Posts Tagged ‘Awards’

100,000 Served!

Tuesday, June 8th, 2010

Here at FOMAC (which does not stand for F**cking Old Max Allan Collins) we are celebrating. We are over 100,000 visitors to our humble site. Thank you to the Friends/Family/Fans of M.A.C.

QUARRY IN THE MIDDLE has been nominated for a Best Paperback Novel “Anthony,” which will be presented at Bouchercon in September.

It’s unlikely Barb and I will be attending the con, so the odds of winning this one are long indeed. Voting is done by attendees at the con, and writers who aren’t in attendance don’t often win. It’s a popularity contest, but then so is the writing game in general.

But this is a very nice honor. THE FIRST QUARRY was nominated last time. Keep in mind I’ve only had five Anthony nominations in my entire career (George Hagenauer and I won for MEN’S ADVENTURE MAGAZINES). So I’m very grateful, particularly to those of you who voted for the book in the preliminary round.

Last Quarry Audiobook

Speaking of Quarry, there is an excellent, reasonably priced audio book of THE LAST QUARRY from Speaking Volumes Audio, nicely read by actor Curt Palmer. You can buy it at Amazon or other of the usual suspects, or at Speaking Volumes’ own website.

There are more Quarry audios on the way from Speaking Volumes, including the early out-of-print books. I hope Curt Palmer is asked to read those, as well, because he does a nice, understated job. According to Curt’s site, he is going to do THE FIRST QUARRY and at least one more.

Also, Stacy Keach’s reading of THE BIG BANG is out from Blackstone Audio, and Barb and I are listening to it in the car now – another terrific job from everybody’s favorite Mike Hammer actor. Again, you can get it from various online sources, including directly from Blackstone Audio. But Amazon seems to have the best price.

Back to Quarry, I received a handful of bound galleys from Hard Case Crime. If you are an internet reviewer, and aren’t regularly receiving Hard Case Crime reading copies, write me at macphilms@hotmail.com, and I’ll send you a copy (until my supply is gone).

I am working on the JFK Heller – still researching/plotting. I am considering titles for the book, and would love to get your opinions.

Among current candidates:

IDES OF TEXAS
SMOKING GUNS (or SMOKING GUN)
SHADOWS IN SUNSHINE
LONE GUNMAN
MAGIC BULLET

Thoughts?

M.A.C.

INDY Loser’s Circle

Tuesday, October 20th, 2009

M.A.C. @ Bouchercon '09
Max signing at Bouchercon ’09
Photo courtesy Mark Coggins
http://www.markcoggins.com

Yes, a perfect score at the Bouchercon — three nominations, three losses. I won’t tell you who beat me, because I only remember in one case. My attitude toward awards in general is a peculiar mix of not giving a damn and wanting to win, and some awards seem to me more valid and important than others.

For example, the Private Eye Writers of America’s Shamus is meaningful because writers decide, that is committees who look at stacks of material and single out a small group of their peers to recognize. But the Anthony is a popularity contest at Bouchercon, allowing attendees to vote when many (if not most) of them haven’t read the books or short stories in question.

Nonetheless, honors are nice, and I managed to attend all three awards events, although Barb went only to the Shamuses.

That event was pretty terrific, at a blues club called the Slippery Noodle, with Bob Randisi interacting with a local blues duo and presenting the awards in a fun way. I surprised him with the Eye, the PWA’s life achievement award, which a group of ex-presidents cooked up behind his back, aided and abetted by Christine Matthews. Bob has done a great deal for the P.I. genre, but his own first-rate body of work tends to get overshadowed by his creation of the PWA and the Shamus awards, and we tried to rectify that. My nomination was the Nate Heller short story (pubbed in EQMM) “The Blonde Tigress.”

The con itself was well-run with a lot going on. I was on two panels and both went very well. One was on continuing other people’s work (well-chaired by Bond author Raymond Benson) and drew a nice crowd despite being early Thursday afternoon. On Friday we did a panel on the Private Eye in the last four decades, with authors representing the decade in which they first published a P.I. story (I was the ‘80s for Heller). This Randisi production was a smash, with a modest-sized room overflowing and revealing the healthy fan interest in private eyes. Both panels received high marks, and I got positive comments about them throughout the con.

