Posts Tagged ‘The Legend of Caleb York’

Fate of the Union—Covered

Tuesday, June 30th, 2015
Fate of the Union

Here’s the cover for FATE OF THE UNION, the second Reeder and Rogers political thriller from Thomas & Mercer. The first, SUPREME JUSTICE, was one of my bestselling novels ever, so I’m hopeful this one will do well, too.

Whether it will engender the same kind of political controversy as the first remains to be seen. I can’t see any reason for conservatives to get their panties in a bunch this time around, or progressives either; but you never know.

The cover process at Thomas & Mercer is fascinating – they provide a number of possibilities and give the author great input into the final product. I think this one is very good, and that it makes a nice fit with the SUPREME JUSTICE cover.

You’ll note that Matt Clemens shares byline this time around. That’s only a cosmetic change, because Matt was a collaborator on SUPREME JUSTICE as well, and the previous Thomas & Mercer novel, WHAT DOESN’T KILL HER. I wanted to include him on the byline of those, but was discouraged from doing so, because some people make the unfortunate assumption that when a secondary byline appears with a (fairly) well-known author’s, that means the book was ghosted.

Those of you who follow these updates know that Matt and I are genuine collaborators. Our process is one we have shared openly. I usually come up with the basic premise of a novel, and we then – in several sessions – come up with a plot. We both work on a chapter breakdown/synopsis, and then Matt writes a shortish rough draft, which I polish and expand into a longer novel. It’s a synthesis of two writers, and it’s worked very well for us for a long time. We developed the approach on the very successful CSI novels and have continued it elsewhere.

I’m proud and pleased to share cover credit with Matt.

And this book represents, in both our opinions, our best work together. It comes out next November.

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Check out this terrific review of THE LEGEND OF CALEB YORK from the great book review site, Bookgasm.

M.A.C.

Shamus Nay, Scribes Yay

Tuesday, June 9th, 2015

The Private Eye Writers of America announced their nominees for the Shamus awards and, alas and alack, my entries (the novel KING OF THE WEEDS and the short story “It’s in the Book”) were not among them. My congratulations to the nominees, but you’ll have to look elsewhere for lists I’m not on.

Better news for the same two titles comes by way of the Scribe awards. This is a trifle late, having been announced elsewhere a couple of weeks ago, but here goes just the same:

The Ninth Annual Scribe Awards

The International Association of Media Tie-In Writers is pleased to announce the Scribe Award Nominees for 2015.

Acknowledging excellence in this very competitive field, IAMTW’s Scribe Awards honor licensed works that tie in with other media such as television, movies, gaming, or comic books. They include original works set in established universes, and adaptations of stories that have appeared in other formats and cross all genres. Tie-in works run the gamut from westerns to mysteries to procedurals, from science fiction to fantasy to horror, from action and adventure to superheroes. Gunsmoke, Ghost Whisperer, CSI, Star Trek, Star Wars, Shadowrun, Underworld, Man from UNCLE, Doctor Who, Buffy the Vampire Slayer, these represent just a few.

The Scribe Award winners will be announced at ComicCon San Diego in July. The exact day, time and location of the Scribes Panel including the award ceremony will be announced shortly.

IAMTW congratulates the following nominees:

BEST ORIGINAL NOVEL – GENERAL
24: Deadline by James Swallow
Murder She Wrote: Death of a Blue Blood by Don Bain
Mike Hammer: King of the Weeds by Mickey Spillane and Max Allan Collins
Homeland: Saul’s Game by Andrew Kaplan
The Killing: Uncommon Denominator by Karen Dionne

BEST ORIGINAL NOVEL – SPECULATIVE
Sleepy Hollow: Children of the Revolution by Keith R. A. DeCandido
Grimm: Chopping Block by John Passarella
Star Trek: Disavowed by David Mack
Star Trek: Foul Deeds Will Rise by Greg Cox
Grimm: The Killing Time by Tim Waggoner
Pathfinder: The Redemption Engine by James Sutter
Fringe: Sins of the Father by Christa Faust

ADAPTED NOVEL – GENERAL AND SPECULATIVE
Dawn of the Planet of the Apes by Alex Irvine
Noah by Mark Morris
War of the Worlds: Goliath by Adam Whitlach

