Posts Tagged ‘Barbara Allan’

SCTV Reunion

Tuesday, December 15th, 2009

As I write this (Sunday night), I am in a hotel in suburban Chicago. Tomorrow I shadow sportscaster Mike North as the first step in what I hope will be an exciting film project.

Just in is a nice review of ANTIQUES FLEE MARKET from Craig Clarke, who hasn’t always been a fan of Barb and me working together, but definitely seems to be coming around.

Barb and I have spent the Friday through late Sunday afternoon at Second City in Chicago, for the famous improv theater’s 50th anniversary celebration. Many huge comedy stars were present (Steve Carrell and Steven Colbert the biggest draws), and scores of familiar comedy faces from legends like Shelly Berman and Robert Kline to SNL vets like Tim Meadows and Rachel Dratch. Barb and I went to Second City regularly in the ’70s and ’80s (until hotel and parking costs drove us to the suburbs for our Chicago shopping getaways) and followed many of those who entertained us on the famous Second City mainstage to SNL and other show biz glory — among them, Tim Kazurinsky, Mary Gross, George Wendt, and many more. Of that company, Larry Coven became a friend and appeared in two of my indie films (MOMMY’S DAY and REAL TIME) and brought the legendary Del Close into MOMMY’S DAY for a cameo role (making me Del’s final film director). Del was a big fan of the Nate Heller books — he would come to my Chicago signings — and that’s an honor I cherish.

SCTV Reunion
Photo courtesy Metromix Chicago

But the real reason Barb and I were at the 50th anniversary event was the one-time only reunion of the cast of SCTV. They did two shows Friday night (Dec. 11) and did a panel about the show on the following morning. I guess I’ve never revealed my obsession with SCTV here. It’s an enthusiasm I share with Barb, but also my longtime comics partner, artist Terry Beatty. SCTV debuted in 1977, right around the time I got my first home video machine, and I taped every show. I have rarities few people even know of (a Cleveland special, a Dave Thomas time travel mini-movie, a Bobby Bittman bio). To me, SCTV was the comedy Beatles…and their reunion was the Beatles reunion that never happened.

The cost was enormous (don’t ask). It was a benefit for Second City performers who need financial and health assistance, and the “cheap seats” ($175 each) were gone before I even heard about the event. Frankly, we could not afford to go. But we couldn’t afford not to, as a used car salesman would say.

Present were Flaherty, Ramis (who’d been only on the first two seasons though a guest later on), Andrea Martin, Catherine O’Hara, Martin Short, Eugene Levy and Dave Thomas “as the Beaver.”

The reunion Friday night was comedy nirvana. I got to speak briefly with both Joe Flaherty and Harold Ramis before the show, and both were apologetic before the performance (Ramis said: “Good luck with the show tonight”). In truth, they were under-rehearsed (on the panel, Catherine O’Hara revealed that they had put it together via e-mail, with one rough run-through Friday afternoon). They used scripts at times (worked into the pieces — i.e., the newscast sketch), and in the first scene they fumbled any number of times. But as the love from the audience washed over them — and as each amazed and proud cast member watched the geniuses around them shine, they found the zone. It was a mix of Second City standards (some of which had given birth to SCTV regulars, like Ed Grimley, Pirini Scleroso and Edith Prickely) and routines from SCTV itself (Dr. Cheryl Kinsey’s instructions on how to fake an orgasm, Count Floyd’s 3-D glasses pitch), with occasional new stuff — most impressive, an extended Sammy Maudlin show mostly about Ramis’ Moe Green replacing the late William B. William (John Candy), but featuring incredible dance gymnastics from Andrea Martin, who did a flat-out amazing medley of “great” Canadian pop tunes with Levy’s Bobby Bittman. I could not have been happier opening a fat envelope stuffed with royalty checks (which I could use after springing for the tickets). Time Out Chicago also had a great review of the reunion.

Their panel Saturday morning was as good as the reunion show — they shared backstage stories, and were funny and entertaining, particularly when Levy goaded Thomas into defending the notorious “Vikings and Beekeepers” sketch. They spoke movingly about Candy. I got to ask a question from the audience, which was about how the famous folk they’d impersonated had reacted, and Thomas told of Richard Harris being furious, Martin of Streisand being oblivious, and Short of Jerry Lewis being gracious. Just wonderful.

