Posts Tagged ‘Trash ‘n’ Treasures’

New Mike Hammer Novel Giveaway

Tuesday, April 15th, 2014
King of the Weeds

Last week, my offer of a dozen ARC’s (advance reading copies) of ANTIQUES CON to readers willing to do an Amazon review found all twelve spoken for within 24 hours.

This week I have a similar offer, and it just might go quicker (we will post here and on Facebook when the offered books are gone). [Note from Nate: We’re all out again. Thanks for the terrific response!] I have a dozen copies (not advance reading copies, but the real deal, and I’ll sign them) of KING OF THE WEEDS, the Mike Hammer novel going on sale May 6. Again, this is predicated on your willingness to write an Amazon review (also encouraged are Barnes & Noble reviews and blog reviews in general). Do not try to post your review before May 6 – Amazon does not allow advance reviews except from their own selected cadre.

This week our son Nathan visited Barb and me for several days, and during that time our author copies came of not only ANTIQUES CON and KING OF THE WEEDS, but Nathan’s BATTLE ROYALE (the cult classic Japanese novel of which he did a new, superior translation). Kind of amazing: every time the doorbell rang, there were more boxes of our books! (And an angel got its wings, of course.)

Battle Royale Remastered

Nathan’s presence was fortuitous in another way – he was here to participate for Barb and me (and Mrs. Nathan Collins, Abby) in the frantic on-line event known as the San Diego Con making hotel rooms available. The rooms go in under twenty minutes, and the good ones (downtown) are gone in under two minutes. Nathan took under 90 seconds to enter the required info, including a list of six hotels in order of preference, and – thanks to computer dexterity on Nate’s part that both his mother and I lack – we were rewarded with rooms at the Marriot Marina next door to the convention center. This is winning the nerd lottery. We have been attending San Diego Comic Con for many, many years…and this is the first time we’re staying at everybody’s first choice for lodgings.

Right now I am working on ANTIQUES SWAP – really dug in on it. Another week and a half, I would estimate, and my draft will be complete. Barb did such a great first draft that my work has been easy – or as easy as writing ever gets, which isn’t very.

Allow me to quickly comment on a few recent TV series and movies.

First, TV. JUSTIFIED is a great show and had a terrific season finale, setting up one last great big season with Raylon Givens and Boyd Crowder facing off one last time. ARCHER – renamed ARCHER VICE – is winding up its latest season, and it remains my favorite series on TV, just a truly demented guilty pleasure, should any of you be able to experience guilt. On Blu-ray, we watched three JACK IRISH movies, a very good hardboiled private eye show from Australia based on a novel series – beautifully shot, well-written, well-acted, with Guy Pierce excellent as the somewhat forlorn (but not despairing) lead. At least as good is the new season, the sixth, of GEORGE GENTLY with British TV superstar, Martin Shaw. These four movie-length episodes are superior to most of what you might see at the movies themselves. Set in the changing times of the late ‘60s, with a father-and-son relationship between an older and younger cop, GENTLY is as good as anything in the UK crime department with the possible exception of SHERLOCK.

Onto film. I didn’t hate CAPTAIN AMERICA: THE WINTER SOLDIER. [Note from Nate: mild spoiler alert] In fact, there is much to like, in particular Chris Evans’ portrayal of Cap, and Scarlett Johansson in a skin-tight cat suit. Audiences are reacting very well to this one and I feel like a bit of a spoilsport not to be caught up in its spell. But every surprise is predictable, and it suffers from the oh-so-serious rendering of childish concepts Stan Lee threw off in his sleep decades ago. Guys, SHIELD is not the CIA – it’s an imitation of UNCLE, as in MAN FROM. The Winter Soldier is Bucky, and Bucky is Captain America’s Robin, fer chrissakes. You would think I would relish these movies, having grown up on Marvel (and Atlas before it). But the fun has been drained out, largely. By the way, almost all of the endless fight scenes are incoherent. When a CAPTAIN AMERICA movie’s biggest surprise is that Robert Redford is not the Red Skull, we have a problem here at the Merry Marvel Marching Society (yes, I was a charter member).

