Posts Tagged ‘Wild Dog’

Wild Dog on CW & Quarry in the Black

Tuesday, October 4th, 2016

I haven’t said much about the inclusion on CW’s ARROW TV series of my character Wild Dog (co-created with my longtime pal and collaborator, Terry Beatty, currently tearing it up drawing the Sunday PHANTOM and the weekly REX MORGAN for King Features). The reason is that we are being paid little or nothing, and as yet no one from DC or Warner Bros has even approached us, telling us about this great (if non-remunerative) honor. I do understand that Terry and I are in contention this year for the “Siegel and Shuster Screwed-in-The-Ass Award.”

Still, it’s fun to see screen captures of Terry’s great costume design on an actual human being. Check these out.

Wild Dog on The Arrow

Wild Dog on The Arrow

You can catch glimpses of Wild Dog on ARROW in this trailer, courtesy of AV Club.

The free looks at the first three episodes of QUARRY on You Tube have been taken down. I will pass the baton to my son Nate, who has information on where you can watch the show elsewhere.

Nate here. This all applies to the US; I’m not sure about how it works in other countries. If you have cable, the best option is probably adding Cinemax to your current package. The only way I’ve found to watch QUARRY without a cable subscription is through PlayStation Vue, which is Sony’s streaming platform, accessible through a PlayStation 3, PlayStation 4, Amazon Fire, Roku, as well as iPhone and Android devices. You can subscribe to Cinemax, as a standalone channel without any other package, for $15/month. There is a seven day trial if you want to try it out. For details, click here.

Thank you, son. As for QUARRY in the world of novels, QUARRY IN THE BLACK comes out…today! Oct. 4! In celebration, take a look at this fantastic review from Bookgasm, excerpted at length below:

QUARRY IN THE BLACK
reviewed by Alan Cranis

Max Allan Collins continues to chronicle the career of Quarry, the assassin-for-hire star of Collins’s long-running series (and recently a TV series on Cinemax). The latest title, Hard Case Crime’s QUARRY IN THE BLACK, focuses on the early stage of Quarry’s hit man vocation in the early 1970s. But thanks to the overriding theme Collins make it as applicable as this morning’s headlines.

The year is 1972, and Quarry gets a visit from his boss, known only as The Broker, at his A-frame house on Paradise Lake. Quarry has only been working for The Broker for two years, so the Broker wants Quarry to know that he is free to turn down this latest assignment, due to its unusual and highly political nature.

(M.A.C.: I am omitting here a lengthy plot synopsis that wanders close into spoiler territory.)

Collins again demonstrates his prodigious research skills by effectively – but unobtrusively – establishing the time frame of the story. Popular TV and movie titles of the period, along with references to fashion styles and current events help solidify the credibility of the period.

Yet in a masterstroke of irony, the theme of racial violence that permeates the plot, along with the inclusion of Ferguson – the location of a recent incident of a potential racially motivated shooting by police – transcends the period of the story and lends the novel an immediate relevance.

This is highly unexpected for a Quarry story, but fortunately – and, again, owing to Collins’s skills as a storyteller – never detracts from the suspense that keeps us moving from chapter to chapter. If anything it adds richness to the reading experience while underscoring the enduring nature of the theme.

Along the way Collins includes a cast of completely believable characters who accompany Quarry in his mission, several scenes of intense violence and action, and unexpected plot twists that few will see coming.

In his author’s note following the conclusion, Collins observes, “An odd and oddly satisfying aspect of writing new Quarry novels for Hard Case Crime has been continuing a series that began as contemporary but is now a period piece.” While not considering these historical novels, with their ’70s and ’80s settings, Collins sees them more as a retelling of his autobiography in installments. Perhaps this is reason for the unexpected but highly enriching relevance of the theme.

Reasons aside, QUARRY IN THE BLACK is highly recommended to both devoted followers of the series and those just discovering it. It is a noteworthy addition to the expanding series, and another triumph for one of crime fiction’s most prolific and creative practitioners.

