Posts Tagged ‘The Little Death’

Collins Hits The Third Rail

Tuesday, February 2nd, 2010

Ron Fortier has posted a wonderful write-up on YOU CAN’T STOP ME.

Craig Clarke has posted a terrific review of THE LITTLE DEATH at his Somebody Dies review site.

And a great, dare I say insightful review of THE LAST LULLABY just popped up.

Plus, there’s a very nice review of QUARRY IN THE MIDDLE.

My pal Ed Gorman limits himself on talking politics on his blog because, well, politics causes problems. It can alienate people, and that includes readers/fans, so it’s dangerous ground. Ed sends out political stuff to an e-mailing list, material that is always interesting and illuminating.

I am going to dip a toe into this subject, lightly. Some of you know that I’m a Democrat or a liberal or a progressive or something. I think of myself as slightly left of center, but my father thought of himself as slightly right of center, when he was slightly right of Genghis Khan. So who knows? I do know that I veer left when the right is getting out of hand, which they frequently do. I despise Fox News, because it isn’t news, it’s opinion labeled news, and you can always tell when you’re “talking” (i.e, arguing) politics with somebody whose news and info comes from Fox, because it’s always the same bite-size talking points.

But I come to praise Republicans, not to bury them. Republicans stand by their man. They wouldn’t have cared if George Bush bombed Cleveland – he’d have had a damned good reason. Democrats, however, eat their young. They could hardly wait for Obama to get sworn in before ragging on him. The far left is pitiful in the way they assume the President can wave a wand and make all their dreams come true. Full disclosure: I worked for Obama, Nate was a staffer on the Iowa campaign, and Barb, Nate and I all worked hard for him. None of us is thrilled with the past year, but I think it’s clear Obama has accomplished quite a bit, considering the Washington cess pool he has to swim in. I back the guy. I don’t always agree with him, but I keep it to myself, mostly. Possibly I’m keeping my head in the sand. Maybe, after two years of MSNBC and Keith Olbermann “Special Comments,” I just can’t take the stress anymore (I stopped watching that stuff regularly in January).

But if Democrats don’t show a little support for their guy – if they insist on forming a circular firing squad around their leader – we can look forward to President Palin or Brown or God knows what. The only faint hope for the Democrats right now is the Tea Bag bunch (can’t hear that designation without thinking of John Waters), who are forcing the Republicans so far right that even Fox should be getting nervous. Kind of sad when our best hope is a bunch of buffoons who want to prove Obama wasn’t born in America. But keep plugging, kids.

This update appears on Feb. 2 – Groundhog Day. May I suggest to one and all spending the evening with Harold Ramis’ great film, GROUNDHOG DAY – probably my favorite film of the ‘90s, Bill Murray’s finest achievement, and a genuine masterpiece.

M.A.C.

SCTV For Christmas!

Tuesday, December 22nd, 2009

SCTV ReunionJoe Flaherty as Guy Caballero, moments before rising from his wheelchair to acknowledge his standing ovation.

Let’s start off by wishing you and your family happy holidays. We are expecting Nate home for Christmas, with our cheerfully insane “granddog” Toaster, a Blue Australian Heeler named for the robots on BATTLESTAR GALACTICA. And Crusin’ has a gig on New Year’s Eve at the West Liberty, Iowa, country club, where a lot of my old high school friends are members. Really looking forward to that. We have snow here and things are looking suitably scenic. Last night, Barb and I watched two Perry Mason shows from the latest DVD boxed set (one an Erle Stanley Gardner based show, “The Case of the Duplicate Daughter,” and those are the really good ones) and had cups of cocoa courtesy of Jane Spillane. Watching Perry Mason with cocoa and marshmallows provided by Mike Hammer’s creator’s widow reveals that even my dullest evenings are surrealistic.

I was pleased to see a really nice, insightful ROAD TO PARADISE review pop up from Brian Drake — a little after the fact, but with RETURN TO PERDITION under way, good to see.

Ed Gorman asked me to do a new interview for his site; I did one not long ago, but took him up on it anyway. I had to respond to some of the comments on the piece. My son gets uncomfortable when I do that, but I feel comments are different from reviews (writers really shouldn’t respond to reviews, and I’ve only broken that rule a handful of times).

