Posts Tagged ‘Barbara Allan’

Davenport Events & Phantom Release

Tuesday, August 5th, 2014

This has been such a busy writing year so far, Barb and I did not set up a signing tour. We figured between San Diego Con this summer and Bouchercon in Long Beach this fall, a good number of fans would have access to us. But this coming weekend, we are doing two events in our home area.

First, Barb, Matt Clemens and I will be signing on Saturday, August 9, at Books-a-Million in Davenport, Iowa, 4000 East 53rd Street, from 1 pm till 2:30 (approximately). We’ll be signing SUPREME JUSTICE, ANTIQUES CON and KING OF THE WEEDS. That particular BAM! has a deep shelf of Collins (and Barbara Allan) books going beyond the new releases. Barb, Matt and I have done very few of these joint signings.

Second, the very next day – Sunday, August 10 at 2 pm – I’ll be speaking and then signing at Barnes & Noble in Davenport, 320 W. Kimberly Road. Barnes and Noble has been doing a salute to comics and pop culture over the last few weeks, and my talk will touch on ROAD TO PERDITION going from book to film. Barb will be there. Not sure yet about Matt – it will depend on whether this B & B was able to get copies of SUPREME JUSTICE in (the chain has a policy against stocking Amazon-published titles).

Also, on Paula Sands Live (KWQC TV, Channel 6, 3 PM) this coming Wednesday, August 6, Barb and I will be appearing in support of these events. Some of you outside the Channel 6 viewing area may recall Paula Sands from MOMMY 2: MOMMY’S DAY, where she appeared as herself very good-naturedly kidding her own show. I realize this appearance only means something to our section of the Midwest, but Paula has the highest-rated local show in the region.

Though we’re not doing a tour by any means, Barb and I will also be appearing this coming September 14 at Centuries & Sleuths in Chicago (actually, Forest Park). We have cut way back on book signings, for lots of reasons, but C & S is one of our favorite bookstores. It’s devoted to history and mystery and couldn’t be a better fit for us. Owner/manager Augie Alesky is one great guy – fun, funny and knowledgeable…even if he doesn’t believe in author’s discounts. (More about this signing later).

* * *
Phantom of the Paradise Blu-Ray

The terrific Shout! Factory has released a wonderful blu-ray of PHANTOM OF THE PARADISE, which regular readers of these updates may recall is one of my favorite movies. Here’s what I said about it here a few years ago:

How ironic that that steaming piece of cheese, Andrew Lloyd Webber’s stage musical PHANTOM OF THE OPERA, is so popular, and the great rock ‘n’ roll PHANTOM remains a cult item. Paul Williams delivers a fantastic performance and a score equal to it, parodying various rock styles and prescient about several fads to come (a Kiss-style group pre-dates Kiss here). Jessica Harper is charismatic and sings hauntingly well, and William Finley is the perfect sad, crippled, demented Phantom. For a long time Brian De Palma was my favorite contemporary director. He’s had some bad stumbles over the years, but at his best he’s hard to beat. This is the only time, however, that he perfectly merged his comic and melodramatic impulses.

Some day I may write about PHANTOM OF THE PARADISE in more depth, as I think it’s a masterpiece and one of the best films of the ‘70s – certainly my favorite film of the ‘70s. The Shout! Factory release is superior to the foreign blu-rays previously snatched up by PHANTOM phans like me, with a great transfer and wonderful special features stretched out over the blu-ray and the DVD version that’s also included. A new Paul Williams interview is particularly good, making me realize that the film is so special in the careers of Williams and De Palma because the two collaborated on this (and only this) film. Williams is revealed as virtually co-director/writer, when you realize how thoroughly he controlled the songs and their presentation. There’s a minor but annoying glitch in the commentary, where Gerrit Graham and Jessica Harper recordings overlap, but Shout! Factory (rating the only “boo” related to this release) is just shrugging that off as minor, not offering replacement discs. Get it anyway.

If you think you don’t like Paul Williams because you consider “We’ve Only Just Begun” and “Rainbow Connection” and so on to be easy-listening fluff, well…two things. First, you’re wrong – he’s always been a great songwriter; his Three Dog Night material alone proves that (“Out in the Country,” “Family of Man,” “Old-Fashioned Love Song”). Second, the genre-hopping/slicing songs in PHANTOM are his greatest, most sophisticated work, and many of them genuinely rock. If you have avoided this film because it’s a musical (I’m talking to you, Matt Clemens), it isn’t, not in the Broadway sense. All songs here are either performed for an audience (the “Paradise” theater of the title) or on the soundtrack.

Williams, having had post-PHANTOM substance problems, cleaned up in a major way and is having a nice third act in a unique career. He is on the very short list of celebrities I’d love to meet. There’s an interesting recent documentary about him (STILL ALIVE).

By the way, I once said here that I’ve never seen a movie more times than I have KISS ME DEADLY. It’s possible I’ve watched PHANTOM more often. Back in the day, Terry Beatty and I (often accompanied by Barb) saw PHANTOM OF THE PARADISE in various movie theaters every chance we got. I’m guessing a dozen times, easy. And I’ve owned it on Beta, VHS, laserdisc and three different blu-rays.