YOUNG ADULT – ALL GENRES, ORIGINAL AND ADAPTED
Spirit Animals: Blood Ties by Garth Nix and Sean Williams
Battletech: The Nellus Academy Incident by Jennifer Brozak
Penguins of Madagascar by Tracey West

SHORT STORIES
Pathfinder: Hunter’s Folly by Josh Vogt
Mike Hammer: It’s in the Book by Max Collins and Mickey Spillane
Stargate: Perceptions by Diana Botsford
Pathfinder: Queen Sacrifice by Steven Savile
Tales of Valdemar: Written in the Wind by Jennifer Brozek

AUDIO
Dark Shadows: The Darkest Shadow by Nev Fountain
Dark Shadows: The Devil Cat by Mark Thomas Passmore
Blake’s 7: Fortuitis by George Mann
Doctor Who: Iterations of I by John Dorney
Pathfinder Legends: The Skinsaw Murders by Cavan Scott

The awards will once again be presented at San Diego Comic-Con International. And there will be a 40th anniversary of Quarry panel at the con, as well – details for both are forthcoming.

Here’s a nice little article about Barbara Allan and ANTIQUES SWAP.

And here’s a good take on SWAP from Not the Baseball Pitcher.

Finally, here’s a so-so review from Library Journal of THE LEGEND OF CALEB YORK – always good to get reviewed in the trades.

M.A.C.

On The Quarry Set — And A Giveaway!

Tuesday, May 26th, 2015

The handful of pictures here will give you an idea of how great a time Barb and I had on the QUARRY set in New Orleans.

We spent one full day on set and another half day. Those days are long – they work twelve hours – but that was not a surprise. The indies I’ve worked on ran the same kind of schedule. The set-up was reminiscent of ROAD TO PERDITION – giant warehouse space (PERDITION actually used an armory) turned into a studio. There were a trio of these massive adjacent warehouses, one a studio, the other a workshop, the last an enormous prop room with stuff from various decades that you might see in 1972 (Coke machines, lamps, phones, phone booths, TVs, record players, kitchen tables, etc.).

I spent minimal but pleasant time with director Greg Yaitanes, who was a little busy (he’s directing all eight episodes as one big movie). Barb and I watched in one of several “video villages” as half a dozen scenes were shot. Several of the actors – notably Logan Marshall-Green and Nikki Amuka-Bird – recognized Barb and me from the pilot shoot in Nashville in the summer of 2013, and greeted us warmly. Both of these actors are terrific as pros and people.


Logan Marshall-Green, Nikki Amuka-Bird, Max Allan Collins

I’m sure Quarry fans want to know how I feel about Logan in the part – well, he’s spot on. He gets the dark humor, he has screen presence to burn and conveys the deadly side of our man effortlessly. What will be disconcerting to the more literal-minded is Quarry’s Southern drawl. And in fact, the entire switch of settings to the south from the midwest will trouble some. But it lends great flavor and mood to the proceedings.

I can’t talk about the specifics of the season – that, as they used to say on THE PRISONER, would be telling – but it’s fair to say that this is an expanded, in-depth look at Quarry’s origin.

I also spent about half an hour talking to Damon Herriman, who plays Buddy, Quarry’s gay hitman partner. In the novels, Buddy is called Boyd, but the name was changed because of the well-known Boyd character in the great JUSTIFIED. Here’s the irony – Damon was, as they say, a fan favorite on that very series, playing the sublimely hapless Dewey Crowe. As I gushed over how great he was as Dewey Crowe (one of those names that require both halves when spoken), Damon at one point went into some Dewey Crowe speechifyin’. Startling to have this articulate Australian suddenly burst into Kentucky patois. And so very cool to sit there and hear. A sweet man capable of depicting bitter darkness.


Max Allan Collins, Damon Herriman

Matching the time I spent with these terrific actors (and I met several others, each a delight) was the lengthy session I had with the two writers who believed in bringing Quarry to TV, Graham Gordy and Michael Fuller. We mostly just made each other laugh, but also discussed possibilities for a second QUARRY season, should that come to pass. In that case, I would again be writing one of the eight scripts. I shared my thoughts on where a second season might go.