I also commented on comments at a Cinema Styles, where a wonderful, smart review of THE LAST LULLABY appeared. But a couple of the comments were beyond the pale, and I just couldn’t let them ride.

I am working on the third Mike Hammer Spillane/Collins collaborative novel, KISS HER GOODBYE. Really just getting started, but it’s an interesting challenge. Mickey had taken two runs at this story, with very different plot elements; so I have around 100 pages of one version, 50 or so of another version, plus notes on both. Weaving these together will be a fun challenge. Elements of this story became BLACK ALLEY, the last Hammer published during Mickey’s lifetime; but about all that is left are a few names, the notion of Mike Hammer coming back to the city after recovering from gun shot wounds (a common start to Mickey’s later Hammer stories, both published and unfinished), and the notion of the mob moving into the era of computers.

Barb and I spent much of the week shellshocked from the incredible double-feature experience of the SCTV reunion at Second City in Chicago (see the photos courtesy of a wonderful audience member from Vancouver, who will remain anonymous, as these were largely sneaked during the performance). It’s hard for me to express how much this experience meant to us, but we’ll probably share our own photos next week, some of which reveal me in a state of crazed bliss. We are talking about an evening that began with Guy Caballero (Joe Flaherty) recognizing his standing ovation by bolting up out of his wheelchair and grinning goofily.

The other half of the double-feature was the day we spent (Monday December 14) with Chicago sportscaster Mike North, his lovely wife Bebe, and producer Carl Amari. It was a long, incredible day. Whether it will lead to the movie project we are all hoping for remains to be seen, but I found North — a working class guy made very good — an unaffected, affable, hilarious, gifted man. He invited me onto his Comcast sports show, “Monsters in the Morning,” and we talked PERDITION and movies with his co-host Dan Jiggets (also a great guy). I think Mike and Dan (and Carl, on the sidelines) were surprised by how at ease I am on camera, plus what a wise-ass I am willing to be in public. We followed Mike on a tour of his Rogers Park roots (which included lots of bars being pointed out) and spent some time at Norte Dame high school, where he coaches basketball for no pay and big personal rewards. I hope this is the beginning of a beautiful friendship.

Carl gave me a box of the finished CDs of THE NEW ADVENTURES OF MIKE HAMMER VOL. 2: THE LITTLE DEATH. We listened to one on the way home to Muscatine — we had only heard a rough mix before. If you haven’t ordered this yet, you are at the wrong website. I am very, very proud of this, and will be sending some review copies out soon, so I hope that before long some web attention will be shared with you here.

Again, happy holidays. Hug your family. Give gifts. And most important, watch the original MIRACLE ON 34th STREET and Alistair Sim’s CHRISTMAS CAROL…otherwise it isn’t an official Christmas.

M.A.C.

SCTV Reunion
Barb Collins, right, and audience member Jen Ritchies, left, before the SCTV reunion show.

SCTV Reunion
Harold Ramis as Moe Green, Eugene Levy as Bobby Bittman and Flaherty as Sammy Maudlin.

SCTV Reunion
Ramis, Levy, Catherine O’Hara as Lola Heatherton, Flaherty on “The Sammy Maudlin Show”

SCTV Reunion
Andrea Martin and Dave Thomas as Edna and (the late) Tex Boyle (“Those little piggies are greasy”).

SCTV Reunion
Thomas and Martin Short in a classic Second City sketch.

SCTV Reunion
O’Hara and Martin (Pirini Scleroso). A rare Second City sketch that became an SCTV classic.

SCTV Reunion
Barb, Al and audience member Lisa Lecuyer.

SCTV Reunion
Cast (and their producer, unidentified) take a bow.

Mike Hammer Under Cover

Tuesday, November 24th, 2009

I’ve mentioned in previous updates how pleased I am with THE LITTLE DEATH, the MIKE HAMMER audio novel I wrote for producer Carl Amari, which Blackstone will be issuing momentarily (Amazon lists it as already in print, but I haven’t seen a copy yet).

As you may recall, I got to go to Chicago and watch Stacy Keach and a gifted cast (including Second City veteran Tim Kazurinsky) bring my script to audio life. This is the second volume of THE NEW ADVENTURES OF MIKE HAMMER, but I didn’t write the first (which was two short stories as opposed to one novel). I based it on material Mickey had prepared in the fifties for both a radio version and a television one; I had adapted this during Mickey’s lifetime into the short story “The Night I Died.” And about ten years ago, I had developed it as a screenplay for Mickey and his longtime partner, Jay Bernstein, for a TV or possible theatrical movie. But a film never happened.