If you’ve never seen it, get real, get with it, and you are such a lucky bastard.

A few other quick movie notes: don’t miss LUCY, the best thing Luc Besson (admittedly a wildly uneven filmmaker) has ever done. It’s a cross between a Hong Kong action movie and 2001. Very few of the critics have been smart enough to get this one. Once again, the rule pertains: if you have exposition to deliver, hire Morgan Freeman.

Don’t go near SEX TAPE. I am a Jason Segel fan going back to FREAKS AND GEEKS, but every laugh in this wretchedly written film is in the trailer…and work better in the trailer.

* * *

SUPREME JUSTICE continues to ride the Kindle bestseller charts, and has racked up (as of this writing) a dizzying 1938 reviews and an averaged four-star rating.

Here’s a very favorable SUPREME JUSTICE review from Bookgasm.

Here’s another from Bob’s on Books.

And one from Coastal Breeze News.

And this from Kingdom Books, though you have to dig a little.

For a change of pace, here’s a WRONG QUARRY review from the aptly named Point Blank.

The articles about non-superhero comic-book movies continue, with ROAD TO PERDITION scoring well.

Finally, here at my pal Lee Goldberg’s site is the full list of Scribe winners. We’re sending out the UK trophies today!

M.A.C.

This Week at the Podunk Playhouse

Tuesday, July 8th, 2014
Supreme Justice

We are a week past Amazon’s promotional campaign for SUPREME JUSTICE, which means the novel’s selling well at its regular price ($11.99 for a real book, $4.99 on Kindle). We have topped 1000 reviews – incredibly enough – and remain in the upper reaches of the Kindle bestsellers list (#1 in political and legal thrillers). That means, for a week anyway, the Amazon push kept us going strong past the promo. I continue to monitor the reader reviews and it’s been something of a revelation – there are a lot of different kinds of readers out there, and some are (frankly) not that bright. We have conservatives who hate the book (and stop reading) because the hero is a liberal. We have liberals who hate the book (and stop reading) because the first chapter is in the point of view of a conservative. We have people revealing the identity of the perpetrator (sans SPOILER ALERT). We have reviewers who complain about my bad writing who are barely literate. We have prudes whose eyes begin to bleed at the sight of a profanity in print (I have been termed a “liberal libertine” – cool!). A certain minority of readers can’t figure out that the book takes place in the future and accuse me of not knowing the age of a certain ball player or when JFK was killed. But we also have mostly smart readers, who give the book a well-reasoned three or four or five stars.

Revelation may be the wrong word – how about “reminder.” This has been a reminder of a basic tenet about reading any book (but especially fiction) that is rarely mentioned much less discussed. Simply, reading a book is a collaborative process. Nobody out there is experiencing a novel of mine the same as somebody else. In a way, it’s my play being cast and staged in the theater of somebody else’s mind. Sometimes I play Broadway, and sometimes I play the Podunk Community Playhouse. Getting back to the collaborative notion, sometimes I have a brilliant collaborator, most times just a damn good one, and now and then a really lousy one.

Elmore Leonard preached leaving all the boring stuff out. He was a genius of sorts but became a lazy writer, leaving so very much to his collaborators. If you wonder (as sometimes reviewers…usually amateur ones…do) why I describe clothing and the exteriors and interiors of homes and buildings and include the weather and various other sights and sounds and smells, it’s because I know if I don’t, you will.

Ironically, the people who really like my books could do that just fine. But it’s a struggle for the Podunk Community Players, and I’m the kind of artist (there, I said it) who wants to control the audience’s experience as much as possible. Knowing that every reader will have a different experience, I want to limit the parameters of that experience so that, for a majority of readers, it’s at least a similar one.

* * *

My son Nate’s new manga is out. I haven’t read it yet, but he will post info on where and how to get it for me here…right, Nate?

[Nate] Right!

Battle Royale: Angels' Border

First, from my editor: “The infamous BATTLE ROYALE lighthouse scene depicted in the film and novel shocked and mesmerized audiences as the girls experienced their own microcosm of joy, love, betrayal and ultimately death. BATTLE ROYALE: ANGELS’ BORDER is author Koushun Takami’s first new work since the publication of his groundbreaking and controversial novel more than a decade ago. It notably expands the BATTLE ROYALE saga in a new way with the story of Yukie Utsumi and the other girls, whose distinct personalities and tragic nature of their deaths made such an indelible impression in the original story.”

As a longtime fan of the original novel and movie (I delighted in showing the latter to my unwitting classmates in high school) (and anyone who survived that got hit with MEET THE FEEBLES), I did a double-take when I saw ANGELS’ BORDER on a “New Release” table in a Japanese bookstore. After almost fifteen years, Koushun Takami was back! I knew I had to translate it and get it to English-speaking fans. Two years later, I landed the gig for Haikasoru’s new translation of the original novel, and the time was right for ANGELS’ BORDER. When I reached out to editorial, they were already thinking the same thing.