(M.A.C. again: You can read the entire review here, plot synopsis and all.)

Another great review of QUARRY IN THE BLACK from that top-notch mystery and western writer, Bill Crider, can be read here.

Here’s an interview with TV’s Quarry himself, Logan Marshall-Green.

And, finally, here’s an interview with TV’s Buddy on QUARRY (“Boyd” in the novels).

M.A.C.

I’m on the Tee-Vee!

Tuesday, June 21st, 2016

Actor Rick Gonzalez will play Wild Dog on ARROW

Plenty of people have been congratulating me on the addition of the character WILD DOG, the costumed hero Terry Beatty and I created in 1987, to the CW TV series ARROW. When I was preparing to put this update together, I decided to see how big a splash this news had made on the Internet. I stopped counting at 31 links to that news and to summaries of the WILD DOG comics from DC.

So I thought you might like an inside look at how this works for a creator of a comic book character. For example, you may be wondering how exactly DC informed Terry and me of this exciting news. The answer: they didn’t. You may be wondering how rich Terry and I will get from this wonderful windfall. The answer: we won’t.

Other comics creators in a similar situation have told us we can expect $100 for our trouble. I don’t know if that’s a C-note for each WILD DOG episode, or for his overall use. I also don’t know if Terry and I have to split that C-note.

Maybe we should haul out a Ouija board and see what Siegel and Shuster think.

* * *

Tyler Hoechlin will play Superman on SUPERGIRL

In addition to the WILD DOG news, I’ve been popping up all over the Net due to the casting of Tyler Hoechlin as SUPERMAN on the CW series SUPERGIRL. (I am Trump huuuuuuge on the CW!). Tyler, as many readers of these updates surely know, played Michael Jr. in ROAD TO PERDITION. Many of the write-ups about Tyler’s good news point out that he’s played a comic-book hero before, which is how I managed to worm into a lot of the stories.

I remember vividly meeting Tyler on the set of ROAD. He was a smiling, friendly young man, and he got a kick out of it when I told him, “Don’t mention this to Tom Hanks, but you are the hero of this movie.” He was always a sunny, slightly shy presence at the various premieres of the film, and I am happy for his ever-expanding career.

In slightly related news, I received advance copies of the novel version of ROAD TO PERDITION, the complete book at last, something like 30,000 words longer than the previous paperback, with all of my dialogue and action restored. Brash Books has done a lovely job on it. Look for it in November (I’ll be signing copies at this year’s Bouchercon in New Orleans).

Here’s a link to one of the many “Tyler Hoechlin as Superman stories” that hit the Net this past week.

The Cedar Rapids Gazette published this terrific BETTER DEAD review.

By the way, Amazon (and other reviews) of BETTER DEAD, MURDER NEVER KNOCKS and ANTIQUES FATE would be much appreciated it. There’s an amusing BETTER DEAD review at Amazon that accuses Nate Heller and me of being left-wing loons – I’ve gotten a lot of that for SUPREME JUSTICE and FATE OF THE UNION, but this is a Heller first.

Finally, this nice WAR OF THE WORLDS MURDER review also popped up, appearing a couple of places.

M.A.C.

Cruse Control

Tuesday, June 14th, 2016

I realize, as the writer entrusted by Mickey Spillane to complete his Mike Hammer novels-in-progress, that I have a good number of conservative fans. Few if any of them are concerned that my views are too left-leaning for the task – I don’t write my point of view when I’m doing Mike Hammer, I write his.

Also, I try not to indulge in politics here. I don’t want to alienate readers, or collaborators who might hold other opinions.

But I would be remiss not to share an opinion in the aftermath of the Orlando tragedy. Here it is: you don’t need an assault rifle to kill a deer, unless Bambi has one, too.