Over the course of the weekend, I had the honor of speaking to Ramis several times, and Levy and Thomas, as well. I spoke to Short briefly and he was gracious, and Flaherty, who is a wonderful guy. The two gifted female members of the cast made themselves scarce, and were the only autographs I did not snag for a DVD cover. Over the weekend I managed to get signatures from other SCTV regulars — Tony Rosato, Robin Duke, and John Hemphill — as well. Rosato has been in ill health but looked fine, though he did not perform. Duke led a troupe of Toronto alumni (“Women Fully Clothed”) that was a knockout — Duke is one of the funniest women who ever walked the planet.

I was a real fanboy all weekend — really disgraceful — snagging autographs whenever I could. Everybody was gracious, with one exception — Steven Colbert blew me off. There was no one around and it would have taken him maybe three seconds. Very disappointing. Others were generous, from Belushi to Berman, from Colin Mockrie to David Koechner. Edie McClurg (Hermit Hattie of Pee-Wee’s Playhouse!) became our immediate new best friend. Jeff Garlin was such a sweetheart of a guy, you could understand why Larry David wants to hang with him.

Speaking of Garlin, of the non-SCTV events we went to perhaps the most amazing was his Saturday afternoon “Combo Platter.” He was joined by Fred Willard and Chicago comic David Pasquesi in about 90 minutes of spontaneous stand-up. Garlin did nothing prepared — he worked off the audience, gave stuff away that he’d gathered at the event (hotel cookies, a Second City Christmas ornament, some old DVDs his parents gave him) and got half an hour of genuinely hilarious stuff out of it. When the others came on, they did a sort of pass the baton routine, where they started off with an audience suggestion (“Tiger Woods!”) and kept handing off to each other as they explored golf, marriage, cheating, sports movies, and on and on. Some of it may have tapped into bits the artists had done — Pasquesi is a sharp, smooth pro — but mostly it was off-the-cuff. Willard is a genuis of insanity, and both he and Pasquesi would get Garlin laughing in a distinctive wheezing high-pitched way that threatened to kill their host on the spot. I have liked Garlin on CURB YOUR ENTHUSIASM, and have both his DVDs (the film I WANT SOMEONE TO EAT CHEESE WITH and the stand-up YOUNG AND HANDSOME). But I had no idea he was this casually brilliant average joe comedian.

Among the Second City alums was Tim Kazurinsky, who appears on THE NEW ADVENTURES OF MIKE HAMMER VOL. 2: THE LITTLE DEATH. Tim, who rivals Garlin in sheer niceness, said he loved THE LITTLE DEATH and thought it came off great. So do I. So will you (Amazon has it in stock now — talk about stocking stuffer!).

M.A.C.

Quarry on a Roll

Tuesday, November 3rd, 2009

Antiques Flee Market

Hey, don’t forget to pick up a copy of ANTIQUES FLEE MARKET out in paperback this week — by Barbara Allan (that’s Mr. and Mrs. Collins to you) — the winner of the Romantic Times Award for Best Humorous Mystery of the Year! Barb and I are so happy with the new, more whimsical cover-art approach Kensington has taken for this reprint, and for the forthcoming ANTIQUES BIZARRE.

The positive reviews for QUARRY IN THE MIDDLE continued last week, and I was honored to have Jeff Pierce at January Magazine (one of the best fiction news and review sites on the web) choose the book as his pick of the week.

Mostlyfiction provided a great review with a Collins reading list (a pretty good one, though omitting any movie and TV tie-ins, as well as a few random titles, like BUTCHER’S DOZEN and MURDER BY THE NUMBERS in the Eliot Ness series).

They also ran a Quarry-centric interview with me.

It’s really gratifying to have such web attention for Quarry, now that mainstream media sources for reviewing have dried up so dramatically. When THE LAST QUARRY came out, and DEAD STREET too for that matter, the books landed reviews (1, 2) in ENTERTAINMENT WEEKLY. That seems a thing of the past, with EW’s book review section pared back. And of course lots of newspapers have dropped local reviewers in favor a handful of nationally distributed ones.

Quarry in the Middle

That makes web sites like the ones you’ve seen me link to recently vitally important for the future of books. Word of mouth is important, too.