Now it’s a reality, as an audio “movie,” and Carl and Stacy really hit the ball out of the park. Anybody with even the slightest interest in either Mickey’s work or mine will love this. Interestingly, it marks the first time Stacy has ever played Hammer in a piece directly derived from a Spillane story.

There was a nice response from my behind-the-scenes look at the creation of the cover of the forthcoming Spillane/Collins HAMMER novel, THE BIG BANG. So I thought you might enjoy seeing the several versions of the audio cover.

Here was the first try from Blackstone’s terrific art department:

The Little Death First Revision
Image copyright 2009, Blackstone Audio

I liked this pretty well, but Stacy Keach objected to using his image so directly. He felt it made this brand-new project look like some kind of re-release of his HAMMER material from several decades ago. Carl and I agreed, and so the artist at Blackstone listened to various suggestions from all of us. I sent along attachments of the early HAMMER paperbacks, which never really showed Hammer dead-on, creating a man of mystery.

The Little Death Second Revision
Image copyright 2009, Blackstone Audio

Everybody liked this better, but Stacy (and all of us) felt Hammer could use with a better-looking “babe.” Not that this model was unattractive, but Stacy wittily pointed out that she belonged on a Jane Austen cover, not Mickey Spillane. Also, a bearded, cigar-smoking Hammer was a no go—we asked that the mustache be kept (this is the Keach HAMMER, after all) and the cigar go away, Mike being strictly a Luckies kind of guy. The final version that the artist came up is terrific.

The Little Death Third Revision
Image copyright 2009, Blackstone Audio

We had a nice turn-out at Mystery Cat Books in Cedar Rapids, despite being up against an Iowa Hawkeyes game (tough competition in this part of the world). We dined with Ed and Carol Gorman and had a great time, as Ed and I tried to top each other’s publishing horror stories.

Work continues on the graphic novel RETURN TO PERDITION, and Terry Beatty has turned in his first, finished pages—and they are knockouts. I predict this will be our best work together, at least until next time.

Quarry continues to attract fine reviews. Rod Lott at Bookgasm used his knowledge of the Quarry novels to write a particularly insightful review of THE LAST LULLABY.

And another knowledgeable Quarry fan, crime novelist Tom Piccirilli, has a Quarry-centric interview up at his blog that you may get a kick out of.

Happy Thanksgiving! For those of you in Eastern Iowa, we’ll see you at Plamor Lanes on Saturday night for our first Crusin’ gig at this venue.

M.A.C.

The Little Death Recording in Chicago, Trash ‘n’ Treasures

Wednesday, July 15th, 2009

This Monday (July 13), at a recording studio in Chicago, my novel for audio, THE NEW ADVENTURES OF MIKE HAMMER: THE LITTLE DEATH, was recorded with Stacy Keach and a gifted cast, including Second City/SNL star Tim Kazurinsky. The cast did great and producer/director Carl Amari was generous enough to allow me to sit in and give occasional direction myself. My pal Mike Cornelison (ELIOT NESS himself) came along from Des Moines to play Captain Pat Chambers of Homicide.

Max and Stacy Keach and Carl Amari
Max with Stacy Keach and Carl Amari

Max and Tim Kazurinsky
Max with Tim Kazurinsky

Mike Cornelison with Stacy Keach
Mike Cornelison and Stacy Keach

This three-hour, full-cast audio novel will be released by Blackstone Audio in October, and I have to say I’m really, really excited about it. Hearing Stacy read THE GOLIATH BONE was a thrill, but to be in the studio with him reading my lines (with Tim, Mike and other wonderful Chicago actors) made the thirteen year-old Mike Hammer fan in me very happy indeed.

“Barbara Allan,” which is to say Barb and I, are pleased to announce that we have won the following:

The Romantic Times 2008 Toby Bromberg Award for Most Humorous Mystery

Here is how the Romantic Times editors describe the honor:

“The Toby Bromberg Award is named in honor of RT’s longtime mystery reviewer, who passed away in 2002. To honor Toby Bromberg’s memory and to celebrate her enthusiasm and love for authors and the mystery genre, we have created an annual award to be given in her name.

