Posts Tagged ‘Awards’

Nolan on Kindle!

Tuesday, July 3rd, 2012

For the first time, the complete Nolan series is available on Kindle for $4.99 each. These are published by Perfect Crime, who offer them as trade paperbacks, as well. NOTE: The first two Nolans, BAIT MONEY and BLOOD MONEY, are available together on e-book (and real book) from Hard Case Crime.

Check out this terrific LADY, GO DIE! review, and a follow-up interview that I hope is interesting (I’ve done a lot of these in support of this book!)

Crimespree has a nice LADY, GO DIE! review as well.

And here’s a great review of MICKEY SPILLANE ON SCREEN from Ron Fortier. FYI: the prices have gone up at both Barnes and Noble and Amazon on line for this book, $39.95 and $45 respectively. Amazon has it from secondary sellers for just under thirty bucks.

As promised, here is the full list of awards from the International Mystery Writers’ Festival:

2012 ANGIE AWARD WINNERS

BEST MOVIE ACTRESS – Sabrina Segal
BEST MOVIE ACTOR – Eric Altheide
BEST MOVIE DETECTIVE – Todd Reynolds
BEST SCRIPT – Max Allan Collins for “Encore for Murder”
BEST FEATURED ACTOR – Richard Fish for Pat Chambers in “Encore for Murder”
BEST ACTOR – Gary Sandy for Mike Hammer in “Encore for Murder”
BEST FEATURED ACTRESS – Amy Walker for Rita Vance in “Encore for Murder”
BEST ACTRESS – Cassie Post for Ariel in “Lost at Sea”
FESTIVAL CREATOR – Zev Buffman
LORD OF MYSTERY – Max Allan Collins
BEST PRODUCTION – “Encore for Murder”


International Mystery Writer’s Festival 2012 photo spread:
Top Row (l t r): M.A.C., Roxi Witt (producer of event), Lee Goldberg, Bob Randisi | M.A.C., Barb | M.A.C.
2nd Row: M.A.C., Lee | Barb, Gary Sandy, M.A.C. | M.A.C., Gary
3rd Row: Roxi, M.A.C., Barb | M.A.C., Gary, Gary’s Mom, Barb | M.A.C., Bob

M.A.C.

Colonel Collins, Lord of Mystery

Tuesday, June 19th, 2012

Barb and I were guests this weekend (actually, we left last Wednesday) for the International Mystery Writers Festival at Owensboro, Kentucky. The event celebrates the world of mystery with a focus on showcasing new plays – three were presented this year, including a new stage-designed version of ENCORE FOR MURDER (the longer audio version of which, starring Stacy Keach, is available from Blackstone Audio, and was a nominee for the Audie).

I was presented with a lovely award designating me the First Lord of Mystery (previous winners, including Sue Grafton, Mary Higgins Clark and Angela Lansbury, were Mistresses of Mystery). Both Barb and I were made honorary colonels by the Commonwealth of Kentucky. This is an elite group that includes Colonel Sanders, Colonel Lee Goldberg and Colonel Robert Randisi (the latter two received their colonel-ship at the event as well).

I’m not sure how many plays were submitted, but my impression is quite a few. The other two plays that earned production at the fest were LOST AT SEA by Donald C. Drake (the other Firesign radio-style production) and ABSOLUTELY DEAD by Michael Walker (starring Kathy Garver of FAMILY AFFAIR FAME), the latter the “main stage” play.

The event is held at the River Center in Owensboro on the Ohio River, a lovely, massive modern facility with several stages. One is a 1500-seat theater, the main stage. ENCORE FOR MURDER was staged in a smaller “black box” theater similar to the one where ELIOT NESS: AN UNTOUCHABLE LIFE was presented in Des Moines. One highlight was a Lee Goldberg-led interview session, after ENCORE’s premiere, on an expansive patio outside the River Center, with the Ohio River Bridge in the background, where fifteen minutes of clips from my various movies (THE EXPERT, MOMMY, MOMMY’S DAY, REAL TIME, ELIOT NESS, THE LAST LULLABY, ROAD TO PERDITION) were shown on a drive-in-theater-size screen.