One of the topics on the P.I. panel was how we’d been influenced by incoming authors and trends/changes in the genre. One aspect, for example, was Robert B. Parker’s use of a psycho sidekick (Hawk) for his private eye (Spenser), and how that became a standard convention for writers who followed him (Mosley, Crais, etc.) S.J. Rozan agreed with me that this was a cop-out, and I made the point that my protagonists do their own psychotic dirty work. But what I realized (but did not get around to mentioning on the panel) was that I have not been influenced by anybody in the genre since around 1970. I never thought of sidekicks as a trend, just something Parker came up with that a bunch of other writers imitated. The last crime writer to influence me in a major way was Richard Stark, who I discovered in 1967. It seems odd to me (and this was pointed out on the panel) that some of the newer writers have read Dennis Lahane and other contemporary PI writers, but not Hammett, Chandler, Spillane and Ross MacDonald.

My two signings, after the panels, were hugely well-attended, which is very gratifying when the only lines that compare are for guys like Michael Connelly (the guest of honor) and a handful of women writers.

We saw many friends, including John and Barbara Lutz, Bill Crider, Donald Bain, the Crimespree Jordans, Harlan Coben, Gary Phillips, Christine Matthews, Sara Paretsky, Otto Penzler, and so many more. Some meetings with friends were of the ships-passing-in-the-night variety, others were meetings and/or luncheons. Agent Dominick Abel threw a great evening dinner party at a funky Italian restaurant, for example, and we had another Italian lunch with uber-fan Brad Schwartz and his dad. Matt Clemens and I had a delightful meeting with our Kensington editor, Michaela Hamilton, wherein the three of us brainstormed our way into the second J.C. Harrow novel (the first, You Can’t Stop Me, comes out in March). Barb and I sat with the editors of EQMM and Alfred Hitchcock Mystery Magazine at the Shamus dinner, and hobnobbed with Penguin editors at their cocktail party. Business and fun blends in a very cool way at a Bouchercon.

The only bad thing was the Hyatt hotel’s geography — the con in this rather sterile, cold-looking hotel was spread out over four floors, and you never felt like you’d seen everybody — and you hadn’t. My Vertigo/DC editor, Will Dennis, was there, for example, and we never connected.

On the long car trip from Iowa to Indiana, Barb and I had a chance to listen to an advance pressing of The New Adventures of Mike Hammer, Vol. 2: The Little Death with Stacy Keach as Mike Hammer, a full-cast original audio novel for Blackstone (December) that I wrote based on a Mickey Spillane short story. With no modesty whatsoever, I will tell you that it is great — hugely entertaining for both casual and hardcore Hammer fans. And Keach is wonderful.

Lots of interest in Quarry at the con, but also nice comments about two series that are either over or an hiatuses: the Criminal Minds books and the Jack and Maggie Starr “comics” mysteries. Most of all, Barb and I encountered “Barbara Allan” fans who were glad to hear about the new one, Antiques Bizarre, coming out next Spring. We gave away copies of the first book, Antiques Roadkill, at the big book bazaar Sunday morning, an experiment to get readers reading series and authors they hadn’t before sampled. Something of a mad house, but an interesting idea not quite run amok.

Next year it’s San Francisco, and the year after St. Louis.

Last but not least, on a non-Bouchercon note, here is another great Quarry in the Middle review, this time from my pal Ed Gorman.

M.A.C.

Quarry at Large

Tuesday, October 13th, 2009

Quarry in the Middle

We’ve another great QUARRY IN THE MIDDLE review, this one from Craig Clarke. Check it out at his Somebody Dies blogsite:

http://somebodydies.blogspot.com/2009/10/quarry-in-middle-by-max-allan-collins.html

And my friend Ed Gorman, who has long been a booster of the Quarry novels, interviewed me about the series. It’s been linked lots of places, but in case you missed it, here goes:

http://newimprovedgorman.blogspot.com/2009/10/max-allan-collins-talks-about-his-hit.html

And the Fresh Fiction website has singled out the previous Quarry, THE FIRST QUARRY, for some unexpected love:

http://freshfiction.com/book.php?id=2508

Bill Crider posted a nice review and general Quarry write-up:

http://billcrider.blogspot.com/2009/10/quarry-in-middle-max-allan-collins.html

My LAPD cop pal Paul Bishop, who been helping me via e-mail on BYE, BYE BABY research questions, has a great website, and he’s been kind enough to showcase Quarry…and the last time I visited, he was playing Bobby Darin’s “All By Myself”!

