Archive for February, 2013

And The Collins Prize Goes To…Richard Zanuck

Tuesday, February 26th, 2013

I start off on a sad note today. Mickey Spillane’s widow Jane lost her mother over the weekend. Ethel was a strong Southern gal who went toe to toe with Mickey, who loved her dearly. Our thoughts and prayers go out to Jane.

People always ask me, the day after, how I liked the Academy Awards show (much as they do with the Super Bowl). The last time I sat through that long evening was at a public event in Des Moines the year that ROAD TO PERDITION was nominated for a bunch of Oscars. What I usually do is record the marathon, then zip through on fast-forward looking for good parts. I had heard that all of the James Bonds would be on stage together as part of a 50 Years of 007 celebration. So that was my main reason for recording the thing.

As a STAR TREK fan, I stopped to watch the over-long but fitfully entertaining opening with Shatner as Kirk coming back in time to prevent a disaster of a show due to Seth MacFarlane’s tastelessness. I don’t follow MacFalane’s shows, and skipped his movie TED, but he was pretty good on SNL a while back. The opening was so endless that they skipped Shatner at the punchline. Later, the Bond tribute, introduced by a stunning Halle Berry, offered up not a single Bond (apparently Brosnan, understandably bitter about getting kicked off the series he saved, had refused to participate). But Shirley Bassey brought the superstar crowd to its feet with “Goldfinger” – a song co-written by the unjustly forgotten Anthony Newley, who is one of my heroes.

Barbra Streisand made a surprise appearance (it surprised me, anyway) to sing “The Way We Were” in tribute to the late Marvin Hamlisch, at the end of the In Memoriam reel. Shamefully, Andy Griffith was left out. Richard Zanuck rated a nice moment, with him on screen insisting that the most important thing about a film was “the story, not the script, the story.” This is from the man who, with his son, read ROAD TO PERDITION and recognized its potential. R.I.P, Mr. Zanuck – I owe you much.

There were other fun moments that I stopped to take in, acceptance speeches here and there (in particular Christof Waltz, Quentin Tarantino, and Daniel Day Lewis), Adele singing “Skyfall” (but so upstaged by Shirley Bassey), and it was nice that in a year of unusually good films that the awards got passed around a little bit. And the winners were unusually gracious to fellow nominees. Everybody reading this probably knows I am an Obama man, and usually adore Michelle, but the First Lady giving out the Best Picture Oscar came off weird and gratuitous. The sock puppet (you read right) version of “Flight” was, by the way, much more entertaining that the actual film, which was a lousy, poorly paced Made-for-TV movie about substance abuse, designed to give Denzel Washington an Oscar-worthy part. By the way, has any actor as good as Denzel Washington ever made so many dreadful films?

While the Academy Awards were recording, Barb and I watched Richard Burton, Roger Moore and Richard Harris in the 1978 adventure movie THE WILD GEESE. We’d never seen it before, and it was terrific. At a theater this week, we took in SNITCH, a very uneven crime film in which nobody seemed worth rooting for. We also watched the last season (three movies) of the great MORSE follow-up LEWIS, on DVD from Britain. As you may gather, I had a fairly lazy weekend.

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The blog tour for SEDUCTION OF THE INNOCENT appears to be winding down. I have an article to write today for the Playboy site, Smoking Jacket, about controversial comics. My Huff post piece on the same topic, with 10 controversial covers, should be up some time this week. So will any number of interviews I’ve done.

Reviews, mostly very favorable, have been rolling in for SEDUCTION. Check out this Book Reporter rave.

And here’s another great one at Fearnet.

Another fine one popped up at The Book Bag.

Comic Hype has this review.

Here’s one from Cult Geek. I love that younger reviewers, at hip cites like this, are digging the book.

Same goes for this review at Geek Hardshow.

And this fun one from (wonderful blog title) Just a Guy That Likes to Read. I wonder if any porn review site out there is called Just a Guy That Likes to…never mind.

Comics Crux has this write-up.

The very interesting, unusual site Noir Whale looks at SEDUCTION in some depth. Cool approach.

Then there are the interviews. I have endeavored to repeat myself as little as possible. Helping me toward that goal are the interviewers, who have come up with their own takes on the book and their own approaches – they are the saving grace of all my yammering.

Here’s one from Comic Book Movie, and if you scroll down to look at the comments, you’ll learn that I appear to resemble Elton John (no, really?) and that I should play “Doc Ock” in the next Spider-Man Movie. Having bought every issue of Ditko’s SPIDERMAN off the stands back in the ‘60s, I am flattered.

Here’s another interview, this one at Gamma Squad.

And a somewhat horror-themed interview at Dread Central.

Here’s another at Terrible Minds.

And now a change of pace – Woody Haut looks at BYE BYE, BABY and TARGET LANCER. He has to strain himself working his suspension-of-disbelief muscle (poor baby), but he seems to like both of ‘em.

