Posts Tagged ‘Scarface and the Untouchable’

A Tale of Two Birthdays

Tuesday, March 6th, 2018

Before I dig in this week, be sure to check out the incredible Wall Street Journal article on Mickey’s centenary and my role in it.

I was born March 3, 1948. Mickey Spillane was born March 9, 1918. I just turned 70. Mickey is about to turn 100. My friend, mentor and collaborator was almost exactly thirty years older than me.

When I told my agent, the great but always skeptical Dominick Abel, that I was going to do everything I could to get notice for Mickey’s centenary, he had his doubts. I reminded him that Mickey was the best-selling American mystery writer of the 20th Century (possibly best-selling writer of that era period), and he reminded me that the 20th Century was a long time ago.

As we say in comics, sigh.

But I had a plan, involving the first, previously unpublished (unfinished-till-now) Mike Hammer novel (Killing Town) and the very last novel Mickey completed on his own (The Last Stand). I felt those bookends could attract attention, and a PR person at Titan (which includes Hard Case Crime) agreed with me. Her name is Katharine Carroll and she has done a stellar job, and continues doing so. That Wall Street Journal piece is her doing, as is coverage in Publisher’s Weekly, Library Journal (see below), Booklist and much more. She also landed a Playboy spot for the opening chapter of Killing Town – that issue of Playboy is on the stands now. If you buy it, you will see how big I like to see my byline (a combination of healthy ego and poor eyesight). I have spent so much time staring at my huge byline that I keep forgetting to look at the nude women.

The Titan news release about the Mike Hammer serialized graphic novel (four issues to be followed by a collection) is all over the Net, as well as the Hollywood Reporter (link provided last week). What Titan’s publisher, Nick Landau, and Hard Case Crime’s editor, Charles Ardai, have done for Mickey and me is fairly amazing.

I just completed a massively long interview with J. Kingston Pierce, who is scary in the knowledge and precision of his questioning. That will, I presume, appear on his essential mystery-fiction site, The Rap Sheet, before long.

So Mickey is 100. And I am 70 (a fact noted fairly widely on the Net also). I admit I find this a sobering birthday. When you are in your sixties, life still seems to stretch ahead some. When you are in your seventies, not so much. I look around and my film collaborator, actor Mike Cornelison, is gone…for some time now. Ed Gorman has passed. Bill Crider is gone. That the universe can reclaim that kind of talent and energy is unspeakably sad.

I now look at the books I still want to write and don’t know if I’ll be able to get to them all. I wonder if an indie film project rears its head if I can still direct. Stress is a motherhumper after you’ve had open-heart surgery. I find myself working harder than ever, and as fast as I can manage without a negative impact on the quality of the work and the state of my health. Barb wants me to slow down, but I quite honestly feel my best when I’m working.

We spent the birthday weekend with son Nathan, daughter-in-law Abby and the preternaturally smart and funny Sam, our two-and-a-half-year old grandson. It is with sadness and humility that I must report to you that Sam is smarter than all of your grandchildren (put together), should you have any. Don’t bother trying to correct me. You might as well tell a Trump voter the truth about their guy.

At my birthday I reflect on how lucky I am and continue to be. Let’s start with the smartest, most beautiful and talented wife on the planet, Barbara Collins. Let’s continue with a great son and his growing little family. Let’s continue with my ability to avoid a real job while making impossible career dreams come true…continuing Dick Tracy after Chester Gould, completing Mike Hammer from Mickey’s unfinished manuscripts (for a dozen years!), Ms. Tree, the unstoppable Nate Heller, the resurrection of Quarry, making an unofficial sort of sequel to The Bad Seed with Patty McCormack herself, finally (with brilliant Brad Schwartz) setting the record straight on Eliot Ness and Al Capone (the upcoming Scarface and the Untouchable), playing in a band with some of the most gifted musicians in the Midwest, and, oh hell…lots of other stuff. Little things, like a Grandmaster “Edgar” from the MWA (did I ever mention that to you?).

It’s always seemed special and (ridiculous, I know) that Mickey Spillane and I have birthdays just a few days apart – his 9 is even divisible by my 3 (and you thought I couldn’t do math). And yet here we both still are, writing books together.

Even if the 20th Century was a long time ago.