For a source writer, the most impressive thing about a set visit is seeing the size of a production like this. It’s mindboggling to think that something I cooked up in college in 1972, just trying to out-crook Don Westlake’s third-person thief with my own first-person hitman, could lead over forty years later to this mammoth assemblage of humans and machines, an army battling to entertain.

Still, as with my PERDITION set visit, I am always reassured that the process is the same as on my little indies. Some writers are ill at ease and bored on a film set.

I’m home.

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It’s a tad late to be doing this, but we have come up with four Advanced Reading Copies of ANTIQUES SWAP and four more of THE LEGEND OF CALEB YORK. They are available first-come-first-served by writing to me at macphilms@hotmail.com. Ask for one or the other, and indicate if you’d settle for either. IMPORTANT: include your mailing address. And sorry, but US residents only please.

As I say, this is free, and like everything that’s free, there’s a price: a review at Amazon and/or other similar sites, including your own web site. No strings.

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Here’s an interesting review of QUARRY’S CHOICE.

And another here.

Finally, Just a Guy That Likes to Read likes to read both Mike Hammer (COMPLEX 90) and Quarry (THE LAST QUARRY).

M.A.C.

The Legend of Caleb York

Tuesday, April 28th, 2015
The Legend of Caleb York
Hardcover:

E-Book: Amazon Google Play Nook Kobo iTunes

Audio MP3 CD:

Audio CD:

Audible:

THE LEGEND OF CALEB YORK is available as a hardcover right now. I can wait while you order it. (Collins humming themes from “Maverick” followed by “Rawhide,” concluding with a rousing rendition of the title song of “The Gunfight at O.K. Corral”). (You have to admit the song would not be as cool if it were “The Gunfight in the Vacant Lot Between Two Buildings Adjacent to the O.K. Corral.” Not only do we sometimes have to print the legend, sometimes we have to sing it.)

Okay, you’re back? Just for your info, there’s an audio book, too, which I’ll report on once I’ve listened to it, and a large print edition for people with eyesight even worse than mine.

If you’re a fan of Mickey Spillane’s, or mine, or both, you will surely want to grab this. In the late 1950s, Mickey wrote a screenplay, “The Saga of Cali York,” for his pal John Wayne that never got produced. It was one of three unproduced screenplays waiting for me in the Spillane files that Mickey had his wife Jane turn over to me. I based the novel on Mickey’s screenplay, which I thought was very good – it’s a traditional 1950s western in the vein of a really top-notch Randolph Scott, Joel McCrae or Audie Murphy flick.

What separates “York” from other westerns is the Spillane-style toughness and the explicit violence. Wayne presumably did not produce the film because his company Batjac got in financial hot water due to the way-over-budget production of THE ALAMO. But it’s also possible the over-the-top violence, at times anticipating Sam Peckinpah, made it a problematic project. It’s somewhat sexually steamy for the 1950s, too.

Writing the novel was tricky. I am right now in the early days of writing a sequel, utilizing material from Mickey’s notes and various drafts of the “York” script, and I spend as much time on Google doing research – and utilizing two shelves of my office library cart with books on the Old West – as I do writing.

Just the same, nobody should expect the level of historical accuracy that I bring to the Nathan Heller (or other historical crime) novels of mine. While I try to drop in tidbits of authenticity, Mickey was clearly operating in a movie/TV world, specifically of the ‘50s. Think of the Warner Bros. westerns of that period, or movies by Howard Hawks, John Ford, and Budd Boetticher. That’s the world.

So I don’t know how western fans will react. And I’m not sure how Heller fans will, either. BLACK HATS showed me taking the Heller approach to Wyatt Earp, but the Spillane westerns I’m doing for Kensington (there will be at least three) are definitely exploring the myth. Exploring it violently, but exploring it.

Not many reviews yet, but two really nice ones popped up last week, including one by modern-day pulpster, Ron Fortier.

And here’s a good one, very smart I think, from the Kindle Taproom.

Speaking of Spillane, I was thrilled to get another Mike Hammer review from the UK’s great Mike Carlson. He really digs KILL ME, DARLING.

Another Hammer review popped up for a title released a few years back, THE BIG BANG.

And, finally, out of nowhere came this write-up about the DICK TRACY comic strip collection, DICK TRACY AND THE NIGHTMARE MACHINE.

M.A.C.