For wild action that is not incoherent, although it’s gory as hell (in a good way), catch THE RAID 2. Though it lacks the purity of the single-setting first film, RAID 2 has more fantastic action set pieces than you can shake a baseball bat at (and there will a baseball shaken). This is the rare Asian crime film that actually beats John Woo at his own game.

But the best movie I’ve seen this year – though it’s admittedly not to every taste – is THE GRAND BUDAPEST HOTEL. I run hot and cold on Wes Anderson. Hated MR. FOX, loved MOONRISE KINGDOM. Was annoyed by DARJEELING EXPRESS, was crazy about RUSHMORE. This new film is his best, combining all of his obsessions and quirks into one very funny, very moving film, with a mindboggling cast that is unlikely to be repeated, even in another Wes Anderson film. Anderson is a novelist on screen, but one who shares the vision inside his skull with the viewer.

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Here’s a blast from the past: a review of THE HISTORY OF MYSTERY.

And here’s a fun review of THE WRONG QUARRY, specifically of the audio version read by the great Dan John Miller.

M.A.C.

Antiques Giveaway and a Nomination

Tuesday, April 8th, 2014
Antiques Con

The International Association of Media and Tie-in Writers has announced this year’s Scribe award nominees. It was a tough field (COMPLEX 90 did not get a novel nomination, for example), which is healthy considering how weak the tie-in field generally is these days. I am pleased to say the Spillane/Collins MIKE HAMMER short story, “So Long, Chief” – already honored as an Edgar nominee – is also a Scribe nominee.

In the past, these awards have been presented at San Diego Comic Con. We intend to do so again this year, but haven’t received confirmation from the con as yet. I’ll post that info here when I have it.

In the meantime, here is the full list of nominees at my pal Lee Goldberg’s terrific web site.

On a related note, here’s a terrific recent review of Lee’s book on tie-ins (with contributions by me).

A flurry of M.A.C. books has started to hit, including mass-market paperbacks of TARGET LANCER and ANTIQUES CHOP (the latter perhaps my personal favorite of the series). Coming up very soon are ANTIQUES CON (April 29), KING OF THE WEEDS (May 6) and SUPREME JUSTICE (June 1).

[Nate: All copies are claimed for now—see you next time around!] I have available twelve ARC’s (advance reading copies) of ANTIQUES CON for the first dozen of you who are willing to review it for Amazon (and other sites, such as Barnes and Noble and Goodreads). First come, first served, and only USA addresses, please. You can’t post at Amazon until the book is out, so April 29 is the key date. Goodreads reviews can go up immediately. Amazon is crucial because it takes nine reviews to get on their radar.

I am trying to get copies of KING OF THE WEEDS from the publisher for a similar giveaway, and will have some in a few weeks for SUPREME JUSTICE.

Again, I can’t stress how important these Amazon reviews are, not just for me but for any authors whose work you follow and enjoy. You don’t need to post lengthy reviews – a line or two is sufficient. If you are a Quarry or Nolan fan, for example, please consider going to Amazon and posting quickie reviews of those. The Nolan books are in particular under-reviewed, and again, this keeps the Amazon algorithms from kicking in.

Getting back to ANTIQUES CON, we’ve just had a delightful review from ROMANTIC TIMES (a great place for a cozy mystery to get attention). Take a look:

Romantic Times May 2014
ANTIQUES CON
**** ½

Allan’s madcap series has never been the most typical of cozies; it provides non-stop humor as well as a logical, tangled mystery. Vivian is wildly charming, although she often drives Brandy close to insane. The New York City comic book convention setting gives the story a gentle, satirical backdrop. This is a fun, fast mystery that shows Allan at the top of her game.

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M.A.C.

Cover Story

Tuesday, March 25th, 2014
Supreme Justice

Over the last two weeks, Matt Clemens and I have been going over potential covers for the upcoming SUPREME JUSTICE, coming out June 1.

Thomas & Mercer, Amazon Publishing’s mystery/suspense line, has been very good about making me – and Matt, because he contributed so mightily to both novels – part of the book cover process for both WHAT DOESN’T KILL HER and SUPREME JUSTICE. This is hardly common in publishing – in fact, it’s the opposite of common.

What often happens is that I’m asked for my opinion – in the context of how important that opinion might be, given my background in visual arts like comics and film – but rarely has my input been given much if any consideration.