* * *

My first Crusin’ gig post-heart-surgery went well, if not perfectly. It was a hot, humid afternoon in Muscatine, Iowa, though a nice breeze rolled in off the river. The event was open to the public, designed as an after-work event for downtown merchants and businesses. Our host, the First National Bank, did a great, fun job creating a 1970s class-reunion vibe. On the slight downside, this tended to make us background music and not the main event.

I was a little frustrated that I had to curtail my showmanship because of my limited stamina – I feel like I’m just playing and singing, and that’s only half of the job. And during the last half hour of the two-hour gig, I seriously ran out of gas. I don’t think it was terribly (if at all noticeable) by the audience, but I knew it and so did Barb. But I made it. It was a start.


Brad Schwartz and M.A.C.

That was Thursday of last week. On Friday and Saturday, co-author Brad Schwartz and our research associate – both making considerable treks to join me – met at my house to work on the joint Eliot Ness/Al Capone non-fiction book we are doing. We sold the book, based on a proposal and sample chapter, a year ago, and this was our first face-to-face since. There’s a reason for that.

I learned on the set of QUARRY in New Orleans that we’d made the sale…and the night before I’d suffered congestive heart failure. So it’s taken a while for me to get in shape for such a meeting.

But these two guys know their subject inside/out. We talked strategy and scheduling and much more. We also watched two movies about the Capone case – the embarrassingly lousy SPECIAL AGENT (1935) with Bette Davis and George Brent (and Ricardo Cortez as the Capone figure!), and the very, very good UNDERCOVER MAN (1949) with the always top-notch Glenn Ford, directed by Joseph Lewis of GUN CRAZY fame. The latter film is practically a schematic for THE UNTOUCHABLES TV series, though the hero is not Ness but the over-rated IRS agent, Frank Wilson.

* * *

The Rock and Hall of Fame discussion rolls on. Witness Micheal Tearson’s comment:

As for the R&R Hall, that’s been kind of a bugaboo for me. I had to deal with it constantly while I was working on Sirius/XM’s Deep Tracks channel which was pretty closely aligned with the Hall’s own channel (same administrator for quite a while). It became my view that the Hall has long since lost any focus on R&R as more and more artists with little or nothing to do with rock & roll have been honored. My top omission would be Procol Harum (Love is another). I’d also argue they have been very harsh on prog rock by skipping Moody Blues, Yes and ELP, all of whom have had very influential careers.

And “robbiecube”:

As much as I think the RRHOF is a scam, when acts I dig get ignored as disco & rap acts are inducted, I need to vent. And by vent, I mean list the acts I believe should already be in the hall;

Blue Oyster Cult / Procol Harum / Thin Lizzy / Kate Bush / Rory Gallagher / MC5 / Motorhead / Mose Allison / Grand Funk Railroad / Johnny Rivers / X / XTC / Pretty Things / J. Geils Band / Husker Du / The Jam / Deep Purple.

I think Michael’s remarks show that each generation has its own valid complaints about which acts have been forgotten. I certainly can see his prog rock choices as worthy ones.

As for Robbie, I think the same (slight) generational difference is afoot. But I would certainly be in favor of Kate Bush, XTC, Johnny Rivers and Deep Purple. Personally I find a few of the choices less than worthy – J. Geils, Thin Lizzy, Grand Funk – but that’s just taste. And some are just outside my range of musical knowledge – I have heard of Husker Du, but that’s all, and Procol Harem (mentioned by both correspondents) is only “Whiter Shade of Pale” to me. My bad, as the kids (used) to say.

But it certainly indicates how the Rock hall has missed the boat on a ton of significant artists.

* * *

Here’s 10 hitman novels everyone should read (oddly, only one of them is a Quarry, making the other nine pretenders).

Here’s a fun, intelligent look at WILD DOG (although the otherwise well-informed writer refers to my DICK TRACY stint as “short” – fifteen years?!?).

SUPREME JUSTICE is on a top ten list of Supreme Court novels.