A major reason I decided to write originals for Charles Ardai at Hard Case Crime — as opposed to just letting him reprint the original Nolan and Quarry novels (my first Hard Case Crime book was TWO FOR THE MONEY, reprinting the first two Nolans, BAIT MONEY and BLOOD MONEY) — is that I wanted a new generation of readers to get to know my work. In reprint, I was honored to be among Westlake, Block, Erle Stanley Gardner and other masters of the medium; but I felt it was more important to be seen and read in the company of the new breed of noir writers, like Jason Starr and Christina Faust. By doing originals for Charles, I am part of the new wave, and not consigned to oldie-but-goodie programming.

I have not been terribly productive this past week. I am still decompressing from writing the new Heller, BYE BYE, BABY in under two months (not counting month upon month of research, of course — still a personal record, though). This week I will get back to RETURN TO PERDITION, the graphic novel finale of the PERDITION saga.

My son and your trusty webmaster Nate Collins is home for a visit, but he is spending a lot of his time working on two Japanese-to-English free-lance translation gigs that came in on top of each other, and he may also be doing some mystery stories in translation for a very famous American magazine. More on that later. In the meantime, when we are not working (Barb is writing her draft of ANTIQUES KNOCK-OFF), we’ll be having some fun, taking in movies (ASTRO BOY was lots of fun), watching/listening to DVDs with Riff Trax (TRANSFORMERS II was a riot but the length and stupidity of it wore us and the Riffers down), and going to see the great comedy group Broken Lizard next weekend. Nate and I watched the fun Sam Raimi horror film DRAG ME TO HELL over Halloween weekend, and Barb and I watched the excellent woven-anthology film TRICK ’R’ TREAT, which inexplicably was shelved by Warner Bros and went straight to video. Probably the best horror film of the last five years, and disheartening to think that studio execs found it less than worthy of wide release.

M.A.C.

Reading Habits

Tuesday, October 27th, 2009

This week is a “meme” (I’m still not sure I understand what the hell that is) that I’m did in advance of Bouchercon in Indianapolis.

Do you snack while you read? If so, favorite reading snack?

Never eat while I read. Always drink Coke – these days, Coke Zero (it’s a man’s drink – it’s in a black bottle or can!)

Do you tend to mark your books as you read, or does the idea of writing in books horrify you?

With research books, I sometimes uses marking pens on them, college-student style, but usually replace the book with another copy when I’m done. Books I’m using for research tend to get pretty battered.

How do you keep your place while reading a book? Bookmark? Dog-ears?

I never fold down the corners of pages (how could Rex Stout allow Nero Wolfe to do that?) though I will occasionally lay them face-down open, to mark a place. But not for an extended period of time, or in a spine-breaking way.

Fiction, non-fiction, or both?

Mostly non-fiction, about half and half research and pleasure. I get no joy from reading the competition, plus it’s a busman’s holiday, so with a very few exceptions (Ed McBain was one), I haven’t read mysteries (other than to do so for awards committees or market research) since the early ‘70s. Barb reads primarily theater and show business biographies. Nate is a science-fiction and fantasy guy, but not exclusively — he’ll read anything that snags his interest, mainstream, non-fiction, etc.

When I do read mystery/crime fiction, it tends to be classic material. Some years ago I decided to read all the Perry Mason novels. I have re-read Hammett, Chandler, Cain, and Spillane countless times. Similarly the novels The Bad Seed by William March and Kiss Tomorrow Goodbye by Horace McCoy.

Hard copy or audiobooks?

Barb and I travel quite a bit — car trips to Des Moines (for many years I was on the board of the Iowa Motion Picture Association, and there was a monthly meeting) and Chicago (for pleasure and research). And we have done many midwestern book tours, travelling by car. Lately we’ve visited Nate in St. Louis. There are three to six hour trips, one-way.

So audio books are important to us. We have listened to pretty much all of Agatha Christie that way (great writer) and are on our second and sometimes third pass on Rex Stout’s Nero Wolfe novels and novellas. Stout has been a fairly recent enthusiasm for me, and I now rank him with Hammett, Chandler and Spillane. For sheer enjoyment, spending time with Archie and Wolfe is tough to beat. See my novels A Killing in Comics and Strip for Murder to see just how much I like Stout.

Are you a person who tends to read to the end of chapters, or are you able to put a book down at any point?