This is my first manga translation, and Viz took a real chance by allowing a newcomer (at least in this medium) to steward such a high profile title, but they recognized that by having the same translator handle the novel and the manga, the two works would have a stylistic continuity. I’m admittedly biased, but I think their gamble paid off.

Buy your copy here:
Amazon | BAM! | RightStuf! | B & N

* * *

After an absence of several weeks, the excellent book review site Bookgasm (with editor Rod Lott) is back. A really terrific and very smart ANTIQUES CON review just went up there.

Last week Bookgasm posted this very positive review of KING OF THE WEEDS.

A number of book review blogs are looking at SUPREME JUSTICE, as in this nice write-up at Bilbliotica.com.

Check out this SUPREME review at Author Exposure.

And finally here’s a delightful review of THE WRONG QUARRY.

M.A.C.

Davenport Books-A-Million Signing Postponed Until August 9

Thursday, July 3rd, 2014

The Davenport, Iowa Books-A-Million signing with Max and Barbara Collins and Matthew Clemens has been postponed until August 9, still at 1 – 3 pm. We apologize for the inconvenience and hope to see you all at the new time!

Updated info:

Event: Max Allan Collins, Barbara Collins, and Matthew Clemens signing for Supreme Justice, King of the Weeds, Antiques Con, and more.
Location: Books-A-Million, 4000 E 53rd St, Davenport, IA
Time: August 9, 2014; 1 – 3 PM

Fiddling With Nero

Tuesday, July 1st, 2014

[UPDATE: The Davenport, Iowa Books-a-Million signing has been postponed to August 9, 1 – 3 pm.]

First things first: Barb, Matt Clemens and I are doing a rare triple signing this coming Saturday (July 5) at the Books-a-Million at 4000 E 53rd Street in Davenport, Iowa. From 1 pm to 3. We’ll be signing, among other things, SUPREME JUSTICE, KING OF THE WEEDS and ANTIQUES CON.

Speaking of SUPREME JUSTICE, it goes officially on sale today after its month-long promotion on Amazon Prime for Kindle Readers. For the first time, real books (you know, with paper and everything) are available of this title. By the time you read this, we should be zeroing in on 800 reviews. I have never had anything reviewed so many times before, and I may comment at a later date about some interesting trends among the Amazon reader-reviewers.

The other big news is that – surprising the hell out of me – ASK NOT has been nominated for the Nero Award. Check out the full list of nominees here.

I am thrilled to pieces for a lot of reasons. First, I felt ASK NOT deserved award recognition and both the Edgars and the Shamuses ignored the final book in the JFK Trilogy. Second, this is one of two awards I really, really want to win (I still crave an Edgar, because…well, because I deserve one after forty-plus years of this).

My reasons for wanting a Nero are unique to that award. The major reason, obviously, is that it represents Rex Stout and his great detectives, Nero and Archie, and Stout is on my very short list of favorite mystery writers. (Frankly, I figured the Stout-like SEDUCTION OF THE INNOCENT might snag a Nero nod, and that ASK NOT would likely get Shamus-nominated. They switched it up on me.)

I think there’s a good deal of Archie Goodwin in Nate Heller – who is kind of a mix of Marlowe, Hammer, Spade and the aforementioned – but never expected to have a Heller nominated. Why? Thanks for asking. I’ll tell you, and I’ll tell you also not only why I won’t win, but why it’s a small miracle that I was nominated.

The nominees are supposed to be “in the tradition of the Nero Wolfe series.” Here, prominent among the guidelines, is this: Contains no overt sex or violence. Goddamnit, stop laughing!

Anyone who has ever read a Nate Heller novel knows why I never expected a Heller to be nominated for a much-coveted (by me) Nero. Anyone who has read ASK NOT knows that there’s plenty of overt sex and no small amount of violence. We had a Barbara Allan ANTIQUES nominated a few years back, and I thought that was my only shot.

I’ve always resented that guideline, by the way, because there’s plenty of sex and violence in Stout’s Nero Wolfe stories. Or does the Wolfe Pack think Archie and Lily Rowan spend their overnights playing Parcheesi? As for violence, have they ever read THE GOLDEN SPIDERS or THE BLACK MOUNTAIN? Or any number of others? Pfui.

But maybe two or three explicit scenes with Nate Heller boffing a stripper doesn’t qualify as overt sex any more. Times have changed, after all. Maybe smoking cigarettes waiting for a guy you’re asphyxiating isn’t considered all that violent, these days. Hope so.

Still, I would love to win that thing, for a very sincere if shallow reason – it’s the most beautiful award out there. A bust of Nero Wolfe!

And that’s no flummery.

* * *

Reviews for SUPREME JUSTICE are beginning to sprout like mushrooms (which is better than mushrooming like sprouts) on the Net. Like this nice one. [Note from Nate: With a giveaway contest!]

Some reviews are less than SUPREME but still appreciated and not negative…

…and this one falls into that category, too.

Finally, here’s a short but sweet (if anything about this novel could be said to be sweet) review of THE WRONG QUARRY.

M.A.C.