People were incredibly nice to us, and we did several signings, as well as just autographing books folks brought up for us to sign as we hung out in the cavernous River Center lobby. Barb and I did a workshop discussing our collaborative approach to the Barbara Allan books, and we attended a similar one given by Bob Randisi and his partner Christine Matthews. Roxi Witt, the manager of the River Center and producer of the event, is a gracious, ebullient hostess whose warmth and kindness are unparalleled.

What made the event really special was the great production of ENCORE FOR MURDER, which was revised and shortened for live production (the original was two and a half hours on audio, and the live version is two acts, each under an hour, with an intermission). Two figures from the legendary Firesign Theater (and regular readers of my updates know what a comedy buff I am) were instrumental in the production. David Ossman co-directed (with his wife Judith Walcutt) and Phil Proctor appeared in three roles, including a very funny Ozzie the Answer, who I described as Leo Gorcey and Huntz Hall’s lost love child. Phil’s actress wife Melinda Peterson gave perhaps my favorite Velda performance ever, playing her deadpan as if channeling Keely Smith. Richard Fish made a great Pat Chambers, reminiscent of Paul Sorvino’s in the Assante I, THE JURY, and Amy Walker and Cassie Post were luminous as potential femme fatales. The approach was broader than the original audio, getting all the comic lines across but not camping it up (I had cautioned Phil Proctor that this was Mike Hammer, not Nick Danger). Firesign superstars Ossman and Proctor have been instrumental in presenting radio-style productions at the Owensboro festival. (The festival also presents films and Lee Goldberg debuted his latest short there, produced with the help of the River Center.)

But the MVP player was Gary Sandy. Gary, of course, worked with me on MOMMY’S DAY, and I specifically requested him to play Mike Hammer. Stacy Keach was approached but his schedule wouldn’t allow, and I felt Gary – who lives in Kentucky and had participated in past festivals – would make a great Hammer. And he did. Not easy to step into a role so identified with another actor, but he put his own spin on the role and brought an incredible energy that became the engine of the show. He won Best Actor in the event’s awards, and the play essentially swept those awards.

I am already considering returning next year with a play version of THE LITTLE DEATH.

Next week I hope to have photos for you from the festival and specifically from the production of ENCORE FOR MURDER.


Lee Goldberg, Phil Proctor, and Max

Hard Case Crime has announced my Jack and Maggie Starr novel, SEDUCTION OF THE INNOCENT. Check out the fun news release here (the cover is depicted…small, but it’s there).

More about the book, and a much larger look at the cover, is here.

Mystery writer Mike Dennis has posted a great review of LADY GO, DIE! at his site.

And another nice review can be found here, at Radiant Lit.

Good ANTIQUES DISPOSAL reviews continue to roll in, like this one.

And this one.

Finally, here’s a fun blog post about a reader who discovered my work when she was ten, thanks to the DICK TRACY novelization. Here’s hoping she got the 6th printing (sold only through schools), which includes the ending.

M.A.C.

2012 Shamus Nominees—M.A.C. up for Two!

Tuesday, June 5th, 2012

NEWS FLASH:

The Private Eye Writers of America (PWA) just announced this year’s Shamus Awards nominees, and M.A.C. made the cut not once but twice—for BYE BYE, BABY and QUARRY’S EX. Here’s the full list, and Max’s Update continues below.