That’s been improving in recent years. Our editor at Kensington always asks Barb and me for ideas for the covers of the ANTIQUES books, and those ideas have been used for the most part.

Titan is careful to run covers past me, and I had considerable input on the Mike Hammer mass market editions, where initially the depiction of Hammer was wrong. The publisher of Titan himself, Nick Landau, enthusiastically presented the hardcover Hammer dust-jacket art over drinks at San Diego Con a few years ago.

At Hard Case Crime, Charles Ardai often discusses what artists might be available for my next book – obviously the first thing out of my mouth is, “How about McGinnis?” But I essentially chose the cover artists for THE WRONG QUARRY (Tyler Jacobsen) out of three or four Charles showed me examples by. And THE WRONG QUARRY seems to be universally regarded as one of (if not the) strongest of my Hard Case covers.

As I may have mentioned here before, those covers are usually done before I’ve written the novel, with just a paragraph precise of the unwritten book for the artist to go by. That means I often have to work to get the cover image into the book.

On the other hand, I provided Forge with lots of input into BYE BYE, BABY’s hardcover jacket that was eventually ignored, due to worries that the Monroe estate would sue. I hate that cover (though the mass market paperback is much better). Where both TARGET LANCER and ASK NOT were concerned, however, I was given the opportunity to give my two cents, and was listened to. Often I write the cover copy, even the front “reading lines” (blurbs), when what is submitted to me seems weak.

So it has improved a lot. I’ve come a long way from when I received BAIT MONEY and BLOOD MONEY in the mail in December 1972 and found fairly terrible photo covers and my name changed from Allan Collins to Max Collins, and my character Nolan given an unwanted first name (“Frank”) which to this day dogs both Nolan and me. Then there’s the day I opened a package and saw that my novel QUARRY and its sequel HIT LIST were now THE BROKER and THE BROKER’S WIFE, the latter title a spoiler for a major plot turn…again, with photo covers, though slightly better ones.

But now Thomas & Mercer has given me a chance not only to suggest cover images, but provides me with half a dozen to choose from, and does tweaks on the art that I’ve suggested. I wish I could include the SUPREME JUSTICE rejects here, because they were strong, too. But I don’t know the legality of that.

Maybe next time I do a book for them, I can put the proposed covers up here and seek your input.

For now, I am delighted with the cover for SUPREME JUSTICE.

* * *

Brief movie report.

We liked MR. PEABODY AND SHERMAN, me more than Barb. It captured the Jay Ward cartoons well and was very smart in its storytelling – a little long, though. See it in 3-D.

NON-STOP was a good thriller, somewhat stupid in the motivation of the villains, but a ride worth taking.

300: RISE OF AN EMPIRE is better than the original, and is a rousing battle picture with an eye-popping sex scene (see that in 3-D, too). But it’s fairly numbing in its more-and-more-of-the-same gory action, and at heart is a very brain-dead right-wing screed. Still, I dug it. I am, as should be evident by now, a sucker for anything in 3-D that doesn’t outright suck.

Speaking of sucking, we walked out of DIVERGENT about half an hour in. I’d read some promising reviews, but this is a really poorly thought-out imitation of HUNGER GAMES (which is a poorly thought-out imitation of BATTLE ROYALE). Really, really dumb, and also dreary and dull. We bailed when some recruits in the Dauntless faction (don’t ask) said, “Let’s do something fun! Let’s get tattoos!”

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Let’s wind up this update with a link to a very nice WRONG QUARRY review from Blog Critics.

Veronica Mars Attacks

Tuesday, March 18th, 2014

This weekend Barb and I went to St. Louis to visit our son Nate (who as you may know runs this site) and his terrific wife, Abby. I finished the Spillane western novel THE LEGEND OF CALEB YORK (but for a two-day edit, which will begin today), so I could really use the break. Ditto Barb, who recently finished her draft of ANTIQUES SWAP. But the main reason for the trip was seeing the VERONICA MARS movie.

I am a Kickstarter backer of the movie. You’re welcome. But its limited run (pretty much strictly AMC theaters) did not bring the film to our area, so going to see it in St. Louis made a lot of sense, since we hadn’t seen Nate and Abby in a while, and we could do a late celebration of my birthday – Nate even sprung for the tickets. As a harbinger of senility, I forgot to wear one of the two VERONICA MARS t-shirts I received as a backer, a slip that Nate gleefully reminded me of numerous times.