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Here’s some nice coverage of The Last Stand and the centenary at Library Journal, by way of an interview with me.

Check out this great review of The Bloody Spur at Gravetapping.

To help celebrate Mickey’s centenary, that gifted writer Raymond Benson has reviewed Mickey Spillane on Screen (by Jim Traylor and me) at the Cinema Retro web site.

Here’s a quirky (I think) positive review of Quarry’s Climax.

You have to scroll down a ways for it, but there’s a nice look at the Quarry TV series at Hardboiled Wonderland.

Finally, I was wished a nice happy birthday by Comics Reporter…and an old friend of Terry Beatty’s and mine.

M.A.C.

Valentine’s Day Reflections

Tuesday, February 20th, 2018

I try not to delve into politics much here. Most people know that I am left of center, but not so far left as to have any trouble with writing about Mike Hammer. This week I want to share a couple of things with you.

This cartoon, which appeared in the Quad City Times, is eloquent in its depiction of Iowa’s two senators, Joni Ernst and Chuck Grassley, who I consider to be embarrassments not just to my home state but the human race.

In another paper, a little thing called The New York Times, A. Brad Schwartz – my co-author on the forthcoming Scarface and the Untouchable: Al Capone, Eliot Ness and the Battle for Chicago – contributed an op-ed piece. Take the time to read it – “How the St. Valentine’s Day Massacre Changed Gun Laws.” You will among others things see how well Brad writes, and may wonder if in our collaboration I am up to anything more than keeping the pencils sharpened and making sure the printer doesn’t run out of paper.

My contribution to this fine piece, by the way, was to e-mail Brad, on the day the Florida shooting occurred, wondering why no one in media had yet made the St. Valentine’s Day connection. He was already on the case, but maybe I stoked the fire a little.

For the record, I support the Second Amendment. I just have no respect for (a) a hunter who needs an AR-15 or AK-47 to hit a deer, or (b) some guy who gets hard using that kind of weapon for target practice.

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Here’s a link to the Projection Booth podcast, Episode 352: Kiss Me Deadly (1955), a smart, in depth look at that great film with a lengthy, detailed interview with me. My only regret is that I didn’t focus more on the film itself – maybe next time.

Bill Crider is gone, but definitely not forgotten. Here’s a great interview with him.

And finally this lovely Crider tribute from J. Kingston Pierce.

M.A.C.

October Country

Tuesday, October 24th, 2017

Barb and I often watch a movie on Blu-ray or DVD in the evenings, and when October rolls around, we make a steady diet of horror films.

For many years, Barb avoided most modern horror films (she’s always liked “monster movies”), but after she worked on Mommy and Mommy’s Day, and had a behind-the-scenes glimpse at making movie mayhem, she has been much more open to such fare. In particular she is a fan of the Alien movies, in part because of the strong female central characters in those films (Aliens by far her favorite).

In the past we’ve gone through the Universal horror films, many Hammer UK films, as well as the Scream, Halloween and Nightmare on Elm Street franchises. This year we tackled Friday the 13th, although we stalled out after number five (a good entry), having begun to tire with number four (a bad entry). We decided to pick up next October with the rest of the series.

The only real misfire was the Phantasm series, which I like but Barb couldn’t abide. I understand that – the Phantasm movies are a very quirky affair and you either get into their sloppy but earnest amateur style or you don’t.

We took comedic side trips into Abbott and Costello Meet Frankenstein and Chopping Mall, the latter a film I’d watched earlier this year and put on the “Barb should see this” pile. I have several more of those I want to show her, mostly low-budget ‘80s fare that had limited releases theatrically but success on home video (not unlike Mommy); these include Warlock and Wishmaster, both spawning series that quickly got terrible. Vamp and the two Waxworks film are pending.

The top of the pile (and I spoke of this one before, briefly) is the South Korean film, Train to Busan. If you haven’t seen this, you need to. I avoided it for a while because it is a zombie film, and I’m fairly sick of those. But Busan is a remarkable piece of filmmaking that works on many levels, not the least of which is the scarcy-as-frigging-hell one. Most of it takes place on a train where a handful of survivors are wading through and battling off the many passengers who have gotten infected, died and quickly returned as ravenous zombies. In that regard, Busan is like Dawn of the Dead and other good zombie movies that have a strong adventure aspect – a resilient group of humans flees and outwits a zombie horde.