Anyway, see the man at:

http://bishsbeat.blogspot.com/2009/10/max-allan-collins-quarry.html

That novel is up for both Barry and Anthony awards at the upcoming Bouchercon. Speaking of which, here are my two panels at the Indianapolis event:

Oct. 15, Thursday:
“This Pen for Hire,” 1:30 pm to 2:30 pm

Oct. 16, Friday:
“PI Novel through the Years,” 10:30 a.m. to 11:30 a.m.

Presumably these will both be followed by one-hour autograph sessions.

Matt Clemens is attending the con, and so is Barb, though neither are doing panels this year.

I’ll be at the Shamus Awards, where the Nate Heller short story “The Blonde Tigress” has been nominated (it appeared in EQMM). That’s Friday evening at 7:00 pm. at the evocatively named Slippery Noodle.

I continue on my insane effort to wrap up the new Heller, BYE BYE, BABY, before Barb and I leave early Thursday morning. I have been maintaining a punishing pace, but I enjoy being immersed in a novel I’m writing. Even if I get the three remaining chapters written, however, the book will not be “done” done. I will still have to put together the bibliographic end note, which is chapter-length, as well as I do a complete polish of the whole thing. So another week’s work awaits. Why batter myself like this? It’s an artificial deadline, to replace the real one I missed long ago, plus I want to avoid the frustration and distraction of going away for four or five days with the story nearly told.

My friend Stu Kaminsky passed away a few days ago. We were often talked about in the same breath, because of his Toby Peters character and my Nate Heller, and in the late ‘80s we seriously considered doing a crossover novel (we even had a subject picked out). Stu was a fine writer, but what I most remember is the warm way he treated me. We spent a day together once, which included seeing ONCE UPON A TIME IN AMERICA (his first time seeing this film for which he wrote the English dialogue in its uncut form), and thereafter whenever he saw me, he treated me the way you would your best friend. We were not close, rarely spoke on the phone, but when we were together, we might have been brothers. This is unique in my experience and I won’t forget it.

M.A.C.

The Little Death Recording in Chicago, Trash ‘n’ Treasures

Wednesday, July 15th, 2009

This Monday (July 13), at a recording studio in Chicago, my novel for audio, THE NEW ADVENTURES OF MIKE HAMMER: THE LITTLE DEATH, was recorded with Stacy Keach and a gifted cast, including Second City/SNL star Tim Kazurinsky. The cast did great and producer/director Carl Amari was generous enough to allow me to sit in and give occasional direction myself. My pal Mike Cornelison (ELIOT NESS himself) came along from Des Moines to play Captain Pat Chambers of Homicide.

Max and Stacy Keach and Carl Amari
Max with Stacy Keach and Carl Amari

Max and Tim Kazurinsky
Max with Tim Kazurinsky

Mike Cornelison with Stacy Keach
Mike Cornelison and Stacy Keach

This three-hour, full-cast audio novel will be released by Blackstone Audio in October, and I have to say I’m really, really excited about it. Hearing Stacy read THE GOLIATH BONE was a thrill, but to be in the studio with him reading my lines (with Tim, Mike and other wonderful Chicago actors) made the thirteen year-old Mike Hammer fan in me very happy indeed.

“Barbara Allan,” which is to say Barb and I, are pleased to announce that we have won the following:

The Romantic Times 2008 Toby Bromberg Award for Most Humorous Mystery

Here is how the Romantic Times editors describe the honor:

“The Toby Bromberg Award is named in honor of RT’s longtime mystery reviewer, who passed away in 2002. To honor Toby Bromberg’s memory and to celebrate her enthusiasm and love for authors and the mystery genre, we have created an annual award to be given in her name.