Nate’s presence, despite his sarcastic nature (which I have no idea where he got), was key because – like Barb – he was a VERONICA MARS fan as well. This was an enthusiasm grown from a binge-watch, because I did not discover the show till I’d seen Kristen Bell in REEFER MADNESS and realized she was a special talent. Yes, and blonde and beautiful, but that’s just petty of you to mention. By way of prep for the film, Barb and I binge re-watched the three seasons in three weeks, and Nate and Abby did pretty much the same, though I believe it took them four weeks…a barely adequate performance, if you ask me.

As for the movie itself, as one of the producers (you’re welcome), I am biased. But all four of us loved it. I can’t be sure, but I think it will work well on moviegoers with a bent toward mystery and specially noir P.I. whether they’ve seen the original series or not. It manages to be at once a movie and a great VERONICA MARS episode. The mystery is not really the thing here – the movie is about its main character making a life/career decision – but the whodunit aspect is typically twisty and twisted in the fashion of the series.

As the co-creator of MS. TREE, I appreciate the way creator Rob Thomas (co-writer and director here) transforms wise-guy PI dialogue – and a tough guy attitude – by placing them in the mouth and body of a lovely young woman. Veronica Mars is slightly off-kilter, at least a little nuts, like Mike Hammer, Jake Axminster and Nate Heller (and Ms. Tree). The film has plenty of call-back references to the show itself, and many, even most, cast members (including non-recurring ones) turn up in a way that will tickle fans but doesn’t get in the way of the appreciation of non-fans. Working on these two levels is terribly tricky, and I admire the screenplay for pulling off something that I feared might be impossible.

Everybody is good, but Bell is remarkable – so badly or unimaginatively used elsewhere (fie on you, HOUSE OF LIES), she has a confidence and ease in this role that indicates she is well aware it’s her signature one. Her father Keith, as played by Enrico Colantoni, is equally good, and remains the heart of VERONICA MARS. Jason Dohring as Veronica’s stormy love interest does a beautiful job of taking his character somewhere new while remaining the same guy…again, not easy. In fact, the entire film and its cast does well by the passage of time, and making a ten year class reunion for Neptune High a major set piece and plot mover here is just another example of how good Rob Thomas is with this property that he clearly loves.

The film, in its limited release, had an impressive opening weekend. It’s a unique release with VOD simultaneous and a Blu-ray/DVD coming very soon. I hope that the film’s success – and it already is a success, just by existing – leads either to more features or a renewed series. As much fun as it is to see VERONICA MARS on a bigger landscape – which Thomas managed to pull off on an under-$6 mil budget – this is a story and world best served by series television.

After all, VERONICA MARS is easily in the top ten private eye shows of all time. And in my top five – at the top.

Okay, since you asked nicely:

VERONICA MARS
CITY OF ANGELS
MICKEY SPILLANE’S MIKE HAMMER (McGavin)
A NERO WOLFE MYSTERY
THE ROCKFORD FILES
Runner up: PETER GUNN

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Speaking of movies, a very nice if extremely belated review of REAL TIME: SIEGE AT LUCAS STREET market has popped up at the Bookgasm movie spin-off, FLICK ATTACK.

Here’s a nice, smart review of SEDUCTION OF THE INNOCENT.

Finally, here’s a terrific Publisher’s Weekly review for the upcoming ANTIQUES CON:

“In Allan’s humorous eighth whodunit (after 2013’s Antiques Chop), Brandy Borne and her quirky mother, Vivian, travel from quiet Serenity, Iowa, along with their blind, diabetic shih tzu, Sushi, to New York City, where they hope to auction their prized possession—an original Superman drawing—at a comic convention. On arrival at Bufford Con, organized by comic purist Tommy Bufford, the pair soon learn that all is not well. The old comic convention guard are none too pleased about Tommy’s new competing event, which may explain why the prize pen ends up as a murder weapon. Mysterious deaths follow Brandy and Vivian wherever they go, but these two spunky out-of-towners always manage to find crafty ways to avoid sticky situations in the big city. Tips about comics collecting add to the cozy fun. Allan is the pseudonym of Barbara and Max Allan Collins.”

M.A.C.