammer. And is that a bad thing? Certainly wouldn’t be the first time.

On the other hand, Heller’s victories can never be as complete as Hammer’s.

Others in the cast include Bettie Page, Dashiell Hammett, Roy Cohn, Bobby Kennedy, and Sidney Gottlieb (the CIA’s Dr. Feelbad).

It’s a wild one. Watch for it May 3rd.

– – –

Check out this cool QUARRY’S LIST review.

MURDER NEVER KNOCKS is a Pierce’s Pick this week!

Here’s a nice review of QUARRY’S DEAL.

And here’s a somewhat late-in-the-game review of DEAD STREET.

M.A.C.