Train to Busan

But Busan has many serious socially charged themes, including greed, sacrifice, family, and bio-tech hazard. It’s also well-acted and brilliantly shot and staged; the director is Yeon Sang-ho. I think of the Hollywood fare that I’ve either suffered through or walked out on, in recent years, and see in BUSAN a level of filmmaking I’ve rarely encountered of late. I believe you can find this streaming on various services, and the Blu-ray is inexpensive.

We did take a break from horror to watch the fifth season of Wentworth, the reboot/re-imagining of the great Aussie soap opera, Prisoner Cell Block H (actually, just “Prisoner” in its native land, Patrick McGoohan nowhere in sight). We’re about two-thirds through and remain riveted to this deftly plotted and well-acted series, which strikes me as better than any TV series currently generated in America in the crime genre.

A sixth season is in the works. This one is on Netflix, I believe. We’re watching it on a Blu-ray from the UK.

* * *

On the health front, I am doing quite well. I have a procedure scheduled this week that I may be able to skip, as medication seems to have gotten rid of my a-fib and put my heartbeat back where it’s supposed to be. A cough that has nagged me for many weeks seems beaten back, too, and my energy level is close to normal. I am taking a shitload of pills, but gradually am getting off some of them.

I do regret missing Bouchercon. Looks like everybody had a great time.

On the work front, editing on Scarface and the Untouchable by A. Brad Schwartz and myself continues apace. Killing Town has been delivered, and I am researching the next Heller and hope to be writing in early November.

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Here’s a review column by the great Maxim Jakubowski (no one knows his stuff better) that includes a nifty Quarry’s Climax review.

Check out this terrific Bookreporter review of Quarry’s Climax.

And here’s an interview with me on the Quarry novels from Adam Hill.

M.A.C.

Toe Hold

Tuesday, August 8th, 2017

This will be a brief update, because I have just returned from having Cortisone shot into my arthritic big toe. It doesn’t hurt but I am woozier than usual. Yes, after defeating open-heart and lung surgery, not to mention whooping cough (but I guess I did just mention it), I am facing defeat at the hands of a toe.

But it takes more than excruciating pain to stop me from entertaining my public. My wife will, however, tell you that living with when I am not just a pain but am in pain is no effing picnic. Just yesterday she lovingly reminded me that I am more trouble than I’m worth.

I knew that, but an occasional reminder comes in handy.

I’m preparing to get back to writing the new Mike Hammer comic book mini-series (issue #1 delivered) and fighting that just-stepped-off-the-merry-go-round feeling from having shipped Scarface & the Untouchable, co-written by Brad Schwartz. What an incredible collaborator! The level of research into Eliot Ness that Brad pulled off is staggering. Very proud of this – almost 150,000 words, not counting end notes!

A quick note on a movie that you should seek out, either streaming or on Blu-Ray (it’s available cheap, lots of places): Train to Busan, a South Korean film that’s on the list of all-time high-grossers (in several senses) in that country. I avoided this for a while because it’s a zombie movie and I’m kind of zombied out.

But this rivals any zombie movie I’ve ever seen, including Romero ones, and has a lot more going on that just the undead trying to catch a train, or claw their way off one, either. The story is about a business-oriented father and his neglected child, and the theme is our responsibility to each other. It’s always scary as hell. I found it more reminiscent of John Carpenter’s great Assault on Precinct 13 than any zombie film, and that’s high praise indeed.

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For the month of August, Supreme Justice, Fate of the Union, and Executive Order are $1.99 each on the Kindle Store. Check them out at these links:

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That top-notch scribe Ron Fortier likes Murder Never Knockssee what he has to say about it!

Here is JournalStone’s announcement of The Will to Kill on audio.

And here is their announcement for Hardboiled Horror, an anthology of noir horror yarns that includes a new one by me and my frequent cohort in crime, Matt Clemens.

Check out this terrific piece on tie-in writing (from the Atlantic, no less!) that includes sage wisdom from an expert (humility prevents me from saying more).

Here’s a podcast on Wild Dog that I haven’t had a chance to listen to yet.

Finally, here’s a new review of The Baby Blue Rip-Off, which I wrote forty or fifty years ago (the book, not the review….).