2012 Shamus Awards Nominees

BEST HARDCOVER PI NOVEL

Bye Bye, Baby by Max Allan Collins / Tom Doherty
1222 by Anne Holt / Scribner
When the Thrill is Gone by Walter Mosley / Riverhead Books
A Bad Night’s Sleep by Michael Wiley / Minotaur
The Highly Effective Detective Crosses the Line by Richard Yancey / Minotaur

BEST FIRST PI NOVEL

The Plot Against Hip Hop by Nelson George / Akashic
Claire Dewitt and the City of the Dead by Sara Gran / Houghton Mifflin
The Ocean Forest by Troy D. Nooe / Ingalls
The Shortcut Man by P.G. Sturges / Scribner
The Stranger You Seek by Amanda Kyle Williams / Bantam

BEST PAPERBACK ORIGINAL PI NOVEL

Quarry’s Ex by Max Allan Collins / Hard Case Crime
Threat Warning by John Gilstrap / Kensington
Serial by John Lutz / Kensington
Long Pig by James L. Ross / Perfect Crime Books
Fun & Games by Duane Swiercyzinski / Mulholland

BEST PI SHORT STORY

“A Bullet From Yesterday” by Terence Faherty in Ellery Queen Mystery Magazine (Jan.)
“Mr. Monk & The Sunday Paper” by Lee Goldberg in Ellery Queen Mystery Magazine (July)
“Who I Am” by Michael Z. Lewin in Ellery Queen Mystery Magazine (Dec.)
“Vampire Slayer Murdered in Key West” by Michael West in Ellery Queen Mystery Magazine (Sept. / Oct.)
“Dancer in a Storm” by L. A. Wilson in Alfred Hitchcock Mystery Magazine (Jan. / Feb.)

Hammer and Noms

Tuesday, May 29th, 2012

Two Mike Hammer projects have earned nominations in the annual Scribe Awards from the International Association of Media and Tie-in Writers. “The New Adventures of Mike Hammer: Encore for Murder” is nominated in the new audio category, and KISS HER GOODBYE is nominated in the Best Original Novel category.

The Daggers are British awards for crime and mystery fiction. I don’t know much about them, other than that they are prestigious; but the Hammer short story “A Long Time Dead” has been “shortlisted.” Whether this is a nomination or an even shorter list of nominees will follow, I can’t tell you. But here’s the full “short” list.

My cyber press tour, which I thought had wound down, continues, at least for a while. Comic List broke an interview with me into two sections, one on LADY, GO DIE and other things, another centering on the long-threatened ROAD TO PERDITION sequel. Several people comment that there should not be a sequel – apparently unaware that I’ve already written three (and the “in-between-quel, RTP 2: ON THE ROAD).

Hermes Press has announced my collection of the Mike Hammer comic strip. We have apparently located the missing Sunday lacking in the long-out-of-print previous two-volume edition, plus I’ve done two new essays about the strip and Mickey. It’ll be a very handsome book.

Mickey Spillane's From the Files of... Mike Hammer

This fairly positive but condescending review of LADY, GO DIE! is (somewhat unfortunately) probably the widest circulated of any of that novel’s reviews. The reviewer refers to the novel as a “sequel” to I, THE JURY (yes, using quotes, apparently to question its authenticity – Mickey’s partial manuscript was very clearly a sequel to I, THE JURY, and I don’t appreciate the doubt this reviewer appears to cast).

Here is Part One of an interview I did with Comic Geek (Part Two will appear later this week).

Yup, here’s another interview with me. Tired of hearing me yammer? Me, too.

For a change of pace, here’s a nice review of THE MILLION-DOLLAR WOUND, indicative of the new lease on life the Amazon reprints and e-books have given Nate Heller.

I love this review of LADY, GO DIE! (“Why don’t you marry it?” – Pee Wee Herman).

This LADY, GO DIE! review is nice, too.

So is this one.

And an overview here.

While the cyber press tour has certainly slowed down, I still have an interview or two coming up. I wonder how this is impacting sales? I don’t see how Titan could have done much better in getting the word out on the web.

If you haven’t picked up LADY, GO DIE! yet, let me encourage you to do so, and not just because I’m the co-writer. As I may have mentioned, the book is physically beautiful, with the classic Spillane photo tipped in on the front cover and his signature boldly reproduced on the back (gotta slip off the dustjacket to see this).

In the meantime, work on the fifth of the Hammer collaborations begins this week – COMPLEX 90.

M.A.C.