“This year we are proud to announce the seventh recipient of the Toby Bromberg Award for Most Humorous Mystery Novel, Barbara Allan aka Max Allan Collins and Barbara Collins, for ANTIQUES FLEE MARKET, published by Kensington.”

Barb and I are thrilled to receive this award, the first such honor for the Trash ‘n’ Treasures series (although not our first nomination), and are particularly happy that the book and series were singled out for this particular award. The humor aspect of those books — often commented on by EQMM reviewer Jon Breen, who has expressed a suspicion that we are spoofing the cozy genre in the Brandy Borne and Mother mysteries — is second only in our collective mind to character.

We would be the first to admit that the mystery itself is of a secondary concern to us. We often comment on the fact that the series we love most — Rex Stout’s Nero Wolfe novels — is one whose entries we can re-visit again and again, rarely remembering “who did it,” but having so much fun with Archie and his boss that we don’t care. In fact, we like it, because we can enjoy the stories again and again.

Antques Bizarre

This is not to say we don’t care about the mystery. Just that it’s not our major concern, although we’ve tried to work on that side of things, and the forthcoming ANTIQUES BIZARRE (next March, as usual from Kensington) is probably the best mystery we’ve done so far.

ANTIQUES FLEE MARKET will be out in paperback in November, with a terrific new cover. In the spirit of humor, we’ve been lobbying for more comic-oriented artwork and Kensington has really come through for us, as you can see here.

I know some of my fans — the hard-bitten Nate Heller and Quarry bunch — avoid these novels. I often have male fans tell me their wives love the books. Fine. But be secure enough in your masculinity to read these, because humor plays a big part in most of my work, and these novels are the funniest stuff I (help) turn out.

Whether we’re spoofing the genre of not, well…let me fill you in on how we came to do this series. Barb and I had done two standalone novels together. The first, REGENERATION, was a minor paperback original bestseller; the second, BOMBSHELL, our Marilyn Monroe Meets Nikita Khrushchev thriller, wound up at Five Star, where it was one of that small company’s best sellers…but we’d had higher hopes. We thought it was time to find a series to do together.

Antques Bizarre

Michaela Hamilton, who had been my first Nate Heller editor at NAL, had moved to Kensington Books. We were chatting on the phone about how nice it would be to work together again, but she said, “I’m doing cozies…that’s not exactly your cup of cyanide.” (Cozy editors talk that way.) (Actually, they don’t. I made that up.) Anyway, I said Barb and I had been wanting to do a series together, and that we were big Christie fans (although Christie isn’t really that cozy — those are nasty, violent books) and would love to take a swing at the genre.

We wrote a proposal from my notion of doing a Red Hat Society mystery, with an elderly eccentric detective and her forty-something widowed daughter. Michaela wrote back and said we didn’t understand her market. She needed a young-ish female protagonist, although a sidekick older gal was fine, as well as the following: a cute pet, a memorable, even exotic setting and an overall gimmick (i.e., crossword puzzles, recipes, etc.).

As a writing exercise (since I generally don’t believe in writing to market), we took a shot. We made the young protagonist a Prozac-addled divorcee of around thirty who had screwed up her marriage in the big city and went running home to Mama. We made Mama a bipolar diva of local theater who made Auntie Mame look low-key. For the cute pet, we (not caring for cats) gave our girls a diabetic and blind dog (based on a pet of ours we’d recently lost). For the town, the “exotic” setting was just our hometown, changing Muscatine to “Serenity” (after the TV series), making it an “antiquing” town (which to some degree it was). For our gimmick, we had antiques, but didn’t go the big ticket route, Sotheby’s and so on, rather having our girls be flea market, yard sale and even dumpster-diving bottom feeders. We gave our sample chapters outrageous puns for titles, and put on a supposedly helpful (but mostly just funny) tips for collecting antiques.

When we were finished, we really liked what we had (two chapters and a proposal), but thought Michaela would roll her eyes at our blatantly tongue-in-cheek, even subversive approach. We figured we had something Kensington would turn down, but that we might be able to market elsewhere. Instead, we got the best acceptance letter ever — one word in an e-mail: “More.”

We are working on the fifth novel now — ANTIQUES KNOCK-OFF. As for how we can collaborate and stay married, I’ll save that for a later update.

M.A.C.