End of chapters or until I get too sleepy to comprehend what I’m reading.

If you come across an unfamiliar word, do you stop to look it up right away?

Usually I figure out the meaning from context and try to remember to check on it later.

Are you the type of person who only reads one book at a time, or can you read more than one at a time?

One book at a time.

This is partly why I don’t read crime and mystery fiction much (other than not wanting to encourage the competition): I am almost always writing a novel, and that is the novel I’m “reading.”

Reading non-fiction while I’m writing a novel is not a distraction, though.

What are you currently reading?

We are about to listen to The Mother Hunt by Rex Stout on the upcoming Indianapolis trip, as well as my audio novel (an advance copy) of The New Adventures of Mike Hammer: The Little Death with Stacy Keach.

I am reading Geniuses of the American Theater: The Composers and Lyricists by Herbert Keyser. Tells about what dark lives most of the great songwriters had while they were inventing American-style romantic love.

What is the last book you bought?

That new book on the Universal movie monsters.

Do you have a favorite time of day and/or place to read?

Late at night, and in the bathtub. Not necessarily mutually exclusive categories. (The shower works less well.)

Do you prefer series books or standalone books?

Hard to say. I have been attracted to series, both as a reader and a writer, but many of my favorite novels are standalone. A basic tenet of storytelling — broken routinely by series novels — is that the main character or characters should grow or change (or fail to), in other words take some kind of journey. Few series characters do that (though Nathan Heller and Mike Hammer have). Certainly Archie and Nero Wolfe never learn a damn thing. Or Perry Mason. Marlowe may learn something in The Long Goodbye.

Is there a specific book you find yourself recommending over and over?

The Maltese Falcon above all others. Of Mickey’s books, I often point to One Lonely Night. Chandler, Farewell, My Lovely. The Postman Always Rings Twice. Kiss Tomorrow Goodbye. The Bad Seed. Mark Harris’ baseball novels.

How do you organize your books?

By author. My office has the favorite stuff (Hammett, Spillane, Stout, Chandler, Jim Thompson, Horace McCoy, W.R. Burnett, William March, Erle Stanley Gardner, Mark Harris, Calder Willingham, Ian Fleming, Chester Himes, James M. Cain, a few others). My basement library needs work, but one area has Westlake, Christie, McBain, Block, Gorman, Randisi, Lutz, and other favorites.)

We’ve had another great review for QUARRY IN THE MIDDLE (which comes out this week).

At Bouchercon, I ran into Sharon Clute, who provided me a link to a “Behind the Black Mask” podcast I did a while back.

Also, I want to add to my Bouchercon memory book by mentioning my friend Robert Goldsborough, who wrote seven Nero Wolfe novels to continue the series (how I wish he were still doing it!) and is currently doing a first-rate historical mystery series about about Chicago PI Snap Malek. Other friends we ran into include writer/cop Jim Dougherty and writer Gary Bush, who has just published his Once Upon a Crime collection for Nordin Press (in honor of the great bookstore in Minneapolis); Barb and I have a story in it (“Flyover Country”).

Jim Winter with January Magazine‘s The Rap Sheet Blog posted two video interviews from Bouchercon — one with Barb about the Trash ‘n’ Treasures series and another with myself about the new Heller, Bye Bye, Baby.

M.A.C.

INDY Loser’s Circle

Tuesday, October 20th, 2009

M.A.C. @ Bouchercon '09
Max signing at Bouchercon ’09
Photo courtesy Mark Coggins
http://www.markcoggins.com

Yes, a perfect score at the Bouchercon — three nominations, three losses. I won’t tell you who beat me, because I only remember in one case. My attitude toward awards in general is a peculiar mix of not giving a damn and wanting to win, and some awards seem to me more valid and important than others.

For example, the Private Eye Writers of America’s Shamus is meaningful because writers decide, that is committees who look at stacks of material and single out a small group of their peers to recognize. But the Anthony is a popularity contest at Bouchercon, allowing attendees to vote when many (if not most) of them haven’t read the books or short stories in question.

Nonetheless, honors are nice, and I managed to attend all three awards events, although Barb went only to the Shamuses.