Finally, here’s an uncomplimentary look at THE EXPERT. Worth a read, and stick around for my comment.

M.A.C.

Son Of A Pitch

Tuesday, May 10th, 2011

Not long ago, I was out in Hollywood for one of my rare “pitch” trips. One session was on the studio lot of a network with a very famous writer/producer, with a new Mike Hammer series the subject. Two sessions at two cable networks were for “Interstate 666″ (the hardy among you may remember my short story of that name in one of the HOT BLOOD paperbacks). The latter would be in partnership with producer Carl Amari (who did my two Mike Hammer “radio” novels, most recently THE NEW ADVENTURES OF MIKE HAMMER: ENCORE FOR MURDER). Carl has a deal with Fangoria magazine, who would “present” the film and subsequent series.

These are always long shots, but I have a lot of faith in Carl. The possible Hammer series – my involvement there would likely be limited to a script or two per season – is in the hands of my longtime friend, movie/TV agent and producing partner, Ken Levin.

ROAD TO PURGATORY remains in play, and is one of several projects I hope to do with my frequent collaborator, Phil Dingeldein, of dphilms in Rock Island.

I just heard the other day that “Interstate 666″ won Best Unproduced Screenplay at the Iowa Motion Picture Awards. I was for many years very active with the Iowa Motion Picture Association, but for the last several have stayed mostly on the sidelines. As such, I didn’t attend the awards presentation, but I’m obviously happy to win.

There was some fun coverage of various M.A.C. projects on the net this past week.

A big surprise was the attention my two Jack and Maggie Starr novels received at the Noir Journal. They don’t really consider the books “noir,” but like them anyway, and (like me) wish there were more. There’s a possibility I will be doing a third Jack and Maggie mystery, this time for Hard Case Crime – which means it will be sexier and more violent, and maybe even noir enough for the Journal to pronounce it such.

KISS HER GOODBYE is not on the bookstore shelves yet (you remember bookstores, right?) and is still a pre-order at Amazon and Barnes & Noble; but it’ll be out in a couple of weeks, and continues to get nice coverage. A bookseller has very nice and I think smart things to say about the book here.

There are also some nice KISS HER Goodreads comments you might find worthwhile.

The director of THE LAST LULLABY, the Quarry movie, has a short but sweet interview on that subject here.

And the Collins/Beatty Wild Dog gets a brief, smart write-up at Scoop. Check it out.

Getting back to the Hollywood trip, it was a whirlwind two days, but I got to spend an evening with my pal Leonard Maltin and his wife Alice and daughter Jess, three of my favorite people. Leonard booked a booth at Musso & Frank’s, the famous old Hollywood Blvd restaurant, and the specific booth he booked (the “Chaplin” just inside the doors) was the one I used for Nate Heller and a Dorothy Kilgallen-type newspaper columnist in the forthcoming BYE BYE, BABY. A nice coincidence.

Nicer still was getting to accompany Leonard to the TCM Film Festival where I met Jane Powell and Robert Osborne (and saw Leonard interviewing Ms. Powell, followed by a big-screen screening of SEVEN BRIDES FOR SEVEN BROTHERS). I kidded Mr. Osborne that I should have been an interview subject for TCM’s Mike Hammer evening (then upcoming, now past). Mr. Obsborne took my joshing seriously and started talking about budget constraints, etc. He warmed up after that, but I have to say – they should have had me on. Mr. Osborne made two errors in the introduction of THE GIRL HUNTERS, saying that most critics panned Mickey as Mike (not true – he got mostly raves) and that the film was Mickey’s debut as an actor (of course not – that was RING OF FEAR…which TCM has aired a number of times).

The three Hammer films TCM aired were KISS ME DEADLY, MY GUN IS QUICK and THE GIRL HUNTERS. Still MIA for TCM are the original I, THE JURY and THE LONG WAIT, both far better than MY GUN IS QUICK – although TCM aired a great print of that…and MGM is making the film available here.

M.A.C.