“This year we are proud to announce the seventh recipient of the Toby Bromberg Award for Most Humorous Mystery Novel, Barbara Allan aka Max Allan Collins and Barbara Collins, for ANTIQUES FLEE MARKET, published by Kensington.”

Barb and I are thrilled to receive this award, the first such honor for the Trash ‘n’ Treasures series (although not our first nomination), and are particularly happy that the book and series were singled out for this particular award. The humor aspect of those books — often commented on by EQMM reviewer Jon Breen, who has expressed a suspicion that we are spoofing the cozy genre in the Brandy Borne and Mother mysteries — is second only in our collective mind to character.

We would be the first to admit that the mystery itself is of a secondary concern to us. We often comment on the fact that the series we love most — Rex Stout’s Nero Wolfe novels — is one whose entries we can re-visit again and again, rarely remembering “who did it,” but having so much fun with Archie and his boss that we don’t care. In fact, we like it, because we can enjoy the stories again and again.

Antques Bizarre

This is not to say we don’t care about the mystery. Just that it’s not our major concern, although we’ve tried to work on that side of things, and the forthcoming ANTIQUES BIZARRE (next March, as usual from Kensington) is probably the best mystery we’ve done so far.

ANTIQUES FLEE MARKET will be out in paperback in November, with a terrific new cover. In the spirit of humor, we’ve been lobbying for more comic-oriented artwork and Kensington has really come through for us, as you can see here.

I know some of my fans — the hard-bitten Nate Heller and Quarry bunch — avoid these novels. I often have male fans tell me their wives love the books. Fine. But be secure enough in your masculinity to read these, because humor plays a big part in most of my work, and these novels are the funniest stuff I (help) turn out.

Whether we’re spoofing the genre of not, well…let me fill you in on how we came to do this series. Barb and I had done two standalone novels together. The first, REGENERATION, was a minor paperback original bestseller; the second, BOMBSHELL, our Marilyn Monroe Meets Nikita Khrushchev thriller, wound up at Five Star, where it was one of that small company’s best sellers…but we’d had higher hopes. We thought it was time to find a series to do together.

Antques Bizarre

Michaela Hamilton, who had been my first Nate Heller editor at NAL, had moved to Kensington Books. We were chatting on the phone about how nice it would be to work together again, but she said, “I’m doing cozies…that’s not exactly your cup of cyanide.” (Cozy editors talk that way.) (Actually, they don’t. I made that up.) Anyway, I said Barb and I had been wanting to do a series together, and that we were big Christie fans (although Christie isn’t really that cozy — those are nasty, violent books) and would love to take a swing at the genre.

We wrote a proposal from my notion of doing a Red Hat Society mystery, with an elderly eccentric detective and her forty-something widowed daughter. Michaela wrote back and said we didn’t understand her market. She needed a young-ish female protagonist, although a sidekick older gal was fine, as well as the following: a cute pet, a memorable, even exotic setting and an overall gimmick (i.e., crossword puzzles, recipes, etc.).

As a writing exercise (since I generally don’t believe in writing to market), we took a shot. We made the young protagonist a Prozac-addled divorcee of around thirty who had screwed up her marriage in the big city and went running home to Mama. We made Mama a bipolar diva of local theater who made Auntie Mame look low-key. For the cute pet, we (not caring for cats) gave our girls a diabetic and blind dog (based on a pet of ours we’d recently lost). For the town, the “exotic” setting was just our hometown, changing Muscatine to “Serenity” (after the TV series), making it an “antiquing” town (which to some degree it was). For our gimmick, we had antiques, but didn’t go the big ticket route, Sotheby’s and so on, rather having our girls be flea market, yard sale and even dumpster-diving bottom feeders. We gave our sample chapters outrageous puns for titles, and put on a supposedly helpful (but mostly just funny) tips for collecting antiques.

When we were finished, we really liked what we had (two chapters and a proposal), but thought Michaela would roll her eyes at our blatantly tongue-in-cheek, even subversive approach. We figured we had something Kensington would turn down, but that we might be able to market elsewhere. Instead, we got the best acceptance letter ever — one word in an e-mail: “More.”

We are working on the fifth novel now — ANTIQUES KNOCK-OFF. As for how we can collaborate and stay married, I’ll save that for a later update.

M.A.C.