That event was pretty terrific, at a blues club called the Slippery Noodle, with Bob Randisi interacting with a local blues duo and presenting the awards in a fun way. I surprised him with the Eye, the PWA’s life achievement award, which a group of ex-presidents cooked up behind his back, aided and abetted by Christine Matthews. Bob has done a great deal for the P.I. genre, but his own first-rate body of work tends to get overshadowed by his creation of the PWA and the Shamus awards, and we tried to rectify that. My nomination was the Nate Heller short story (pubbed in EQMM) “The Blonde Tigress.”

The con itself was well-run with a lot going on. I was on two panels and both went very well. One was on continuing other people’s work (well-chaired by Bond author Raymond Benson) and drew a nice crowd despite being early Thursday afternoon. On Friday we did a panel on the Private Eye in the last four decades, with authors representing the decade in which they first published a P.I. story (I was the ‘80s for Heller). This Randisi production was a smash, with a modest-sized room overflowing and revealing the healthy fan interest in private eyes. Both panels received high marks, and I got positive comments about them throughout the con.

One of the topics on the P.I. panel was how we’d been influenced by incoming authors and trends/changes in the genre. One aspect, for example, was Robert B. Parker’s use of a psycho sidekick (Hawk) for his private eye (Spenser), and how that became a standard convention for writers who followed him (Mosley, Crais, etc.) S.J. Rozan agreed with me that this was a cop-out, and I made the point that my protagonists do their own psychotic dirty work. But what I realized (but did not get around to mentioning on the panel) was that I have not been influenced by anybody in the genre since around 1970. I never thought of sidekicks as a trend, just something Parker came up with that a bunch of other writers imitated. The last crime writer to influence me in a major way was Richard Stark, who I discovered in 1967. It seems odd to me (and this was pointed out on the panel) that some of the newer writers have read Dennis Lahane and other contemporary PI writers, but not Hammett, Chandler, Spillane and Ross MacDonald.

My two signings, after the panels, were hugely well-attended, which is very gratifying when the only lines that compare are for guys like Michael Connelly (the guest of honor) and a handful of women writers.

We saw many friends, including John and Barbara Lutz, Bill Crider, Donald Bain, the Crimespree Jordans, Harlan Coben, Gary Phillips, Christine Matthews, Sara Paretsky, Otto Penzler, and so many more. Some meetings with friends were of the ships-passing-in-the-night variety, others were meetings and/or luncheons. Agent Dominick Abel threw a great evening dinner party at a funky Italian restaurant, for example, and we had another Italian lunch with uber-fan Brad Schwartz and his dad. Matt Clemens and I had a delightful meeting with our Kensington editor, Michaela Hamilton, wherein the three of us brainstormed our way into the second J.C. Harrow novel (the first, You Can’t Stop Me, comes out in March). Barb and I sat with the editors of EQMM and Alfred Hitchcock Mystery Magazine at the Shamus dinner, and hobnobbed with Penguin editors at their cocktail party. Business and fun blends in a very cool way at a Bouchercon.

The only bad thing was the Hyatt hotel’s geography — the con in this rather sterile, cold-looking hotel was spread out over four floors, and you never felt like you’d seen everybody — and you hadn’t. My Vertigo/DC editor, Will Dennis, was there, for example, and we never connected.

On the long car trip from Iowa to Indiana, Barb and I had a chance to listen to an advance pressing of The New Adventures of Mike Hammer, Vol. 2: The Little Death with Stacy Keach as Mike Hammer, a full-cast original audio novel for Blackstone (December) that I wrote based on a Mickey Spillane short story. With no modesty whatsoever, I will tell you that it is great — hugely entertaining for both casual and hardcore Hammer fans. And Keach is wonderful.

Lots of interest in Quarry at the con, but also nice comments about two series that are either over or an hiatuses: the Criminal Minds books and the Jack and Maggie Starr “comics” mysteries. Most of all, Barb and I encountered “Barbara Allan” fans who were glad to hear about the new one, Antiques Bizarre, coming out next Spring. We gave away copies of the first book, Antiques Roadkill, at the big book bazaar Sunday morning, an experiment to get readers reading series and authors they hadn’t before sampled. Something of a mad house, but an interesting idea not quite run amok.

Next year it’s San Francisco, and the year after St. Louis.

Last but not least, on a non-Bouchercon note, here is another great Quarry in the Middle review, this time from my pal Ed Gorman.

M.A.C.