And now my favorite web appearance of the week. At the Writing Reader, the first sentence of a novel of mine has been chosen the First Line of the Week. Please check this one out – I’m making you go there to find out what it is.

M.A.C.

Seduction of the Innocent on Shelves Now!

Tuesday, February 19th, 2013

Seduction of the Innocent hits bookshelves real and virtual today. If you already pre-ordered your copy, take this reminder to go pick it up, or alternatively, to call in sick and wait by the mailbox, and skip on down to the regularly scheduled update from Al below. And if you haven’t (for shame!), this is for you…

Part noir, part pulp, and part comic book, Seduction is a detective thriller a la Rex Stout and inspired by the real-life 1950s witch-hunt against Tales From the Crypt publisher EC Comics. With an insider’s view of the history of comics, more than a dozen brand new illustrations in the classic EC style by comic book legend Terry Beatty, and a killer, Hard Case Crime-worthy cover by the great Glen Orbik, Seduction of the Innocent is not to be missed. But maybe I’m biased, so for you jaded Internet-savvy readers out there, here’s what everyone else has to say:

“Truly a breath of fresh air.”—Ron Fortier

“Thoroughly entertaining…Be on the lookout; you don’t want to miss it.”—Bill Crider

“Superior storytelling”—Ed Gorman

“A wonderful, fun, frothy mix of genres… a fast, exciting read, well worth carting along for moments-between or sitting down with for some self-indulgent reading.”—The Geek Girl Project

“Permeated with a sense of, well, joy. Murderous, sexpot, hard-drinking, gun-totin’ scandelous joy.”—pornokitcsh

“Ingenious…great fun, whether or not you are an aficionado of the comics of that era.”—Crime Time

“A must read for crime and comic fans alike.”—MysteryPeople

Seduction of the Innocent is marked by careful plotting, sharp dialog, and a mastery of genre conventions…”—Nerds of a Feather

“Everything I like in one handsome little package”—Books and Writers

Convinced? Buy Seduction of the Innocent today!

Paperback: | E-Book:

Audio CD: | Audio MP3 CD: | Audible:

UK: | CA: | AU:

Tom Arnold, Paul Williams and More

Tuesday, February 19th, 2013

To celebrate finishing THE WRONG QUARRY, I took Barb to Cedar Rapids to Penguin’s Comedy Club to see Tom Arnold. Yes, I am a romantic devil. Actually, my friend Dwayne Clark – a very funny, smart comedian from Des Moines – was the opening act, and he got us tickets for the event.


M.A.C. with Dwayne Clark

I’ve always liked Arnold, consider him an amusing quirky presence who has enlivened any number of movies, including the recent HIT AND RUN, which I’ve extolled here several times. (I will watch anything with Kristen Bell in it, even the fairly awful HOUSE OF LIES on Showtime.) Dwayne as the opening act was his usual funny, wry self, the perfect laidback warm-up for the energetic Arnold, who was something of a revelation.

He was absolutely great. Tom is an Iowa boy and he relates to an Iowa audience in a special way. He is extremely fast, frank and funny as hell. Both Barb and I were mightily impressed. Beyond just his autobiographical humor and his nimble ease interacting with the audience, he proved to be a genuinely nice guy. Between packed shows, he made himself available to anyone who wanted a picture or to have anything signed. The only merch he brought to hawk was t-shirts helping to support his camp for kids with cancer. Great guy.


M.A.C. with Tom Arnold

As those of you who may recall how high PHANTOM OF THE PARADISE ranks on my favorite movie list, you may not be surprised to learn that I am a Paul Williams fan. While he was very funny on talk shows in the ‘70s, he will be remembered as one of the great songwriters of the late Twentieth Century. Sometimes he’s written with collaborators, other times alone (as on PHANTOM), but few tunesmiths tap into love and loneliness better, certainly not of his generation. So I was looking forward to the documentary, PAUL WILLIAMS – STILL ALIVE, and while it’s a challenging, even confrontational work, I was not disappointed.

Filmmaker Stephen Kessler (VEGAS VACATION) essentially makes a documentary about making a documentary, often making himself look bad in the process. This is intentional, as it charts the perils of the doc maker who goes into a project with preconceived notions and then tries to impose them on the film – having done two documentaries myself, I can report that you shoot first and determine the point you wish to make in the editing process. It’s an at times uncomfortable viewing experience, particularly early on, as you feel (and share) Williams’ discomfort and even irritation with Kessler. But it’s worth the trip, and you come away with a good picture of (and good feeling about) the subject. I will be surprised if Terry Beatty, my fellow PHANTOM freak (we saw the film together maybe ten times in theaters way back when), doesn’t find this film fascinating. It’s available on DVD – I spotted it at a Best Buy in their paltry documentary section.

Today I embark on dealing with the copy-edited manuscript of THE WRONG QUARRY – editor Charles Ardai is very fast, which is great, but it does rob me of the usual distance I have when dealing with edits on a work finished months before (as opposed to days). I hate being edited. I despise the copy-editing process. I realize every book needs some editing, but I do not like having an unrequested collaborator on my work. Charles is a very aggressive editor who likes to be part of the process – he has said in print that he wants to be involved with every sentence in a novel he publishes. So our editing sessions are always…interesting. But he is smart, so I can’t just ignore him (I did a fairly elaborate rewrite on SEDUCTION, at his bidding, which is beyond rare for me). Barb knows I will be dealing with copy edits today and has already said she will be steering me a wide path.

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Steve Steinbock, who has the not enviable job of following the great Jon L. Breen as the book reviewer for ELLERY QUEEN MYSTERY MAGAZINE, has been doing a great job. And I say that at least in part because he seems to like my books. In the current issue, March/April, he praises both LADY, GO DIE! (“Collins has the ear – and the chops – to bring Spillane’s hero to life”) and TARGET LANCER, which he rates as a four-star read. Here’s his conclusion: “While being so unapologetically hardboiled you can crack a tooth on it, TARGET LANCER is also an intricately plotted thriller and a unique epic historical adventure.”

Here’s another fine TARGET LANCER review, this one from the Historical Novel Society.

And the SEDUCTION OF THE INNOCENT reviews keep streaming on in, like this fine one from the UK site Crime Fiction Lover.

And Geek Girl loves her some SEDUCTION, too.

Plus these nice words from Porno Kitsch.

Keep an eye on the web over these next few weeks (I will do my best to help out). I am about to undertake a “blog tour,” which means I will be doing a dozen or more interviews and articles about SEDUCTION OF THE INNOCENT. The interviews seem to come from younger readers. Here’s a typical question: “Who the hell are you?”

M.A.C.

Write and Wrong

Tuesday, February 12th, 2013

I will be tweaking THE WRONG QUARRY today, doing final rewrites, and I hope “shipping it” (i.e., e-mailing it) to editor Charles Ardai) today. It was written largely in two frenzied weeks, although my fourteen-day-no-day-off stay in the bunker was preceded by a week of prep and plotting, and now a day (or two) of tweaks and rewrites.

A writer my age should probably not undertake to write a novel in this fashion, working till 1:30 a.m., rising at 7:30 a.m. and starting in again, before going down for orange juice and English muffin. But I have always written Quarry novels in two to three weeks (with the exception of the first one, which took six months) because they are stream-of-consciousness affairs that require me to live inside the story (and Quarry’s head) for the duration.

The story is set in the early ‘80s, and falls into the Quarry sub-category of our hero helping the target of a hit contract. It takes place in a small town in Missouri, during the off-season of its tourist industry. This may sound like a fairly ordinary Quarry set-up, but I assure you it’s wilder than Mr. Toad’s ride. In fact, Barb gave me the best Quarry review ever: “Who is this twisted man I’ve been sharing my bed with?”

This will be, since I obviously have work to do, a brief update. Barb and I saw SIDE EFFECTS, the Steven Sonderbergh thriller starring Jude Law, Rooney Mara (American GIRL WITH THE DRAGON etc.), and Catherine Zeta Jones. Very good twisty piece of work, sort of like ‘70s DePalma but slightly less overt in the sex, violence and style department. Like PARKER, a throwback to kind of grown-up genre piece that the theaters used to regularly offer.

My anti-Super Bowl rant last week got some interesting comments, particularly Mike Doran aptly pointing out that my lack of interest in pro sports may be related to my living outside a metro area. No big sports franchises in Iowa. Good point. The U of I’s Hawkeyes are worshipped in this state. My father fetishitically bought black-and-gold everything, including a Cadillac once.

Odd postscript to my sports “bloviating” (as one commenter termed it): I often love sports movies and sometimes books. Mark Harris’ Henry Wiggins novels are among my favorite novels. DAMN YANKEES is high on the list of my favorite movie musicals. And I’ve already written here about TV’s FRIDAY NIGHT LIGHTS, one of my favorite shows.

Ah yes, I am an enigma wrapped in a riddle. If an occasionally bloviating one.

Here’s a terrific early COMPLEX 90 review from Ron Fortier, an excellent writer his own self.

And here’s a terrific review of my new collection (as complete as possible) of the MIKE HAMMER comic strip.

My friend (and great excellent crime writer) Ed Gorman was kind enough to post this generous review of SPREE, the final Nolan (to date, anyway).

Just in time for the publication of the third Jack and Maggie Starr (SEDUCTION OF THE INNOCENT), here’s a nice review of the first one, A KILLING IN COMICS.

Speaking of which, here’s a fun review of SEDUCTION from a gaming site.

And to celebrate finishing THE WRONG QUARRY in 2013, here’s a good review of the 1976 Quarry novel, QUARRY’S LIST.

M.A.C.